Pratica di Shadowing: How John Mayer uses his signature plugin - Impara a parlare inglese con i video

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If I was in a pinch, I will always use this plugin, and I have already on records.

I'm just not going to tell you which ones they are, and I don't think you'll know.

So there are two main ways to use the plugin.

The first is in standalone, where it just becomes a replacement for an amplifier, which I love.

That's the way that I first envisioned using it in my house.

And to some extent, it is the way that I use it.

But if you try it with your DAW, now you have two things that are working for you.

The first is that you were able to record an idea in a heartbeat.

I used to take out my iPhone and hit the voice recorder

and put it on a table and try to turn the thing up so the voice recorder could catch it.

And it was a lot of me messing with the iPhone to record across the room.

When you're running the plug -in through a DAW, all you have to do is just hit record,

and it's immediately going down the same way you hear it, and it's going down as a DI,

unless you were to set it up so that it was printing that way.

You now have flexibility where you can come back and fix the sound a little later if you want.

You could get a guitar part you really liked, use it on a record.

So now you could be at home messing around

and your guitar riff could make it on a record

because you have the printed direct signal and you have the plugin that's saved inside of the chain,

all from the same experience of picking up a guitar and just playing through what feels like an amp.

It's the same experience intellectually of picking it up and playing and it's right there, except in the background, I hit command to space bar,

I'm recording the idea.

What's really cool about using the plug -in in a DAW is that the Archetype plug -in works really,

really, really well as the first stage of a signal chain.

I can very easily open any plug -in I want that is in effect.

Using the Archetype plug -in as the first stage,

it gives this kind of water pressure to the rest of the sounds you want to put on top of it.

It really buffers the signal super well

so at home all i have is this laptop with the plug -in on it an interface

and two studio monitors and as someone who's been playing guitar for

so many years you know it has had patch cables nine volt batteries different uh pedals

you forget to unplug the pedal you know

you forget to unplug the pedal you take a little break playing at home

you go into the other room then you hear the delay pedals dying

and all these different things and i've had amps where the reverb circuit was messed up

and you'd turn it on

and it'd go you'd have to put the reverb down to zero things

that were just always in kind of disarray at home and i've

looked forward to the year i would be able to simply have one cable a laptop

and two speakers and have that be the whole rig

and it's what i use at home so i thought i'd bring it in

and show you how i use it so the first thing

that i want to talk about when it comes to this plugin is

that it is capable of doing everything from clean to very saturated distortion.

The ear tends to go immediately to what it can do in terms of saturation.

It's really fun to play high gain stuff.

I do it.

We all do it.

What ends up happening, I think, is you put the guitar down a little sooner because there are no dynamics.

All you have is just a blowtorch.

And I love it.

I'm not saying to change a thing.

I think if you have the plugin or

if you've had the 14 -day trial

and you haven't opened it up in a

while there is something about just setting a sound

and letting your ear join to that sound

and the sound join to your ear it takes a second just like

when when you've got a real amp in the room you can a b all day

and you can kind of lose your way

and then you just want to go get a sandwich

because all you've done is a b

so first thing i want to show you is this is the setting that i use at home

it's set to a certain place i think the reason i like it is

because i can control when the note gets saturated

so yeah it's really easy to put both the halfman overdrive

and the teal breaker at the same time who doesn't love it

but what i do is i

and i think this has been the same setting for a couple of weeks

now uh i have it set up in pro tools

because what i'm able to do in pro tools is record whenever

i have an idea i cannot recommend this enough

if you use this in pro tools all you have to do is hit record

if you have an idea it's brilliant i want to get into

that part of it a little later what i want to show you is i don't have a set thing

i play

i don't have a set thing that i play

when i pick up the guitar i purposefully don't have a set thing

that i play i'm okay sucking for four or five minutes to find something so what i'll do is

just start with a smaller dynamic than you'd think

and i would pick up and this is really what i'll i'm gonna pretend i just sat down in my house,

and I just turned on the guitar.

I'm just saying hello to the thing.

I don't even, I'm not using my pick.

I want to feel what the string is doing, how it's responding.

And I know I'm putting myself in a situation where you might make fun of me.

And I want you to know that I'm okay with that.

And I want you to live a life where you express yourself,

where you're okay if people make fun of you for expressing how you like to play music.

So I just take a second.

I have a sound that I like.

This plugin can do it.

Let it do its thing.

Almost don't even look at the screen turn away from the screen.

I just like A, the key of A on the guitar, and I just...

I don't mind being wrong, doesn't matter, we're all just playing, just play.

that's

when I'll change

it I'm

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being intentional that's what I'm trying to learn to do as

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a guitar player is be as intentional as I can possibly be hey guess what the sound is set

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that's what's great about the plugin it's there it's the same sound

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now you get to consider how you want to play based on

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that sound that's the same sound for two weeks how am i playing inside

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that sound how does the guitar feel inside of

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that sound i also have it set up so that

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if i want the note to to to get a little distorted just a little overdriven as an effect, then I can do that.

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So I'm going to turn up to 10, and I'm going to try that kind of same idea again.

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that's clean that

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didn't change anything

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same patch all i'm doing is playing the guitar differently so on the same patch

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Thank you.

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So that's the first thing

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I want to tell you is one patch can really do a lot just like any amp

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because the plugin is created to replicate amps

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i think about these just like i would an amp i don't play for a second on an ac30

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and go wheel in the wheel in the bad cat

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i don't say wheel in the marshall you get a piece of gear

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and you get to know it but that's where the plugin gets really cool

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because there's also hundreds of other sounds in here but

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if you take just one and make it your amp build your sound around

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that as you move through all these patches any one of these could last you a month

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and you could write song after song after song for so many years people wrote records using one amp

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And I think that's the message I want to send, is that there's so much possibility if you just look away from the screen.

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Let it be about the guitar.

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And all I was doing is going between A and G.

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And I'm not afraid to mess up.

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I don't care anymore about messing up.

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I hope you don't care anymore about messing up.

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It doesn't mean you're not a great player.

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It means you're going looking.

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You're going just looking.

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We're not performing if you're in your room

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and you want to play your guitar and put it on camera

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and put it on social media you're just playing no one thinks you suck

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if you can play like this we know that's good

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you're allowed to suck on the next thing you're looking around

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you just played something good I know you're good look around didn't change the patch either it sounds more distorted

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if I told you I put

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more distortion on you'd

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believe me

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how about

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that this is just my session from home is using a doubler on it so

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and then it suddenly becomes

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it reminds me it's

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It's kind of got that people get ready thing.

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So let me show you why this is really cool.

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We are now recording.

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I now have that just as you heard it, but I can still go back in and change the effects

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if i want so i want to take the doubler off let's do this no doubler i don't like the

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that's what it sounds like without the archetype plugin i think that's the best example of what this thing does

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off on that's wild so let's put back in and i can add more to it you know that

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let's try it again let's put everything back on

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let's say i got a sound i really like i got this groove i really like Let's go.

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Okay, I got a thing I like, which I sort of liked there.

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this so you can use it again as a second instance

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so you're going to keep opening this plug -in multiple times with different personalities

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so i want to put a lead on top of it

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let me go into let's say a little more gain all right let's use both let's have fun

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and let's use the signature 83

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okay so i've got a loop

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that i liked playing this is all still in my living room pretend

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but i can without putting the guitar down without opening up another piece of software it's all right here

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that i could play on top of it

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Thank you.

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saved saved idea if you have an idea

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and you want to be able to layer on that idea or record

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that idea in the first place you do not have to open another piece of software to find out

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that it must be updated and there therefore you must also log into your account

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and you must also oh can i upgrade oh i can upgrade for 39 i don't even know where

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that old license was do i just buy the new one did they go to 4 .0 what's my oh

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i was 2 .3 was no it's all right here

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now i can walk around for the rest of time

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i can bring my laptop in the studio

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i can just be like i want to show you this thing

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i was working on can also change i could take off the distortion

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It's all there in the session.

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it can be called back up in a heartbeat and you can continue to change the sound if you like

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So that's why I love the plug -in for just living inside of Pro Tools.

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For me, I can open it up.

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I just play.

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What's the difference between playing and recording anymore?

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Just open the plug -in up inside of a Pro Tools session that's saved as a template

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or a session that you like.

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Open it up.

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Put it on record.

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You never have to record.

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I listen through studio monitors at my house.

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That's the end of amps in various states of disrepair

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and cables and screws and those little cables

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that go from like 9 -volt ports to little battery things that are taped under your pedal board and the pedal board.

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And nobody wants to hit a tube screamer with a naked foot.

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I can also use this on sessions in one of two ways.

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I can just put the plug -in on the computer in the studio I'm working in

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and I can play into it and therefore the engineer

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and the artist has that direct signal and the plug -in instance as an insert.

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Or I can just bring my laptop as an output device using an interface, and I get to control what the engineer gets.

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Sometimes I do like baking the decisions into the guitar track.

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I'm a big fan of, like, make your decision and put it down.

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Too many things can be moved around and changed.

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It's nice to commit sometimes.

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I just did a session for an artist, a friend of mine, and I played a big, fat guitar track on it

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and it was funny to send him one track

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there's not close mic for mic one far away mic for mic one

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and then doubled for two and three

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and a room mic it's it's one stereo track

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and you could probably email it you could probably text it to someone because it's all printed that way

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And if you like your presets and you want to play on someone else's record,

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it is a cool way of the best of both worlds of getting the tone you want

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and making sure you don't hear it come back in a way

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that you don't visualize or didn't imagine in your mind what it was going to sound like.

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So suddenly, I get to go to any studio I want with one guitar and a laptop in the guitar bag, and I'm good to go.

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I build my presets in fact i'm building my presets now more than i did before the plugin came out

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when i started

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uh playing through people's presets when i first got the plugin i realized that mine totally uh

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they suck and i'm gonna write a lot more presets

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because i have been very inspired by

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so many artists coming up with such great sounds for the plugin my argument was the plugin is my preset

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i didn't know how much you'd like presets and

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so i want you to know

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that in a future update you will have some some very cool presets

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i understand i didn't get it at first

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and then i heard how good the presets were and i realized

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that i was so busy making the darn plugin that

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when it was time for presets i had like 20 minutes

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so i'm apologizing to you i'm an honest guy what can I say?

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Okay.

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Okay.

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Hold on.

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I want some room.

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I want to hear a little room.

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guitar solo Let's put it through Smooth Operator,

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let's put a lot of bass on it,

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and let's, the thing about the Smooth Operator is that volume knob is very true to what those amps do.

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the other day i was playing like a grateful dead thing at home

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i wanted to get the sound of like early fillmore style grateful dead saint stephen dimed guitar amp

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and instead of using pedals i turned the volume of the smooth operator up

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and i was like oh this thing is responding completely differently it's actually acting like an amp

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that has the volume turned up more than an amp on five with distortion pedals

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but let's see what the smooth operator does with even an L5 so

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now that's actually breaking up like a like a I mean that's what it sounds like

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that is so authentic sounding that I'm scared I'm gonna blow a speaker

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here's what's interesting about the gain stuff

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i just want to double check i don't have any oh let's take the boost off okay

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and let's really get the volume knob to set the kind of throatiness we want

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now we can use the output we have two outputs we have the output of the amp

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and we have the output of the actual plug -in

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so that's two separate ways of speaking with the note the

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first one coming out of the amp is going to change the character of the amp somewhat

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so I actually don't even want to I'm going to turn

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the output of the plug -in up just a little bit Thank you.

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Thank you.

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piano plays softly

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guitar solo

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That's what I'm going to get.

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I'm going to play.

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I'll be right back. Do

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It's an L5 through smooth operator, getting a little quieter on the first stage, opening it up a little bit in the last stages so

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that you're not pushing the note too hard in the preamp all the dynamics all the physics are

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so similar to a real amp i invite you to get in there

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and if you turn the volume up all the way here

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and you turned it down a little bit here turn the output

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and it opens

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up like one of one of those real amps

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because it's not compressed like a distortion pedal I guess I'm doing

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so you've got an amp

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you've got a workstation you've got something you can bring into studios

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and play immediately I mean I I think

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this plug -in lives somewhere different than just inside of your recording setup i think

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because it's uh such a natural authentic emulation of amps

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it just does what amps do except it's already chained in to being able to just record it

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and have all the flexibility i want to see how fast and clean maybe this actually is one of my presets like

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Ultra Clean get

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a little more low end out of that

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Thank you.

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Thank you.

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oh we go until we till we die

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it's just like call of duty zombies it just send in more waves until you're overtaking the speed of

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that is faster

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and more responsive than most real amplifiers i know

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i don't know how to feel about it either one thing i want to say is

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that this plug -in was never designed to replace an amplifier

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it is not a moratorium on the tube amp it is not a commentary

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I think more options are better when it comes to technology taking the place of very heavy,

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expensive things that spend a lot of time in the shop.

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There is always going to be a really, really good reason to use amps.

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I will always continue to use amps.

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I don't believe you'll see me on a stage playing in an arena with a laptop.

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I don't think that's that cool.

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but if you want to pick up your guitar and play

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and you've had the experiences

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that I've had where the trip to being able to start playing involves the batteries in your pedals the patch cables,

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the wiring how long has the amp been on, are the tubes blowing how do you get the amp to the session

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if I was in a pinch I will always use this plug -in

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and I have already on records I'm just not going to tell you

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which ones they are and I don't think you'll know

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That is not meant to replace an amp.

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I'm still going to always play tube amps.

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It's meant to give you more options.

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It's meant to bring the experience of owning a tube amplifier and owning this gear into your home, no matter who you are.

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It's meant to democratize the gear.

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Something really interesting happens when you democratize access to the gear.

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You realize that everyone has their own sound.

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You'll also realize that I have not mentioned any of the tones that made the songs I've already made.

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Barely interested in that.

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I think it's super fun to find out that, yeah, you can pretty much nail some of those sounds.

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What's really interesting now that you've kicked the tires and you go, cool, it does that.

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What's your sound?

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You know what it reminds me of is That's what you wanted

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Yeah Dynamics.

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So, one more thing I want to show you.

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I have a guitar on.

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It is capable of playing anything I can imagine, and yet I am not playing.

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Am I doing nothing?

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No, I'm not doing nothing.

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I'm sitting, and I'm just thinking about what the guitar can do.

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Now, that is some woo -woo stuff, but it's true.

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I love this feeling as soon as you know

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when i was growing up i would watch tv

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and i would just have the guitar on me and i'd play during the commercials so i'd mute and i just

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now i'm not playing so what do you want to play everything's dialed in you got the patch you like

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you got the plug -in you like you got the sound

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you like everything is ready to go the guitar is tuned speakers are ready to play whatever

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you give it take a minute

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and have some fun with what your intention is going to be this is my favorite part of playing guitar

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i'm about to do it i don't know quite what it's going to be

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so i'm just going to let it lead and i'm going to say goodbye to you

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with a song and i don't know what the song is going to be

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i was like in b i hope i can stay in b oh i got the band hits

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Hey, man.

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thank you very much i hope this was helpful in some way to add a little more uh color

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and dimension to the already great videos i've seen people do this plugin is made to last forever

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because music's made to last forever i love each

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and every one of you i love your criticisms i love the dirt you throw i love this whole world

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when i die whenever that is your dumb comments will flash before my eyes

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when i think about my whole entire life i love you no matter what keep playing guitar I'm John bye

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Video consigliato

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Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione si basa sul video “How John Mayer uses his signature plugin”. Le parole che ritornano più spesso: amp, guitar, sound, plug, plugin. Questo video contiene 403 frasi e 3981 parole da ripetere con lo shadowing. Il parlato dura 35:50. Chi parla mantiene un ritmo costante di circa 111 parole al minuto, comodo per lo shadowing. Il 82% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.

Vocaboli chiave di questo video

15 parole del video che vale la pena imparare, con pronuncia e significato:

Parola	Pronuncia	Significato
guitar sostantivo	/ɡɪˈtɑɹ/	chitarra
plug sostantivo	/plʌɡ/	spina
pedal sostantivo	/ˈpɛdəl/	pedale
patch sostantivo	/pæt͡ʃ/	pezza, toppa
output sostantivo	/ˈaʊtpʊt/	risultato, produzione
laptop sostantivo	/ˈlæp.tɑp/	notebook, laptop
smooth aggettivo	/smuːð/	facile, dolce
tube sostantivo	/tuːb/	tubo, tubetto
operator sostantivo	/ˈɑpəˌɹeɪtɚ/	operatore
distortion sostantivo	/dɪsˈtɔːʃən/	distorsione
gear sostantivo	/ɡɪɚ/	attrezzo, parafernalia
suck verbo	/sʌk/	succhiare, suggere
dynamics sostantivo	/dɑɪˈnæm.ɪks/	dinamica
tone sostantivo	/ˈtəʊn/	tono
monitor sostantivo	/ˈmɑ.nɪ.tɚ/	monitor

I phrasal verb che sentirai

Parola	Significato
mess up verbo	incasinare
pick up verbo	tirare su, sollevare
find out verbo	scoprire
break up verbo	spezzettare, tagliuzzare
come back verbo	tornare
come up with verbo	ideare, escogitare
end up verbo	andare a finire, finire
grow up verbo	crescere

Frasi da ripetere

Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:

I'm not saying to change a thing.
I don't even, I'm not using my pick.
I don't care anymore about messing up.
I hope you don't care anymore about messing up.
It doesn't mean you're not a great player.

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

Struttura	Nel video
Present perfect have/has + participio passato — un’azione passata che conta ancora adesso	has had · i've had · you've had
Forma passiva be + participio passato — conta ciò che accade, non chi lo fa	is just hit · was messed · is hit

Pronuncia a cui fare attenzione

Chi parla usa 120 contrazioni e forme ridotte, come I'm, don't, you're. Pronunciale nella forma breve, così come le senti.

I suoni “th”: smooth /smuːð/, authentic /ɔˈθɛn.tɪk/
I suoni “sh” e “zh”: distortion /dɪsˈtɔːʃən/, intentional /ɪnˈtɛnʃənəl/, flash /flæʃ/, intention /ɪnˈtɛnʃn̩/, dimension /daɪˈmɛn.ʃən/
Parole lunghe — attenzione all’accento: operator /ˈɑpəˌɹeɪtɚ/, differently /ˈdɪf.ə.ɹənt.li/, flexibility /ˌflɛksɪˈbɪlɪti/, intentional /ɪnˈtɛnʃənəl/, commentary /ˈkɑ.mənˌtɛ.ɹi/

I suoni difficili per chi parla italiano:

/h/ — va soffiata, non è muta: heartbeat /ˈhɑɹtˌbit/, helpful /ˈhɛlp.fl̩/
Consonante finale — senza aggiungere una vocale dopo: plug /plʌɡ/, amp /ˈæmp/, patch /pæt͡ʃ/, output /ˈaʊtpʊt/, laptop /ˈlæp.tɑp/
/æ/ — più aperta della “e”: amp /ˈæmp/, patch /pæt͡ʃ/, laptop /ˈlæp.tɑp/, dynamics /dɑɪˈnæm.ɪks/, flash /flæʃ/

Come esercitarsi con questo video

Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
Registrati e confronta con l’originale, facendo attenzione a parole come guitar, plug, pedal.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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Cos'è la tecnica dello Shadowing?