Pratica di Shadowing: how to sound like a native English speaker using movie dialogues. - Impara a parlare inglese con i video
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284 frasi
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1
Good!
2
Let's get down to business!
3
Emma needs some makeup.
4
Good!
5
Let's get down to business!
6
Emma needs some makeup.
7
That's good.
8
Ok, let's get down to business.
9
Emma needs some makeup.
10
That's good.
11
Ok, let's get down to business.
12
Emma needs some makeup.
13
Good!
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Okay!
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Let's get through the business!
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Emma needs some makeup.
17
Good!
18
Good!
19
Let's get down the business!
20
Emma needs some makeup.
21
Seriously, Ari, what about us would you like to talk about?
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Seriously, Ari, what about us would you like to talk about?
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Seriously, Ari, what about us would you like to talk about?
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Seriously, Ari, what about us would you like to talk about?
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Seriously, Ari, what about us would you like to talk about?
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Seriously, Ari, what about us would you like to talk about?
27
We've got no more than an hour.
28
Let's get crackin'.
29
We've got no more than an hour.
30
Let's get crackin'.
31
We've got no more than an hour.
32
Let's get cracking.
33
We've got no more than an hour.
34
Let's get cracking.
35
We've got no more than an hour.
36
Let's get crackin'.
37
We've got no more than an hour.
38
Let's get crackin'.
39
Jimmy, you guys ready?
40
Let's roll.
41
Jimmy, you guys ready?
42
Let's roll.
43
Jimmy, you guys ready?
44
Let's roll!
45
Jimmy, you guys ready?
46
Let's roll!
47
Jimmy, you guys ready?
48
Let's roll.
49
Jimmy, you guys ready?
50
Let's roll.
51
So is he gonna be up and running again soon?
52
So is he gonna be up and running again soon?
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So is he gonna be up and running again soon?
54
So is he going to be up and running again soon?
55
So is he gonna be up and running again soon?
56
So is he gonna be up and running again soon?
57
You should go out, try to find yourself a nice woman.
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You should go out, try to find yourself a nice woman.
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You should go out.
60
Try to find yourself a nice woman.
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You should go out.
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Try to find yourself a nice woman.
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You should go out, try to find yourself a nice woman.
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You should go out, try to find yourself a nice woman.
65
Sure, no problem.
66
I'll get right on it.
67
Sure, no problem.
68
I'll get right on it.
69
Sure, no problem.
70
I'll get right on it.
71
Sure, no problem.
72
I'll get right on it.
73
Sure, no problem.
74
I'll get right on it.
75
Sure, no problem.
76
I'll get right on it.
77
No!
78
Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
79
No!
80
Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
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Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
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Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
83
No!
84
Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
85
No!
86
Frank, if you're starting with shoe polish, you're starting off on the wrong foot, buddy.
87
You know, once I broke the ice with him, it was just like riding a bike.
88
You know, once I broke the ice with him, it was just like riding a bike.
89
Once I broke the ice with him, it was just like riding a bike.
90
Once I broke the ice with him, it was just like riding a bike.
91
You know, once I broke the ice with him, it was just like riding a bike.
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You know, once I broke the ice with him, it was just like riding a bike.
93
Are you through with that?
94
Are you through with that?
95
Are you through with that?
96
Thanks.
97
Are you through with that?
98
Thanks!
99
Are you through with that?
100
Thanks.
101
Are you through with that?
102
I don't want you to interrupt me until I'm done.
103
I don't want you to interrupt me until I'm done.
104
I don't want you to interrupt me until I'm done.
105
I don't want you to interrupt me until I'm done.
106
I don't want you to interrupt me until I'm done.
107
I don't want you to interrupt me until I'm done.
108
I'm sorry, Hunter.
109
I can't allow you to leave.
110
I believe you still have some issues to work out.
111
I'm sorry, Hunter.
112
I can't allow you to leave.
113
I believe you still have some issues to work out.
114
I'm sorry, Hunter.
115
I can't allow you to leave.
116
I believe you still have some issues to work out.
117
I'm sorry, Hunter.
118
I can't allow you to leave.
119
I believe you still have some issues to work out.
120
I'm sorry, Hunter.
121
I can't allow you to leave.
122
I believe you still have some issues to work out.
123
I'm sorry, Hunter.
124
I can't allow you to leave.
125
I believe you still have some issues to work out.
126
No problem, just pass back up when you're done.
127
No problem, just pass back up when you're done.
128
No problem.
129
Just pass it back up when you're done.
130
No problem.
131
Just pass it back up when you're done.
132
No problem, just pass back up when you're done.
133
No problem, just pass back up when you're done.
134
Maybe you could just try a little harder not to make things worse.
135
Maybe you could just try a little harder not to make things worse.
136
Maybe you could just try a little harder not to make things worse.
137
Maybe you could just try a little harder not to make things worse.
138
Maybe you could just try a little harder, not make things worse.
139
Maybe you could just try a little harder not to make things worse.
140
Start wrapping it up, Fee.
141
Need to get back.
142
Start wrapping it up, Fee.
143
Need to get back.
144
You should start wrapping it up, Phi.
145
need to get back.
146
You should start wrapping it up, Fi.
147
need to get back.
148
Start wrapping it up for you.
149
Need to get back.
150
Start wrapping it up, hey.
151
Need to get back.
152
This isn't a trick, Will.
153
That game's over for me.
154
This isn't a trick, Will.
155
That game's over for me.
156
This isn't a trick, Will.
157
That game's over for me.
158
This isn't a trick, Will.
159
That game's over for me.
160
This isn't a trick, though.
161
That game's over for me.
162
This isn't a trick, Will.
163
That game's over for me.
164
We're almost there nice and easy.
165
You ready?
166
We're almost there nice and easy.
167
You ready?
168
We're almost there, nice and easy.
169
Ready?
170
We're almost there, nice and easy.
171
Ready?
172
We're almost there nice and easy.
173
You ready?
174
We're almost there nice and easy.
175
You ready?
176
Come back here!
177
I'm not done with you yet!
178
Come back here!
179
I'm not done with you yet!
180
Come back here.
181
I'm not done with you yet.
182
Come back here.
183
I'm not done with you yet.
184
Come back here!
185
I'm not done with you yet!
186
Come back here!
187
I'm not done with you yet!
188
You want me to come with you?
189
No, I just want to get it over with.
190
Do you want me to come with you?
191
No, I just want to get it over with.
192
Do you want me to come with you?
193
No. I just want to get it over with.
194
Do you want me to come with you?
195
No. I just want to get it over with.
196
You want me to come with you?
197
No, I just want to get it over with.
198
You want me to come with you?
199
No, I just want to get it over with.
200
Now listen, rehearsal's over.
201
You can all go home.
202
Now listen, rehearsal's over.
203
You can all go home.
204
Now listen.
205
Rehearsal's over.
206
You can all go home.
207
Now listen.
208
Rehearsal's over.
209
You can all go home.
210
Now listen, rehearsal's over.
211
You can all go home.
212
Now listen, rehearsal's over.
213
You can all go home.
214
Why do you have to make things so complicated?
215
Why do you have to make things so complicated?
216
Why do you have to make things so complicated?
217
Why do you have to make things so complicated?
218
Why do you have to make things so complicated?
219
Why do you have to make things so complicated?
220
You might want to wear something a little less revealing.
221
You might want to wear something a little less revealing.
222
You might want to wear something a little less revealing.
223
you might want to wear something a little less revealing You might want to wear something a little less revealing.
224
You might want to wear something a little less revealing.
225
Carlton, I know you're upset.
226
You've been through a very dramatic experience.
227
Carlton, I know you're upset.
228
You've been through a very traumatic experience.
229
Carlton, I know you're upset.
230
You've been through a traumatic experience.
231
Carlton, I know you're upset.
232
You've been through a traumatic experience.
233
Carlton, I know you're upset.
234
You've been through a very dramatic experience.
235
Carlton, I know you're upset.
236
You've been through a very dramatic experience.
237
You have no idea what you've put me through.
238
My mother died.
239
You have no idea what you've put me through.
240
My mother died.
241
You have no idea what you've put me through.
242
My mother died.
243
You have no idea what you've put me through.
244
My mother died.
245
You have no idea what you've put me through.
246
My mother died.
247
You have no idea what you've put me through.
248
My mother died.
249
Do you know how scared I am every time we go into surgery?
250
Do you know how scared I am every time we go into surgery?
251
Do you know how scared I am every time we go into surgery?
252
Do you know how scared I am every time we go into surgery?
253
Do you know how scared I am every time we go into surgery?
254
Do you know how scared I am every time we go into surgery?
255
You must be scared you might become like me, right?
256
You must be scared you might become like me, right?
257
You must be scared you might become like me, right?
258
You must be scared you might become like me, right?
259
You must be scared you might become like me, right?
260
You must be scared you might become like me, right?
261
I've been doing a lot of thinking about what you said, Dad.
262
I've been doing a lot of thinking about what you said, Dad.
263
I've been doing a lot of thinking about what you said, Dad.
264
I've been doing a lot of thinking about what you said, Dad.
265
I've been doing a lot of thinking about what you said, Dad.
266
I've been doing a lot of thinking about what you said, Dad.
267
I've been doing some thinking about who should be my maid of honor.
268
I've been doing some thinking about who should be my maid of honor.
269
I have been doing some thinking about who should be my maid of honor,
270
I have been doing some thinking about who should be my maid of honor
271
I've been doing some thinking about who should be my maid of honor.
272
I've been doing some thinking about who should be my maid of honor.
273
Have you given any thought to your future?
274
Have you given any thought to your future?
275
Have you given any thought to your future?
276
Have you given any thought to your future?
277
Have you given any thought to your future?
278
Have you given any thought to your future?
279
I wasn't even thinking about him that much anymore.
280
I wasn't even thinking about him that much anymore.
281
I wasn't even thinking about him that much anymore.
282
I wasn't even thinking about him that much anymore.
283
I wasn't even thinking about him that much anymore.
284
I wasn't even thinking about him that much anymore.
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Cosa imparerai con questo video
Questo video è una risorsa eccellente per la pratica di conversazione in inglese, specialmente se vuoi rafforzare due abilità chiave: l'uso di espressioni colloquiali e la capacità di adattare il tono a contesti informali. Attraverso i dialoghi, imparerai a integrare frasi come "Let's get down to business" o "Let's get crackin'" nella tua lingua parlata, evitando frasi troppo formali. Inoltre, la ripetizione costante dei dialoghi aiuta a migliorare la fluidità, un aspetto fondamentale per sembrare un madrelingua.
Ascolta questi suoni e connessioni
Nelle conversazioni del video, nota come le parole si connettono tra loro: ad esempio, "Let's get down to business" diventa quasi "Let's getdownto business" grazie alla connessione vocale, una caratteristica tipica dell'inglese parlato. Anche le riduzioni sono evidenti: "what about us" si sente spesso come "whadabout us" e "you guys ready" diventa "y'guys ready". Questi dettagli sono cruciali per la migliorare la pronuncia inglese, perché rendono il tuo discorso più naturale e meno "studioso".
Parla come un madrelingua: ritmo e stress
Per imitare il modo di parlare dei madrelingua, concentra ti sul ritmo e sul stress. Nelle frasi come "We've got no more than an hour. Let's get crackin'", il stress cade su "no more than" e "crackin'", mentre le altre parole sono pronunciate più velocemente. Usa la tecnica del shadow speak (o shadow speech): ascolta una frase, poi ripettala immediatamente, cercando di copiare non solo le parole ma anche l'intonazione e il volume. Un shadowing site può aiutarti a esercitarti, ma anche ripetendo il video a lungo ti renderai conto di come il flusso del discorso si adatta alle emozioni e ai contesti. Ricorda: il segreto è non solo pronunciare bene, ma anche "sentire" il linguaggio come un madrelingua.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've been doing · have been doing |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | You've been · you've put · Have you given |
| Consigli con “should” should + verbo — dire che cosa è meglio fare | should go · should start · should be |
| Possibilità con “might / may” might/may + verbo — qualcosa di possibile ma non certo | might want · might become |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.