Pratica di Shadowing: Klaus and Caroline’s Enemies to Lovers Arc: Part 2 | The Vampire Diaries - Impara a parlare inglese con YouTube
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266 frasi
1
You're still here?
2
What are you doing?
3
Gloating.
4
Hello, Caroline.
5
Come home.
6
Don't stoop to his level.
7
He destroyed my life.
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I plan on being present for every second of his misery until I can kill him myself.
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Fine.
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You can gloat and multitask.
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This place is a disaster.
12
Starting with horrific burnt corpse.
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Tyler's mother is dead.
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So is my brother.
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We're even.
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Call Bonnie.
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Get her to let me out of here.
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I will never, ever help you.
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How quickly you forget the part where I saved Tyler from the misery of being a werewolf.
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Or the night your mother invited me into her home to save the life of her precious daughter.
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How delusional are you?
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You killed his mother.
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And let's not forget that we're standing in a house where Elena's Aunt Jenna used to live.
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Or did you think that your charm would make us forget how you killed her too?
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You know what?
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No, I am not going to engage in this.
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You are not even worth the calories I burned talking to you.
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No!
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Now, that was definitely worth the calories.
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If you want her to die, fine.
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But then you can sit here and watch her die yourself.
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Nothing personal, love.
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But if I cure you, that means victory for him.
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Don't worry.
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It won't be long now.
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If you don't feed me your blood, I'll die.
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Then you'll die.
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And Tyler will have learned his lesson the hard way.
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How could you do this to him?
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To his mom?
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To me?
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I'm a thousand years old.
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Call it boredom.
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I don't believe you.
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Fine.
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then maybe it's because I'm pure evil and I can't help myself.
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No.
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It's because you were hurt.
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Which means that there is a part of you that is human.
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How could you possibly think that?
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Because I've seen it.
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Because I've caught myself wishing that I could forget all the horrible things that you've done.
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But you can't.
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Can you?
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I know that you're in love with me.
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And anybody capable of love is capable of being saved.
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You're hallucinating.
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I guess I'll never know.
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Caroline.
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Caroline.
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Go!
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You can
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kill Tyler.
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Not only can I, I have to.
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I have a reputation to uphold.
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Moreover, I want to.
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I'm not asking you to forgive him.
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All I'm asking is that you let him live somewhere far from here.
69
So he gets to live a happy life after he turned all my hybrids against me.
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After he tried to kill me.
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After he made it his life's mission to find the cure so he could use it against me.
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Do we all want the cure?
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Do we?
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Do you?
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It doesn't matter.
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There's only one, so it's not like I'm gonna get it anyway.
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But if you could...
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you wouldn't, would you?
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You prefer who you are now to the girl you once were.
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You like being strong.
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Ageless.
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Fearless.
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We're the same, Caroline.
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Show me.
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You know how much I love Tyler.
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You can see how scared I am to lose him.
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If you and I are so similar, then show me your compassion.
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Show him the mercy of your love.
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Show him the mercy that I would show you.
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Mercy.
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For Tyler.
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Very well.
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Tell him to leave town immediately.
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And tell him to run and hide in a place I will never find him.
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Of course.
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Tell him that this is the mercy I extend for your sake.
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That I will give him a head start before I kill him.
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How did you get out?
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I fear something awful has befallen your friend Bonnie.
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Don't worry, love.
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You know I'd never hurt you.
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You've done enough.
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I've done more than enough.
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I've shown kindness, forgiveness, pity.
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Because of you, Caroline.
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It was all for you.
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There.
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Twelve graves for twelve witches.
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Like it never happened.
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Only, it did happen.
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Now Silas has everything he needs to open the gates to hell on Earth.
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You're just gonna let Bonnie die.
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I know arithmetic isn't your strong point, but one is still less than 12.
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Yeah, but that one is my best friend.
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Tell yourself whatever you need to so you can sleep at night.
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I just killed 12 people.
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Hey.
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Hey.
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You look like you're in need of comfort.
120
Why don't you find someone less terrible you can relate to?
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Remember us, Caroline.
122
There are plenty more of these to go around.
123
Who's next?
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If I can do this all day.
125
How'd you get here so fast?
126
I was already on my way.
127
I received your graduation announcement.
128
It's very subtle.
129
I assume you're expecting cash?
130
That, or a mini-fridge.
131
I had considered offering you a first-class ticket to join me in New Orleans.
132
But I knew what your answer would be.
133
So I opted for something I knew you would accept.
134
Tyler is now free to return to Mystic Falls.
135
What?
136
He's your first love.
137
I intend to be your last.
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However long it takes.
139
Congratulations, Caroline.
140
Let's get out of here.
141
Before 12 angry hybrids decide to pick a fight.
142
Sorry, Matt's buried alive.
143
No time to chat.
144
Are you not even the least bit curious as to why I'm here?
145
I literally just whooshed at the sight of your face, so no.
146
Damon informed me that Katarina Petrova has taken a tragic turn.
147
So you're here to gloat over her corpse-to-be.
148
to delight in the closure of 500 years of revenge.
149
Great.
150
Now I'm even less interested.
151
Well, then, perhaps you'd be more interested in talking about Tyler.
152
Is he...
153
did you...
154
No, I sent him off with a little more than a bruised ego.
155
He really does hate me.
156
Poor lad.
157
Revenge, it eats at him.
158
I hear you two broke up.
159
Because I made him choose.
160
Me or his stupid revenge fantasy.
161
He chose wrong.
162
I suggest that you learn from his mistakes and let Catherine die in peace.
163
Dying sucks enough as it is.
164
No need to rub anyone's nose in it.
165
So the quarterback has been saved.
166
What now?
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Don't you have a dying girl to go punish for all of her sins?
168
I do, but I won't for you.
169
So you came all the way to Mystic Falls just to back off when I ask you to?
170
No, I came all the way to Mystic Falls to gloat over a corpse to be, as you so poetically put it.
171
But I will leave, minus the gloating, in return for one small thing.
172
And what is that?
173
I want your confession.
174
My confession?
175
I didn't do anything.
176
Confession about what?
177
Me.
178
As soon as we're done here, I'm gonna walk away.
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And I'm never coming back.
180
You'll never again have to look me in the eye and cover our connection with hostility and revulsion.
181
You'll never have to loathe the darkest parts of yourself that care for me in spite of all I've done.
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I will be gone.
183
And you will be free.
184
I just...
185
I want you to be honest with me.
186
I'm in college.
187
I'm building a life for myself.
188
I have plans and a future and things that I want, and none of those things involve you, okay?
189
None of them.
190
I see.
191
No, you don't, because, yes, I cover our connection with hostility, because, yes, I hate myself for the truth.
192
So if you promise to walk away, like you said, and never come back, then, yes, I will be honest with you.
193
I will be honest with you about what I want.
194
I will walk away, and I will never come back.
195
I promise.
196
Good.
197
I did
198
a bad thing.
199
I'm sure it wasn't that bad.
200
You don't even know what it is.
201
Elena, stop.
202
This is really important.
203
Okay, I'm sorry.
204
Tell me, what happened?
205
What would you say if I told you that when a certain awful person was in town, I ran into him in the woods and sort of kissed him?
206
He was there, and he obviously wanted to kiss me, so I thought, oh, I'll just make out.
207
But then it felt really good to kiss him, so then I kind of totally had sex with him.
208
But I swear I didn't plan to do it, and now I feel terrible.
209
And the person we're talking about is...
210
Klaus?
211
Oh, wow.
212
That...
213
that...
214
Wow, really?
215
Would I make something like this up?
216
And that is why I need you to tell me what an awful person I am.
217
Actually, you're one of the least awful people I know.
218
So tell me, how was it?
219
You know, compared to Tyler.
220
Elena Gilbert.
221
Caroline Forbes, come on, spill the beans.
222
I can see.
223
Now that you've slept with Klaus, I mean, how was it?
224
I am so not answering that.
225
You so are.
226
Oh, my God.
227
Get out.
228
Just let me explain.
229
No, let me.
230
Klaus killed thousands of people.
231
Elena's aunt.
232
An entire pack of hybrids.
233
my friends.
234
Caroline, he killed my mom.
235
I know.
236
I know.
237
I'm so sorry.
238
Just stop.
239
I walked out last time.
240
Now it's your turn.
241
Go.
242
No.
243
Don't take another step, Caroline.
244
You would just...
245
I said leave!
246
You're drunk.
247
Get your hands off me.
248
What's the matter with you?
249
Oh, you don't know?
250
She screwed Klaus.
251
Exactly.
252
You know, drunk or not, she doesn't deserve that.
253
Klaus put me through hell in New Orleans, Matt.
254
He crushed me.
255
And just when I thought it was over, That he couldn't destroy anything else or do anything worse?
256
Gah.
257
Opening the school was hard work.
258
We needed lots of help.
259
Fortunately, we knew plenty of people with experience.
260
Here you go.
261
Let's go.
262
Caroline was determined to make it a success.
263
She wanted to make her mom proud.
264
And it's the fight And the fight of our lives You and I
265
Plus, soon after the school opened, she got a most impressive donor But that is the beginning of another story
266
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Contesto & Background
Il dialogo che ascoltiamo in questo estratto è un'interazione carica di tensione tra Klaus e Caroline, due personaggi di una famosa serie TV. Klaus, un vampiro millenario, si trova in un momento difficile e complesso, mentre Caroline cerca di affrontare le sue azioni malvagie. Questo scambio mette in evidenza non solo il conflitto tra i personaggi, ma anche le emozioni umane che emergono, come l'amore, la paura e il desiderio di redenzione. Per migliorare le tue abilità di pratica di conversazione in inglese, questa scena è un perfetto esempio di dialoghi ricchi e intricati.
Top 5 Frasi per la Comunicazione Quotidiana
- "You're still here? What are you doing?" - Libera espressione di sorpresa e curiosità.
- "I will never ever help you." - Un'affermazione decisa e ferma.
- "How could you possibly think that?" - Espressione di incredulità e difesa.
- "You know how much I love Tyler." - Dichiarazione di un sentimento profondo.
- "We all want the cure, do we?" - Una riflessione sulla condivisione di desideri e obiettivi.
Guida Step-by-step per il Shadowing
Per affrontare questa scena con efficacia, segui questi passaggi per utilizzare il shadowing in inglese:
- Ascolta attentamente: Guarda la scena senza cercare di parlare. Concentrati sulle emozioni e sull'intonazione dei personaggi.
- Rivedi il transcript: Leggi il dialogo, prestando attenzione alle frasi chiave che hai identificato. Questo ti aiuterà a capire meglio il contesto e le espressioni.
- Ripeti ogni frase: Usa la tecnica del shadow speech, ripetendo ogni frase subito dopo averla ascoltata. Questo ti aiuterà a migliorare la pronuncia e l'intonazione.
- Pratica in contesti reali: Prova a utilizzare le frasi apprese nella tua vita quotidiana. Crea situazioni immaginarie in cui puoi usarle.
- Valuta i tuoi progressi: Registra la tua voce mentre pratichi e riascolta per notare miglioramenti nella fluidità e nella pronuncia.
Utilizzando questa guida, potrai imparare l'inglese con youtube in modo efficace, arricchendo il tuo vocabolario e migliorando le tue abilità di comunicazione. Non dimenticare che la chiave per un buon apprendimento è la pratica costante e la ripetizione. Buona pratica!
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.
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