Pratica di Shadowing: The surprising pattern behind color names around the world - Impara a parlare inglese con i video

Scegli una modalità di pratica

Ogni modalità apre una sala di pratica a schermo intero.

80 frasi
Se le frasi sono troppo corte o troppo lunghe, clicca su Edit per modificarle.
1
If I showed you this paint chip and asked you to tell me what color it is, what would you say?
2
How about this one, and this one?
3
You probably said blue, purple, and brown, but if your native language is Wobe from Côte d 'Ivoire,
4
you probably would have used one word for all three.
5
That's because not all languages have the same number of basic color categories.
6
In English we have 11, Russian has 12, but some languages like Wobbe only have three
7
and researchers have found that if a language only has three or four basic colors
8
They can usually predict what those will be So how do they do it?
9
As you would expect different languages have different words for colors
10
But what interests researchers isn't those simple translations.
11
It's the question of which colors get names at all
12
Because as much as we think of colors in categories, the truth is that color is a spectrum.
13
It's not obvious why we should have a basic color term for this color, but not this one.
14
And until the 1960s, it was widely believed by anthropologists that cultures would just choose from the spectrum randomly.
15
But in 1969, two
16
Berkeley researchers, Paul Kay and Brent Berlin, published a book challenging that assumption.
17
They had asked 20 people who spoke different languages to look at these 330 color chips
18
and categorize each of them by their basic color term.
19
And they found hints of a universal pattern.
20
If a language had six basic color words, they were always for black or dark, white or light, red, green, yellow, and blue.
21
If it had four terms, they were for black, white, red, and then either green or yellow.
22
If it had only three, they were always for black, white, and red.
23
It's suggested that as languages develop, they create color names in a certain order first black and white, then red, then green and yellow,
24
then blue, then others like brown, purple, pink, orange, and gray.
25
The theory was revolutionary.
26
They weren't the first researchers interested in the question of how we name colors.
27
In 1858, William Gladstone, who would later become a four -term British Prime Minister, published a book on the ancient
28
Greek works of Homer.
29
He was struck by the fact that there weren't many colors at all in the text,
30
and when there were, Homer would use the same word for, quote, colors which, according to us, are essentially different.
31
He used the same word for purple to describe blood, a dark cloud, a wave,
32
and a rainbow, and he referred to the sea as wine -looking.
33
Gladstone didn't find any references to blue or orange at all.
34
Some researchers took this and other ancient writings to wrongly speculate that earlier societies were colorblind.
35
Later in the 19th century, an anthropologist named W .H .R.
36
Rivers went on an expedition to Papua New Guinea, where he found that some tribes only had words for red,
37
white, and black, while others had additional words for blue and green.
38
An expedition to investigate the cultures on a remote group of islands in the Torres Straits between Australia and New Guinea.
39
His brief was to investigate the mental characteristics of the islanders." He claims
40
that the number of color terms in a population was related to their,
41
quote, "...intellectual and cultural development." And he used his findings to claim that Papuans were less physically evolved than Europeans.
42
Berlin and Kay didn't make those racist claims, but their color hierarchy attracted a lot of criticism.
43
For one thing, critics pointed out that the study used a small sample size — 20 people,
44
all of whom were bilingual English speakers, not monolingual native speakers.
45
And almost all of the languages were from industrialized societies, hardly the best portrait of the entire world.
46
But it also had to do with defining what a basic color term is.
47
In the Yele language in Papua New Guinea, for example, there are only basic color terms for black, white, and red.
48
But there's a broad vocabulary of everyday objects, like the sky, ashes, and tree sap,
49
that are used as color comparisons that cover almost all English color words.
50
There are also languages like Hanuno 'o, from the Philippines, where a word can communicate both color and a physical feeling.
51
They have four basic terms to describe color, but they're on a spectrum of light vs. dark, strength vs. weakness, and wetness vs. dryness.
52
Those kinds of languages don't fit neatly into a color chip identification test.
53
But by the late 1970s, Berlin and Kay had a response for the critics.
54
They called it the World Color Survey.
55
They conducted the same labeling test on over 2 ,600 native speakers of 110 unwritten languages from non -industrialized societies.
56
They found that with some tweaks, the color hierarchy still checked out.
57
83 % of the languages fit into the hierarchy.
58
And when they averaged the center point of where each speaker labeled each of their language's colors, they wound up with a sort of heat map.
59
Those clusters matched pretty closely to the English speaker's averages, which are labeled here.
60
Here's how Paul Kaye puts it.
61
It just turns out that most languages make cuts in the same place.
62
Some languages make fewer cuts than others.
63
So, these color stages are widespread throughout the world, but why?
64
Why would a word for red come before a word for blue?
65
Some have speculated that the stages correspond to the salience of the color in the natural environment.
66
Red is in blood and in dirt.
67
Blue on the other hand was fairly scarce before manufacturing.
68
Recently, cognitive science researchers have explored this question by running computer simulations of how language evolves through conversations between people.
69
The simulations presented artificial agents with multiple colors at a time, and through a series of simple negotiations,
70
those agents developed shared labels for the different colors.
71
And the order in which those labels emerged?
72
First, reddish tones, then green, and yellow, then blue, then orange.
73
It matched the original stages pretty closely.
74
And it suggests that there's something about the colors themselves that leads to this hierarchy.
75
Red is fundamentally more distinct than the other colors.
76
So what does all this mean?
77
Why does it matter?
78
Well, it tells us that despite our many differences across cultures and societies,
79
there is something universal about how humans try to make sense of the world.
80
Thank you.

Scarica l'app

Tutto ciò che serve per parlare fluentemente

Pronuncia con IAVoto per ogni frase
Pratica IPAPadroneggia ogni suono
VocabolarioCostruisci il tuo lessico
Gioco di vocabolarioImpara giocando

Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione si basa sul video “The surprising pattern behind color names around the world”. Le parole che ritornano più spesso: color, language, word, blue, term. Questo video contiene 66 frasi e 1058 parole da ripetere con lo shadowing. Il parlato dura 6:22. Chi parla ha un ritmo naturale di circa 166 parole al minuto, vicino a una conversazione quotidiana. Solo il 79% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.

Vocaboli chiave di questo video

15 parole del video che vale la pena imparare, con pronuncia e significato:

ParolaPronunciaSignificato
researcher sostantivo/ˈɹiˌsɝ.t͡ʃɚ/ricercatore, ricercatrice
label sostantivo/ˈleɪ.bəl/etichetta
hierarchy sostantivo/ˈhaɪ.ə.ɹɑː(ɹ).ki/gerarchia
purple sostantivo/ˈpɝ.pl̩/viola
chip sostantivo/t͡ʃɪp/frammento, scheggia
spectrum sostantivo/ˈspɛktɹəm/spettro
investigate verbo/ɪnˈvɛs.tə.ɡeɪt/investigare, indagare
expedition sostantivo/ɛkspəˈdɪʃən/spedizione
critic sostantivo/ˈkɹɪt.ɪk/critico
simulation sostantivo/ˌsɪm.jəˈleɪ.ʃn̩/simulazione
tone sostantivo/ˈtəʊn/tono
everyday aggettivo/ˈɛvɹiˌdeɪ/quotidiano, giornaliero
cloud sostantivo/ˈklaʊ̯d/nuvola, nube
gray aggettivo/ɡɹeɪ/grigio
refer verbo/ɹɪˈfɜː/riferire

I phrasal verb che sentirai

ParolaSignificato
check out verboinvestigare
point out verboadditare
turn out verborisultare

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Present perfect have/has + participio passato — un’azione passata che conta ancora adessohave found · have speculated · have explored
Forma passiva be + participio passato — conta ciò che accade, non chi lo fawas struck · are labeled
Frasi relative who / which + frase — un’informazione in più su una persona o una cosapeople who spoke · averages, which are

Pronuncia a cui fare attenzione

Chi parla usa 7 contrazioni e forme ridotte, come didn't, weren't, don't. Pronunciale nella forma breve, così come le senti.

  • I suoni “sh” e “zh”: expedition /ɛkspəˈdɪʃən/, simulation /ˌsɪm.jəˈleɪ.ʃn̩/, essentially /ɪˈsɛnʃəli/, translation /tɹænzˈleɪʃən/, artificial /ˌɑː.tɪˈfɪʃ.əl/
  • Parole lunghe — attenzione all’accento: hierarchy /ˈhaɪ.ə.ɹɑː(ɹ).ki/, universal /ˌjunəˈvɜɹs(ə)l/, investigate /ɪnˈvɛs.tə.ɡeɪt/, expedition /ɛkspəˈdɪʃən/, essentially /ɪˈsɛnʃəli/

I suoni difficili per chi parla italiano:

  • /h/ — va soffiata, non è muta: hierarchy /ˈhaɪ.ə.ɹɑː(ɹ).ki/, hint /hɪnt/
  • Consonante finale — senza aggiungere una vocale dopo: chip /t͡ʃɪp/, investigate /ɪnˈvɛs.tə.ɡeɪt/, critic /ˈkɹɪt.ɪk/, evolve /ɪˈvɑlv/, cloud /ˈklaʊ̯d/
  • /æ/ — più aperta della “e”: translation /tɹænzˈleɪʃən/, attract /əˈtɹækt/, ash /ˈæʃ/, characteristic /ˌkæɹ(ə)ktəˈɹɪstɪk/, randomly /ˈɹændm̩li/

Come esercitarsi con questo video

  1. Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
  2. Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
  3. Registrati e confronta con l’originale, facendo attenzione a parole come researcher, label, hierarchy.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →