シャドーイング練習: How To Aim Like Florescent - 動画で英語スピーキングを学ぶ

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164 文

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So what makes fluorescent aim so well?

I play like all day, every day.

I have no life.

That sounds about right.

When watching clips like this, you probably wonder what makes her so clean?

What's that hidden ingredient that she's doing that I'm not?

Well, today we're going to deep dive her footage

and help you to apply some of her techniques into your gameplay as well.

As I've always said, aim is 90 % WASD and 10 % micro -adjusting.

So we'll call it aim.

More often than not, what ends up happening with most of you guys is you'll watch a player like fluorescent for example

and you'll think oh my god what amazing flicks this person has

and you'll think 100 % aim but

when you really break it down more often than not it's movement based now I could be wrong here

but I've played against these guys

and these people for a very very long time back in the day

and all of them consistently did the same thing 90 % WASD 10 % aim

and what ends up happening is when they're playing at a higher level sometimes they'll get caught off guard.

And if they get caught off guard, then aim and flicking becomes a piece of it.

So our goal here is going to be to break down every single gunfight

and see if my hypothesis about WASD is true.

So all this is WASD.

All of it's moving into the fight.

We're going to look at the crosshair placement as a first thing.

And this is something I've talked to you guys about as well.

If you're not sure, you have to loop around the corner.

And you're looping around at head level all the way down.

All this is a threat.

We do see things on the mini -map, so if they are reacting to the mini -map,

then it makes sense to put your crosshair against the wall and then walk right out into the fight, or run out into the fight.

But if you're not 100 % sure and you can't check, you have to loop around the wall with your crosshair placement.

So, WASD, fixed.

Once they're on it, you stand still and you shoot.

Basically following through mass protocol.

Again, all these fights, WASD, it's all mass.

It's like even this astrophite, this one here, aim at the relative area mass standing still this is what it looks like

when you've got it down to an art form where you've like practiced it for hours and hours

and hours right this mass move aim stand still shoot

there's no crazy flicks

it's crosshair placement in the relative area where you think the

swing's going to be it's movement to adjust aim to slightly micro adjust

wd asd now the difference here just like i talked about with my primi fun

when the enemy knows where you're going to be they're naturally going to be cross they're placing at head level

so you'll notice on this peak if we go really slow with this

if you know that they know where you are which is 100 % here.

When you peek out, notice the drop.

We hit the crouch instantly to start the fight from the crouch on the peek.

That throws off the initial shot and gives you that extra second to be able to shoot.

You notice the first shots from Screwface go over top of the head here.

WASD just moving into the fight, getting an opportunity, getting the kill.

Small little micro adjustment, nothing crazy.

No, that's not good, that's not good.

Caught off guard.

So this is our first flick.

The reason why we had the flick here is because of poor positioning.

We had an opportunity at this point to back up on

Jen to be able to single out fights better using Jen to peek back and forth on both sides.

So by staying here in this position, it creates this problem.

So we could have left here and should have left here, right?

Back up at this point.

Again, I don't know what's going on in the mini -map, so I don't know if there's a threat coming from the right.

If there's no teammates coming from that right -hand side,

1 ,000%, we need to back up here to live another day to be able to have better fights from Generator.

Because you're looking at 1, 2, and 3 fights to be swung off.

And as soon as the smoke is gone, that's your other angle.

So you're just basically putting yourself in a spot where you have to collect 2 kills.

Otherwise, you're just going to get, at best case, traded, right?

And that means it's going to be a 4v3 situation

and it's over, okay? unless you have dash

which you don't have dash right so let's watch this one in slower motion

still mass it's still mass okay so notice the adjustment by moving to the left

and aiming then the small micro adjustment it's still mass right when you watch it in slow motion

It's still movement.

Still move, aim, stand, still shoot.

Has nothing to do with flicking.

Still mass here.

Ultimately, positioning is what caused all these fights to be awkward for Fluorescent.

And again, this is all stuff that Fluorescent knows.

This is not like rocket science.

This is not me criticizing.

Because Fluorescent knows this stuff.

And again, if there's money on the line, Fluorescent probably plays it the way I suggested.

This is just...

Let me put myself in position here and let's see if I can like make something happen because I'm streaming.

So it's all about money at the end of the day.

What's going to be more entertaining for you guys to watch?

First of all, I don't like the positioning at all.

I think there's definitely better options that we could have gone through.

Like if you got to stairs as soon as you got pushed.

Naturally, the best move.

Once you get pushed right here and you have this much of a threat on you, cloudbursts at your feet, back the hell off.

So cloudbursts at your feet and you go all the way to stairs.

If you need to throw a cloudburst there, it's fine, but you have someone there you back out

or you can cloud burst and you just keep backing up this direction looking this direction over here.

So you just keep backing up.

So now that smoke is up there you just keep backing up back up back up back up.

So now we have to we're stuck here because we didn't commit.

So the first threat is main and we're going to tuck against this wall

so we can't be exposed to someone being on market.

100

Okay and our stairs player is looking towards market as well.

101

Really good crosshair placement for this but there's there's stress here

102

because there's always a chance that someone from main could swing you.

103

Keeping that in mind here it's actually quite good considering the pressure of two threats here.

104

So the mentality here is that I'm basically screwed.

105

That's what you're thinking.

106

You're basically screwed in this situation.

107

Let's just secure one more clean fight and

108

if I end up getting traded for main I end up getting traded for main.

109

It is what it is.

110

Nice shot.

111

Beautiful.

112

All crosshair placement.

113

All mass.

114

There's no flicking here nothing crazy playing your life inside boathouse

115

i can just live here survive i win in 45 seconds

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we're just going for information to figure out where this jet is right

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now there's a jet perfect we have dash we need to fight

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it we don't have to though could be on the right

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i really love the mechanics here this was actually really good

120

they judged the distance perfectly to be able to dash right into the cover like this

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that was actually really cool so this one double peek

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and fight and again it's all mess what fluorescent is doing here is dash to here

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and immediately at this point in time where is fluorescence eyes

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is it on the crosshair is it on the top of

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the screen is it on the radar what is it minimap 100 staring at the minimap

126

and then crosshair placement at the relative area where we think

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head level is going to be make a small adjustment small adjustment upward

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and we're walking in

129

or moving in WASD playing off of the action of our

130

teammate on stairs the power of boathouse let me tell you the power of boathouse very strong right

131

this is this is all not mass like we're trying to get mass in there

132

but it's like we're whipping so is the aim on this person that great not so great right clean

133

clean totally clean we'll watch it back really slow yeah it's all over the place

134

see best aim in the game fluorescent right there

135

could be another one in the corner i always say

136

if you're going to do this kind of a play especially

137

if you're going to separate yourself like that cloud bursts at your feet

138

so you have something to land into and you have a chance especially

139

if you know there's someone towards stairs which we kind of did

140

because saw darts coming from

141

that direction we also don't know

142

we know what we're dealing with again really good mass here really good mass here watch this fight on the neon

143

it's good the small movement to the left did you guys notice

144

that watch the small movement to the left okay as soon as we're caught off guard cog equals mass right

145

when we're caught off guard we must mass

146

so screw face gets a perfect catch on the swing out caught off guard

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we freak out to try to avoid the initial headshot by jumping back

148

and forth drop down move to the left aim stand still shoot

149

that small movement to the left is all mass it all creates

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that mass and opportunity and the chance for them to make the miss we have to hope

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that they miss at this point because we're screwed we're caught off guard

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and that's the only way we can get back in there

153

and winning that fight at that point you're so caught off guard

154

that you're just basically hoping you're just jumping

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there like shit shit right right here in forest's mind shit shit shit oh miss yes yes

156

you suck i'm better than you oh

157

that's literally what's going on through forest's mind what did we learn chat

158

we watched 24 rounds we saw two flicks

159

we saw really really good adjustment through mass especially after this there shouldn't be any other doubt in your mind

160

that this is something

161

that we need to actively practice in deathmatch 90 of your

162

aim comes from your movement 10 comes from the adjustment

163

and the rest of all this stuff comes from awareness positioning

164

and crosshair placement that's how you get really good aim in this game it's not it's nothing crazy

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このレッスンの語彙とスピーキングのポイント

このスピーキングレッスンは、動画「How To Aim Like Florescent」を教材にしています。繰り返し出てくる語は次のとおりです：mass, aim, fight, crosshair, fluorescent。この動画には、シャドーイング用の文が164文、単語が1855語あります。音声の長さは10:08です。話す速さは速く、1分あたり約183語です。音のつながりや弱く発音される音が多くなります。単語の88%は英語の頻出3,000語に含まれるため、語彙は分かりやすいです。

この動画の重要語彙

動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。

単語	発音	意味
adjustment 名詞	/əˈd͡ʒʌst.mənt/	調整, 調節
stairs 名詞	/ˈstɛɹz/	階段
dash 名詞	/ˈdæʃ/	長点
peek 動詞	/piːk/	覗く
relative 名詞	/ˈɹɛl.ə.tɪv/	親戚, 身内
swing 動詞	/ˈswɪŋ/	振れる, 揺さぶる
loop 名詞	/luːp/	ループ
adjust 動詞	/əˈd͡ʒʌst/	調整する
naturally 副詞	/ˈnæt͡ʃ.(ə.)ɹə.li/	勿論
cloud 名詞	/ˈklaʊ̯d/	雲, 雲霞
burst 動詞	/bɜːst/	破裂する
teammate 名詞	/ˈtiːmˌmeɪt/	チームメイト
technique 名詞	/tɛkˈniːk/	技術
awareness 名詞	/əˈwɛɹ.nəs/	意識
suck 動詞	/sʌk/	吸う, しゃぶる

繰り返し練習したい文

動画に出てくる短く完結した文です。日常会話でそのまま使えます。

What's that hidden ingredient that she's doing that I'm not?
What's going to be more entertaining for you guys to watch?
You're basically screwed in this situation.

この動画の文法

話し手がよく使っている文型を、動画の実際の表現とともに紹介します。

文型	動画での表現
現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している	I've always said · I've played · I've talked
受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる	be swung · can't be exposed

注意したい発音

話し手はyou're, we're, don'tなど、短縮形や弱形を57回使っています。聞こえたとおりの短い形で発音しましょう。

「th」の音: hypothesis /haɪˈpɒθɪsɪs/, deathmatch /ˈdɛθ.mæt͡ʃ/
長い単語（アクセントの位置に注意）: naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, consistently /kənˈsɪstəntli/, hypothesis /haɪˈpɒθɪsɪs/, mentality /mɛnˈtæləti/, ingredient /ɪnˈɡɹiːdi.ənt/

日本語話者が苦手な音：

/r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: relative /ˈɹɛl.ə.tɪv/, naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, protocol /ˈpɹoʊtəˌkɑl/, fluorescent /flɔˈɹɛsənt/, fluorescence /flʊˈɹɛsəns/
/v/ — /b/ にならないように、上の歯を下唇に当てる: relative /ˈɹɛl.ə.tɪv/, actively /ˈæktɪvli/, dive /daɪv/
/f/ — 「フ」ではなく、上の歯と下唇で出す: flick /flɪk/, footage /ˈfʊtɪd͡ʒ/, fluorescent /flɔˈɹɛsənt/, fluorescence /flʊˈɹɛsəns/, gunfight /ˈɡʌnˌfaɪt/

この動画での練習方法

まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
自分の声を録音して元の音声と比べます。adjustment, stairs, dashなどの単語に特に注意しましょう。

シャドーイングとは？英語上達に効果的な理由

シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →

シャドーイング練習: How To Aim Like Florescent - 動画で英語スピーキングを学ぶ

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