쉐도잉 연습: Twenty One Pilots Interview - Tyler (part 1) - 영상으로 영어 말하기 배우기
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So first, hi.
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-Hi.
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-How are you?
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I'm good, how are you?
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-I'm okay, thank you.
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-Okay.
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Do you recall the first record that you bought?
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- First record I ever bought.
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Whew.
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I remember the first tape I ever bought.
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Actually like a cassette tape.
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Do you know what that is?
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I was-- I'm old enough to remember.
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OK, good.
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It was by a band called DC Talk.
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and I don't know if you know who they are, but it was my first piece of music I ever bought.
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And I hate that stuff.
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And what made you buy this specific thing?
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- Thank you.
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My dad was coaching basketball for a bunch of high schoolers, and I was just a little
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elementary school kid and they were all listening to this band and I wanted to listen with them because
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Because when you're in elementary school, nothing's cooler than a high schooler.
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I bought the cassette.
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And that's instilling you the Well, the desire to make music?
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No, not at all actually.
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I didn't even think about writing music.
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So if you think about it, I bought the cassette when I was in first grade.
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I didn't start playing music until I was in 11th grade, so 10 years later.
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You're a self -taught musician.
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What then made you pick up the piano and other instruments?
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What made me pick up an instrument?
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I guess...
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identity issues because I didn't know who I was and I thought I was I thought it was one thing.
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You know, it's like all about When you go to school and you interact with different kids, you try to figure out who you are.
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What am I?
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Am I the jock?
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Am I the guy who's in theater?
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Am I in a choir?
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Do I play songs?
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Do I whatever?
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And I was really I was really drawn to something different than what I was in high school.
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Because in high school I was a guy who did sports.
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And I didn't really like that, I didn't think.
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So when I first started learning how to play the piano, I was, I think I just accidentally found that.
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And I liked, I liked who I was when I was doing that.
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So did it help you find your identity more?
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None of my family does any music or anything.
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So I was just the weird music guy, you know, it was an anchor encouraged or?
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No, in my family.
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Yeah, they didn't really understand what was going on because like I said, none of them really are musical at all.
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But they thought it was cool.
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You know, it's like I set up a microphone and you know my own, you know, little studio in the basement and my mom's and
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washing the dishes
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and she hears her son screaming his head off down in the basement trying to record vocals
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and she's got to be thinking what the heck is going on with him.
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So I'm sure that they were really confused.
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But now, you know, now I'm in a different country getting interviewed by you
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because of the stupid songs that I wrote in my basement.
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Fair enough.
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Do you still have those recordings, those very first recordings?
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Did you ever listen to them?
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I have some of the first recordings I've ever done still on my computer
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and I guard those with my life because I don't want anyone to ever hear them.
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tons and tons of songs labeled Tyler Joseph because
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that was my name and I figured that was what I should call the person who was writing the songs.
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And now it looks ridiculous to see my name just copied over
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and over and over again because of all the weird songs I wrote in the past.
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Yeah, you're not going to hear those.
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But something must have compelled you to keep them.
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Yeah, you're right.
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I don't know.
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I mean, I've thrown away a lot of stuff.
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And I mostly throw away ideas now more than ever because when I try to write, I get a lot out of it.
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It helps me work through things.
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Like in a cathartic sense?
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Absolutely.
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It's my word actually.
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It's my favorite word.
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Catharsis is...
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I had that word as a vocabulary word in high school and I'll never forget it because it explained exactly um, what songwriting is for me.
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And, uh, you don't need to keep the song in order to feel the effect of something like that.
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So sometimes I'll throw things away, but But back then, I didn't throw stuff away as much because it was so precious.
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Because they were my first songs ever.
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You can always hold on to your first songs.
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And they're terrible.
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Well, looking back, how did you describe them as being terrible?
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What then helped you develop as a musician?
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Listening to other songs.
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I became a student of the radio and a student of the internet.
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So some specific bands maybe or?
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Specifically No, I think that I took different things from from different bands.
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You know, there's an aspect of my live performance that I've taken from dozens of different performers.
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There's an aspect of the way that I deliver a vocal on a track
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that I take from six other people who record in a studio.
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There's an aspect of my songwriting that I couldn't even begin to talk about only two or three bands that
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And it's not even fair for me to even talk about just two of them, you know.
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So I like to not even mention it.
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It's just so many.
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So it's more, not certain elements, certain bands, but certain elements that exist in a lot of bands
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and a lot of music and then compile them and make it your own?
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Yeah, there's a...
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For example, something that has influenced me, there's a song, and I don't want to throw everything on to this one band,
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but there's a song by The Killers, they do a music video, too.
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And he's standing in the middle of the city in Japan, I believe, and he looks dead in the camera, and his eyes are really calm,
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but there's a moment where his hand kind of suggesting I'm trying to come across as if I'm fine,
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but really there's something wrong.
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I think of a moment like that.
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That has influenced me musically more than any song has.
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I come from a generation that had YouTube.
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I could look up anything I wanted.
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I was influenced My Chemical Romance, where They're playing in just this dusty abyss.
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They just pour it all out.
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That's how much I want to believe in my music.
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So those things I think of just different moments.
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But those bands are amazing.
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But I want to be better than them.
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It actually sounds like on your website there's this bio section where you talk about joy
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and happiness and the distinction between them.
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And this sounds very much like what you just described, the pretense of happiness, but actually it's just joy which fades away.
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Is that correct?
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Yeah.
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No, I think that what I get out of traveling around the world now, being able to play music,
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things that just translate perfectly.
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You have sexuality, you know, people are attracted to one another.
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You know, you have food, people love food.
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Everybody in the entire world likes food. And you have music.
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And really those are like the only things that there are.
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I mean, I'm sure we can come up with some other theories, but you know, you think about music and how and how it just applies to to everyone.
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Universal...
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It's very...
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Universal is a perfect word for it.
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So, so then I start, as a songwriter, I start thinking of other universal Concepts.
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And I think that one of those whether or not people really understand it is the concept of
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trying to figure out how to go about this life in a way that you
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enjoy yourself or in a way that you like who you are.
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And whether or not you like who you are is really hinged upon whether or not you have joy.
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Because I'm happy that I'm here right now talking to you.
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but then something else can happen where I'm about to go play a show
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and nothing goes right and then I'm not happy anymore.
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It's very, It's fleeting.
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it gets influenced by the things that are going on around me and if I'm controlled by just that, then I'm gonna go nuts.
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I need to find something bigger.
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I need to find something that I have joy, which I feel like kind of, it spans out over my entire life.
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If hopefully, you know, more than just a moment, hopefully a day, a month, years, where joy just is is there and I think that when you find joy, then you find peace.
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And when you find peace, then you have obviously found something to believe in.
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But it is still, I assume, then a continuous struggle to find it.
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Absolutely.
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And that's.. that goes back to...
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another universal language. And that's...
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struggling to find peace.
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And that's something I think that every single person on Earth has to figure out.
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이 비디오로 배울 수 있는 것
이 인터뷰 대화를 통해 영어 회화 연습에 필수적인 두 가지 실용적인 기술을 배울 수 있습니다. 첫째, 일상 대화에서 자연스러운 질문과 답변의 흐름을 익히는 것입니다. Tyler와 인터뷰어는 "Do you recall..." "What made you..."와 같은 질문을 사용해 정보를 이끌어내고, 구체적인 경험을 설명하며 대화를 이어가는데, 이는 실제 영어 회화에서 자주 사용되는 패턴입니다. 둘째, 개인적인 경험을 이야기할 때 과거 시제와 연결어를 활용하는 방법입니다. Tyler는 "I bought the cassette when I was in first grade" "I didn't start playing music until..."과 같이 과거 사건을 명확히 전달하며, 시간적 연결을 강조하는 표현을 사용하여 이야기를 풀어냅니다.
들어야 할 소리: 자연스러운 발음 패턴
영어 발음 교정에 도움이 되는 연결 발음과 축약형이 이 대화에 많이 등장합니다. 먼저, "Do you know what that is?"에서 "what that is"는 [wɑːt ðæt ɪz]가 아닌 [wɑːt ðæt ɪz]로 연결되어 발음되며, 단어 사이의 간격이 거의 없어집니다. 둘째, "I'm old enough to remember"에서 "old enough"는 [oʊld ɪˈnʌf]가 아니라 [oʊl dəˈnʌf]로 발음되어, "d"와 "ɪ"가 연결됩니다. 또한, "I don't know if you know who they are"에서 "don't know"는 [doʊnt noʊ]가 아닌 [doʊn noʊ]로 축약되어 발음되며, "t"의 소리가 약해집니다. 이러한 패턴을 주의깊게 듣고 따라하면 유튜브 영어 공부를 통해 자연스러운 발음을 익힐 수 있습니다.
원어민처럼 말하기: 리듬과 강세
영어 쉐도잉(shadowing)을 할 때 Tyler의 리듬과 강세를 주의깊게 관찰해야 합니다. 그는 "I was a little elementary school kid and they were all listening to this band and I wanted to listen with them because because when you're in elementary school, nothing's cooler than a high schooler"와 같은 긴 문장에서도 자연스러운 리듬을 유지하며, "because" "nothing's cooler" "high schooler"와 같은 키워드에 강세를 두어 중요한 정보를 강조합니다. 또한, "I guess... identity issues because I didn't know who I was and I thought I was I thought it was one thing"에서 "guess" "identity issues" "didn't know"에 약간의 강세를 주어 감정적인 변화를 표현합니다. 이렇게 원어민의 리듬과 강세를 모방하면, 영어 발음 뿐만 아니라 의사소통 능력도 크게 향상될 수 있습니다. 특히 shadowspeak 기법을 적용하여 반복적으로 연습하면, 더 빠르게 자연스러운 말하기 실력을 익힐 수 있습니다.
이 영상의 문법
화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.
| 문형 | 영상 속 표현 |
|---|---|
| 현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때 | I've ever done · I've thrown · I've taken |
| 수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점 | was really drawn · was influenced · are attracted |
| 관계절 who / which + 절 — 사람이나 사물에 대한 추가 정보 | guy who did · person who was · people who record |
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.