Prática de Shadowing: Every Disturbing Trait That Serial Killers Have Explained in 12 Minutes - Aprenda a falar inglês com vídeo
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Cognitive Distortions.
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You're standing on the side of a highway at dusk, and a car slows down just in front.
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Inside, a middle-aged man gives a friendly wave.
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When you get into the car, he makes small talk, asking where you're headed.
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But after a short distance, he places his hand on your shoulder and smiles.
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Also, before we continue, I just wanted to say that we're not AI.
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Everything you're about to see and hear is pure human creativity.
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Your mind instantly goes haywire, and you flinch.
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But after he apologizes, you still believe he's going to hurt you.
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Apparently, every man who picks you up is the same, predators waiting for the right moment.
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This is cognitive distortion, and it's when your brain bends reality to fit the narrative you need.
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It's a huge problem, especially when you walk around with a loaded gun.
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This was Eileen Wuornos' case, and her cognitive distortion made her kill seven men in just one year.
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After murdering them, she searched their pockets, took their cash, and drove off in their cars.
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When the police found and arrested Eileen, she didn't even deny it, since her first victim, Richard Mallory, was a convicted...
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She just felt all men were the same.
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Even on death row, even with the needle in her arm, Eileen screamed at the courtroom saying, I hope your wife gets narcissism.
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While sitting in a Texas prison cell, old and sick, a ranger walks up to you asking about some women.
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You don't remember their names, but their faces are crystal clear in your head.
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You pick up a colored pencil and start drawing.
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The portrait is perfect.
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You hand it to the ranger and he stares at the drawing, then at you.
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You've just identified a victim police didn't even know existed, and you're doing it because you want everyone to know it.
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This is narcissism, a condition where you are so obsessed with being exceptional
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that you don't even care about what happens to other people.
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Samuel Little, the serial killer in question, had this condition, and it was so bad that he could never stop killing.
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Since he was so obsessed with being extraordinary, even in monstrosity, Samuel targeted women the society ignored.
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Ex-workers, addicts, and the homeless.
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He knew no one would look for them, and for 40 years, he was right.
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During his time in prison, Samuel drew dozens of portraits, each one closing a cold case.
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Apparently, he just wanted his name and history books as the most prolific serial killer in US history.
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He achieved exactly what he wanted, immortality through infamy.
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And it all started with his narcissism.
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Compartmentalization.
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You're sitting at a desk in a Seattle crisis center with your headset on.
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A woman on the other end is crying, saying she can't go on.
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You listen, comfort her, and she thanks you, saying you just saved her life, but you're not done.
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That night you drive to a college campus.
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There, you see her walking alone, but since she's never seen you, you fake an injury and ask for help carrying books to your car.
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The woman hesitantly agrees, unaware of your sinister intentions.
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This was Ted Bundy, and he suffered from compartmentalization,
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a disturbing trait where your brain walls off parts of your mind so completely that they never touch.
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Ted at the hotline genuinely cared about saving lives, but him on the college campus enjoys ending them.
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These two versions never conflicted because they didn't even know each other existed.
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Once she got close enough, Ted killed her on the spot.
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This was his plan all along and he'd done it so many times.
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He even went back to the body sometimes to talk and do things with them.
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Yet morning after morning, he answered calls and talked people through their darkest moments.
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Everyone liked him, so no one suspected anything.
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Ted Bundy killed at least 30 women this way.
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He had built walls inside his mind so strong that the killer and the counselor inside him never had to meet.
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Even after his arrest and execution, everyone who worked beside him or knew him from the university didn't believe that he was a serial killer.
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Now these conditions reveal how twisted a serial killer's mind can be, but the next ones are even more disturbing.
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Hit subscribe and let's dive in.
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Extreme Misogyny It's in the evening and you're driving your patrol car through the frozen streets of Angarsk, Siberia.
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A woman stands on the road shivering trying to flag down a ride.
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As you pull over, she gets into the car and her face floods with relief, but you have other plans.
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Rather than heading to her address, you turn onto a back road leading into the forest.
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She notices and asks where you're going, but you don't answer.
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In your head, this woman is out late, probably unfaithful and probably a...
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Women like her are a poison to society.
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This is extreme misogyny, and it is hatred so deep it becomes a moral code.
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A misogynist doesn't see women as people, they see them as filth.
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Mikhail Popkov, the Angarsk maniac, had the same trait.
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When he pulled into the woods, the women tried to run, but he was faster and he killed them.
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To him, it was what she deserved for being out at night.
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As a cop, Mikhail investigated murders, sometimes even his own, for over 20 years.
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He killed at least 78 women the same way, all because he was cleaning up.
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When he was finally caught in 2012, Mikhail kept on saying he was helping them clean up the streets.
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He continued with this, even until his imprisonment.
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Impulse Dysregulation.
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Richard Ramirez was driving through a quiet California suburb at 2 a.m high on .
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On the way, he saw a house with an unlocked window, so he climbed inside and there was an elderly couple sleeping in the bedroom.
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With a tire iron, he swung again and again until they were both dead.
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Minutes later, he was across town at a different house and this time he shot a man in his sleep, then walked to the next room and stabbed his wife.
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There was no real plan here was just very chaotic for no reason.
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This is impulse dysregulation, and it's when your mind doesn't have any mental breaks.
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While most people would feel an urge, they'd pause and reconsider, but Richard didn't have that buffer.
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He could kill, steal, or kidnap someone, because it felt right in that exact moment.
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Also known as the Night Stalker, Richard had this condition.
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In just one summer, he met over a dozen people and countless more were terrorized.
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He never had any personal reason for killing them.
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He just couldn't control his urges.
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Stalking and Fantasy Fixation While heading home from your job as a compliance officer, you pass a particular house again, the third time this week.
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You've been watching the woman in it for months, photographing her house from different angles.
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She doesn't know you exist, but in your mind, she's already starred in a hundred different scenarios.
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You call her Project 10.
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This is fantasy fixation, and it's a condition when your mental script becomes more real than reality itself.
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Dennis Rader, known as BTK, suffered from this trait.
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He'd been reliving such fantasy moments since childhood, tying up dolls, then animals, and then women.
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By night, Dennis breaks into her house and waits inside.
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When she comes home, he ties her up exactly as he imagined.
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The kill is just the final scene of a movie he's watched a thousand times in his head.
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After it was over, Dennis took photos of himself wearing her clothes, posing in bondage positions in the woods.
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He kept these for the cooling off period when the fantasy needed to be fed again.
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Dennis did this for 30 years with 10 victims, all named Project 1 through 10.
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Meanwhile, he was a church president, a Boy Scout leader, and a model citizen.
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No one suspected that the friendly compliance officer was the danger they were trying to lock out.
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The police had no clue who Dennis was until he anonymously sent them a floppy disk asking them to trace it.
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In the end, the disk led straight to the church computer where Dennis was arrested.
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Victim Objectification You're a successful contractor who's well respected in the community.
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One day, you find a homeless young man at the bus station looking tired and rough.
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Pick him up and offer him a job, some quick cash for odd work around your house.
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To you, he's not a person anymore.
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He's a solution to a problem you've been having.
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Back at your house, you show him the handcuff trick.
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A little magic demonstration, you say.
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He lets you lock his wrists, but the moment the cuffs click, he realizes it's too late.
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This is victim objectification, and it's when you strip a human of their identity until they're just a logistical problem.
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John Wayne Gacy, the killer clown, suffered from this trait.
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To him, these young people were just objects.
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Space fillers, nothing more.
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John would kill them, drag the bodies into the crawlspace beneath his house, and cover them with lime to mask the smell.
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In six years, he piled 26 bodies into the same crawlspace.
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Meanwhile, above the crawlspace, he hosted dinner parties, entertained guests, and even shook hands with politicians.
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Yet no noticed the smell.
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John Wayne Gacy killed at least 33 young men and boys and he hid 26 of them under his house.
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He didn't hate his victims, he simply didn't think they were real.
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Even in prison, John complained that the victims didn't have the decency to die quickly and even until his last breath,
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he never saw them as humans.
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Emotional detachment.
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Pedro Lopez was walking through a crowded market in the Andes when he saw a little girl selling flowers with her mother.
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He smiled and offered her a small toy.
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While her mother was distracted by another customer, he took the girl's hand and led her away.
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The following day, she was dead and he was looking for another.
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He did this over 300 times across Colombia, Ecuador, and Peru.
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Each girl was the same to him.
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He strangled them slowly, studying their faces.
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And when it was over, he felt the same flat calm he'd feel finishing a sandwich.
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He didn't bury them deep.
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Sometimes he came back days later, dug them up, and sat with them like they were dolls at a tea party.
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He called them his dollies.
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They didn't talk back or judge him.
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That's exactly what he wanted.
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This is emotional detachment, and it's the complete absence of guilt, empathy, or psychological consequences.
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To Pedro, feeling nothing was way easier than feeling something.
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In the 1980s, after a failed abduction in an Ecuadorian market, Pedro was finally caught.
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He confessed calmly, leading police to 53 bodies in a single field near Embato.
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He said he just loved seeing the lights go out, adding that he never really felt anything for the girls.
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Ecuador sentenced Pedro to their maximum 18 years in prison.
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In 1998, they released him for good behavior, believing he had changed.
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However, after walking out of prison, he vanished.
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And to this day, no one knows where Pedro Lopez is.
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If these traits were very disturbing, some stories involve terrifying cursed objects instead of people.
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Check out this video, The 7 Most Horrible Haunted Objects Explained.
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Vocabulário e dicas de fala para esta lição
Esta aula de conversação de nível B2 usa o vídeo “Every Disturbing Trait That Serial Killers Have Explained in 12 Minutes”. Este vídeo tem 145 frases e 1923 palavras para praticar shadowing. A fala dura 12:13. O falante fala em ritmo natural, cerca de 157 palavras por minuto, próximo de uma conversa do dia a dia. Apenas 81% das palavras estão entre as 3.000 mais comuns do inglês, por isso o vocabulário é exigente.
Vocabulário principal deste vídeo
As 15 palavras mais avançadas do vídeo, com pronúncia e significado:
| Palavra | Pronúncia | Significado |
|---|---|---|
| trait substantivo | /tɹeɪt/ | traço, peculiaridade |
| narcissism substantivo | /ˈnɑɹsəˌsɪzm/ | narcisismo |
| disturb verbo | /dɪˈstɜːb/ | perturbar |
| cognitive adjetivo | /ˈkɑɡ.nɪ.tɪv/ | cognitivo |
| misogyny substantivo | /mɪˈsɑd͡ʒ.ɪ.ni/ | misoginia |
| objectification substantivo | /ɒbˌd͡ʒɛkt.ɪ.fɪˈkeɪ.ʃʌn/ | coisificação, reificação |
| distortion substantivo | /dɪsˈtɔːʃən/ | distorção |
| impulse substantivo | /ˈɪmpʌls/ | impulso |
| disk substantivo | /dɪsk/ | disco |
| doll substantivo | /dɑl/ | boneca, boneco |
| urge verbo | /ɜːd͡ʒ/ | impelir, urgir |
| compliance substantivo | /kəmˈplaɪ.əns/ | cumprimento |
| abduction substantivo | /æbˈdʌk.ʃn̩/ | abdução |
| anonymously advérbio | /əˈnɒnəməsli/ | anonimamente |
| bondage substantivo | /ˈbɑn.dɪd͡ʒ/ | escravidão |
Phrasal verbs que você vai ouvir
| Palavra | Significado |
|---|---|
| clean up verbo | dar uma limpeza, limpar |
| check out verbo | verificar, sacar só |
| come back verbo | voltar |
| go out verbo | sair |
| pick up verbo | pegar |
| pull over verbo | encostar |
| slow down verbo | desacelerar |
| talk back verbo | responder |
Frases que vale a pena repetir
Frases curtas e completas do vídeo que você pode usar na conversa do dia a dia:
- Hit subscribe and let's dive in.
- To you, he's not a person anymore.
- He's a solution to a problem you've been having.
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect continuous have/has been + -ing — uma ação que começou antes e continua | You've been watching · you've been having |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | is hatred · was finally caught · were terrorized |
| Orações relativas who / which + oração — informação extra sobre uma pessoa ou coisa | man who picks · everyone who worked |
Pronúncia para ficar de olho
O falante usa 36 contrações e formas reduzidas, como didn't, you're, doesn't. Diga-as na forma curta, do jeito que você ouve.
- Os sons de “sh” e “zh”: compartmentalization /(ˌ)kɑm.pɑɹtˌmɛn.təl.əˈzeɪ.ʃən/, fixation /fɪksˈeɪʃən/, objectification /ɒbˌd͡ʒɛkt.ɪ.fɪˈkeɪ.ʃʌn/, distortion /dɪsˈtɔːʃən/, abduction /æbˈdʌk.ʃn̩/
- Palavras longas — acerte a sílaba tônica: compartmentalization /(ˌ)kɑm.pɑɹtˌmɛn.təl.əˈzeɪ.ʃən/, misogyny /mɪˈsɑd͡ʒ.ɪ.ni/, objectification /ɒbˌd͡ʒɛkt.ɪ.fɪˈkeɪ.ʃʌn/, anonymously /əˈnɒnəməsli/, immortality /ˌɪmɔːɹˈtæləti/
Sons difíceis para falantes de português:
- Consoante final — sem acrescentar um “i” depois: trait /tɹeɪt/, disturb /dɪˈstɜːb/, detachment /dɪˈtæt͡ʃmənt/, disk /dɪsk/, kidnap /ˈkɪdnæp/
- /l/ final — a língua toca o céu da boca, não vira “u”: doll /dɑl/, logistical /ləˈdʒɪ.stɪ.k(ə)l/, strangle /ˈstɹæŋɡəl/, pencil /ˈpɛnsəl/, needle /ˈniː.dəl/
- /h/ — um sopro suave, diferente do “r”: handcuff /ˈhændˌkʌf/, haywire /ˈheɪ.waɪɚ/, headset /ˈhɛdsɛt/, hatred /ˈheɪtɹɪd/
Como praticar com este vídeo
- Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
- Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
- Grave a sua voz e compare com o original, prestando atenção a palavras como trait, narcissism, disturb.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.