ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Daniel Radcliffe Breaks Down His Most Iconic Characters | GQ

My mum and dad were really good at like asking me every year, are you still enjoying it?

Do you still want to do this?

And like what am I going to do?

Go back to school?

Like that's not as fun as this.

Harry Potter. Who are you?

Rubeus Hagrid, keeper of keys and grounds at Hogwarts.

Of course you know all about Hogwarts.

Sorry, no. No?

Blimey, Harry, didn't you ever wonder where your mum and dad learned it all?

Learn what?

You're a wizard, Harry.

You know, I'd read, I think, the first two books.

I was not a big reader, so I was not as into it as, like, a lot of my friends were.

I don't think I was, like, thinking particularly deeply about the characters or acting when I was that age.

The people I really admired were the people that, like, didn't mystify acting too much, who were just able to like come to set and do it Imelda Staunton, David Thewlis,

Gary Oldman, Michael Gambon they're all people that can be very normal

and chatting away and then can just turn it on on action they're people

that particularly Imelda was one of the people

that I always just looked at and went like you're

so good and it's so effortless because she will be just chatting away to everyone

and having a nice life and day and then able to give an incredibly terrifying or intense performance.

You deserve to be punished, don't you, Mr. Potter?

Michael Gambon could do that to a frustrating degree.

He learned that he could, as when I was a teenager, like, he could make me laugh very, very easily, making me laugh, like, right up until the word action, at which point I was pretty much unable to recover,

and he could just, like, snap into a performance with just, like, inherent gravitas and charm.

Forgive my mawkinsons, Harry.

I'm an old man.

Yeah, he's awesome.

There was so much on Potter that was so intense and so crazy.

You don't even think about it at the time because you're just like, yeah, they're building a tank.

Where D -Stage used to be, they're just like building a tank and they're going to be filming underwater for six weeks.

I had like a logbook of all the hours I'd done underwater.

Like it was, it was really cool.

I've heard that we average like seven seconds of footage a day or something like of usable footage.

But again, those are one of those things that you go like, I will never do that again.

And if I do, I'll be one of the only people who's done it before.

It was one of those moments that you look back on and go, God, that's special.

Those ones on the fourth film, the whole dragon sequence on the fourth film.

One shot on the sixth film, I think, where I start off underneath the water and I was on a wire.

So I was holding myself by a rope under the surface of the water.

And then on action, I let go and they pulled me on the wire.

So I flew out of the water and there was like a ring of fire around me.

So I was just like bursting out of the surface of the water through a ring of fire.

It's phenomenal that they allowed me to do that myself.

And like, again, I'll never probably be on a job where they do let me do that kind of stuff.

I think every director kind of came on at a point we needed them to

and where we were all ready to be then taken to another, you know, development, developmental stage of our acting.

I don't think anyone else could have started the series in the way that Chris did.

I don't think anyone else could have wrangled 30 kids

and kept us all focused and happy in the way that he did.

Alfonso, when he came on, you know, we were all starting to become, like, more intense brooding teenagers, and so he sort of came on at the right moment to capitalize on that.

And the same goes for Mike, is, like, this bombastic, huge character, which is exactly what you needed for, like, the fourth film and book.

And then David Yates, to finish them all off, like, I mean, I really feel like, particularly the fifth film was where I, like, learned a lot, particularly from working with Gary and in scenes with Gary with David.

I think that's sort of where I started to get more of a handle on what acting was.

What matters is the part we choose to act on.

That's who we really are.

I'm incredibly lucky to have worked with all of them, but honestly, the person that I think had the greatest influence on me out of all of those is Chris Columbus.

When Chris came back for the 20th anniversary reunion last year, he came to the studios, and there were people on set who were running across set to see this director

that they had not seen in 20 years, and they remembered him and he remembered them and it was there are

so few people in the industry that can like inspire

that in people like

that you genuinely the crews of the first two part of

films would have would have followed chris columbus into hell you

know they would they would we just loved him uh

so much and he was

and i think a huge amount of his enthusiasm for like

being on set um is sort of where i take mine from

and the reason i think i love the job so much is is in no small part due to him.

Swiss Army man.

I know, I know it sounds dumb, but I really thought for a moment that maybe, just maybe there was a reason that you...

Everyone has a thing of like, that's so crazy, it's such a crazy idea, how did they convince you?

And it's like...

It didn't seem like it seemed like not like a normal film.

Like it's not like, you know, it's obviously got some fantastical, crazy elements to it.

But the combination of meeting them and talking to them, seeing their videos and reading the script, I was like, yeah, I want to be involved in this.

And I fully didn't know what I was going to do as this character for the longest time.

Like I had no idea what Manny was going to be

and ultimately going to set and just sort of putting yourself in their hands.

Because they knew exactly what they wanted it to be.

That was one of the, truly one of the best experiences I've ever had.

And probably the film that I'm proudest of.

How'd you get so far from home?

I ran away, but it doesn't matter.

That's what's important, is you remembering your life.

Okay, what is life?

Oh, okay.

When I was, like, practicing at home and just doing, like, weird man -y voices and facial expressions,

everything I was doing was kind of just slipping towards zombie.

Every time I would say something or move, I would be trying to communicate the fact that he is dead.

The lesson in that for me was having the makeup on the first time, being made up to be a corpse.

Suddenly I was like, oh, I look dead.

I don't have to act dead all the time, because this is doing the work for me.

I can be this sweet little character, but he'll just look like a dead sweet little character because of what else is going on.

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