Pratique du Shadowing: Daniel Radcliffe Breaks Down His Most Iconic Characters | GQ - Apprendre l'anglais à l'oral avec la vidéo
Création de la leçon...
1
My mum and dad were really good at like asking me every year, are you still enjoying it?
2
Do you still want to do this?
3
And like what am I going to do?
4
Go back to school?
5
Like that's not as fun as this.
6
Harry Potter. Who are you?
7
Rubeus Hagrid, keeper of keys and grounds at Hogwarts.
8
Of course you know all about Hogwarts.
9
Sorry, no. No?
10
Blimey, Harry, didn't you ever wonder where your mum and dad learned it all?
11
Learn what?
12
You're a wizard, Harry.
13
You know, I'd read, I think, the first two books.
14
I was not a big reader, so I was not as into it as, like, a lot of my friends were.
15
I don't think I was, like, thinking particularly deeply about the characters or acting when I was that age.
16
The people I really admired were the people that, like, didn't mystify acting too much, who were just able to like come to set and do it Imelda Staunton, David Thewlis,
17
Gary Oldman, Michael Gambon they're all people that can be very normal
18
and chatting away and then can just turn it on on action they're people
19
that particularly Imelda was one of the people
20
that I always just looked at and went like you're
21
so good and it's so effortless because she will be just chatting away to everyone
22
and having a nice life and day and then able to give an incredibly terrifying or intense performance.
23
You deserve to be punished, don't you, Mr. Potter?
24
Michael Gambon could do that to a frustrating degree.
25
He learned that he could, as when I was a teenager, like, he could make me laugh very, very easily, making me laugh, like, right up until the word action, at which point I was pretty much unable to recover,
26
and he could just, like, snap into a performance with just, like, inherent gravitas and charm.
27
Forgive my mawkinsons, Harry.
28
I'm an old man.
29
Yeah, he's awesome.
30
There was so much on Potter that was so intense and so crazy.
31
You don't even think about it at the time because you're just like, yeah, they're building a tank.
32
Where D -Stage used to be, they're just like building a tank and they're going to be filming underwater for six weeks.
33
I had like a logbook of all the hours I'd done underwater.
34
Like it was, it was really cool.
35
I've heard that we average like seven seconds of footage a day or something like of usable footage.
36
But again, those are one of those things that you go like, I will never do that again.
37
And if I do, I'll be one of the only people who's done it before.
38
It was one of those moments that you look back on and go, God, that's special.
39
Those ones on the fourth film, the whole dragon sequence on the fourth film.
40
One shot on the sixth film, I think, where I start off underneath the water and I was on a wire.
41
So I was holding myself by a rope under the surface of the water.
42
And then on action, I let go and they pulled me on the wire.
43
So I flew out of the water and there was like a ring of fire around me.
44
So I was just like bursting out of the surface of the water through a ring of fire.
45
It's phenomenal that they allowed me to do that myself.
46
And like, again, I'll never probably be on a job where they do let me do that kind of stuff.
47
I think every director kind of came on at a point we needed them to
48
and where we were all ready to be then taken to another, you know, development, developmental stage of our acting.
49
I don't think anyone else could have started the series in the way that Chris did.
50
I don't think anyone else could have wrangled 30 kids
51
and kept us all focused and happy in the way that he did.
52
Alfonso, when he came on, you know, we were all starting to become, like, more intense brooding teenagers, and so he sort of came on at the right moment to capitalize on that.
53
And the same goes for Mike, is, like, this bombastic, huge character, which is exactly what you needed for, like, the fourth film and book.
54
And then David Yates, to finish them all off, like, I mean, I really feel like, particularly the fifth film was where I, like, learned a lot, particularly from working with Gary and in scenes with Gary with David.
55
I think that's sort of where I started to get more of a handle on what acting was.
56
What matters is the part we choose to act on.
57
That's who we really are.
58
I'm incredibly lucky to have worked with all of them, but honestly, the person that I think had the greatest influence on me out of all of those is Chris Columbus.
59
When Chris came back for the 20th anniversary reunion last year, he came to the studios, and there were people on set who were running across set to see this director
60
that they had not seen in 20 years, and they remembered him and he remembered them and it was there are
61
so few people in the industry that can like inspire
62
that in people like
63
that you genuinely the crews of the first two part of
64
films would have would have followed chris columbus into hell you
65
know they would they would we just loved him uh
66
so much and he was
67
and i think a huge amount of his enthusiasm for like
68
being on set um is sort of where i take mine from
69
and the reason i think i love the job so much is is in no small part due to him.
70
Swiss Army man.
71
I know, I know it sounds dumb, but I really thought for a moment that maybe, just maybe there was a reason that you...
72
Everyone has a thing of like, that's so crazy, it's such a crazy idea, how did they convince you?
73
And it's like...
74
It didn't seem like it seemed like not like a normal film.
75
Like it's not like, you know, it's obviously got some fantastical, crazy elements to it.
76
But the combination of meeting them and talking to them, seeing their videos and reading the script, I was like, yeah, I want to be involved in this.
77
And I fully didn't know what I was going to do as this character for the longest time.
78
Like I had no idea what Manny was going to be
79
and ultimately going to set and just sort of putting yourself in their hands.
80
Because they knew exactly what they wanted it to be.
81
That was one of the, truly one of the best experiences I've ever had.
82
And probably the film that I'm proudest of.
83
How'd you get so far from home?
84
I ran away, but it doesn't matter.
85
That's what's important, is you remembering your life.
86
Okay, what is life?
87
Oh, okay.
88
When I was, like, practicing at home and just doing, like, weird man -y voices and facial expressions,
89
everything I was doing was kind of just slipping towards zombie.
90
Every time I would say something or move, I would be trying to communicate the fact that he is dead.
91
The lesson in that for me was having the makeup on the first time, being made up to be a corpse.
92
Suddenly I was like, oh, I look dead.
93
I don't have to act dead all the time, because this is doing the work for me.
94
I can be this sweet little character, but he'll just look like a dead sweet little character because of what else is going on.
95
Da da da da da da da da da da da
96
da da da da da da da da da da da
97
da da da da da da da da da da da
98
da da da da da da da da da da da
99
da da da da da da da da da da da
100
da da da da da da da da da da da
101
da da da da da da da da da da da
102
da da da da da da da da da da da
103
da da da da da da da da da da da
104
da da da da da da da da da da da
105
da da da da da da da da da da da
106
da da da da da da da da da da da
107
da da da da da da da da da da da
108
da da da da da da da da da da da
109
da da da da da da da da da da da
110
da da da da da da da da da da da
111
da da da da da da da da da da da
112
da da da da da da da da da da da
113
da da da da da da da da da da da
114
da da da da da da da da da da da da da da You were just singing the theme song.
115
Laura Dern, the Brachiosaurus.
116
I don't know Jurassic Park.
117
You remember the song.
118
I mean, Paul's one of the most incredible actors I've ever worked with.
119
He carries both the film and literally me throughout the movie.
120
I'm the one getting to go in and just do a crazy, weird performance.
121
He gets to do that, but also has to be the engine of the film and the beating heart of it.
122
And yeah, I mean, he's incredible in that.
123
And bless him.
124
There were so many times when they had made a dummy for him to carry around.
125
And there was a lot of the time I think he just wanted the weight of the real me.
126
So he genuinely is carrying me around a lot in that movie.
127
If I get hit by lightning tomorrow or something, if there's one scene
128
that I could pick from everything I've ever done to just be the thing that like lasts after me.
129
It would be the scene on the bus from Swiss Army Man.
130
She sits alone just like every other day and looks out the window lost in her thoughts.
131
You know that look.
132
She's just as alone as you are.
133
But she doesn't have to be.
134
You could talk to her.
135
Tell her you'd love to sit next to her today
136
and every other day because life is short and no one deserves to ride the bus alone.
137
I want this to stop.
138
Is it not working?
139
No. She's too beautiful.
140
I can't talk to her now.
141
What if I say something stupid?
142
I just want to die.
143
Bones.
144
Hey, Ig, what does it feel like to get away with murder?
145
Do you want to comment on the fire at the lab in Tacoma last night?
146
Have you heard that the police have a new witness?
147
You should ask God to save your soul for what you did to her.
148
I should ask the devil to punish whoever the fuck killed her.
149
Ig Parish is the local guy who has been dating this girl, Merrin, for many years.
150
She has been murdered.
151
at the beginning of the film, and the entire town thinks that he has done it.
152
He's also got, like, a drinking problem, so he can't fully account for the nights, and he is worried that he might have had something to do with it and doesn't know what's happened.
153
And then he wakes up one morning with tiny, tiny bumps on the side of his head, which then burst through and are the beginnings of devil's horns.
154
As they continue to grow, he realizes that they have, like, a strange effect on people, where they kind of make people give in to or admit their worst impulses and desires.
155
He sort of uses that to figure out who really killed his girlfriend.
156
You're trial.
157
You're just a fucking crazy liar.
158
It's a very dark comedy with like very strong magical realism element to it.
159
Also made by one of the most talented directors I've ever worked with, Alex Aja.
160
I love that movie.
161
It's a crazy film, but I so enjoyed it.
162
Also, a lot of snake work on that film.
163
How's it going?
164
Where's that snake doing around your neck?
165
I made a new friend.
166
Early on, I wanted to, you know, try and get a reputation for being someone who wanted to try lots of different stuff.
167
Obviously, you want to be known as an actor who's just in lots of different stuff rather than just a character, a specific character.
168
You know, everything I do is, I want it to be different from the last thing I've done and everything else.
169
Not everything I do is like a comment on Harry Potter or an attempt to distance myself from it.
170
And I think I knew at the time that was never going to be achieved by just one film.
171
Like it was going to take just building up a body of work
172
that had a variety in it was going to be the thing
173
that made that separation it wasn't gonna be one thing that everyone sees and goes, oh, he is no longer Harry Potter to us, because that's just not how it works.
174
Yeah, that period of like, horns, kill your darlings, those are the first forays into like, doing some other stuff.
175
Kill your darlings.
176
Vision declares...
177
Proclaims...
178
This is better.
179
Proclaims the death of morality.
180
The expression of self.
181
The true, uninhibited, uncensored expression of the self.
182
Words are always empty words.
183
What do you suggest?
184
The derangement of the senses.
185
Like anything, it was like a lot of accent work on that one particularly, because he's a little bit more specific than my sort of generic American.
186
A lot of research and reading and his diaries, again, which are mostly later, but there is a lot of stuff from early on as well.
187
I think that was the first film I shot outside the UK.
188
That's the closest thing I have to a process now, which is, again, not much, But a lot of it I gained from working with John on that film,
189
and he sort of introduced me to a lot of just ways of breaking down a script
190
that are very practical and useful for an actor.
191
It's embarrassingly basic to actually say them, but basically it's like John introduced me to the concept of action verbs and actioning a script,
192
so going through something and just finding a bunch of different.
193
So rather than thinking of what's going on internally in the character, which can be quite a self -conscious way to work, there's something about finding an action verb, which you are trying to do to the other person,
194
so it's not something you're trying to do yourself, it's trying to have an effect on the other person.
195
That's why it's embarrassing to admit, because it's like very basic acting 101, but like, no one had ever explained it to me, so it was nice for John to do that.
196
You may either retract this fiction as your final, or you may choose to be expelled.
197
What will it be?
198
Fine.
199
Consider me expelled.
200
No, this remains with us.
201
I'm kind of somebody who has a general interest in history anyway, so I feel like learning more about the time period and how that would have been formed,
202
and learning about young Alan's life, it was really fascinating.
203
I don't think when you get onto set that you're really playing any of that.
204
That's just sort of all useful context to absorb before you go into something.
205
Guns akimbo.
206
It's very hard not to be charmed by a script where the main protagonist has guns for hands after about page 10.
207
Two scenes later, it's he's like trying to go to the toilet with guns for hands.
208
And I was like, great, you've got a premise, you're fully exploring it, I'm probably gonna do this movie.
209
I just loved the fact that it was like a 90 minute shot out of a cannon,
210
just adrenaline ride of insane action and Samara Weaving being cool and psychotic.
211
Jason created great characters and it is simply that thing of like, you've had a fun idea, but it's not just that you've had a fun idea.
212
You've created a really good plot around it and you're fully exploring it for comedy.
213
Because I love action films, but for me to do an action film, I feel like there has to be like a certain amount of physical comedy involved as well.
214
And the fact that like, though this action character's like special skill is running away, I was like, yeah, this is the action guy for me.
215
Freeze!
216
I will shoot!
217
Please don't!
218
Running away fuzzy bear slippers, yeah, which they made like special cutouts with sneakers inside so I could actually run in them.
219
So the thing that was hard was putting things in pockets, but I could fully take something out of my pockets with just the gun hands.
220
You spend enough time in them and you eventually will get good.
221
And they're genuinely useful as shoehorns.
222
You can, for that, it's almost like they were made for it.
223
That was one of the leaks, the paparazzi.
224
I think there's been like a couple over the years where like a picture of me,
225
in my mind, clearly at work doing something will come out
226
And there will be like a response to it of like 90 % of people being like, oh, this looks like a crazy movie.
227
But there seems always like a fairly high percentage of people being like, has Dan Radcliffe lost his fucking mind?
228
So yeah, that was one of them.
229
But it was great.
230
I mean, again, and it all helps like the moment that that started happening.
231
I was like, well, people are going to be interested in this movie.
232
And it's a great image.
233
The Lost City.
234
Come with me to the island.
235
Translate these symbols and help me find the Crown of Fire.
236
You can name your price.
237
I must respectfully decline.
238
Well...
239
I can't say I'm not disappointed.
240
But I understand how you feel.
241
Will you at least let us give you a ride?
242
Oh, no, thank you.
243
I'll call for my own car and I'll just...
244
He's not really a bad guy in this film.
245
He's doing an insane accent, so it bears no resemblance, really.
246
But Tim Curry in the movie Congo, just act as when you see them having a great time playing a weird kind of villainous, someone whose motivations are sketchy.
247
Anyone like that, I feel like Alan Cumming, I worked with Alan a few years ago, but he's also like played some fantastic villains over the years.
248
I feel like they're people to reference.
249
And also just a certain type of posh English boy, you know, entitled, slightly stupid.
250
I've met a few so I could draw on them.
251
Where am I?
252
Um, you're on my plane.
253
It's nice, isn't it?
254
The seats are made of mama llama leather.
255
Well, I'm getting off your plate.
256
Chain me!
257
That's your seatbelt. Did you chloroform me?
258
People actually do that?
259
Oh!
260
Oh, God!
261
Well, you know, it's a classic for a reason.
262
He thinks Sandra Bullock's gonna love being kidnapped, basically.
263
He is convinced that if she just thinks about this, she will find his call.
264
The prep for that was really just, I don't know, learning the lines and having as much fun as possible being horrible to Sandra Bullock.
265
Honestly, getting to work with her was such a thrill.
266
I grew up on the Potter films, obviously, working with Maggie Smith and Richard Harris, but I didn't have like an inherent knowledge of who those people were.
267
Like I did, I hadn't watched, you know, A Man Called Horse with Richard Harris when I was a kid, so I didn't know what the significance, but I did very much grow up watching Sandra Bullock and stuff,
268
so yeah, to get to work with her was incredibly cool.
269
Miracle Workers.
270
Striking out hard here, man.
271
Tried telling jokes to this guy, I've complimented him, I even told him my real name.
272
All that happened was he had a seizure.
273
Oh.
274
Well, um, yeah, I don't know much about profits, but I'll try and help.
275
Oh, thanks, bud.
276
I appreciate it.
277
I know you must be busy.
278
Well, uh, actually, I'm not really that busy.
279
I don't think anyone downstairs really needs me anymore.
280
Oh, well, I need you big time.
281
Okay, well, yeah, great.
282
What's, uh, what's the plan?
283
Hit him hard with a tornado.
284
Uh, what?
285
I read What in God's Name, which is the book that the first season of Miracle Workers was based on, as well as The Last Girlfriend on Earth, which became called something else, Man Seeking Woman.
286
Simon is a brilliant, brilliant writer, incredibly funny, also incredibly warm, and there's a sweetness to his writing as well.
287
And yeah, wrote two fantastic seasons of Miracle Workers.
288
And then I always like to point out, just because they're fantastic as well, is that two guys called Dan Merck
289
and Robert Padnick have sort of showrun the last two seasons of the show in The Oregon Trail
290
and the one we've just finished.
291
TBS have let us do one of the weirdest little shows on TV for the last few years,
292
and I will be forever grateful for it because particularly the one we've just done is,
293
we've really like taken some big swings in terms of like high concept weird jokes and stuff.
294
So I'm very excited for people to see it.
295
Yeah, the fact that it was an anthology series, I was like, this is ideal.
296
I just get to come back and work with Steve Buscemi
297
and this group of actors and get Simon Rich's writing every year and then Dana Roberts.
298
And yeah, it's just, it's a real, it's a dream.
299
Weird, the Al Yankovic story.
300
Honestly, most of Al's notes to me were musical, were like stuff about the playing of the accordion or of lyrics in songs and stuff.
301
He was very specific about that but other than
302
that he was kind of just like gave me free reign
303
to create my own version of him i think he's he's happy with it
304
so i'm yeah so that's that's you know i'm delighted i mean this was particularly quick this shoot
305
but like swiss army man was 23 days killie darlings was like 24 days another film i won't mention
306
because it's really bad and you're not even gonna ask me about it
307
so it's fine was like 16 days um i actually love working
308
that way i think on potter growing up you know we things took a long long time
309
which was great in a way
310
because it meant i've got like i can i got sort of stamina across the course of a shoot
311
and i don't get too tired but it's also the feeling of like doing five
312
or six scenes in a day
313
and having achieved all of them is really really fulfilling i think
314
if you asked our director he would probably have like i
315
think we all would have liked like maybe a couple more on this
316
but you know it is what it is
317
and you make the best of it
318
and truly the making of this film is like a testament to to what you can do
319
if you're prepared We shot like a massive action scene in like four hours at one point, which is, I'm very, very proud of that.
📺 Même chaîne
B11
10 Things England Captain Harry Kane Can't Live Without | GQ Sports
Business EnglishDaily ConversationUniversity Students
B11
Megan Fox & Machine Gun Kelly Take a Couples Quiz | GQ
TeensDaily ConversationHigh School Students
B21
Jason Segel's Favorite 'How I Met Your Mother' Scene
Daily ConversationUniversity StudentsWorking Adults
B11
Tom Holland Replies to Fans on the Internet | Actually Me | GQ
TeensDaily ConversationHigh School Students
B22
Bob Odenkirk Replies To Fans Online | Actually Me
B21
Andrew Garfield Replies To More Fans Online | Actually Me
Daily ConversationUniversity StudentsWorking Adults
B210 Things Joji Can't Live Without | GQ
Daily ConversationUniversity StudentsWorking Adults
B21
Casino Boss Breaks Down Gambling Scenes from Movies | GQ
Business EnglishUniversity StudentsWorking Adults
B22
Martin Scorsese Breaks Down His Most Iconic Films | GQ
Business EnglishUniversity StudentsWorking Adults
B13
10 Things Declan Rice Can’t Live Without
Daily ConversationUniversity StudentsWorking Adults
B2Mads Mikkelsen Breaks Down His Most Iconic Characters | GQ
Business EnglishUniversity StudentsWorking Adults
B23
Psychiatrist Breaks Down Mental Health Scenes From Movies & TV | GQ
Daily ConversationUniversity StudentsWorking Adults
B23
Simu Liu Replies to Fans on the Internet | Actually Me | GQ
Business EnglishDaily ConversationUniversity Students
B22
10 Things Jensen Ackles Can’t Live Without | 10 Essentials
Travel EnglishDaily ConversationUniversity Students
B21
Kendrick Lamar & Rick Rubin Have an Epic Conversation | GQ
Business EnglishDaily ConversationUniversity Students
B21
Becoming Michael with Jaafar Jackson
Business EnglishUniversity StudentsWorking Adults
B11
The Odyssey's Zendaya & Robert Pattinson Take a Friendship Quiz
TeensDaily ConversationHigh School Students
B22
Cillian Murphy Answers Questions About Oppenheimer | GQ
Daily ConversationUniversity StudentsWorking Adults
B21
Seth MacFarlane Breaks Down His Most Iconic Characters | GQ
Business EnglishDaily ConversationUniversity Students
B22
Sal Vulcano Replies to Fans Online | Actually Me
Daily ConversationUniversity StudentsWorking Adults
✨ Vidéo recommandée
B21
98 phrases
Emma Watson Reveals What Hollywood Never Shows You... | Jay Shetty
Business EnglishDaily ConversationUniversity Students
B2406 phrases
Best Of Harry (Tom Hardy) vs. Everyone 🫡 MobLand
Business EnglishDaily ConversationUniversity Students
B23
333 phrases
Jake Gyllenhaal Breaks Down His Most Iconic Characters | GQ
Business EnglishDaily ConversationUniversity Students
B24
116 phrases
Timothée Chalamet: What It Means To Make British Vogue History | In Conversation
Business EnglishDaily ConversationUniversity Students
B24
112 phrases
The Dark Knight Rises Interview - Christian Bale (2012) HD
Business EnglishInterview EnglishUniversity Students
B21
399 phrases
L'interview vérité de Zendaya et Tom Holland
Business EnglishDaily ConversationUniversity Students
B21
122 phrases
Tolkien Said He Would Have Refused to Go
Daily ConversationUniversity StudentsWorking Adults
C14
186 phrases
J.K. Rowling Speaks at Harvard Commencement
Business EnglishUniversity StudentsWorking Adults
B2304 phrases
Learn English with PODCASTS — How Emma Watson Became Hermione
Business EnglishDaily ConversationHigh School Students
B21
184 phrases
Nobody Can Handle Cillian Murphy's NONCHALANT Personality
Daily ConversationUniversity StudentsWorking Adults
B22
251 phrases
Best of the Harry Potter Cast on 'The Ellen Show'
Daily ConversationUniversity StudentsWorking Adults
Vocabulaire et conseils d’expression pour cette leçon
Cette vidéo contient 319 phrases et 3997 mots à répéter en shadowing. La partie parlée dure 20:33. Le locuteur parle vite, environ 194 mots par minute : attendez-vous à des liaisons et à des sons réduits. 86 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| potter nom | /ˈpɑtɚ/ | potier, potière |
| incredibly adverbe | /ɪŋˈkɹɛdɪbli/ | incroyablement |
| script nom | /skɹɪpt/ | écrit |
| genuinely adverbe | /ˈd͡ʒɛn.ju.ɪn.li/ | authentiquement, réellement |
| darling nom | /ˈdɑɹlɪŋ/ | chéri, chérie |
| pocket nom | /ˈpɑ.kɪt/ | poche |
| wire nom | /ˈwaɪɚ/ | fil |
| insane adjectif | /ɪnˈseɪn/ | dérangé, délirant |
| explore verbe | /ɪkˈsploɹ/ | explorer |
| footage nom | /ˈfʊtɪd͡ʒ/ | pellicule enregistrée, métrage cinématographique |
| convince verbe | /kənˈvɪns/ | convaincre, persuader |
| snake nom | /sneɪk/ | serpent |
| burst verbe | /bɜːst/ | éclater |
| accent nom | /ækˈsɛnt/ | accent |
| horn nom | /hɔɹn/ | corne |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| run away verbe | s'enfuir | |
| grow up verbe | grandir | |
| break down verbe | tomber en panne | |
| build up verbe | s'accumuler, s'entasser | |
| come back verbe | revenir | |
| come out verbe | /ˌkʌm ˈaʊt/ | sortir |
| figure out verbe | cerner | |
| get away with verbe | s'en tirer |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Phrases conditionnelles if + proposition, will/would + verbe — une condition et son résultat | if I do, I'll be · if you asked our director he would probably |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | I've heard · I've ever worked · I've ever done |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | be punished · be involved · being made |
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | character, which is · guy who has · someone who wanted |
Prononciation à surveiller
Le locuteur utilise 92 contractions et formes réduites, comme don't, I'm, you're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: sixth /sɪksθ/, leather /ˈlɛðɚ/, underneath /ˌʌndɚˈniθ/, enthusiasm /ɪnˈθuziæzəm/, thrill /θɹɪl/
- Les sons « sh » et « zh »: punish /ˈpʌnɪʃ/, reputation /ˌɹɛpjʊˈteɪʃən/, fiction /ˈfɪkʃən/, motivation /ˈmoʊ.tə.veɪ.ʃən/, conscious /ˈkɑn.ʃəs/
- Mots longs — placez bien l’accent: incredibly /ɪŋˈkɹɛdɪbli/, genuinely /ˈd͡ʒɛn.ju.ɪn.li/, underwater /ʌndɚˈwɔtəɹ/, reputation /ˌɹɛpjʊˈteɪʃən/, disappointed /ˌdɪsəˈpɔɪnɪd/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme potter, incredibly, script.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.