Shadowing-Übung: British Accent Shadowing | Jane Eyre | Learn RP Pronunciation – Part 1 - Englisch Sprechen Lernen mit Video

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Welcome to British Accent Shadowing, where you can practice received pronunciation,
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known as RP, intonation and the natural rhythm of spoken British English with me,
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Ashley Howard, voice coach and accent trainer.
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This episode launches a new series exploring Jane Eyre by Charlotte Bronte,
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a masterpiece of English literature with beautifully expressive language.
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First, I'll read the passage in full at natural speed so you can hear the flow and melody of RP English.
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Then we'll break it down line by line so you can repeat after me, refining your pronunciation, intonation and speaking fluency.
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Finally, we'll go through it together at full pace so you can speak along confidently.
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You can also download a free PDF with the text and vocabulary explanations to help you follow along.
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The link is in the description below.
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Let's get started.
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There was no possibility of taking a walk that day.
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We had been wandering, indeed, in the leafless shrubbery an hour in the morning.
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But since dinner, Mrs Reed, when there was no company, dined early, The cold winter wind had brought with it clouds so sombre
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and rains so penetrating that further outdoor exercise was now out of the question.
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I was glad of it.
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I never liked long walks, especially on chilly afternoons.
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Dreadful to me was the coming home in the raw twilight with nipped fingers and toes,
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and a heart saddened by the chidings of Bessie the nurse, and humbled by the consciousness of my physical inferiority,
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to Eliza, John, and Georgiana read.
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The said Eliza, John, and Georgiana were now clustered round their mamma in the drawing-room.
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She lay reclined on a sofa by the fireside, and with her darlings about her,
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for the time neither quarrelling nor crying, looked perfectly happy.
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Me she had dispensed from joining the group, saying, she regretted to be under the necessity of keeping me at a distance,
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but that until she heard from Bessie, and could discover by her own observation,
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that I was endeavouring in good earnest to acquire a more sociable and childlike disposition,
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a more attractive and sprightly manner, something lighter, Franka, more natural, as it were.
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She really must exclude me from privileges intended only for contented, happy little children.
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What does Bessie say I have done?
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I asked.
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Jane, I don't like cavaliers or questioners.
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Besides, there is something truly forbidding in a child taking up her elders in that manner.
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Be seated somewhere, and until you can speak pleasantly, remain silent.
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A breakfast room adjoining the drawing room.
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I slipped in there.
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It contained a bookcase.
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I soon possessed myself of a volume, taking care that it should be one stored with pictures.
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I mounted into the window seat.
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Gathering up my feet, I sat cross-legged like a Turk, and having drawn the red Maureen curtain nearly close,
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I was shrined in double retirement.
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Now copy after me.
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There was no possibility of taking a walk that day.
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We had been wandering, indeed,
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in the leafless shrubbery, an hour in the morning.
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But since dinner, Mrs. Reed,
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when there was no company,
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early, the cold winter wind had brought with it clouds
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so sombre and a rain so penetrating,
49
that further outdoor exercise was now out of the question.
50
I was glad of it.
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I never liked long walks, especially on chilly afternoons,
52
Dreadful to me was the coming home in the raw twilight,
53
with nipped fingers and toes,
54
and a heart saddened by the chidings of Bessie the nurse,
55
and humbled by the consciousness of my physical inferiority,
56
to Eliza, John and Georgiana read,
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The said Eliza, John and Georgiana
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were now clustered round their mamma in the drawing room.
59
She lay reclined on a sofa by the fireside,
60
and with her darlings about her,
61
for the time neither quarrelling nor crying, looked perfectly happy.
62
Me she had dispensed from joining the group,
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saying she regretted to be under the necessity of keeping me at a distance,
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but that until she heard from Bessie,
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and could discover by her own observation that I was endeavouring in good earnest
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to acquire a more sociable and childlike disposition,
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a more attractive and sprightly manner,
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something lighter, franker, and more natural,
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as it were, she really must exclude me from privileges intended only
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for contented, happy little children.
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What does Bessie say I have done?
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I asked.
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Jane, I don't like cavaliers or questioners.
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Besides, there is something truly forbidding.
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in a child taking up her elders in that manner,
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be seated somewhere, and until you can speak pleasantly, remain silent.
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A breakfast room.
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Adjoined the drawing room.
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I slipped in there.
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It contained a bookcase.
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I soon possessed myself with a volume.
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taking care it should be one stored with pictures.
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I mounted into the window seat.
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Gathering up my feet, I sat cross-legged,
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like a Turk, and having drawn the Maureen curtain nearly close,
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I was shrined in double retirement.
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Now speak with me at the same time.
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There was no possibility of taking a walk that day.
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We had been wandering, indeed, in the leafless shrubbery an hour in the morning, but since dinner Mrs. Reed, when there was no company,
90
dined early, the cold winter wind had brought with it clouds
91
so sombre and rains so penetrating that further outdoor exercise was now out of the question.
92
I was glad of it.
93
I never liked long walks, especially on chilly afternoons.
94
Dreadful to me was the coming home in the raw twilight with nipped fingers and toes,
95
and a heart saddened by the chidings of Bessie the nurse,
96
and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
97
The said Eliza, John, and Georgiana were now clustered round their mamma in the drawing-room.
98
She lay reclined on a sofa by the fireside, and with her darlings about her,
99
for the time neither quarrelling nor crying, looked perfectly happy.
100
Me she had dispensed from joining the group, saying she regretted to be under the necessity of keeping me at a distance,
101
but that until she heard from Bessie,
102
and could discover by her own observation that I was endeavouring in good earnest to acquire a more sociable and childlike disposition,
103
a more attractive and sprightly manner, something lighter, Franka, more natural,
104
as it were, she really must exclude me from privileges intended only for contented, happy little children.
105
What does Bessie say I have done?
106
I asked.
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Jane, I don't like cavaliers or questioners.
108
Besides, there is something truly forbidding in a child taking up her elders in that manner.
109
Be seated somewhere, and until you can speak pleasantly, remain silent.
110
A breakfast room adjoining the drawing-room.
111
I slipped in there.
112
It contained a bookcase.
113
I soon possessed myself of a volume, taking care that it should be one stored with pictures.
114
I mounted into the window seat.
115
Gathering up my feet, I sat cross-legged like a Turk.
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And having drawn the red Maureen curtain nearly close, I was shrined in double retirement.
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Great work today!
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Shadowing expressive English like Jane Eyre helps you sound more natural, confident and clear when speaking in a British RP accent.
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If you'd like to go deeper, check the description for my free British Accent course and my British Accent Training eBook.
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They're perfect for building your skills step by step.
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You can replay this episode as often as you like or use the PDF download to practice on your own.
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If you found this helpful, please like, comment and subscribe for more British accent shadowing episodes.
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It really helps support the channel.
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And also, let me know what you'd like next.
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See you in part two.
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Thank you.

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Für wen ist dieses Video geeignet?

Dieses Video eignet sich perfekt für Lerner, die Englisch sprechen üben und ihre englische Aussprache verbessern wollen – insbesondere wenn sie sich für das britische RP (Received Pronunciation) interessieren. Es richtet sich an Fortgeschrittene, die die natürliche Rhythmik und Intonation meistern möchten, sowie an Einsteiger, die mit literarischem Text vertraut werden und gleichzeitig ihre Sprachfähigkeiten trainieren. Ideal für alle, die "shadowing" (Nachsprechen) als Methode kennenlernen oder vertiefen wollen.

Wörter und Redewendungen, die man unbedingt lernen sollte

  • Leafless shrubbery: Blattloser Strauchgarten – ein schönes Beispiel für beschreibende Sprache.
  • Out of the question: Außer Frage – eine häufige Redewendung, um etwas als unmöglich zu bezeichnen.
  • Chidings: Tadel – ein altertümliches Wort, das in der Literatur oft vorkommt und die Atmosphäre von Jane Eyre widerspiegelt.
  • Dispensed from: Befreit von – eine formelle Wendung, um auszudrücken, dass jemand von einer Pflicht befreit wird.

Wie man den Akzent richtig beherrscht

Um das RP-Akzent zu meistern, konzentriere dich auf die Intonation – sie ist in britischen Varianten oft "melodischer" als in amerikanischen. Achte auf lange Vokale, wie in "wandering" oder "sombre", und die klare Aussprache von Konsonanten, z. B. im Wort "penetrating". Nutze die "shadowing"-Methode: Höre die Sätze zuerst in natürlicher Geschwindigkeit, dann wiederhole sie sofort nach, um Rhythmus und Betonung zu kopieren. Diese Technik, auch "shadowspeak" genannt, hilft, die Mundposition und die Flüssigkeit zu verbessern. Ein Tipp: Übe mit der freien PDF (Link in der Video-Beschreibung), um den Text vorab zu kennen – so kannst du dich voll auf die Aussprache konzentrieren. Probier es mit dem Satz "There was no possibility of taking a walk that day": Betone "no possibility" und mache die Pause nach "day" bewusst, um die natürliche Fluss zu erhalten.

Grammatik in diesem Video

Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:

StrukturIm Video
Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tutwere now clustered · Be seated · was shrined
Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig isthave done

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →