Shadowing-Übung: Bryan Cranston on Becoming Walter White in Breaking Bad - Englisch Sprechen Lernen mit Video
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that we've seen you bear it all in a whole succession of roles.
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I made myself a note.
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You've appeared in your underwear, if not less, in Malcolm in the Middle, Trumbo, Wakefield, Breaking Bad.
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Now, what's with it, Brian?
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Is this an exhibitionist act or are you just able to subdue your vanity for a role?
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Well, when you look at it on the surface, no pun intended, of it,
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there is nothing more vulnerable than a person who is naked, figuratively or literally.
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And aside from those years that we spent in middle school or high school,
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when someone was publicly humiliated or embarrassed in public and the finger -pointing and the laughing and the giggling occurred,
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what I appreciated about the maturity of human beings is that once they are mature,
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they're in college or later, we don't laugh.
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When we see someone who's hurting, someone who's vulnerable or in pain,
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susceptible, publicly humiliated, we emotionally want to wrap our arms around them and protect them.
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And that's the joyous part of a human experience.
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And I count on that.
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I count on audiences going, oh my God, I feel for him in his pain right now,
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in his suffering, and I've been there.
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They relate to it, and they don't want to see it.
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And so they can cry with you or feel the depression or anxiety with you.
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And then hopefully the playwright
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and structure of the story lifts them up a little bit with you
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so they can you pull them out of that together
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and then you continue on with your story very well spoken well
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that old saying
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that luck is where opportunity meets experience tell me about how Breaking Bad came into your life it was just
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that I was very lucky I did a I wrote
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and directed a little movie independent movie out in the desert of california
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and i kept delaying it
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because i money kept coming in coming out coming in just
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a couple hundred thousand dollars on 35 millimeter film we're hustling
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trying to get this done it was a labor of love
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uh it was it was fun it's it's called last chance it starred my wife
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and we worked together it was beautiful but i delayed it
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so many times
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and i finally just said i can't delay it anymore i've
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got to do this i came back into Los Angeles after
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that and started editing
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and two days after I was in LA again I got
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a call from my agent saying there's a part on X -Files
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that you might be right for do you want to work
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oh yeah I could just use the opportunity to work I'm broke
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so I went and auditioned I got it that episode of X -Files was written by Vince Gilligan.
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He wrote a character that was despicable and ornery
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and an anti -Semite and just a nasty human being who was in trouble.
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And he wrote where despite his actions you still felt sympathies toward him.
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And that was my first introduction to the depth of Vince Gilligan's writing.
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Ten years later, after Malcolm in the Middle, Vince Gilligan contacted my agent and said,
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I'd like to see Brian for this new series called Breaking Bad.
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And I didn't remember him.
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I remember, oh yeah, I remember the writer.
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I don't remember what he looks like or what his name was.
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And I read this script, and I went, oh, my.
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But he was my champion to get that role
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because of the fact that I was lucky enough to be in that episode of X -Files that he wrote and produced.
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But he remembered it for 10 years.
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He remembered me.
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He remembered me.
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I didn't remember him.
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And he was my champion.
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Without Vince Gilligan, someone else is sitting in this chair right now talking to you.
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Now, true or untrue, that you, that Breaking Bad has meant so much to you, that you have a tattoo of it somewhere on your body.
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Well, that is true. But Dan, I...
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I can't show you where it is.
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It's a little embarrassing.
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No, I can't show you.
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Come on, I was going to say you said it.
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It's right here on my finger.
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I don't know if you want to see it.
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I got that.
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I don't have any other tattoos.
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I got this on the very last day of shooting Breaking Bad, and that is our symbol,
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B -R -B -A, from the table of elements.
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Now, as a person who's never been tattooed before, tell me about that
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so we're working on the very last day of production of
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Breaking Bad there are tears there's laughter there's embracing we know this was the end of something very special
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and a lot of the crew we're talking about I'm gonna
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get a tattoo I'm gonna get a tattoo I'm gonna crew guys they're gonna get tattoos
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so much so
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that I said we should hire a tattoo artist come to our party tonight let's do it there
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and then I kept thinking about it what could I get a tattoo that's
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so different it's not my generation you know
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and i thought why not where would i get a tattoo
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and so i i know i just thought you can't see it
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because i'm an actor yeah so i didn't want it to be seen
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and other people will say but you did people can't see
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that and i go it's not for other people this is for me
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and when i catch it i look at it and go wow
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that was that was a seminal period in my life more of my interview with brian cranson when we come back
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What I'd like to do is go down this list of roles.
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And you tell me what was the most difficult thing about doing the character.
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Let's start with Hal and Malcolm in the Middle.
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Well, I smile.
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I love playing him.
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Hal was afraid of everything.
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I wanted to be able to find the truth in fear with him,
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that he could be afraid of every little thing that could happen to a person,
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a bad husband, a bad father, lose his job, lose his identity, be alone, all these things,
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afraid of spiders, afraid of heights, he was afraid of everything.
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And so to try to find truth and honesty on that level, And once I found that,
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I feel then the truth in the humor can then come out to that.
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Difficult role when you play Dalton Trumbo in Trumbo.
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He, I so enjoyed playing him.
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He was a man of the times, a man seeking justice during the McCarthy era.
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And the story was really who he was, is a man saying, don't be afraid of ideas.
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That's not the thing to fear.
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That's the thing to embrace, ideas, and especially the ones that differ from yours.
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You may be a communist feminist, you may be a radical, you may be an ultra -conservative, you may be whatever.
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But it is not to fear that, it is to embrace the strengths of that.
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And ultimately that is what I see as the gift of America and our strength.
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Warum dieser Clip ideal fürs Englischlernen ist
Der Dialog zwischen Bryan Cranston und dem Interviewer eignet sich hervorragend, um Englische Aussprache zu verbessern und das Sprechen zu üben. Die natürliche Flüssigkeit der Sprache, die verschiedenen Emotionen und die klare Artikulation machen ihn zu einem perfekten Material fürs Shadowing. Cranstons Ausdruckweise ist nicht zu komplex, aber dennoch reich an Details, was es Lernern ermöglicht, sowohl Grammatik als auch Vokabular in einem realen Kontext zu absorbieren.
Analyse: Natürliche Sätze im Gespräch
- "When you look at it on the surface, no pun intended, of it, there is nothing more vulnerable than a person who is naked, figuratively or literally." Diese Satzstruktur zeigt, wie Redewendungen ("on the surface", "no pun intended") und Figuren der Sprache ("figuratively or literally") nahtlos in einem Gespräch eingebaut werden. Die Pausen und die Betonung auf "vulnerable" machen die Aussage authentisch.
- "I count on audiences going, oh my God, I feel for him in his pain right now." Hier wird die informelle Redeweise ("going, oh my God") dargestellt, die in natürlichen Gesprächen oft vorkommt. Die Verwendung von "count on" und "feel for" ist ein gutes Beispiel für gebräuchliche Verbenkombinationen.
- "Ten years later, after Malcolm in the Middle, Vince Gilligan contacted my agent and said, I'd like to see Brian for this new series called Breaking Bad." Diese einfache, chronologische Erzählweise mit Zeitangaben ("Ten years later", "after") und direkter Rede ("said, I'd like to see") ist typisch für Geschichten aus dem Leben. Sie lehrt Lerner, wie man klare, verständliche Sätze baut.
Übungsroutine: Shadowing für besseres Sprechen
Um Englisch sprechen zu üben, nutze die Methode des Shadowing: 1. Höre einen kurzen Abschnitt des Videos (5-10 Sekunden) genau an. 2. Wiederhole ihn sofort nach, versuche die Intonation, die Pausen und die Aussprache zu kopieren. 3. Nimm dich auf und vergleiche es mit dem Original. 4. Wiederhole den Vorgang, bis du die natürliche Flüssigkeit erreicht hast. Eine shadowing site oder eine App kann dir helfen, den Tempo und die Rhythmen genauer zu analysieren. Mit dieser Routine verbesserst du nicht nur deine Aussprache, sondern auch dein Hörverständnis und deine Fähigkeit, spontan zu sprechen. Probier es mit Cranstons Sätzen – du wirst schnell Fortschritte sehen!
Grammatik in diesem Video
Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:
| Struktur | Im Video |
|---|---|
| Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig ist | we've seen · You've appeared · I've been |
| Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tut | was written · been tattooed · be seen |
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.