Prática de Shadowing: Bryan Cranston on Becoming Walter White in Breaking Bad - Aprenda a falar inglês com vídeo
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that we've seen you bear it all in a whole succession of roles.
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I made myself a note.
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You've appeared in your underwear, if not less, in Malcolm in the Middle, Trumbo, Wakefield, Breaking Bad.
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Now, what's with it, Brian?
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Is this an exhibitionist act or are you just able to subdue your vanity for a role?
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Well, when you look at it on the surface, no pun intended, of it,
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there is nothing more vulnerable than a person who is naked, figuratively or literally.
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And aside from those years that we spent in middle school or high school,
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when someone was publicly humiliated or embarrassed in public and the finger -pointing and the laughing and the giggling occurred,
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what I appreciated about the maturity of human beings is that once they are mature,
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they're in college or later, we don't laugh.
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When we see someone who's hurting, someone who's vulnerable or in pain,
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susceptible, publicly humiliated, we emotionally want to wrap our arms around them and protect them.
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And that's the joyous part of a human experience.
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And I count on that.
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I count on audiences going, oh my God, I feel for him in his pain right now,
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in his suffering, and I've been there.
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They relate to it, and they don't want to see it.
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And so they can cry with you or feel the depression or anxiety with you.
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And then hopefully the playwright
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and structure of the story lifts them up a little bit with you
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so they can you pull them out of that together
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and then you continue on with your story very well spoken well
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that old saying
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that luck is where opportunity meets experience tell me about how Breaking Bad came into your life it was just
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that I was very lucky I did a I wrote
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and directed a little movie independent movie out in the desert of california
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and i kept delaying it
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because i money kept coming in coming out coming in just
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a couple hundred thousand dollars on 35 millimeter film we're hustling
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trying to get this done it was a labor of love
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uh it was it was fun it's it's called last chance it starred my wife
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and we worked together it was beautiful but i delayed it
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so many times
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and i finally just said i can't delay it anymore i've
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got to do this i came back into Los Angeles after
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that and started editing
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and two days after I was in LA again I got
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a call from my agent saying there's a part on X -Files
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that you might be right for do you want to work
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oh yeah I could just use the opportunity to work I'm broke
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so I went and auditioned I got it that episode of X -Files was written by Vince Gilligan.
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He wrote a character that was despicable and ornery
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and an anti -Semite and just a nasty human being who was in trouble.
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And he wrote where despite his actions you still felt sympathies toward him.
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And that was my first introduction to the depth of Vince Gilligan's writing.
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Ten years later, after Malcolm in the Middle, Vince Gilligan contacted my agent and said,
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I'd like to see Brian for this new series called Breaking Bad.
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And I didn't remember him.
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I remember, oh yeah, I remember the writer.
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I don't remember what he looks like or what his name was.
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And I read this script, and I went, oh, my.
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But he was my champion to get that role
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because of the fact that I was lucky enough to be in that episode of X -Files that he wrote and produced.
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But he remembered it for 10 years.
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He remembered me.
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He remembered me.
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I didn't remember him.
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And he was my champion.
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Without Vince Gilligan, someone else is sitting in this chair right now talking to you.
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Now, true or untrue, that you, that Breaking Bad has meant so much to you, that you have a tattoo of it somewhere on your body.
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Well, that is true. But Dan, I...
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I can't show you where it is.
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It's a little embarrassing.
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No, I can't show you.
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Come on, I was going to say you said it.
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It's right here on my finger.
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I don't know if you want to see it.
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I got that.
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I don't have any other tattoos.
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I got this on the very last day of shooting Breaking Bad, and that is our symbol,
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B -R -B -A, from the table of elements.
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Now, as a person who's never been tattooed before, tell me about that
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so we're working on the very last day of production of
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Breaking Bad there are tears there's laughter there's embracing we know this was the end of something very special
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and a lot of the crew we're talking about I'm gonna
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get a tattoo I'm gonna get a tattoo I'm gonna crew guys they're gonna get tattoos
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so much so
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that I said we should hire a tattoo artist come to our party tonight let's do it there
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and then I kept thinking about it what could I get a tattoo that's
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so different it's not my generation you know
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and i thought why not where would i get a tattoo
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and so i i know i just thought you can't see it
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because i'm an actor yeah so i didn't want it to be seen
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and other people will say but you did people can't see
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that and i go it's not for other people this is for me
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and when i catch it i look at it and go wow
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that was that was a seminal period in my life more of my interview with brian cranson when we come back
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What I'd like to do is go down this list of roles.
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And you tell me what was the most difficult thing about doing the character.
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Let's start with Hal and Malcolm in the Middle.
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Well, I smile.
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I love playing him.
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Hal was afraid of everything.
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I wanted to be able to find the truth in fear with him,
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that he could be afraid of every little thing that could happen to a person,
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a bad husband, a bad father, lose his job, lose his identity, be alone, all these things,
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afraid of spiders, afraid of heights, he was afraid of everything.
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And so to try to find truth and honesty on that level, And once I found that,
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I feel then the truth in the humor can then come out to that.
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Difficult role when you play Dalton Trumbo in Trumbo.
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He, I so enjoyed playing him.
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He was a man of the times, a man seeking justice during the McCarthy era.
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And the story was really who he was, is a man saying, don't be afraid of ideas.
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That's not the thing to fear.
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That's the thing to embrace, ideas, and especially the ones that differ from yours.
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You may be a communist feminist, you may be a radical, you may be an ultra -conservative, you may be whatever.
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But it is not to fear that, it is to embrace the strengths of that.
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And ultimately that is what I see as the gift of America and our strength.
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Por que praticar fala com esse vídeo?
Se você quer melhorar sua prática de conversação em inglês, esse vídeo com Bryan Cranston é perfeito! A conversa é informal, cheia de expressões cotidianas e mistura reflexões profundas com anedotas, o que cria um contexto real para treinar. Além disso, a velocidade e a entonação naturais do ator são ideais para exercícios de shadowing em inglês (imitar a fala enquanto ouve). Ao praticar com ele, você aprende a se comunicar de forma mais fluida e a entender nuances que só aparecem em diálogos reais. É como ter uma aula com um falante nativo, mas no seu próprio ritmo!
Gramática e expressões no contexto
Vamos analisar algumas estruturas chave do vídeo:
- "I count on audiences going, oh my God...": A expressão "count on" (confiar em) é usada com um verbo no gerúndio (going), o que é comum em situações informais. Essa estrutura ajuda a falar de expectativas de forma natural.
- "It was just that I was very lucky": A frase "it was just that" (era apenas que) é perfeita para explicar uma situação de forma suave. Útil para evitar respostas abruptas na conversa.
- "despite his actions you still felt sympathies toward him": "Despite" (apesar de) é usado com um substantivo (his actions), mostrando como conectar ideias opostas sem complicações. Essa estrutura é essencial para debates ou histórias.
Armadilhas de pronúncia comuns
Algumas palavras no vídeo podem ser desafiadoras. Por exemplo: "vulnerable" (vulnerável) tem a pronúncia /ˈvʌlnərəbl/, com o "u" curto e o "a" silencioso no final. Outra é "despicable" (desprezível), que se pronuncia /dɪˈspɪkəbl/, com o destaque na segunda sílaba. E "ornery" (irritadiço), que soa /ˈɔːrnəri/, com o "r" forte. Para superar essas armadilhas, use o shadow speech: ouça a frase, pause e repita imitando a entonação e a articulação. Com prática, essas palavras vão ficar naturais!
Aprender inglês com vídeos como esse não é só eficaz, mas também divertido. Use o shadow speak diariamente e veja como sua fala melhora rapidamente!
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | we've seen · You've appeared · I've been |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | was written · been tattooed · be seen |
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.