Shadowing Practice: Sally's Phone | Human Interest | Bookworms Starter | BrE - Learn English Speaking with Video
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Chapter One Morning
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It is Thursday morning.
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Sally is in bed.
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Suddenly.
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Ring, ring.
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Her phone is ringing.
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But where is it?
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Sally gets out of bed and looks in her bag.
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No phone.
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She looks under the bed.
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No phone.
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Then she looks behind the door there is her phone
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Sally picks up her phone and answers it hello
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Sally it's Andrew Andrew is Sally's boyfriend he has got a lot of money and a beautiful and expensive car.
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Andrew, it's only seven o 'clock.
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Don't forget, Sally.
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We're meeting Michael tonight.
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It's an important evening because Michael's my new boss.
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Wear your blue skirt, Sally.
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I like that skirt.
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I must go now.
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See you at half past six.
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Bye. But Andrew.
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Bye.
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I can't wear the blue skirt, Sally thinks.
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It's dirty.
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What can I wear?
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Sally is having breakfast with her mother and her brother Jack.
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I'm going out tonight, Sally tells her mother.
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Andrew and I are meeting his new boss.
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Andrew, Jack says.
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Oh, be quiet, Jack, Sally says.
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Andrew is very nice to me.
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Nice, Jack says.
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Sally, I want a sandwich.
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Yes, Andrew.
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Sally, I don't like your hair.
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No, Andrew.
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Sorry, Andrew.
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Sally.
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But then Sally stands up and Jack runs out of the room.
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Sally gets on the train.
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There are a lot of people on the train.
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Most of them are talking on their phones.
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John, John, get up and go to work.
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It's late.
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Have you got my money.
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I need it today.
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I must have it today.
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Remember, go to the supermarket tonight.
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Don't forget.
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And Sally is listening to Andrew.
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Sally, meet me at six o 'clock, not at half past six.
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OK?
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OK, Andrew.
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But my blue skirt - I must go, Sally.
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Bye.
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Then the train goes into a tunnel.
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The people on the train cannot talk on their phones.
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They must talk to the other people on the train.
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Hello, Max.
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How are you?
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Oh, hello, Graham.
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I'm very well.
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Where are you working now, Lucy?
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I'm in a new office in Bank Street.
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Those are nice shoes, Jane.
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Thank you, Mary.
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After three minutes, the train comes out of the tunnel.
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Everyone talks on their phones again.
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Hello, John, are you out of bed now?
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Now Sally is at work.
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She is talking to her friend Claire.
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And she tells her about Andrew, Michael and the blue skirt.
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It's okay, Sally, Claire says.
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Let's go out at lunchtime.
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We can find a new skirt.
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You can wear it tonight.
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Later, Claire and Sally are having coffee with Louise.
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She works with them.
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Ring, ring.
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It is Andrew again.
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Hi, Sally.
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Look, meet me at the Bar Bogart, not the Cosmo Bar.
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Okay?
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The Bar Bogart is nearer.
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Bye.
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Bye.
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Bye, Bogart, Claire says.
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Hmm, that's nice.
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Huh, Louise says.
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Forget him, Sally.
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Who needs men?
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Do this, do that.
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Go there, don't go there.
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It is one o 'clock.
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Sally and Claire are looking at skirts do you like this one
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Sally Claire says yes it's beautiful
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but I never wear red do you like red Claire asks yes I do
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but Andrew doesn't well Claire says it's a beautiful skirt you like red?
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What do you want to do?
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Sally buys the skirt.
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Claire goes back to work, but Sally wants a coffee.
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She goes into a cafe.
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She buys a coffee and sits down.
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Then she phones her mother.
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Hi, Mum.
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I've got a new skirt.
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It's beautiful.
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I want to wear it tonight.
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What colour is it?
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It's red.
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That's nice.
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Red is a good colour for you, says her mother.
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Next to Sally, Paul is finishing his coffee.
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He phones his friend and talks to him.
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Then he stands up.
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The bag with a red skirt falls on the floor.
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Oh, I'm sorry, Paul says.
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He puts down his phone and picks up the bag.
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Here's your bag.
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That's okay, Sally says.
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Thank you.
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She smiles.
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What a nice smile, Paul thinks.
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Paul picks up his phone and goes out of the cafe.
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Sally finishes her coffee.
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She picks up her bag and her phone and goes back to work.
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Chapter 3 Afternoon
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Paul is in his office.
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Ring, ring.
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What's that noise?
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Paul thinks.
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He answers the phone.
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It is Andrew.
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Hello, Sally.
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It's not Sally.
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It's Paul.
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Paul?
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Paul who?
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Where's Sally?
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Who's Sally?
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There's no Sally here.
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Huh?
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Andrew finishes the call.
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Paul wants to phone his mother.
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He finds Mum on the phone and presses the button.
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Hello, Mum.
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It's Paul.
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Paul?
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Who's Paul?
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I'm not Paul's mum.
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I'm Sally's mum and Jack's mum what's happening Paul thinks what number is
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that he asks it's oh seven eight three four nine one 839.
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I'm very sorry, Paul says.
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It's the wrong number.
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That's okay, Sally's mum says.
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What a nice voice, she thinks.
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Sally is at work.
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Ring, ring.
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What's that noise?
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Sally thinks.
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She answers the phone.
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Hello?
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Is Paul there?
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No, I'm sorry, this...
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Can you give a message to him?
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This is his sister Catherine.
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There's a party at my house tonight.
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It's my birthday, but I...
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Eight o 'clock, okay?
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Bye.
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Sally talks to Claire and Louise.
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I've got a message for Paul, but who's Paul?
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Do you know a Paul, Claire?
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she asks.
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No. What's the message?
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Claire asks.
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It's his sister Catherine's birthday, and she's having a party tonight.
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Do you think it's a wrong number?
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Yes, I think it is, Claire says.
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Hey, Sally, Louise says, put on your red skirt and go to the party.
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Forget Andrew.
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Paul talks to a friend at work.
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This is Sally's phone and Sally's got my phone. But who is Sally?
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I don't know, says Paul.
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Why don't you phone her?
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What's my number?
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Paul asks.
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I don't know my number.
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Why not?
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Because I never call my number.
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Paul phones his mother.
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Mum, what's the number of my phone?
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Why do you want your phone number, Paul?
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Because Sally's got my phone.
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Who's Sally?
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His mother asks.
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I don't know, but she's got my phone and I've got her phone.
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I don't understand.
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I know, says Paul.
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It doesn't matter.
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Have you got my number?
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Here it is.
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0781 644834.
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Thanks, Mum.
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Paul phones Sally.
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Hello, Sally.
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This is Paul.
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Paul?
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Are you Catherine's brother?
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Sally asks.
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Yes, that's right.
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And I've got your phone.
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My phone?
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Oh, wait a minute.
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The Café Cuba at lunchtime.
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The bag on the floor?
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Yes, that's right.
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Well, we need to change phones.
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OK.
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Where are you now, Paul?
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In College Road.
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I work there.
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I work in Manchester Street.
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Can we meet in Queen Square?
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Sally asks.
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OK.
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What time do you finish work?
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At half past five.
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Let's meet in Queen's Square at a quarter to six, says Paul.
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Phone me then.
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OK, Paul, says Sally.
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Chapter Four Evening
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It is half past five.
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Sally puts on her new skirt.
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Do you like it, Louise?
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She asks.
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Oh, yes.
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It's very nice.
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It is twenty to six.
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Paul arrives in Queen Square.
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He looks for Sally.
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Is that Sally?
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He cannot remember.
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He phones Sally.
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Hello, Sally.
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It's Paul.
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I'm in Queen Square.
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Hello, Paul.
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I'm coming.
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There are lots of people in Queen Square, and many of them are talking on phones.
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Which is Paul?
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Sally cannot remember.
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She phones Paul.
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Paul, have you got black hair?
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No, I haven't.
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Good, Sally thinks.
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Have you got a book in your hand?
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asks Sally.
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No, I haven't.
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Good, Sally thinks.
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Sally cannot find Paul. Where are you, Paul?
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I'm near the trees.
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Sally goes across the square to the trees. Are you Paul?
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Sally says.
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Paul looks at Sally.
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She's beautiful, he thinks.
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Yes, I'm Paul.
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He's nice, Sally thinks.
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I'm Sally.
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So, we meet again.
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I'm sorry about your phone, Sally.
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Here it is.
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That's OK.
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Here's your phone, Paul.
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Sally, would you like a drink?
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I want to say sorry.
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OK, but I haven't got much time.
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Paul looks for a bar.
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Let's go to the blue moon.
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We can have a drink there.
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Paul and Sally are at the blue moon.
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Sally sits down at a table.
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Paul brings their drinks.
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Here's your drink, Sally.
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And I'm sorry about your phone.
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Forget it, Paul.
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it doesn't matter.
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Oh, I've got a message for you.
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It's from your sister Catherine. From Catherine?
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What is it?
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She says that it's her birthday today and there's a party at her house.
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Oh, no, Paul says.
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I always forget birthdays.
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What can I do?
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Sally looks across the square.
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Near the trees, a woman is selling flowers.
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Buy some flowers for your sister and take them to the party, she says to Paul.
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Of course, that's the answer.
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Look, Sally, do you want to come to the party with me?
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Catherine always has good parties.
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Well, I...
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Sally says, oh, I must tell you,
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Paul says, I've got a message for you from Andrew.
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He says, it doesn't matter, Paul, says Sally.
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I don't want the message.
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I would like to go to the party with you.
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But I must do something before we go.
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Sally takes her phone out of her bag and turns it off.
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In the bar Bogart, Andrew phones Sally.
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Sally Sally does not answer.
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Sally?
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says Andrew.
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Sally!
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Answer me!
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Sally and Paul leave the blue moon.
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That's a nice skirt, says Paul.
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I like red.
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Sally smiles at him.
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Thank you.
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Vocabulario y notas de pronunciación para esta lección
Esta lección de conversación se basa en el vídeo “Sally's Phone”. Las palabras que más se repiten: Sally, Paul, Andrew, skirt, Claire. Este vídeo tiene 320 frases y 1591 palabras para practicar shadowing. La parte hablada dura 19:55. El hablante habla despacio, unas 80 palabras por minuto, así que hay tiempo para imitar cada sonido. Solo el 81 % de las palabras está entre las 3.000 más comunes del inglés, por lo que el vocabulario es exigente. 56 de sus 320 frases son preguntas, así que sirve para practicar la entonación de las preguntas y las respuestas cortas.
Vocabulario clave de este vídeo
15 palabras del vídeo que vale la pena aprender, con su pronunciación y significado:
| Palabra | Pronunciación | Significado |
|---|---|---|
| skirt sustantivo | /skɚt/ | falda, enaguas |
| clock sustantivo | /klɑk/ | cuentakilómetros |
| flower sustantivo | /ˈfloʊɚ/ | flor |
| tunnel sustantivo | /ˈtʌn(ə)l/ | túnel |
| arrive verbo | /əˈɹaɪv/ | llegar, arribar |
| shoe sustantivo | /ˈʃu/ | zapato, taba |
| supermarket sustantivo | /ˌsupɚˈmɑɹkət/ | supermercado |
| chapter sustantivo | /ˈt͡ʃæptɚ/ | capítulo |
| smile verbo | /ˈsmaɪl/ | sonreír |
| noise sustantivo | /ˈnoɪ̯z/ | ruido, estrépito |
| suddenly adverbio | /ˈsʌd.ən.li/ | repentinamente, súbitamente |
| quiet adjetivo | /ˈkwaɪ̯.ət/ | quieto, silencioso |
| breakfast sustantivo | /ˈbɹeɪkˌfæst/ | desayuno, parva |
| boyfriend sustantivo | /ˈbɔɪˌfɹɛnd/ | novio, pololo |
| button sustantivo | /ˈbʌtən/ | botón, brochón |
Phrasal verbs que vas a escuchar
| Palabra | Significado |
|---|---|
| pick up verbo | coger, asir |
| stand up verbo | levantarse, ponerse de pie |
| get out of verbo | salirse de, ponerse fuera de |
| get up verbo | levantarse |
| go out verbo | salir |
| put down verbo | menospreciar |
| sit down verbo | sentarse |
Frases que vale la pena repetir
Frases cortas y completas del vídeo que puedes reutilizar en la conversación diaria:
- What do you want to do?
- Can you give a message to him?
- Do you think it's a wrong number?
- Why don't you phone her?
- Mum, what's the number of my phone?
Gramática en este vídeo
Las estructuras que más usa el hablante, con las palabras exactas del vídeo:
| Estructura | En el vídeo |
|---|---|
| Present continuous am/is/are + -ing — algo que ocurre ahora o en estos días | is ringing · We're meeting · is having |
| Obligación: must / have to / need to decir que algo es necesario | must go · must talk · need to change |
Pronunciación a tener en cuenta
El hablante usa 40 contracciones y formas reducidas, como I'm, don't, I've. Dilas en su forma corta, tal como las oyes.
- Palabras largas — cuida el acento: supermarket /ˌsupɚˈmɑɹkət/, twenty /ˈtwɛnti/ [-ɛɾ̃i]
Sonidos difíciles para hispanohablantes:
- s + consonante al inicio — sin añadir una “e” delante: skirt /skɚt/, smile /ˈsmaɪl/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Haz shadowing frase por frase a velocidad normal, repitiendo cada una hasta que tu ritmo coincida con el del hablante.
- Grábate y compara con el original, prestando atención a palabras como skirt, clock, flower.
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.