Shadowing Practice: Zootopia ALL Clips + Trailers (2016) | Fandango Family - Learn English Speaking with Video
Elige un modo de práctica
Cada modo abre una sala de práctica a pantalla completa.
543 oraciones
Si las oraciones son demasiado cortas o largas, haz clic en Editar para ajustarlas.
1
I'll keep on making those new mistakes I'll keep on making them everyday
2
Those new mistakes
3
I'm Gazelle.
4
Welcome to Zootopia.
5
Excuse me?
6
Down here?
7
Hi.
8
O.M.
9
Goodness.
10
They really did hire a bunny.
11
What?!
12
I gotta tell you, you are even cuter than I thought you'd be!
13
Ooh, uh, you probably didn't know, but a bunny can call another bunny cute, but when other animals do it, it's a little...
14
I am so sorry.
15
Me, Benjamin Klawhauser.
16
The guy everyone thinks is just a flabby donut-loving cop stereotyping you.
17
Oh.
18
Oh, it's okay.
19
Oh, you've actually got...
20
There's a...
21
In your neck, the fold... Where?
22
Oh, where you went, you little dickens?
23
I should get a roll call.
24
So, which way do I...?
25
Oh, bullpen's over there to the left.
26
Great.
27
Thank you.
28
Aww.
29
That poor little buddy's gonna get eaten alive.
30
Oh!
31
Sorry, coming through.
32
Excuse me.
33
Excuse me, pardon.
34
Bon voyage, flatfoot!
35
Ah!
36
Ah!
37
Oh!
38
Hey!
39
Stop right there!
40
Have a donut, Coppa!
41
No!
42
Oh my god, did you see those leopard print jeggings?
43
No!
44
Oh!
45
I love your hair.
46
Oh, thank you!
47
Hehehehe, come to Poppa.
48
Ha!
49
Alright, everybody sit.
50
I've got three items on the docket.
51
First, we need to acknowledge the elephant in the room.
52
Francine.
53
Happy birthday.
54
Number two.
55
There are some new recruits with us I should introduce, but I'm not going to because I don't care.
56
Finally, we have 14 missing mammal cases.
57
All predators from a giant polar bear to a teensy little otter.
58
And City Hall is right up my tail to find them.
59
This is priority number one.
60
Listen, I don't know what you're doing skulking around during daylight hours.
61
But I don't want any trouble in here.
62
So hit the road.
63
I'm not looking for any trouble either, sir.
64
I simply want to buy a jumbo pop for my little boy.
65
You want the red or the blue, pal?
66
I'm such a...
67
Oh, come on, kid.
68
Back up.
69
Listen, buddy, what?
70
There aren't any Fox ice cream joints in your part of town?
71
Uh, no, no, there are.
72
There are.
73
It's just, my boy, this goofy little stinker, he loves all things elephant, wants to be one when he grows up.
74
Is that adorable?
75
Who the heck am I to crush his little dreams, huh?
76
Look, you probably can't read, Fox, but the sign says, we reserve the right to refuse service to anyone.
77
So beat it.
78
You're holding up the line.
79
Hello?
80
Excuse me.
81
Hey, you're gonna have to wait your turn like everyone else, meter maid.
82
Actually, I'm an officer.
83
Just had a quick question.
84
Are your customers aware they're getting snot and mucus with their cookies and cream?
85
What are you talking about?
86
Well, I don't want to cause you any trouble, but I believe scooping ice cream with an ungloved trunk is a Class 3 health code violation and...
87
which is kind of a big deal.
88
Of course, I could let you off with a warning if you were to glove those trunks and, I don't know, finish selling this nice dad and his son a...
89
What was it?
90
A jumbo pop.
91
Please.
92
A jumbo pop.
93
Fifteen dollars.
94
Thank you so much.
95
Thank you.
96
Oh, no. Are you kidding me?
97
I don't have my wallet.
98
I'd lose my head if it weren't attached to my neck.
99
That's the truth.
100
Oh boy, I'm sorry pal.
101
Gotta be about the worst birthday ever.
102
Please don't be mad at me.
103
Thanks anyway.
104
Keep the change.
105
Officer, I can't thank you enough.
106
So kind, really.
107
Can I pay you back?
108
Oh no, my treat.
109
It's just, you know, it burns me up to see folks with such backward attitudes towards foxes.
110
I just want to say you're a great dad and just a.. a real articulate fella.
111
Ah, well that is high praise.
112
It's rare that I find someone so non-patronizing.
113
Officer...
114
Hopps.
115
Mr...
116
Wilde.
117
Nick Wilde. And you little guy.
118
You want to be an elephant when you grow up?
119
You be an elephant.
120
Because this is Utopia.
121
Anyone can be anything.
122
Well, now, wait a minute.
123
Polar bear fur, rap pack music, fancy cup.
124
I know whose car this is.
125
We gotta go.
126
Why?
127
Whose car is it?
128
The most feared crime boss in Tundra Town.
129
They call him Mr. Big, and he does not like me, so we gotta go.
130
I'm not leaving.
131
This is a crime scene.
132
Well, it's gonna be an even bigger crime scene if Mr. Big finds me here, so we're leaving right now.
133
Oh, God!
134
Raymond!
135
And is that Kevin?
136
Long time no see.
137
And speaking of no see, how about you forget you saw me?
138
Huh?
139
For old time's sake?
140
That's enough.
141
What did you do that made Mr. Big so mad at you?
142
I, um, I may have sold him a very expensive wool rug that was made from the fur of a skunk. But.
143
Oh, sweet cheese and crackers.
144
Thank you.
145
Never let them see that they get to you.
146
So, things do get to you?
147
I mean, not anymore, but I was small and emotionally unbalanced like you once.
148
Har har.
149
No, it's true.
150
I think I was eight or maybe nine, and all I wanted to do was join the junior ranger scouts.
151
So my mom scraped together enough money to buy me a brand new uniform because, by God, I was going to fit in.
152
Even if I was the only predator in the troop, the only fox, I was gonna be part of a pack.
153
Ready for initiation?
154
Yeah.
155
Pretty much born ready.
156
I was so proud.
157
Okay, now raise your right paw and deliver the oath.
158
I, Nicholas Wilde, promise to be brave, loyal, helpful, and trustworthy.
159
Even though you're a fox, What?
160
No!
161
No!
162
What did I do wrong, you guys?
163
No!
164
Please, Tony, what did I do wrong!
165
What did I do?
166
If you thought we would ever trust a fox without a muzzle,
167
you're even dumber than you look. Are you gonna cry?
168
I learned two things that day.
169
One, I was never going to let anyone see that they got to me. And two?
170
If the world's only going to see a fox as shifty and untrustworthy, there's no point in trying to be anything else.
171
Nick, you are so much more than that.
172
The End
173
Oh, thank you both so much.
174
One second.
175
You're fired.
176
What?
177
Why?
178
Insubordination!
179
Now, I'm going to open this door and you're going to tell
180
that Otter you're a former meter maid with delusions of grandeur who will not be taking the case.
181
I just heard Officer Hopps is taking the case.
182
Assistant Mayor Bellwether.
183
The mammal inclusion initiative is really starting to pay off.
184
Mayor Lionheart is just going to be so just.
185
No, no, let's not tell the mayor just yet.
186
And I sent it and it is done, so I did do that.
187
Hey everyone, it's Shakira, and I'm so happy to announce that I'm gonna be a part of the new Disney movie, Zootopia, where I'm gonna be playing Gazelle.
188
I'm letting you guys into my studio today because it is a special occasion, and I'm gonna play a small snippet of my new song that's gonna be in the movie.
189
Try everything.
190
Good evening, Zootopia!
191
Put your paws up.
192
I messed up tonight, I lost another fight Lost to myself but I'll just start again I keep falling down,
193
I keep on hitting the ground But I always get up now to see what's next Birds don't just fly,
194
they fall down and get up Nobody will learn without getting it wrong
195
I won't give up, no I won't give in Till I reach the end and then I'll start again
196
No I won't leave, I wanna try everything I wanna try even though I could fail I won't give up,
197
no I won't give in Until I reach the end and then I'll start again No,
198
I won't leave I wanna try everything I wanna try even though I could fail Try everything
199
Try everything I'm Gazelle.
200
Welcome to Zootopia. are fiercely optimistic.
201
Hey, you ready to make the world a better place?
202
Jason Bateman plays Nick Wilde.
203
Sly Fox, dumb bunny.
204
This fox that I'm playing is conniving and a bit dry with his wit.
205
It's called a hustle, sweetheart.
206
So I guess that's why they called.
207
It's so distinctively Jason, but in a whole new way.
208
That's the perfect role for him.
209
Well, that is high praise.
210
We have Idris Elba playing Chief Bogo.
211
You strike out, you resign.
212
This is an opportunity to do something that's funny and to really give him some depth.
213
Well, this should be good.
214
We are working with Shakira on this film, and she has done a song for this movie called Try Everything that is amazing.
215
Try everything.
216
The Zootopia team is just fantastic.
217
J.K.
218
Simmons plays Mayor Leodore Lionheart.
219
OK, Officer Hops, let's see those teeth.
220
There's sort of a range of your voice that you use.
221
It's great to see that coming out of this fantastical character.
222
I heard you, Bellwether.
223
Take care of it.
224
Jenny Slate as Bellwether, a really distinctive voice.
225
It's a real proud day for us little guys.
226
To be a character in a Disney movie, that's top of the list.
227
Woo!
228
Woo!
229
My name is Corey Loftus, and I'm the art director of characters on Zootopia, and today we're gonna be drawing Officer Benjamin Klawhauser.
230
With Klawhauser, he's this really soft,
231
lovable, big-hearted guy, and almost every one of these characters starts with a circle.
232
So start with a circle on his head, but he has these huge,
233
fluffy cheeks, so we like to kind of describe his shape It's like a basketball sitting in a big bean bag.
234
So the bean bag is his cheeks, his head is the basketball.
235
You kind of see just with those two things it already starts feeling like a claw hauser.
236
A claw hauser has got a really tight collared shirt
237
so his neck kind of rolls up right where that shirt gets tight.
238
Collared shirt.
239
Now if we draw this line down the center of the basketball,
240
draw one across, and draw this little V right here,
241
this is where Klawhauser's eyes are going to sit, and this is where his nose sits.
242
His nose kind of has this butterfly shape to it.
243
Ballhauser is often surprised or often happy.
244
So usually draw him with his eyebrows up like this.
245
And then if you were to draw a little road right from the tips of his eyebrows down to his nose,
246
this is where a lot of his spots live, right in between the eyes like this.
247
His eyes, he's got a little bit of an eyelash come down to a point right where we drew those lines.
248
Klauhauser is always happy so we're going to draw a big smile on him.
249
Draw a line coming off his nose.
250
This is the corner of his mouth.
251
Usually see his bottom teeth peeking out just a little bit.
252
And then he has this dark lip on the bottom.
253
Just coloring the inside of his mouth dark so you know that that's the inside of his mouth. And then his ears.
254
This line that we drew, his ears are going to sit pretty much from a line from his nose all the way through his eye
255
and out to the side of his head.
256
Drawing these fluffy ears.
257
There's nothing that really says cat quite like big whiskers.
258
So right here, three little spots for whiskers, three on this side.
259
long whiskers.
260
He's also got a few whiskers up on the top of his head.
261
But he still doesn't feel quite like Klawhauser yet and that's because he doesn't have his spots.
262
So if we draw a line from the corner of his mouth down to his shirt on either side,
263
this whole area around the bottom of his mouth where his beard might be.
264
That is the no spot zone.
265
Everywhere else, it's open game for spots.
266
Around his eyes is also a no spot zone.
267
A little road we drew around his eyes, no spots go in there.
268
And then the most noticeable spot on Clawhouser is right here on his cheek.
269
That spot you may all recognize.
270
And that goes right there.
271
Drawing his nostrils.
272
And that is how I draw Clawhauser.
273
My name is Cory Loftus and I'm the art director of characters on Zootopia, and today we're going to be drawing Flash.
274
So with most of our characters in Zootopia, we're going to start with a circle for Flash's head.
275
Now Flash is a sloth who works at the DMV
276
and he's one of the first people that Nick and Judy meet once they start working together.
277
So Flash is not a whole lot more than a circle.
278
If you imagine this tube coming out of the back.
279
Now Flash is very, very slow.
280
Extremely slow.
281
So in his design, I tried to make everything about him seem slow, so his eyes are literally sliding off his face.
282
So I've drawn them like eggs sliding off a plate.
283
And Flash's mouth is kind of like drawing a little beak.
284
It's much more like a little parrot beak than it is our mouth's.
285
It comes down to a little point.
286
I'll draw the corner of his mouth.
287
Now sloths have like this cool bandit mask
288
that goes right over their eyes and fall right off the sides of their face.
289
Kind of like a raccoon.
290
And that's a lot darker than the rest of their face.
291
I'm going to color this in a little bit darker here around his eyes.
292
his eyes, or his pupils, sit right under his lid like this.
293
I like to draw him with his mouth open just a little bit, like he's about to start saying something,
294
and you've caught him just as he starts talking.
295
Now Flash has got hair on top of his head,
296
and when I was trying to figure out what sort of hairstyle Flash would have, and Byron was talking to me about the character,
297
I kept noticing our director's haircut and Flash and Byron ended up getting the same haircut.
298
So it's parted in the middle, comes down on each side.
299
Now sloths have really thick, coarse hair.
300
It's not soft like a rabbit or even a cat
301
or a bear it's really really coarse so you notice a lot of Flash's hairs more than you do on other animals.
302
Drawing Flash's hair can be really fun.
303
So I'm just going to go ahead and draw in all his hair.
304
Something about it makes it seem more like him.
305
And then the first time I drew Flash,
306
I had fun imagining that he was just about to say something but people kept interrupting him.
307
So he's politely held up his hand for a chance to speak.
308
Sloths have these really long claws so that they can hang on to branches, don't have to worry about falling,
309
so we didn't lose Flash's claws.
310
Flash was a lot of fun design.
311
With a lot of characters on Zootopia, you never really knew what they were going to have to do for the story.
312
You didn't know if they were going to have to climb over a wall or, you know, jump from a great height
313
or try to reach something on a high wall or you never knew what they were going to do.
314
They might skate, they might open a door, but with Flash, I knew he wasn't going to do much, if anything.
315
So I knew exactly what he needed to do
316
and it made his design a lot more fun
317
because I already had a plan of what he was going to have to do in the film. And there he is.
318
Hi everybody, I'm Byron Howard, I'm one of the directors on Zootopia, and today we're going to learn how to draw Judy Hopps.
319
When I think about Judy, I think she's very optimistic, very bright, very intelligent, very strong-willed, and so you know she has a very bright feature.
320
So the first thing I do is I kind of create this kind of gumdrop shape because I love candy.
321
I love food that is sugary.
322
And so I create this little gumdrop shape.
323
See it looks a little bit like a gumdrop.
324
Here's a gumdrop for example.
325
Kind of like that.
326
So Judy has kind of a tall forehead like this, kind of wide cheeks like many, many rabbits.
327
We looked at many real rabbits to design Judy
328
and we discovered they all have adorable cheeks so we knew that had to be part of her.
329
And then once you get this kind of gumdrop shape in place, I usually put the nose in there
330
because the nose is a nice anchor point that tells me which way she's going to look.
331
So Judy's looking down to the right and then once I have the nose, then I can use that to kind of focus these lines that kind of determine where her eyes go.
332
And her eyes, if you think about them as being a little almond shaped.
333
It makes them feel like they kind of sit into her skull a little bit more, which is nice.
334
These nice kind of lashes.
335
And so again, you see, again, very simple gumdrop shape, little tiny nose, nice big eyes.
336
And then she has this cute little teeny tiny mouth that makes her just adorable.
337
And Glen Keane, the great Glen Keane who did Ariel and the Beast and is a good friend of mine, taught me that to make a drawing of a mouth look really good,
338
you put these little dark corners that kind of makes it feel like it's tucking back and shadowing it.
339
And he was right.
340
Glenn was right.
341
He's always right.
342
Anyway.
343
And from that point, well, rabbits don't look like rabbits unless they have ears.
344
And so usually what I do with the ears is I find this flow from the back of her head.
345
It feels good to, especially with Disney characters, to have that flow coming off of the cranium, which goes like this, see, this nice big, big line,
346
big relaxed swoop, just coming right back off the jaw.
347
And then if you just imagine that other ear being attached back there on the other side of her head, you can kind of knock that in back there.
348
You can do it nice and rough like that, there's no pressure, drawing is fun, it's relaxing.
349
It's like meditation, you just relax.
350
And then usually I do the same thing, I kind of flow off the front of her face, down into her neck, and into her collar.
351
And again, if you can kind of just find these flowing lines, finding these sort of flowing calligraphic lines, gives your drawing a nice grace and ties it all together really nicely.
352
And you are welcome to shade Judy.
353
She's a gray rabbit, so if you'd like to shade her, shading is also nice.
354
And then she has these sort of beautiful dark ear tips right up there.
355
So if you can do this at parties, you will be so popular and people will buy you things and be your friend.
356
And then, usually when you do a drawing, you have to let people know who did it.
357
So I'm Byron, so I'll sign this.
358
Byron did this.
359
There we go.
360
Anyway, so this is Judy Hopps.
361
Just because we have it up here, you can do.
362
What you're seeing here is I've got a 2D animation desk setup.
363
And this is what, this is how I learned to animate.
364
This is what, the same setup here
365
was the same that they used back in the 30s
366
and the 40s when they were making the 2D films with Walt across the street.
367
And it's all the same technology, it's just these little peg holes in the bottom of this paper and it's,
368
it's always great just to sit down and start moving the character's face around.
369
It's like once you have a solid drawing of Hopps, then you can start to play around with her expressions, and you can kind of start to squash and stretch things.
370
And our CG animators do exactly the same thing.
371
They start with a solid pose of hops in the computer, and then they start building up their keys.
372
And you can figure out how to make her kind of squinch and kind of get different expressions.
373
She can look angry, happy, sad.
374
But that's the great thing is that all of what we do at Disney, whether it's CG or drawn,
375
has this great tradition of art that's been around at our studio for almost like 100 years.
376
And so we love that.
377
I love that tradition.
378
I love the fact that every time I do another one of these films, the women and men in our animation department teach me something new.
379
And they keep getting better and better.
380
Hi everybody, I'm Byron Howard, one of the directors on Zootopia, and today I'm going to teach you how to draw Nick Wilde.
381
Nicholas P.
382
Wilde.
383
Get ready, here we go.
384
So here we go.
385
Okay, so Judy has, I told you, like that kind of gumdrop head, right?
386
Like that.
387
Well, Nick, he's a fox and foxes are carnivores and they have to be a little more sleek.
388
So foxes heads are shaped a little bit more, kind of like a flattened football.
389
So where Judy is this, Nick is more like this, you know, here's Judy.
390
There we go.
391
And Nick is more like this.
392
There we go.
393
Like this kind of thing.
394
Ah, see?
395
Like sneakier already.
396
It's more streamlined, it's got a lower forehead, that sort of thing.
397
So, if we do a big Nick, here we go.
398
So we're going to do the same thing.
399
So do this nice, big, simple shape.
400
It's kind of this sort of flattened football.
401
A little more on the bottom than the top.
402
There we go.
403
And once you have that, then I usually go with Nick to the eyes the eyes
404
and we got a lot of this from Jason Bateman
405
because Jason does these little looks where he looks so sneaky but he's so nice.
406
He's a very nice nice man but he can be very sneaky.
407
And so we try to get this sort of half-lidded look on Nick a lot
408
and that gave us a lot for his expression so
409
that really was great because people say wow I look at
410
that fox and that looks just like Jason Bateman And it's true
411
because the animators will watch Jason record and they'll try to get his personality into the drawings and the animation performance.
412
And so I've got the football shape, I put my eyes in place, got this little slanty sort of almond eyes.
413
You can make them a little sneaky, a little half lidded.
414
Usually if you keep those eyelids really high, keep those eyebrows really high.
415
Because he's not mean, he's just sneaky.
416
There's a difference.
417
And then if I usually put the nose out here somewhere.
418
He's got a long snout, so that snout's gonna stick way out far.
419
It's coming at you in three quarters.
420
It's like 3D.
421
Here it comes, like, toward you.
422
And then I usually kinda just put in that mouth.
423
There it is.
424
And a lot of what I do on this mouth is from Chuck Jones.
425
Do y'all know who Chuck Jones is?
426
Chuck Jones, one of my heroes.
427
Did these amazing cartoons growing up with Wile E.
428
Coyote and the Roadrunner.
429
So we looked at lots of different foxes
430
and lots of different designs for these foxes and Robin Hood and many many cartoon designs from all around the world.
431
And as we go, you know, you can sort of build Nick's expression and you can put his ears coming off the back of his head.
432
You know, he's kind of sleek, so think of Nick like a sports car.
433
He's like a sleek, sleek sports car.
434
And every time you find a line, you can kind of bring it off of another line that you've already drawn and that'll make it feel kind of graceful.
435
And you can kind of make that flow down into his body.
436
He kind of has that kind of puffed out chest sometimes.
437
And then you can kind of drop his shoulders off the top like that.
438
Maybe cross his arms like that.
439
And again, the looser you are, the better you'll feel.
440
Because it shouldn't be pressure.
441
You should have fun.
442
You should just learn to flow with the drawings.
443
Just let it happen.
444
And not think about it too much.
445
And he also has a tie.
446
Down there.
447
I'm not great at drawing ties.
448
Let's just draw that real quick and say it's art.
449
See it's rough.
450
It's art That's fine anyway, and Nick also has this beautiful kind of orange red color
451
And you can shade him in a little bit if you just have a black pencil like I do
452
A little bit of that makes it look a little more finished That kind of thing Looks very sneaky,
453
but charming just like the real Jason Bateman and And then when you get, okay that's about as much as I want to do with Nick, then you sign it.
454
Sign your name and go show someone because they'll be very proud of you.
455
And that's how to draw Nick along.
456
In the world of Zootopia, humans never happened.
457
which makes Zootopia a modern, civilized world that is entirely animal. That is an animal.
458
Animals in Zootopia are anthropomorphic.
459
That is just a big fancy word that means they walk around on two feet.
460
They do not go to work nude.
461
Thank you.
462
Almost.
463
That's got it.
464
And they use technology.
465
Okay, there are mammals from all over the globe in Zootopia.
466
Large and small, fast and slow.
467
But the truth is, Zootopia isn't perfect.
468
And just like our world, not everyone gets along.
469
Especially natural enemies.
470
Which can create some issues.
471
But nature always gives animals special skills to survive, and while one may have amazing night vision, another may have incredible hearing.
472
And an air-powered elephant tranquilizer. So now you know.
473
Zootopia.
474
Like nothing you've seen before.
475
city where animals of all breeds predator and prey alike live together in peace and harmony.
476
Hi, I'm Judy, your new neighbor.
477
Yeah?
478
Well, we're loud.
479
Don't expect you to apologize for it.
480
ZPD's first rabbit officer, Judy Hopps.
481
You ready to make the world a better place?
482
Bad news in this city gripped by fear.
483
What can you tell us about the animals that went savage?
484
Are we safe?
485
This is priority one.
486
Ops.
487
Parking duty.
488
He-he-he-he!
489
Whoops!
490
Sir, I'm not just some token bunny.
491
You strike out, you resign.
492
Deal.
493
Hello?
494
I'm here to ask you some questions about a case.
495
Then they should have gotten a real cop to solve it.
496
You are under arrest. For what?
497
Hurting your feelings?
498
You are a key witness.
499
No, he is.
500
Hey!
501
I need you to run a plate.
502
All right, I know a guy.
503
You need something done, he's on it.
504
They're all.. slots?
505
We are in a really big hurry.
506
I am... on...
507
It?
508
Break.
509
I have 36 hours left.
510
We can only solve it together.
511
It's not about how badly you want something, it's about what you are capable of!
512
I am a real cop.
513
Never let them see that they get here, you bunnies. So emotional.
514
No, no, no, no!
515
Do not let go!
516
I'm gonna let go!
517
What?
518
We may be evolved, but deep down, we are still animals.
519
Quit it!
520
You're gonna start a howl!
521
No!
522
You are naked!
523
For sure, we're a naturalist club.
524
All the way down.
525
Oh.
526
Life's a little bit messy.
527
We all make mistakes.
528
No matter what type of animal you are, change starts with you.
529
We gotta go.
530
Whose car is it?
531
The most feared crime boss, Mr. Big.
532
Is that Mr. Big?
533
Stop talking.
534
Stop talking.
535
Huh.
536
I'm some bull.
537
Daddy!
538
What did we say?
539
No, I think anyone at my wedding.
540
I have to.
541
My wedding!
542
I have to, baby.
543
Daddy has to.
Descargar app
Todo lo que necesitas para hablar con fluidez
Pronunciación con IAEvalúa cada oración
Práctica de IPADomina cada sonido
VocabularioConstruye tu banco de palabras
Juego de vocabularioAprende mientras juegas
Mismo canal
B116
The Bad Guys 2 Movie Clip - Diane vs. the Bad Girls (2025)
KidsTeensDaily Conversation
A215
NEW Inside Out 2 Movie Clip - Plan For the Future (2024)
KidsTeensDaily Conversation
B1323
Kung Fu Panda - Po vs. Tai Lung | Fandango Family
Daily ConversationWorking Adults
B128
Zootopia 2 Trailer #1 (2025)
KidsTeensHigh School Students
A25
Migration Movie Clip - Gwen Has a Situation (2023)
KidsTeensDaily Conversation
A216
Puss in Boots: The Last Wish - Puss Meets Death Scene
KidsTeensDaily Conversation
A21,041
The Secret Life of Pets - Catching The Dog Catcher Scene | Fandango Family
KidsDaily Conversation
A268
Kung Fu Panda - Young Tai Lung | Fandango Family
KidsTeensDaily Conversation
A2The Croods: A New Age Clip - Showing Scars (2020) | Fandango Family
KidsDaily Conversation
B174
Kung Fu Panda - Shifu vs. Tai Lung | Fandango Family
TeensDaily ConversationHigh School Students
A240
Kung Fu Panda - Prison Break | Fandango Family
KidsTeensDaily Conversation
A29
Kung Fu Panda 2 - Baby Po Scene
KidsTeensDaily Conversation
A149
Minions: The Rise of Gru - The Minions Raise Gru Scene
KidsDaily Conversation
B18
Surf's Up - Building a Surfboard | Fandango Family
TeensDaily ConversationHigh School Students
B13
Toy Story 5 Movie Clip - Meet Lilypad (2026)
Daily ConversationWorking Adults
A23
Luca First 9 Minutes - Exclusive (2021) | Fandango Family
KidsTeensDaily Conversation
A121
The Secret Life of Pets 2 - Cat Lessons | Fandango Family
KidsDaily Conversation
A21
The Secret Life of Pets - Scary Snowball Scene | Fandango Family
KidsTeensDaily Conversation
A250
Kung Fu Panda - Kung Fu Training | Fandango Family
KidsTeensDaily Conversation
A123
Sing - Shake It Off Scene | Fandango Family
KidsTeensDaily Conversation
FOR YOU
Recomendar Video
A212
195 oraciones
ZOOTOPIA All Movie Clips (2016)
KidsTeensDaily Conversation
A225
72 oraciones
Zootopia - Judy's first day HD
KidsTeensDaily Conversation
A235
16 oraciones
Shadowing English with Zootopia | Flash DMV Scene | Part 5
KidsTeensDaily Conversation
A23
491 oraciones
Best Comedy Moments from The Secret Life of Pets | Cinemation
KidsTeensDaily Conversation
A25
55 oraciones
TANGLED Clip - "Escaping The Cave" (2010)
KidsTeensDaily Conversation
A28
171 oraciones
Po and Zhen Find a Secret Village of Outcasts Living in the Sewers | Kung Fu Panda 4
KidsTeensDaily Conversation
A24
72 oraciones
The Lion King 2019 - Everything The Light Touches I 4K Ultra HD
KidsTeensDaily Conversation
A22
240 oraciones
TOY STORY 5 All Movie CLIPS + Trailer (NEW 2026)
KidsTeensDaily Conversation
A23
93 oraciones
Zootopia Meet the Sloth HD DMV Scene
KidsTeensDaily Conversation
B118
58 oraciones
Nick and Judy Meet Mr. Big | Zootopia | Freeform
KidsTeensDaily Conversation
B16
70 oraciones
Zootopia Official UK Trailer #1 (2016) - Jason Bateman, Ginnifer Goodwin Movie HD
KidsTeensDaily Conversation
A22
61 oraciones
Zootopia - Felony Tax Evasion Scene
KidsTeensDaily Conversation
Vocabulario y notas de pronunciación para esta lección
Esta lección de conversación de nivel A2 se basa en el vídeo “Zootopia ALL Clips + Trailers”. Este vídeo tiene 543 frases y 4796 palabras para practicar shadowing. La parte hablada dura 36:13. El hablante mantiene un ritmo constante de unas 132 palabras por minuto, cómodo para el shadowing. El 82 % de las palabras está entre las 3.000 más comunes del inglés; conviene repasar el resto antes de empezar.
Vocabulario clave de este vídeo
15 palabras del vídeo que vale la pena aprender, con su pronunciación y significado:
| Palabra | Pronunciación | Significado |
|---|---|---|
| rabbit sustantivo | /ˈɹæbɪt/ | conejo, conejil |
| ear sustantivo | /ˈɪə̯/ | oído, oreja |
| bunny sustantivo | /ˈbʌni/ | conejita |
| elephant sustantivo | /ˈɛlɪfənt/ | elefante |
| cheek sustantivo | /t͡ʃiːk/ | descoco, papo |
| sneaky adjetivo | /ˈsniːki/ | escurridizo |
| claw sustantivo | /klɔ/ | garra |
| relax verbo | /ɹɪˈlæks/ | relajar, aflojar |
| animation sustantivo | /ˌæn.ɪˈmeɪ.ʃən/ | vivificación, animación |
| shade sustantivo | /ʃeɪd/ | sombra |
| adorable adjetivo | /əˈdoɹ.əˌbəl/ | adorable, encantador |
| collar sustantivo | /ˈkɑlɚ/ | cuello |
| predator sustantivo | /ˈpɹɛd.ə.tɚ/ | predador, depredador |
| solve verbo | /sɒlv/ | resolver, solucionar |
| priority sustantivo | /pɹaɪˈɒɹɪti/ | prioridad |
Phrasal verbs que vas a escuchar
| Palabra | Significado |
|---|---|
| figure out verbo | averiguar, captar |
| get up verbo | levantarse |
| give up verbo | rendirse, entregar |
| grow up verbo | crecer |
| hold up verbo | aguaitar, esperar |
| back off verbo | dejar/parar de insistir |
| back up verbo | retroceder, ciar |
| end up verbo | terminar, ir a parar |
Frases que vale la pena repetir
Frases cortas y completas del vídeo que puedes reutilizar en la conversación diaria:
- You want the red or the blue, pal?
- What are you talking about?
- Can I pay you back?
- Big so mad at you?
- What did I do wrong, you guys?
Gramática en este vídeo
Las estructuras que más usa el hablante, con las palabras exactas del vídeo:
| Estructura | En el vídeo |
|---|---|
| Oraciones condicionales if + oración, will/would + verbo — una condición y su resultado | If you thought we would ever |
| Present perfect have/has + participio pasado — una acción pasada que sigue importando ahora | has done · I've drawn · you've caught |
| Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hace | weren't attached · was made · being attached |
| Verbo + -ing enjoy, keep, stop… + -ing — verbos seguidos de la forma en -ing | finish selling · keep falling · start working |
Pronunciación a tener en cuenta
El hablante usa 126 contracciones y formas reducidas, como I'm, gonna, don't. Dilas en su forma corta, tal como las oyes.
- Los sonidos de “th”: thick /θɪk/, oath /ˈoʊθ/, trustworthy /ˈtɹʌst.wɜː.ði/, sloth /slɔθ/, anthropomorphic /ˌænθɹəpəˈmɔɹfɪk/
- Los sonidos de “sh” y “zh”: animation /ˌæn.ɪˈmeɪ.ʃən/, shade /ʃeɪd/, occasion /əˈkeɪ̯ʒən/, initiative /ɪˈnɪʃ.ə.tɪv/, crush /kɹʌʃ/
- Palabras largas — cuida el acento: animation /ˌæn.ɪˈmeɪ.ʃən/, adorable /əˈdoɹ.əˌbəl/, priority /pɹaɪˈɒɹɪti/, optimistic /ˌɒptɪˈmɪstɪk/, initiative /ɪˈnɪʃ.ə.tɪv/
Sonidos difíciles para hispanohablantes:
- s + consonante al inicio — sin añadir una “e” delante: sneaky /ˈsniːki/, slide /ˈslaɪ̯d/, stretch /stɹɛt͡ʃ/, slot /slɑt/, scout /ˈskaʊ̯t/
- /v/ — no es /b/: los dientes tocan el labio inferior: solve /sɒlv/, everyday /ˈɛvɹiˌdeɪ/, initiative /ɪˈnɪʃ.ə.tɪv/, brave /bɹeɪv/, violation /ˌvaɪ.əˈleɪ.ʃən/
- /z/ — sonora, no /s/: praise /pɹeɪz/, resign /ɹɪˈzaɪn/, refuse /ɹɪˈfjuːz/, apologize /əˈpɑləˌd͡ʒaɪz/, pose /poʊz/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Haz shadowing frase por frase a velocidad normal, repitiendo cada una hasta que tu ritmo coincida con el del hablante.
- Grábate y compara con el original, prestando atención a palabras como rabbit, ear, bunny.
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.