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I'll keep on making those new mistakes I'll keep on making them everyday

Those new mistakes

I'm Gazelle.

Welcome to Zootopia.

Excuse me?

Down here?

Hi.

O.M.

Goodness.

They really did hire a bunny.

What?!

I gotta tell you, you are even cuter than I thought you'd be!

Ooh, uh, you probably didn't know, but a bunny can call another bunny cute, but when other animals do it, it's a little...

I am so sorry.

Me, Benjamin Klawhauser.

The guy everyone thinks is just a flabby donut-loving cop stereotyping you.

Oh.

Oh, it's okay.

Oh, you've actually got...

There's a...

In your neck, the fold... Where?

Oh, where you went, you little dickens?

I should get a roll call.

So, which way do I...?

Oh, bullpen's over there to the left.

Great.

Thank you.

Aww.

That poor little buddy's gonna get eaten alive.

Oh!

Sorry, coming through.

Excuse me.

Excuse me, pardon.

Bon voyage, flatfoot!

Ah!

Oh!

Hey!

Stop right there!

Have a donut, Coppa!

No!

Oh my god, did you see those leopard print jeggings?

No!

Oh!

I love your hair.

Oh, thank you!

Hehehehe, come to Poppa.

Ha!

Alright, everybody sit.

I've got three items on the docket.

First, we need to acknowledge the elephant in the room.

Francine.

Happy birthday.

Number two.

There are some new recruits with us I should introduce, but I'm not going to because I don't care.

Finally, we have 14 missing mammal cases.

All predators from a giant polar bear to a teensy little otter.

And City Hall is right up my tail to find them.

This is priority number one.

Listen, I don't know what you're doing skulking around during daylight hours.

But I don't want any trouble in here.

So hit the road.

I'm not looking for any trouble either, sir.

I simply want to buy a jumbo pop for my little boy.

You want the red or the blue, pal?

I'm such a...

Oh, come on, kid.

Back up.

Listen, buddy, what?

There aren't any Fox ice cream joints in your part of town?

Uh, no, no, there are.

There are.

It's just, my boy, this goofy little stinker, he loves all things elephant, wants to be one when he grows up.

Is that adorable?

Who the heck am I to crush his little dreams, huh?

Look, you probably can't read, Fox, but the sign says, we reserve the right to refuse service to anyone.

So beat it.

You're holding up the line.

Hello?

Excuse me.

Hey, you're gonna have to wait your turn like everyone else, meter maid.

Actually, I'm an officer.

Just had a quick question.

Are your customers aware they're getting snot and mucus with their cookies and cream?

What are you talking about?

Well, I don't want to cause you any trouble, but I believe scooping ice cream with an ungloved trunk is a Class 3 health code violation and...

which is kind of a big deal.

Of course, I could let you off with a warning if you were to glove those trunks and, I don't know, finish selling this nice dad and his son a...

What was it?

A jumbo pop.

Please.

A jumbo pop.

Fifteen dollars.

Thank you so much.

Thank you.

Oh, no. Are you kidding me?

I don't have my wallet.

I'd lose my head if it weren't attached to my neck.

That's the truth.

100

Oh boy, I'm sorry pal.

101

Gotta be about the worst birthday ever.

102

Please don't be mad at me.

103

Thanks anyway.

104

Keep the change.

105

Officer, I can't thank you enough.

106

So kind, really.

107

Can I pay you back?

108

Oh no, my treat.

109

It's just, you know, it burns me up to see folks with such backward attitudes towards foxes.

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I just want to say you're a great dad and just a.. a real articulate fella.

111

Ah, well that is high praise.

112

It's rare that I find someone so non-patronizing.

113

Officer...

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Hopps.

115

Mr...

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Wilde.

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Nick Wilde. And you little guy.

118

You want to be an elephant when you grow up?

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You be an elephant.

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Because this is Utopia.

121

Anyone can be anything.

122

Well, now, wait a minute.

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Polar bear fur, rap pack music, fancy cup.

124

I know whose car this is.

125

We gotta go.

126

Why?

127

Whose car is it?

128

The most feared crime boss in Tundra Town.

129

They call him Mr. Big, and he does not like me, so we gotta go.

130

I'm not leaving.

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This is a crime scene.

132

Well, it's gonna be an even bigger crime scene if Mr. Big finds me here, so we're leaving right now.

133

Oh, God!

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Raymond!

135

And is that Kevin?

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Long time no see.

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And speaking of no see, how about you forget you saw me?

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Huh?

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For old time's sake?

140

That's enough.

141

What did you do that made Mr. Big so mad at you?

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I, um, I may have sold him a very expensive wool rug that was made from the fur of a skunk. But.

143

Oh, sweet cheese and crackers.

144

Thank you.

145

Never let them see that they get to you.

146

So, things do get to you?

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I mean, not anymore, but I was small and emotionally unbalanced like you once.

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Har har.

149

No, it's true.

150

I think I was eight or maybe nine, and all I wanted to do was join the junior ranger scouts.

151

So my mom scraped together enough money to buy me a brand new uniform because, by God, I was going to fit in.

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Even if I was the only predator in the troop, the only fox, I was gonna be part of a pack.

153

Ready for initiation?

154

Yeah.

155

Pretty much born ready.

156

I was so proud.

157

Okay, now raise your right paw and deliver the oath.

158

I, Nicholas Wilde, promise to be brave, loyal, helpful, and trustworthy.

159

Even though you're a fox, What?

160

No!

161

No!

162

What did I do wrong, you guys?

163

No!

164

Please, Tony, what did I do wrong!

165

What did I do?

166

If you thought we would ever trust a fox without a muzzle,

167

you're even dumber than you look. Are you gonna cry?

168

I learned two things that day.

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One, I was never going to let anyone see that they got to me. And two?

170

If the world's only going to see a fox as shifty and untrustworthy, there's no point in trying to be anything else.

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Nick, you are so much more than that.

172

The End

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Oh, thank you both so much.

174

One second.

175

You're fired.

176

What?

177

Why?

178

Insubordination!

179

Now, I'm going to open this door and you're going to tell

180

that Otter you're a former meter maid with delusions of grandeur who will not be taking the case.

181

I just heard Officer Hopps is taking the case.

182

Assistant Mayor Bellwether.

183

The mammal inclusion initiative is really starting to pay off.

184

Mayor Lionheart is just going to be so just.

185

No, no, let's not tell the mayor just yet.

186

And I sent it and it is done, so I did do that.

187

Hey everyone, it's Shakira, and I'm so happy to announce that I'm gonna be a part of the new Disney movie, Zootopia, where I'm gonna be playing Gazelle.

188

I'm letting you guys into my studio today because it is a special occasion, and I'm gonna play a small snippet of my new song that's gonna be in the movie.

189

Try everything.

190

Good evening, Zootopia!

191

Put your paws up.

192

I messed up tonight, I lost another fight Lost to myself but I'll just start again I keep falling down,

193

I keep on hitting the ground But I always get up now to see what's next Birds don't just fly,

194

they fall down and get up Nobody will learn without getting it wrong

195

I won't give up, no I won't give in Till I reach the end and then I'll start again

196

No I won't leave, I wanna try everything I wanna try even though I could fail I won't give up,

197

no I won't give in Until I reach the end and then I'll start again No,

198

I won't leave I wanna try everything I wanna try even though I could fail Try everything

199

Try everything I'm Gazelle.

200

Welcome to Zootopia. are fiercely optimistic.

201

Hey, you ready to make the world a better place?

202

Jason Bateman plays Nick Wilde.

203

Sly Fox, dumb bunny.

204

This fox that I'm playing is conniving and a bit dry with his wit.

205

It's called a hustle, sweetheart.

206

So I guess that's why they called.

207

It's so distinctively Jason, but in a whole new way.

208

That's the perfect role for him.

209

Well, that is high praise.

210

We have Idris Elba playing Chief Bogo.

211

You strike out, you resign.

212

This is an opportunity to do something that's funny and to really give him some depth.

213

Well, this should be good.

214

We are working with Shakira on this film, and she has done a song for this movie called Try Everything that is amazing.

215

Try everything.

216

The Zootopia team is just fantastic.

217

J.K.

218

Simmons plays Mayor Leodore Lionheart.

219

OK, Officer Hops, let's see those teeth.

220

There's sort of a range of your voice that you use.

221

It's great to see that coming out of this fantastical character.

222

I heard you, Bellwether.

223

Take care of it.

224

Jenny Slate as Bellwether, a really distinctive voice.

225

It's a real proud day for us little guys.

226

To be a character in a Disney movie, that's top of the list.

227

Woo!

228

Woo!

229

My name is Corey Loftus, and I'm the art director of characters on Zootopia, and today we're gonna be drawing Officer Benjamin Klawhauser.

230

With Klawhauser, he's this really soft,

231

lovable, big-hearted guy, and almost every one of these characters starts with a circle.

232

So start with a circle on his head, but he has these huge,

233

fluffy cheeks, so we like to kind of describe his shape It's like a basketball sitting in a big bean bag.

234

So the bean bag is his cheeks, his head is the basketball.

235

You kind of see just with those two things it already starts feeling like a claw hauser.

236

A claw hauser has got a really tight collared shirt

237

so his neck kind of rolls up right where that shirt gets tight.

238

Collared shirt.

239

Now if we draw this line down the center of the basketball,

240

draw one across, and draw this little V right here,

241

this is where Klawhauser's eyes are going to sit, and this is where his nose sits.

242

His nose kind of has this butterfly shape to it.

243

Ballhauser is often surprised or often happy.

244

So usually draw him with his eyebrows up like this.

245

And then if you were to draw a little road right from the tips of his eyebrows down to his nose,

246

this is where a lot of his spots live, right in between the eyes like this.

247

His eyes, he's got a little bit of an eyelash come down to a point right where we drew those lines.

248

Klauhauser is always happy so we're going to draw a big smile on him.

249

Draw a line coming off his nose.

250

This is the corner of his mouth.

251

Usually see his bottom teeth peeking out just a little bit.

252

And then he has this dark lip on the bottom.

253

Just coloring the inside of his mouth dark so you know that that's the inside of his mouth. And then his ears.

254

This line that we drew, his ears are going to sit pretty much from a line from his nose all the way through his eye

255

and out to the side of his head.

256

Drawing these fluffy ears.

257

There's nothing that really says cat quite like big whiskers.

258

So right here, three little spots for whiskers, three on this side.

259

long whiskers.

260

He's also got a few whiskers up on the top of his head.

261

But he still doesn't feel quite like Klawhauser yet and that's because he doesn't have his spots.

262

So if we draw a line from the corner of his mouth down to his shirt on either side,

263

this whole area around the bottom of his mouth where his beard might be.

264

That is the no spot zone.

265

Everywhere else, it's open game for spots.

266

Around his eyes is also a no spot zone.

267

A little road we drew around his eyes, no spots go in there.

268

And then the most noticeable spot on Clawhouser is right here on his cheek.

269

That spot you may all recognize.

270

And that goes right there.

271

Drawing his nostrils.

272

And that is how I draw Clawhauser.

273

My name is Cory Loftus and I'm the art director of characters on Zootopia, and today we're going to be drawing Flash.

274

So with most of our characters in Zootopia, we're going to start with a circle for Flash's head.

275

Now Flash is a sloth who works at the DMV

276

and he's one of the first people that Nick and Judy meet once they start working together.

277

So Flash is not a whole lot more than a circle.

278

If you imagine this tube coming out of the back.

279

Now Flash is very, very slow.

280

Extremely slow.

281

So in his design, I tried to make everything about him seem slow, so his eyes are literally sliding off his face.

282

So I've drawn them like eggs sliding off a plate.

283

And Flash's mouth is kind of like drawing a little beak.

284

It's much more like a little parrot beak than it is our mouth's.

285

It comes down to a little point.

286

I'll draw the corner of his mouth.

287

Now sloths have like this cool bandit mask

288

that goes right over their eyes and fall right off the sides of their face.

289

Kind of like a raccoon.

290

And that's a lot darker than the rest of their face.

291

I'm going to color this in a little bit darker here around his eyes.

292

his eyes, or his pupils, sit right under his lid like this.

293

I like to draw him with his mouth open just a little bit, like he's about to start saying something,

294

and you've caught him just as he starts talking.

295

Now Flash has got hair on top of his head,

296

and when I was trying to figure out what sort of hairstyle Flash would have, and Byron was talking to me about the character,

297

I kept noticing our director's haircut and Flash and Byron ended up getting the same haircut.

298

So it's parted in the middle, comes down on each side.

299

Now sloths have really thick, coarse hair.

300

It's not soft like a rabbit or even a cat

301

or a bear it's really really coarse so you notice a lot of Flash's hairs more than you do on other animals.

302

Drawing Flash's hair can be really fun.

303

So I'm just going to go ahead and draw in all his hair.

304

Something about it makes it seem more like him.

305

And then the first time I drew Flash,

306

I had fun imagining that he was just about to say something but people kept interrupting him.

307

So he's politely held up his hand for a chance to speak.

308

Sloths have these really long claws so that they can hang on to branches, don't have to worry about falling,

309

so we didn't lose Flash's claws.

310

Flash was a lot of fun design.

311

With a lot of characters on Zootopia, you never really knew what they were going to have to do for the story.

312

You didn't know if they were going to have to climb over a wall or, you know, jump from a great height

313

or try to reach something on a high wall or you never knew what they were going to do.

314

They might skate, they might open a door, but with Flash, I knew he wasn't going to do much, if anything.

315

So I knew exactly what he needed to do

316

and it made his design a lot more fun

317

because I already had a plan of what he was going to have to do in the film. And there he is.

318

Hi everybody, I'm Byron Howard, I'm one of the directors on Zootopia, and today we're going to learn how to draw Judy Hopps.

319

When I think about Judy, I think she's very optimistic, very bright, very intelligent, very strong-willed, and so you know she has a very bright feature.

320

So the first thing I do is I kind of create this kind of gumdrop shape because I love candy.

321

I love food that is sugary.

322

And so I create this little gumdrop shape.

323

See it looks a little bit like a gumdrop.

324

Here's a gumdrop for example.

325

Kind of like that.

326

So Judy has kind of a tall forehead like this, kind of wide cheeks like many, many rabbits.

327

We looked at many real rabbits to design Judy

328

and we discovered they all have adorable cheeks so we knew that had to be part of her.

329

And then once you get this kind of gumdrop shape in place, I usually put the nose in there

330

because the nose is a nice anchor point that tells me which way she's going to look.

331

So Judy's looking down to the right and then once I have the nose, then I can use that to kind of focus these lines that kind of determine where her eyes go.

332

And her eyes, if you think about them as being a little almond shaped.

333

It makes them feel like they kind of sit into her skull a little bit more, which is nice.

334

These nice kind of lashes.

335

And so again, you see, again, very simple gumdrop shape, little tiny nose, nice big eyes.

336

And then she has this cute little teeny tiny mouth that makes her just adorable.

337

And Glen Keane, the great Glen Keane who did Ariel and the Beast and is a good friend of mine, taught me that to make a drawing of a mouth look really good,

338

you put these little dark corners that kind of makes it feel like it's tucking back and shadowing it.

339

And he was right.

340

Glenn was right.

341

He's always right.

342

Anyway.

343

And from that point, well, rabbits don't look like rabbits unless they have ears.

344

And so usually what I do with the ears is I find this flow from the back of her head.

345

It feels good to, especially with Disney characters, to have that flow coming off of the cranium, which goes like this, see, this nice big, big line,

346

big relaxed swoop, just coming right back off the jaw.

347

And then if you just imagine that other ear being attached back there on the other side of her head, you can kind of knock that in back there.

348

You can do it nice and rough like that, there's no pressure, drawing is fun, it's relaxing.

349

It's like meditation, you just relax.

350

And then usually I do the same thing, I kind of flow off the front of her face, down into her neck, and into her collar.

351

And again, if you can kind of just find these flowing lines, finding these sort of flowing calligraphic lines, gives your drawing a nice grace and ties it all together really nicely.

352

And you are welcome to shade Judy.

353

She's a gray rabbit, so if you'd like to shade her, shading is also nice.

354

And then she has these sort of beautiful dark ear tips right up there.

355

So if you can do this at parties, you will be so popular and people will buy you things and be your friend.

356

And then, usually when you do a drawing, you have to let people know who did it.

357

So I'm Byron, so I'll sign this.

358

Byron did this.

359

There we go.

360

Anyway, so this is Judy Hopps.

361

Just because we have it up here, you can do.

362

What you're seeing here is I've got a 2D animation desk setup.

363

And this is what, this is how I learned to animate.

364

This is what, the same setup here

365

was the same that they used back in the 30s

366

and the 40s when they were making the 2D films with Walt across the street.

367

And it's all the same technology, it's just these little peg holes in the bottom of this paper and it's,

368

it's always great just to sit down and start moving the character's face around.

369

It's like once you have a solid drawing of Hopps, then you can start to play around with her expressions, and you can kind of start to squash and stretch things.

370

And our CG animators do exactly the same thing.

371

They start with a solid pose of hops in the computer, and then they start building up their keys.

372

And you can figure out how to make her kind of squinch and kind of get different expressions.

373

She can look angry, happy, sad.

374

But that's the great thing is that all of what we do at Disney, whether it's CG or drawn,

375

has this great tradition of art that's been around at our studio for almost like 100 years.

376

And so we love that.

377

I love that tradition.

378

I love the fact that every time I do another one of these films, the women and men in our animation department teach me something new.

379

And they keep getting better and better.

380

Hi everybody, I'm Byron Howard, one of the directors on Zootopia, and today I'm going to teach you how to draw Nick Wilde.

381

Nicholas P.

382

Wilde.

383

Get ready, here we go.

384

So here we go.

385

Okay, so Judy has, I told you, like that kind of gumdrop head, right?

386

Like that.

387

Well, Nick, he's a fox and foxes are carnivores and they have to be a little more sleek.

388

So foxes heads are shaped a little bit more, kind of like a flattened football.

389

So where Judy is this, Nick is more like this, you know, here's Judy.

390

There we go.

391

And Nick is more like this.

392

There we go.

393

Like this kind of thing.

394

Ah, see?

395

Like sneakier already.

396

It's more streamlined, it's got a lower forehead, that sort of thing.

397

So, if we do a big Nick, here we go.

398

So we're going to do the same thing.

399

So do this nice, big, simple shape.

400

It's kind of this sort of flattened football.

401

A little more on the bottom than the top.

402

There we go.

403

And once you have that, then I usually go with Nick to the eyes the eyes

404

and we got a lot of this from Jason Bateman

405

because Jason does these little looks where he looks so sneaky but he's so nice.

406

He's a very nice nice man but he can be very sneaky.

407

And so we try to get this sort of half-lidded look on Nick a lot

408

and that gave us a lot for his expression so

409

that really was great because people say wow I look at

410

that fox and that looks just like Jason Bateman And it's true

411

because the animators will watch Jason record and they'll try to get his personality into the drawings and the animation performance.

412

And so I've got the football shape, I put my eyes in place, got this little slanty sort of almond eyes.

413

You can make them a little sneaky, a little half lidded.

414

Usually if you keep those eyelids really high, keep those eyebrows really high.

415

Because he's not mean, he's just sneaky.

416

There's a difference.

417

And then if I usually put the nose out here somewhere.

418

He's got a long snout, so that snout's gonna stick way out far.

419

It's coming at you in three quarters.

420

It's like 3D.

421

Here it comes, like, toward you.

422

And then I usually kinda just put in that mouth.

423

There it is.

424

And a lot of what I do on this mouth is from Chuck Jones.

425

Do y'all know who Chuck Jones is?

426

Chuck Jones, one of my heroes.

427

Did these amazing cartoons growing up with Wile E.

428

Coyote and the Roadrunner.

429

So we looked at lots of different foxes

430

and lots of different designs for these foxes and Robin Hood and many many cartoon designs from all around the world.

431

And as we go, you know, you can sort of build Nick's expression and you can put his ears coming off the back of his head.

432

You know, he's kind of sleek, so think of Nick like a sports car.

433

He's like a sleek, sleek sports car.

434

And every time you find a line, you can kind of bring it off of another line that you've already drawn and that'll make it feel kind of graceful.

435

And you can kind of make that flow down into his body.

436

He kind of has that kind of puffed out chest sometimes.

437

And then you can kind of drop his shoulders off the top like that.

438

Maybe cross his arms like that.

439

And again, the looser you are, the better you'll feel.

440

Because it shouldn't be pressure.

441

You should have fun.

442

You should just learn to flow with the drawings.

443

Just let it happen.

444

And not think about it too much.

445

And he also has a tie.

446

Down there.

447

I'm not great at drawing ties.

448

Let's just draw that real quick and say it's art.

449

See it's rough.

450

It's art That's fine anyway, and Nick also has this beautiful kind of orange red color

451

And you can shade him in a little bit if you just have a black pencil like I do

452

A little bit of that makes it look a little more finished That kind of thing Looks very sneaky,

453

but charming just like the real Jason Bateman and And then when you get, okay that's about as much as I want to do with Nick, then you sign it.

454

Sign your name and go show someone because they'll be very proud of you.

455

And that's how to draw Nick along.

456

In the world of Zootopia, humans never happened.

457

which makes Zootopia a modern, civilized world that is entirely animal. That is an animal.

458

Animals in Zootopia are anthropomorphic.

459

That is just a big fancy word that means they walk around on two feet.

460

They do not go to work nude.

461

Thank you.

462

Almost.

463

That's got it.

464

And they use technology.

465

Okay, there are mammals from all over the globe in Zootopia.

466

Large and small, fast and slow.

467

But the truth is, Zootopia isn't perfect.

468

And just like our world, not everyone gets along.

469

Especially natural enemies.

470

Which can create some issues.

471

But nature always gives animals special skills to survive, and while one may have amazing night vision, another may have incredible hearing.

472

And an air-powered elephant tranquilizer. So now you know.

473

Zootopia.

474

Like nothing you've seen before.

475

city where animals of all breeds predator and prey alike live together in peace and harmony.

476

Hi, I'm Judy, your new neighbor.

477

Yeah?

478

Well, we're loud.

479

Don't expect you to apologize for it.

480

ZPD's first rabbit officer, Judy Hopps.

481

You ready to make the world a better place?

482

Bad news in this city gripped by fear.

483

What can you tell us about the animals that went savage?

484

Are we safe?

485

This is priority one.

486

Ops.

487

Parking duty.

488

He-he-he-he!

489

Whoops!

490

Sir, I'm not just some token bunny.

491

You strike out, you resign.

492

Deal.

493

Hello?

494

I'm here to ask you some questions about a case.

495

Then they should have gotten a real cop to solve it.

496

You are under arrest. For what?

497

Hurting your feelings?

498

You are a key witness.

499

No, he is.

500

Hey!

501

I need you to run a plate.

502

All right, I know a guy.

503

You need something done, he's on it.

504

They're all.. slots?

505

We are in a really big hurry.

506

I am... on...

507

It?

508

Break.

509

I have 36 hours left.

510

We can only solve it together.

511

It's not about how badly you want something, it's about what you are capable of!

512

I am a real cop.

513

Never let them see that they get here, you bunnies. So emotional.

514

No, no, no, no!

515

Do not let go!

516

I'm gonna let go!

517

What?

518

We may be evolved, but deep down, we are still animals.

519

Quit it!

520

You're gonna start a howl!

521

No!

522

You are naked!

523

For sure, we're a naturalist club.

524

All the way down.

525

Oh.

526

Life's a little bit messy.

527

We all make mistakes.

528

No matter what type of animal you are, change starts with you.

529

We gotta go.

530

Whose car is it?

531

The most feared crime boss, Mr. Big.

532

Is that Mr. Big?

533

Stop talking.

534

Stop talking.

535

Huh.

536

I'm some bull.

537

Daddy!

538

What did we say?

539

No, I think anyone at my wedding.

540

I have to.

541

My wedding!

542

I have to, baby.

543

Daddy has to.

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このレッスンの語彙とスピーキングのポイント

このA2レベルのスピーキングレッスンは、動画「Zootopia ALL Clips + Trailers」を教材にしています。この動画には、シャドーイング用の文が543文、単語が4796語あります。音声の長さは36:13です。話す速さは1分あたり約132語で安定しており、シャドーイングしやすいペースです。単語の82%は英語の頻出3,000語に含まれます。残りは練習の前に確認しておきましょう。

この動画の重要語彙

動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。

単語	発音	意味
rabbit 名詞	/ˈɹæbɪt/	兎, ウサギ
ear 名詞	/ˈɪə̯/	耳
bunny 名詞	/ˈbʌni/	子兎
elephant 名詞	/ˈɛlɪfənt/	象, ゾウ
cheek 名詞	/t͡ʃiːk/	頬, ほっぺた
claw 名詞	/klɔ/	爪
relax 動詞	/ɹɪˈlæks/	くつろがせる
animation 名詞	/ˌæn.ɪˈmeɪ.ʃən/	アニメーション, アニメ
shade 名詞	/ʃeɪd/	影
adorable 形容詞	/əˈdoɹ.əˌbəl/	可愛い
collar 名詞	/ˈkɑlɚ/	襟, カラー
predator 名詞	/ˈpɹɛd.ə.tɚ/	天敵
solve 動詞	/sɒlv/	解決する
priority 名詞	/pɹaɪˈɒɹɪti/	優先, 優先権
hop 名詞	/hɒp/	ホップ

動画に出てくる句動詞

単語	発音	意味
fall down 動詞	/fɔl ˈdaʊn/	落ちる
get up 動詞		起きる
give up 動詞		降服する
grow up 動詞		成長する, 大人に成る
get along 動詞		気が合う, 折り合う
go ahead 動詞	/ˌɡoʊ əˈhɛd/	どうぞお先に
pay off 動詞		報われる
sit down 動詞		座る, 腰掛ける

繰り返し練習したい文

動画に出てくる短く完結した文です。日常会話でそのまま使えます。

You want the red or the blue, pal?
What are you talking about?
Can I pay you back?
Big so mad at you?
What did I do wrong, you guys?

この動画の文法

話し手がよく使っている文型を、動画の実際の表現とともに紹介します。

文型	動画での表現
条件文 if + 節, will/would + 動詞 — 条件とその結果	If you thought we would ever
現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している	has done · I've drawn · you've caught
受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる	weren't attached · was made · being attached
動詞 + -ing enjoy, keep, stop… + -ing — 後ろに-ing形が続く動詞	finish selling · keep falling · start working

注意したい発音

話し手はI'm, gonna, don'tなど、短縮形や弱形を126回使っています。聞こえたとおりの短い形で発音しましょう。

「th」の音: thick /θɪk/, oath /ˈoʊθ/, trustworthy /ˈtɹʌst.wɜː.ði/, sloth /slɔθ/, anthropomorphic /ˌænθɹəpəˈmɔɹfɪk/
「sh」と「zh」の音: animation /ˌæn.ɪˈmeɪ.ʃən/, shade /ʃeɪd/, occasion /əˈkeɪ̯ʒən/, initiative /ɪˈnɪʃ.ə.tɪv/, crush /kɹʌʃ/
長い単語（アクセントの位置に注意）: animation /ˌæn.ɪˈmeɪ.ʃən/, adorable /əˈdoɹ.əˌbəl/, priority /pɹaɪˈɒɹɪti/, optimistic /ˌɒptɪˈmɪstɪk/, initiative /ɪˈnɪʃ.ə.tɪv/

日本語話者が苦手な音：

/r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: relax /ɹɪˈlæks/, adorable /əˈdoɹ.əˌbəl/, butterfly /ˈbʌ.tə(ɹ).flaɪ/, articulate /ɑːɹˈtɪk.jə.leɪt/, calligraphic /ˌkælɪˈɡɹæfɪk/
/v/ — /b/ にならないように、上の歯を下唇に当てる: solve /sɒlv/, everyday /ˈɛvɹiˌdeɪ/, initiative /ɪˈnɪʃ.ə.tɪv/, brave /bɹeɪv/, violation /ˌvaɪ.əˈleɪ.ʃən/
/f/ — 「フ」ではなく、上の歯と下唇で出す: elephant /ˈɛlɪfənt/, fancy /ˈfæn.si/, forehead /ˈfɔɹ.hɛd/, helpful /ˈhɛlp.fl̩/, refuse /ɹɪˈfjuːz/

この動画での練習方法

まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
通常の速度で一文ずつシャドーイングし、話し手のリズムに合うまで繰り返します。
自分の声を録音して元の音声と比べます。rabbit, ear, bunnyなどの単語に特に注意しましょう。

シャドーイングとは？英語上達に効果的な理由

シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →

シャドーイング練習: Zootopia ALL Clips + Trailers (2016) | Fandango Family - 動画で英語スピーキングを学ぶ

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このレッスンの語彙とスピーキングのポイント

この動画の重要語彙

動画に出てくる句動詞

繰り返し練習したい文

この動画の文法

注意したい発音

この動画での練習方法

シャドーイングとは？英語上達に効果的な理由