Pratique du Shadowing: I Used the Osmo Pocket 4P for 100 Days - Apprendre l'anglais à l'oral avec la vidéo
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232 phrases
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I've been using the Osmo Pocket 4P for the past 100 days, and it's just become my go -to camera.
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Now, a lot of you have watched my 30 -day review, and you've got questions, and you've been leaving them in the comments,
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and I've been trying to answer them, but I think the best thing to do is just make another review video after 100 days,
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and kind of just answer questions that you guys have left for me as I go.
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And please let me know if you're on the fence about picking up the 4P, or if you've already picked one up,
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and you're just getting to know it.
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I'm always interested in knowing where people are on their journey.
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Okay, so over the past 100 days, I've filmed cinematic B -roll, talking heads, vlogs, tracking shots, slow motion shots, product shots.
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I've done a lot of photography.
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I've done some wildlife shooting and I've shot in all different types of lighting environments.
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Backlit scenes, harsh sunlight, golden hour, low light, indoor studio lighting, and some really dark nighttime spots also.
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And I like to push this camera to its limit to see where it starts to break apart.
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But I've used the one times camera, the three times.
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I've gone all the way up to 12 times zoom.
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And then also to help me get a baseline of how this camera performs, I versed it against the Osmo Pocket 3,
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the Osmo Pocket 4, the iPhone 17
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Pro, the iPhone 18
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Pro, the Insta360 Luna Ultra, the Osmo Action 6, the Sony ZVE -10
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Mark II, the Sony A6700, and the GoPro Mission 1 Pro.
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And I'm trying to figure out which one I should do next.
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Please let me know.
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But this isn't like a first impression type of video.
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This is something where I've actually used this almost every single day since I've owned it.
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And with all that being said, there's still some stuff that frustrate me.
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By the way, I bought this camera with my own money.
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DJI is not sponsoring this video this is my own opinions also none of the shots
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that you're going to see in this video were created using ai
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they were all used with the osmo pocket 4p and also
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while i'm at it
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if you plan on picking this camera up i left free project files shots
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that i got with this camera like dlog2 4k 120 just all the different shots
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that i got in a project file
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that you can download as you follow along and one more thing
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if you do pick up the 4p
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or you plan on picking up the 4p i made a full course
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that takes you from setting it up from scratch to going out
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and getting amazing cinematic shots with it along with different color luts to help you go out
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and get the most out of this camera.
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I'll leave links to those products in the description.
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And I really don't want to paywall between you and learning your camera.
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So if you're on a really tight budget, go ahead and email me and I'll send you out a pretty good discount code for the course.
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All right, so that's what we're going to be covering 100 days with the 4P today on the Film Alliance.
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All right, so using this camera almost every single day for the past 100 days,
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every single time I pull up the footage on my computer, I'm very impressed.
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It's rare that I look at shots from this camera and I feel let down.
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I always feel let down when I look at something
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that comes from like my smartphone and I'm using like the native camera.
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I'll come home and be like, wow, that's pretty noisier.
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The mid -tones are lifted.
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But with this camera, it really does feel like a mirrorless camera shot.
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The image quality is great.
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It's got great stabilization.
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I love it slow motion, being able to shoot in 4K up to 240 frames per second.
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I definitely like this camera now more than I did when I made that first review.
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But living with it every day and trying to shoot with it in real world situation has exposed some weak spots.
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And I wanna talk about some of that stuff today in this video.
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There's still no proper hard case.
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The screen feels tiny and you could easily just drop this thing and break the gimbal head or the screen.
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It's not like I can flip the screen around so I can protect the glass.
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D -Log 2 is great, but it doesn't work on the three times camera.
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And skin tones on the one times camera don't look too good.
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That's why I always switch it over to three times camera and those are just a few of the negative things.
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But even with that being said, the bigger sensor really performs outstanding in low light environments.
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And being able to use the three times camera, which is its own separate sensor for talking heads,
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really does take this camera to the next level rather than just shooting it at one times
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and zooming in like you get with the Osmo Pocket 4.
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Also, you can get really closeup shots with that three times camera as well.
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It just is a great versatile camera for everyday shooting.
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And truth be told, the 4P is beating out some of my bigger cameras when I'm walking out the door quickly.
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mainly due to its image quality.
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Also, its size.
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It's so small.
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Think about the form factor difference between a big mirrorless camera on a gimbal and this guy right here.
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In most lighting conditions, you really won't be able to tell that big of a difference either.
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It has internal storage built into it, so I like to add an SD card and film everything to that, and if it fills up,
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then I use my internal storage as a backup.
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And the battery has been plenty for me.
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I have not found myself out in the field feeling like, oh, I ran out of battery pretty quickly.
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Something I figured out rather recently was the one -times camera isn't actually 20 millimeters like they market it.
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I think they market it as that.
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It's really about 18 millimeters.
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That gives you a little bit wider of a frame.
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That's why I'm not a huge fan of doing talking heads at 18 millimeters
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because it makes your face look small and the frame look too wide.
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And because I'm in the United States, I did have to purchase this on eBay.
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And if I drop it, I might be in trouble because I don't know how to get a warranty for it.
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So now let's pause this video for a second so we can talk about the sponsor of this video, which is Neewer.
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The Osmopogit 4P does not have a variable aperture or an adjustable aperture.
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So the normal way to combat bright light is cranking up your shutter speed.
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But when you do that, you're going to get a choppy and jittery type of look.
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So in order to get natural motion blur, you have to set your shutter speed to double whatever your frame rate is.
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So if I'm shooting in 24 frames per second, I'm going to want to set my frame rate to 1 over 50.
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And if I go out and shoot with a shutter speed of 1 over 50 and it's super bright outside,
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my entire shot's going to be completely blown out.
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That's where ND filters come in.
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This first set is what I grab the most.
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I have an ND16, which I grab for cloudy days.
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ND64 is when it's going to be pretty sunny out.
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And ND256 is for harsh midday shooting, especially when I'm at the beach.
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There's also a circular polarizer in here that's going to cut down the reflections off of the water and the car windows.
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Then I have a second set, which is my run and gun kit.
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It's a variable ND filter from 2 to 32.
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So I just rotate it as the light changes instead of having to swap out the filters.
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It also comes with a CPO and a quarter black diffusion.
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That's going to soften highlights and give skin tones a more filmic type look.
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Both of them snap onto the glass and it stays nice and sharp.
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And the beautiful thing is the glass between both the top and bottom filters is the same exact glass.
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So if I shoot with the one times and the three times, when I get home, my colors are still going to match up.
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So if you want to maintain great looking colors and also have a nice looking motion blur without overexposing your shots,
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make sure to pick these guys up.
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I will leave a link to them in the description.
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I think one of the main things that I really wanted to get out of this camera,
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or at least test to see if it would work, is could I use this instead of something like a mirrorless camera?
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Could I get wide establishing shots, low angles, foreground movement, slow motion,
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walking shots, put it in places that I normally couldn't put like a mirrorless camera in?
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Really just using it as like a story -driven type of camera.
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And I think that's the biggest plus for me with this camera is there's just so much variety that you can do.
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You don't need different lenses or different cameras or different setups to get different shots.
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You can just use like this one camera and then get any shot
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that you can think of with the exception of anything
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that has to do with water or higher up
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because you don't want to get it stuck in a tree
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and it definitely makes just ordinary moments look way more polished
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and cinematic than
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if you were just to shoot
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it with your phone like this shot right here literally was just water coming out of a gutter
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but it looks so good in my opinion all right let's jump to the next chapter the
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so -called 60 millimeter equivalent
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or the three times camera might be my favorite feature on the pocket 4p it gives talking heads
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and portraits more flattering perspective it makes product shots
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and small details feel more intentional i'm able to get like macro type of shots like this acorn
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but the only downside is that the three times camera uses a smaller sensor
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so i would not use the three times camera
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if i was in a low light environment also you can't use d -log 2 with the three times camera
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so my work around if i plan on shooting in log
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and i'm going to be back and forth between one times
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and three times is just shooting in the D -Log 10 -bit.
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Yeah, it's not going to be as good as D -Log 2 when it comes to color grading,
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but it's still good enough because one of the major problems
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that I found myself having when I was shooting between D -Log 2
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and D -Log is when you get to post -production, you really don't know which clip is which.
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It's not labeled or anything, so you just kind of have to guess
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or you have to look at which one looks a little bit more like D -Log 2 compared to D -Log.
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It became a little bit of an issue.
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So my workaround is if you're going to shoot D -Log 2, stick with that the whole time.
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If you're going to shoot with D -Log, stick with that the whole time.
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You'll be able to use the one times and the three times camera.
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If you're shooting in D -Log 2, you're stuck to the one times camera.
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Now, I recently compared the Pocket 4P against the Luna Ultra in a very low light environment,
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and I was pretty shocked on how well both cameras perform.
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I'll leave that video in the description if you're interested.
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But the Pocket 4P does have a dedicated low light mode,
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and it can be useful when you want the camera to handle most of the settings automatically.
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Maybe you just want to focus on the composition or the story
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but personally i prefer to shoot my low light videos in the actual video mode
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and then switching the exposure over to manual
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it gives me more control on my iso my shutter speed
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i don't have to worry about the camera doing any in -body processing
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that i can't undo once i get to post -production
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i also feel like the footage looks a little bit more natural
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when i control it myself but overall if i was in a run
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and gun environment i would have no problem using the low
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light video mode the pocket 4p has definitely impressed me more than i originally expected when it comes to low light.
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All right, we talked a little bit about this earlier in the video, but the Pocket 4P gives you four main color profile options.
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Standard.
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Standard is going to give you that finished looking image straight out of camera with good contrast, some saturation, and natural looking colors,
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but you are not going to get the dynamic range that you would if you shot with D -Log, HDR 10 -bit, or D -Log 2.
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D -Log gives you a flatter 10 -bit image with more flexibility when it comes to color grading,
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and D -Log2 gives you even more flexibility or the most dynamic range, especially when you want to adjust your highlights or your shadows.
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But it also is going to require the most amount of work in post -production.
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That's one of the reasons why I created LUTs
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that you could just drag and drop right onto the footage without having to do any color grading at all.
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Now, the HDR 10 -bit.. is a little bit controversial
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because a lot of people like to use it
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and i've used it before and it looks fantastic however the only problem
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that i have with hdr is
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that you have to have an hdr monitor to review
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that footage back so you could shoot a lot of shots in hdr
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and then maybe send it to a friend or to a phone
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that doesn't have hdr processing
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and all of the shots are going to look overexposed as of the time of recording
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this video a lot of monitors are not hdr capable I learned that the hard way after a long day's shoot.
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So just keep that in mind if you decide to shoot in HDR.
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Know where your playback is going to be played back.
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I find myself shooting with the standard color profile 90 % of the time.
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Because it's just good enough.
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It doesn't look too oversaturated.
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Something like a phone.
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It doesn't look too digital.
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Something like I would get with a smaller sensor camera.
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D -Log and D -Log 2 definitely have their place.
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But I like to be more intentional when I come to shoot with those profiles rather than just turning to D -Log2,
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going out and filming with it.
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I found that when I'm shooting with D -Log or D -Log2, I like to have my exposure compensation set to about 0 .0.
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Now, I have had some people say in the comments that they like to overexpose their D -Log2 by plus 1 .7,
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but if you've had that experience, please let me know in the comments.
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Can it replace a phone or a mirrorless camera?
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100 % it could replace your phone.
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You just can't text or call people.
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And as far as a mirrorless camera, I mean, it really depends.
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If you're just doing travel videos or vlogging, YouTube videos, family moments, some photography,
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the Pocket 4P could absolutely replace your larger mirrorless camera.
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But there will always be a place for a professional mirrorless camera.
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The 12x zoom, it will not match what a telephoto lens gives you on a true mirrorless camera.
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And for high -end professional work, you're going to need interchangeable lenses.
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You're going to need to be able to replace the batteries on the fly
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you're gonna have sometimes in some cases need dual card slots
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external recording more control over your exposure control over your aperture
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so for convenience and everyday content it can replace a camera
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but when you need more flexibility and the best image quality
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and reliability then absolutely not
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so now after a hundred days would I still buy the
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pocket 4p 100 % yes without even thinking twice about it it's not a perfect camera
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I mentioned some of the things that I don't like about it.
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But if you're doing a lot of run and gun filming, the image quality is outstanding.
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100 % I would pick this guy up.
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I love using this camera with a BTS shooter who can
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get a lot of my behind the scenes type shooting where I don't have to use my phone anymore.
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Sometimes phone footage, the mid -tones get lifted up too much.
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You can tell that a digital plastic look, especially on skin tone.
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But this guy does a great job.
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I'm rarely disappointed with the image quality that I get out of this camera.
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If there's ever a time where the image
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that I shot doesn't look too good it's usually user error
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but if you want something that's always going to be with you
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that you can go out
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and get cinematic shots
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then I would definitely recommend picking one of these guys up
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let me know in the comments what you would like for
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me to verse against the off pocket 4p along with other videos
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that you would like to see me create on this particular camera thanks for watching
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I will see you in the next video
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « I Used the Osmo Pocket 4P for 100 Days ». Les mots qui reviennent le plus souvent : camera, shot, log, pocket, shoot. Cette vidéo contient 232 phrases et 2983 mots à répéter en shadowing. La partie parlée dure 13:03. Le locuteur parle vite, environ 229 mots par minute : attendez-vous à des liaisons et à des sons réduits. 82 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| pocket nom | /ˈpɑ.kɪt/ | poche |
| tone nom | /ˈtəʊn/ | ton |
| footage nom | /ˈfʊtɪd͡ʒ/ | pellicule enregistrée, métrage cinématographique |
| filter nom | /ˈfɪltɚ/ | filtre |
| sensor nom | /ˈsɛn.sɚ/ | détecteur, capteur |
| exposure nom | /ɪkˈspəʊ.ʒə(ɹ)/ | exposition |
| lens nom | /lɛnz/ | lentille |
| flexibility nom | /ˌflɛksɪˈbɪlɪti/ | souplesse, flexibilité |
| everyday adjectif | /ˈɛvɹiˌdeɪ/ | usuel |
| photography nom | /fəˈtɑ.ɡɹə.fi/ | photographie |
| monitor nom | /ˈmɑ.nɪ.tɚ/ | moniteur, monitrice |
| dynamic adjectif | /daɪˈnæm.ɪk/ | dynamique |
| highlight verbe | /ˈhaɪˌlaɪt/ | mettre en valeur, souligner |
| verse nom | /ˈvɝs/ | vers |
| harsh adjectif | /ˈhɑɹʃ/ | sévère, rude |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| go out verbe | sortir | |
| pick up verbe | soulever | |
| figure out verbe | cerner | |
| let down verbe | laisser tomber | |
| blow out verbe | éteindre | |
| cut down verbe | abattre | |
| fill up verbe | remplir | |
| go ahead verbe | /ˌɡoʊ əˈhɛd/ | vas-y, allez-y |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- I've done a lot of photography.
- I'll leave links to those products in the description.
- You just can't text or call people.
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Present perfect continu have/has been + -ing — une action commencée avant et toujours en cours | I've been using · you've been leaving · I've been trying |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have watched · have left · you've already picked |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | being said · were created · are lifted |
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | camera, which is · video, which is · set, which is |
Prononciation à surveiller
Le locuteur utilise 74 contractions et formes réduites, comme I'm, you're, I've. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « sh » et « zh »: exposure /ɪkˈspəʊ.ʒə(ɹ)/, harsh /ˈhɑɹʃ/, intentional /ɪnˈtɛnʃənəl/, sharp /ʃɑɹp/, contrast /kənˈt(ʃ)ɹæst/
- Mots longs — placez bien l’accent: flexibility /ˌflɛksɪˈbɪlɪti/, photography /fəˈtɑ.ɡɹə.fi/, intentional /ɪnˈtɛnʃənəl/, disappointed /ˌdɪsəˈpɔɪnɪd/, ordinary /ˈɔɹdɪnɛɹi/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: highlight /ˈhaɪˌlaɪt/, harsh /ˈhɑɹʃ/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: footage /ˈfʊtɪd͡ʒ/, scratch /skɹæt͡ʃ/, adjust /əˈd͡ʒʌst/, adjustable /əˈd͡ʒʌstəbəl/, aperture /ˈæp.ɚˌt͡ʃʊɹ/
- /r/ anglais — langue recourbée, sans frotter la gorge: exposure /ɪkˈspəʊ.ʒə(ɹ)/, everyday /ˈɛvɹiˌdeɪ/, photography /fəˈtɑ.ɡɹə.fi/, harsh /ˈhɑɹʃ/, variable [ˈvæɹ.i.ə.bl̩]
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme pocket, tone, footage.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.