Shadowing Practice: Learn French with DRร”LE #1 ๐Ÿ”ž - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

190 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
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Hello everyone, I hope you are well.
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I wanted to start a new playlist.
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In fact, it's a comment and explanation of the series called Drรดle.
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Okay, Drรดle.
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You can find it on Netflix.
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Personally, it's a series that I've watched and I've watched a lot, a lot of time.
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I've been really excited about it and I'm feeling quite exigent on the series in general.
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souvent je commence une sรฉrie souvent quand j'ai un peu de
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temps je commence une sรฉrie et gรฉnรฉralement je sais pas je
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tiens pas le coup et puis j'arrรชte en cours parce que
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je sais pas il y a quelque chose qui me dรฉrange
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et celle ci vraiment j'ai eu beaucoup de plaisir donc voilร 
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les goรปts et les couleurs c'est trรจs personnel mais j'espรจre que
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la sรฉrie peut vous plaire et surtout j'espรจre que รงa va
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รชtre un support intรฉressant pour pour votre franรงais pour vous enrichir
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et puis c'est aussi as easily as the family language the person ages are young
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so these are some expressions I think they are very useful
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and they are something in French a bit modern like it is spoken here in Paris in the case of Paris,
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today, of our days.
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Okay, I will give the challenge as a maximum 10 minutes for each video
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and even we will say less than 10 minutes
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so in fact I will advance very very but we will really take a little bit of all the blagues, all the references, all the allusions so that you really can understand really well.
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So, it's part!
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So, let's start!
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So, let's start!
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So, let's go!
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And then, it's part!
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I hope that at the level of technical, it will play.
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So here we see a person, visible it's a livreur, okay,
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he livre of the nourishment probably.
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So he says, yeah, I'm poor, I'm poor, okay, I don't have I recommend it.
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Ah, no, it's not...
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Well, there, there's a joke.
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Ah, I have to...
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Okay.
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First of all, the context.
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In fact, he is in the way of delivering food, okay, he is a livreur, but what we understand, well,
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what we can understand is that he is in the way of doing stand-up, in fact.
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He is doing stand-up, he is doing a joke on scene for fun, and he is in the way of training, He's in the train of training, in fact.
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Okay, he's at the job, he's at the job, he's at the food, he's at the food, but he's trying to repeat it a little bit
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or work on some blagues that he could do on scene when he does stand up.
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And he starts with saying, he says, I'm poor.
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Just an observation.
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I'm poor.
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Ah, it's not easy to be poor.
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It's not easy to be poor.
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Okay, there we are in an observation in more, but it's a little bit weird.
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The choice of words, we're going to say, okay, it's not very easy to be poor.
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Okay, it's not very easy.
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Sometimes it's a bit.. it's a little bit, it's a little bit chiant.
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No, I'm not a good advice.
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And there we have the blague, okay, I'm not a good advice.
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Why is this a joke?
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Because it's like if we had the choice when we are poor.
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Option A, you are poor.
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Option B, you are not poor.
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So you have money.
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I advise you to be poor.
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It's not good.
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It's absurd.
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Because obviously when we are poor, we don't have the choice.
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It's not something that we decide.
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So it's humorist like a turn of phrase, like a choice of words.
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I advise you.
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I'm poor.
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It's not easy to be poor.
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No, I advise you.
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Yeah, it's not...
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It's not...
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It's not...
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It's not...
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It's not...
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It's not terrible.
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The distributor, he tells me...
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He tells me...
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He tells me...
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When I go to the distributor, the distributor, he tells me...
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Sorry, I didn't have a money for courage.
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Good morning.
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Okay, it's also quite drรดle, because he compares a little bit what could say the distributor.
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So, what is the distributor?
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It's a machine that we use with our credit card
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d'accord vous allez au distributeur moi d'oรน je viens on appelle
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รงa aussi un bancomat au cas oรน mais bon c'est un
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terme assez suisse un bancomat un distributeur en anglais on a
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atm ok atm donc voilร  distributeur donc quand il va au
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distributeur le distributeur la machine il faut s'imaginer qu'elle rรฉpond non
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non non non non ce n'est pas possible monsieur et en
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fait รงa littรฉralement je I think it's clearly a reference to what could say a person in a night.
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You see, in a night, often we have a guy who's like, hyper-lays, like that.
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Yeah, hello, no, it's not possible.
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Okay, they look at the people and then they say, yeah, you can go, you can go, you can go, what we call a vider, okay.
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A vider, a vider.
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They say, yeah, it's good, it's good, no, it's not, it's not possible, look at your shoes, all right, you get it.
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Okay, you see the idea of a vider.
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And so it's a phrase that comes a little bit, no, it's not possible, monsieur.
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No, it's not possible, monsieur.
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Okay, a little bit, a little bit of a way, that's not possible, Mr. You go.
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So, I understand it like that.
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And of course, there's an money distributor who says that, it's completely absurd.
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But it's good that it comes back to the idea a little bit of the fact
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that he is poor and he has no money.
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When I go to the distributor, the distributor, he says...
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And there he does another allusion, when I go to the distributor, the distributor he says...
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Ah, sorry, I didn't have money, good courage.
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Sorry, I didn't have money, good courage.
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Good job, good journey.
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So that would be a scene where there is a person, probably, on could say a clochar,
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okay, a SDF, or a person who is poor who makes the manche.
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Excuse me, you have not a little piece?
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Ok, I'll make the manche.
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And so, he'd say excuse me, you have not a piece?
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And then the reaction type, well, a reaction pretty courant, it's sorry, I don't have money.
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Ok, it's a little excuse.
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It's not necessarily, I don't have to give money, but it's sorry, I don't have money, so I can't give money, d'accord?
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And again, of course, of course, an automatic distributor, he won't say that.
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But it's, again, a reference to, I don't have money, I'm poor, so even a machine who is supposed to react like a machine,
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is saying, sorry I haven't had money, but good courage.
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There's something a bit of humorous.
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All right, let's just look at it again and continue.
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When I go to the distributor, the distributor he says, he says, no, no, no, no, no, no, it's not possible, monsieur.
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When I go to the distributor, the distributor he says, ah, sorry, I haven't had money, good courage, good day.
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This van, she's going to be fine.
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This van, she's going to be good.
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What is it?
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A van, it's a blake.
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Okay, so there he is trying to say yes, she's going to have a potential, it's a blake that I can do on the scene, and she's going to be able to do it.
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Okay, he's trying to be motivated a little bit.
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Yeah, she's going to be good, it's going to be good, good, good, good.
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All right.
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Hello, ladies.
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Hello.
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Can I put my picture here?
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It's for a stand-up.
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No, no, no. So, there we go.
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So, there we go.
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There's a new character, okay, a woman, and she wants to put her picture for a show a little bit of a stand up,
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we'll see later, but it's in a way an affiche for his stand up.
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We see visible that she is with a child, I think it's her daughter, well, it's her daughter.
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And the reaction is rather, no, no, no, no, sorry.
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She will try ailleurs.
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Visiblement, there are a lot of people who they are full, we could say that they are not allowed to say sorry, sorry, sorry, sorry, not an affiche,
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not an affiche, not an affiche.
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There priori it's good, they have accepted.
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Hello Madame, yes, yes I arrive right now, yes.
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You have to command a sushi.
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So there, we are not in the moment where they repeat for the stand-up, c'est...
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Bah voilร , il est au taf, quoi.
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Il est en train de livrer des repas, visiblement.
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Et du coup, il y a une personne qui l'appelle pour voir un peu...
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Mais elle est oรน ma commande, quoi ?
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Qu'est-ce qui se passe ?
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De toute faรงon, vous avez commandรฉ des sushis !
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Alors lร , il dit...
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Il n'y a pas les sous-titres, mais il dit...
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De toute faรงon, vous avez commandรฉ des sushis, non ?
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Oh bah voilร , bah รงa ne refroidit pas !
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Bon bah voilร , bah รงa ne refroidit pas !
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Well, what do you think is that the person on the phone is like, what is this, my command is coming?
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What do you do?
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And then he tries to take it a little bit with humor, he tries to arrange things with humor because he is probably in retard in his livraison,
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and he says, yes, but anyway, you have ordered a sushi.
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Well, you know, the sushi, it doesn't really cold.
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Because if it was something hot, if he is in retard, he will bring something to eat which is cold and it's less good, you see?
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But you know, if it's a sushi, it's fine, it's not a cold.
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So, even if it's cold, it's not a cold.
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It's like that it's supposed to be.
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A little bit.
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He's trying to take a little bit of charm, like that, with humor.
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Tant you've not taken a brochette.
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The brochette, it's so of the meat, on a kind of stick, like that, a little baguette of wood. and...
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Ah!
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You've taken a brush!
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And so, in fact, the woman, it's true that she also has a brush, and so the brush, they're supposed to be chaude, and so he's in the M, because he's in the middle, so he's in the middle.
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So he's saying, ah, sorry, sorry!
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Well, I'm...
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Okay, so I'm going to throw the dead.
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Okay, I'm going to say, okay, I'm going to take risks for my life, maybe I'm going to die, but I'm going to go very, very quickly for you.
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I'm going to give you everything for you.
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I'm going to give you everything.
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All right, all right.
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Okay, we'll see you next time because I see that we're already at 9 minutes 17.
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It's a scandal, it's a lot too late.
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But the idea is really that you can watch this scene again and that you understand absolutely everything.
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It's a bit my goal, because I know that if someone does that for me in other languages, I find it very gratifying, very, very agrรฉable to be able to watch again and say okay,
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I understand all the references, all the blagues, or in any case, the vast majority of them are very encouraging.
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Okay?
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Tell me in the comments what you think about it.
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I hope that Technique Pense has worked and we will stop just before the 10 minutes.
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See you!

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

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ืชืจื’ื•ืœ IPAืฉืœื•ื˜ ื‘ื›ืœ ืฆืœื™ืœ
ืื•ืฆืจ ืžื™ืœื™ืื‘ื ื” ืืช ืžืื’ืจ ื”ืžื™ืœื™ื ืฉืœืš
ืžืฉื—ืง ืื•ืฆืจ ืžื™ืœื™ืืœืžื“ ืชื•ืš ื›ื“ื™ ืžืฉื—ืง
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ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” B1 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œLearn French with DRร”LE ๐Ÿ”žโ€. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 190 ืžืฉืคื˜ื™ื ื•-1958 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 9:47. ื”ื“ื•ื‘ืจ ืžื“ื‘ืจ ืžื”ืจ, ื›-200 ืžื™ืœื™ื ื‘ื“ืงื”, ืื– ืฆืคื• ืœืฆืœื™ืœื™ื ืžื—ื•ื‘ืจื™ื ื•ืžืงื•ืฆืจื™ื. ืจืง 76% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช, ื›ืš ืฉืื•ืฆืจ ื”ืžื™ืœื™ื ืžืืชื’ืจ.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

15 ื”ืžื™ืœื™ื ื”ืžืชืงื“ืžื•ืช ื‘ื™ื•ืชืจ ื‘ืกืจื˜ื•ืŸ, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
sushi ืฉื ืขืฆื/หˆsuหสƒi/ืกื•ึผืฉึดืื™
courage ืฉื ืขืฆื/หˆkสŒ.ษนษชdอกส’/ืึนืžึถืฅ
pour ืคื•ืขืœ/poษน/ืฉืคืš, ืžื–ื’
humour ืฉื ืขืฆื/หˆhjuหmษš/ื”ื•ึผืžื•ึนืจ
brush ืฉื ืขืฆื/bษนสŒสƒ/ืžึดื‘ึฐืจึถืฉึถืืช
absurd ืฉื ืชื•ืืจ/ษ™bหˆsษœหd/ืื‘ืกื•ืจื“
observation ืฉื ืขืฆื/หŒษ‘bzษšหˆveษชสƒnฬฉ/ืชึทึผืฆึฐืคึดึผื™ืช, ืฆึฐืคึดื™ึธึผื”
phrase ืฉื ืขืฆื/หˆfษนeษชฬฏz/ืฆึตืจื•ึผืฃ ืœึธืฉืื•ึนืŸ, ืžึดืฉึฐืืคึธึผื˜
baguette ืฉื ืขืฆื/bรฆหˆษกษ›t/ื‘ึธึผื’ึถื˜
nourishment ืฉื ืขืฆื/หˆnษษชสƒmษ™nt/ืžึธื–ื•ึนืŸ
motivate ืคื•ืขืœ/หˆmoสŠ.tษช.veษชt/ื“ืจื‘ืŸ
playlist ืฉื ืขืฆื/หˆpleษชหŒlษชst/ืจึฐืฉึดืื™ืžึทืช ื”ึทืฉึฐืืžึธืขึธื”
pond ืฉื ืขืฆื/pษ‘nd/ืึฒื’ึทื, ื‘ึฐึผืจึตื›ึธื”
charm ืฉื ืขืฆื/tอกสƒษ‘ษนm/ืงืกื
scandal ืฉื ืขืฆื/หˆskรฆndษ™l/ืฉืขืจื•ืจื™ื™ื”, ืฉึทืืขึฒืจื•ึผืจึดื™ึธึผื”

Phrasal verbs ืฉืชืฉืžืขื•

ืžื™ืœื”ืžืฉืžืขื•ืช
stand up ืคื•ืขืœืงึธื

ืžืฉืคื˜ื™ื ืฉื›ื“ืื™ ืœื—ื–ื•ืจ ืขืœื™ื”ื

ืžืฉืคื˜ื™ื ืงืฆืจื™ื ื•ืฉืœืžื™ื ืžื”ืกืจื˜ื•ืŸ ืฉืืคืฉืจ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช:

  • No, I'm not a good advice.
  • It's not something that we decide.
  • Sorry, I didn't have a money for courage.
  • Excuse me, you have not a little piece?
  • Can I put my picture here?

ื“ืงื“ื•ืง ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

ื”ืžื‘ื ื™ื ืฉื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘ื”ื ื”ื›ื™ ื”ืจื‘ื”, ืขื ื”ืžื™ืœื™ื ื”ืžื“ื•ื™ืงื•ืช ืžื”ืกืจื˜ื•ืŸ:

ืžื‘ื ื”ื‘ืกืจื˜ื•ืŸ
ื”ื•ื•ื” ืžื•ืฉืœื (Present perfect) have/has + past participle โ€” ืคืขื•ืœื” ืฉืงืจืชื” ื‘ืขื‘ืจ ื•ืขื“ื™ื™ืŸ ื™ืฉ ืœื” ื—ืฉื™ื‘ื•ืช ืื• ื”ืฉืคืขื” ืขื›ืฉื™ื•I've watched ยท I've been ยท haven't had
ืžืฉืคื˜ื™ ื–ื™ืงื” (Relative clauses) who / which + clause โ€” ืžื™ื“ืข ื ื•ืกืฃ ืขืœ ืื“ื ืื• ื“ื‘ืจperson who is ยท people who they ยท eat which is
ืกื‘ื™ืœ (Passive voice) be + past participle โ€” ื”ื“ื’ืฉ ื”ื•ื ืขืœ ืžื” ืฉืงื•ืจื”, ืœื ืขืœ ืžื™ ืฉืขื•ืฉื” ืืช ื”ืคืขื•ืœื”is spoken ยท are not allowed
ืขืชื™ื“ ืขื โ€œwillโ€ will + verb โ€” ื”ื—ืœื˜ื”, ื”ื‘ื˜ื—ื” ืื• ื ื™ื‘ื•ื™ ืœื’ื‘ื™ ื”ืขืชื™ื“will give ยท will say ยท will advance

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

ื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘-43 ืงื™ืฆื•ืจื™ื ื•ืฆื•ืจื•ืช ืžืงื•ืฆืจื•ืช, ื›ืžื• I'm, don't, didn't. ืืžืจื• ืื•ืชื ื‘ืฆื•ืจื” ื”ืงืฆืจื”, ื›ืคื™ ืฉืืชื ืฉื•ืžืขื™ื ืื•ืชื.

  • ื”ืฆืœื™ืœื™ื ืฉืœ โ€œshโ€ ื•-โ€œzhโ€: sushi /หˆsuหสƒi/, brush /bษนสŒสƒ/, allusion /ษ™หˆlu.ส’ษ™n/, brochette /bษนษ™สŠหˆสƒษ›t/, observation /หŒษ‘bzษšหˆveษชสƒnฬฉ/

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: baguette /bรฆหˆษกษ›t/, gratify /หˆษกrรฆtษชfaษช/, react /ษนiหหˆรฆkt/, scandal /หˆskรฆndษ™l/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: courage /หˆkสŒ.ษนษชdอกส’/, pour /poษน/, brush /bษนสŒสƒ/, brochette /bษนษ™สŠหˆสƒษ›t/, phrase /หˆfษนeษชฬฏz/
  • ืขื™ืฆื•ืจ ืงื•ืœื™ ื‘ืกื•ืฃ ืžื™ืœื” โ€” /b/, /d/, /g/, /z/, /v/ ื‘ืœื™ ืœื”ืคื•ืš ืื•ืชื ืœืื˜ื•ืžื™ื: courage /หˆkสŒ.ษนษชdอกส’/, absurd /ษ™bหˆsษœหd/, phrase /หˆfษนeษชฬฏz/, pond /pษ‘nd/, arrange /ษ™หˆษนeษชndอกส’/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ื”ืชื—ื™ืœื• ื‘ืžื”ื™ืจื•ืช 0.75ร—, ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜, ื•ื—ื–ืจื• ืœืžื”ื™ืจื•ืช ืจื’ื™ืœื” ื›ืฉื–ื” ืžืจื’ื™ืฉ ืงืœ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• sushi, courage, pour.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’