Shadowing Practice: Mount Rushmore is CRAZY ๐Ÿ˜ฑ - Learn English Speaking with Video

ื‘ื—ืจ ืžืฆื‘ ืชืจื’ื•ืœ

ื›ืœ ืžืฆื‘ ืคื•ืชื— ื—ื“ืจ ืชืจื’ื•ืœ ื‘ืžืกืš ืžืœื.

10 ืžืฉืคื˜ื™ื
ืื ื”ืžืฉืคื˜ื™ื ืงืฆืจื™ื ืื• ืืจื•ื›ื™ื ืžื“ื™, ืœื—ืฅ ืขืœ ืขืจื•ืš ื›ื“ื™ ืœื”ืชืื™ื ืื•ืชื.
1
There is something unusual about Mount Rushmore.
2
Unlike most sculptures which look painstakingly crafted, Mount Rushmore almost seems like it formed out of the mountain naturally.
3
The reality is, Mount Rushmore is an engineering masterpiece.
4
Using this giant machine, thousands of points could be marked directly onto the mountain, showing the workers where to drill.
5
From here, it was up to the workers to carve out the face using jackhammers.
6
The men spent eight hours a day dangling over a 500-foot cliff edge for just 50 cents an hour.
7
One of the trickiest parts was the eyes.
8
Typical Greek sculptures have perfectly smooth eyes which look flat and lifeless.
9
To give the eyes a realistic shine, they cut out a hole that was deep enough to always be in shadow.
10
Then, at the center of the pupil, a square section would be left uncut to give the impression of a reflection in the eye.

ื”ื•ืจื“ ืืคืœื™ืงืฆื™ื”

ื›ืœ ืžื” ืฉืืชื” ืฆืจื™ืš ื›ื“ื™ ืœื“ื‘ืจ ื‘ืฉื˜ืฃ

ื”ื’ื™ื™ืช AIืฆื™ื•ืŸ ืœื›ืœ ืžืฉืคื˜
ืชืจื’ื•ืœ IPAืฉืœื•ื˜ ื‘ื›ืœ ืฆืœื™ืœ
ืื•ืฆืจ ืžื™ืœื™ืื‘ื ื” ืืช ืžืื’ืจ ื”ืžื™ืœื™ื ืฉืœืš
ืžืฉื—ืง ืื•ืฆืจ ืžื™ืœื™ืืœืžื“ ืชื•ืš ื›ื“ื™ ืžืฉื—ืง
ืกืจื•ืง QR
ืกืจื•ืง QR
Download on theApp StoreGet it onGoogle Play

ืื•ืชื• ืขืจื•ืฅ

The Discovery of King Richard IIIB2
1

The Discovery of King Richard III

Daily ConversationWorking Adults
The Robot Chess Player ScamB2
2

The Robot Chess Player Scam

Daily ConversationWorking Adults
How Does SpaceX Get These Amazing Camera Shots?B2
4

How Does SpaceX Get These Amazing Camera Shots?

Daily ConversationUniversity StudentsWorking Adults
The Greatest Art Heist In HistoryB2
1

The Greatest Art Heist In History

University StudentsWorking Adults
How The CIA Hacked RussiaB2
17

How The CIA Hacked Russia

IELTS PrepTOEFL PrepUniversity Students
The Escape of Europeโ€™s Smartest CriminalB2
6

The Escape of Europeโ€™s Smartest Criminal

University StudentsWorking Adults
The Crazy Engineering of SilkC1

The Crazy Engineering of Silk

Daily ConversationUniversity StudentsWorking Adults
How This Pen Changed The WorldB2

How This Pen Changed The World

Business EnglishUniversity StudentsWorking Adults
FOR YOU

ื”ืžืœืฅ ืขืœ ืกืจื˜ื•ืŸ

This New Pyramid Theory Explains the Missing EvidenceC1
1
215 ืžืฉืคื˜ื™ื

This New Pyramid Theory Explains the Missing Evidence

Daily ConversationUniversity StudentsWorking Adults
Nature Is Speaking: Lee Pace is Mountain | Conservation International (CI)C1
50
12 ืžืฉืคื˜ื™ื

Nature Is Speaking: Lee Pace is Mountain | Conservation International (CI)

IELTS PrepTOEFL PrepUniversity Students
Exercise Scientist Critiques The Real AnatolyC1
1
278 ืžืฉืคื˜ื™ื

Exercise Scientist Critiques The Real Anatoly

Daily ConversationUniversity StudentsWorking Adults
Terracotta Warriors 0816C1
1
81 ืžืฉืคื˜ื™ื

Terracotta Warriors 0816

Daily ConversationUniversity StudentsWorking Adults
You Will Only Like Half of This VideoC1
11
39 ืžืฉืคื˜ื™ื

You Will Only Like Half of This Video

Daily ConversationUniversity StudentsWorking Adults
What if the world runs out of sand? | The Royal SocietyC1
2
56 ืžืฉืคื˜ื™ื

What if the world runs out of sand? | The Royal Society

Daily ConversationUniversity StudentsWorking Adults
China's $100BN Himalayan Mega DamC1
278 ืžืฉืคื˜ื™ื

China's $100BN Himalayan Mega Dam

Daily ConversationUniversity StudentsWorking Adults
A mind-blowing explanation of symmetry | Frank Wilczek for Big ThinkC1
3
62 ืžืฉืคื˜ื™ื

A mind-blowing explanation of symmetry | Frank Wilczek for Big Think

Daily ConversationUniversity StudentsWorking Adults
NASA | Tour of the MoonC1
1
39 ืžืฉืคื˜ื™ื

NASA | Tour of the Moon

University StudentsWorking Adults
Making RAM at HomeC1
2
192 ืžืฉืคื˜ื™ื

Making RAM at Home

Business EnglishUniversity StudentsWorking Adults
Why did white men conquer the world?C1
291 ืžืฉืคื˜ื™ื

Why did white men conquer the world?

Daily ConversationUniversity StudentsWorking Adults
My Puzzle Robot is 200x Faster Than a HumanC1
6
249 ืžืฉืคื˜ื™ื

My Puzzle Robot is 200x Faster Than a Human

American AccentBusiness EnglishUniversity StudentsWorking Adults

ืื•ืฆืจ ืžื™ืœื™ื ื•ื”ืขืจื•ืช ื”ื’ื™ื™ื” ืœืฉื™ืขื•ืจ ื”ื–ื”

ืฉื™ืขื•ืจ ื”ื“ื™ื‘ื•ืจ ื”ื–ื” ื‘ืจืžื” C1 ืžื‘ื•ืกืก ืขืœ ื”ืกืจื˜ื•ืŸ โ€œMount Rushmore is CRAZY ๐Ÿ˜ฑโ€. ื”ืžื™ืœื™ื ืฉื—ื•ื–ืจื•ืช ื”ื›ื™ ื”ืจื‘ื”: eye, Rushmore, Mount. ื‘ืกืจื˜ื•ืŸ ื”ื–ื” ื™ืฉ 10 ืžืฉืคื˜ื™ื ื•-153 ืžื™ืœื™ื ืœืชืจื’ื•ืœ Shadowing. ื”ื“ื™ื‘ื•ืจ ื ืžืฉืš 0:56. ื”ื“ื•ื‘ืจ ืžื“ื‘ืจ ื‘ืงืฆื‘ ื˜ื‘ืขื™ ืฉืœ ื›-164 ืžื™ืœื™ื ื‘ื“ืงื”, ืงืจื•ื‘ ืœืฉื™ื—ื” ื™ื•ืžื™ื•ืžื™ืช. ืจืง 77% ืžื”ืžื™ืœื™ื ื ืžืฆืื•ืช ื‘ื™ืŸ 3,000 ื”ืžื™ืœื™ื ื”ื ืคื•ืฆื•ืช ื‘ื™ื•ืชืจ ื‘ืื ื’ืœื™ืช, ื›ืš ืฉืื•ืฆืจ ื”ืžื™ืœื™ื ืžืืชื’ืจ.

ืื•ืฆืจ ืžื™ืœื™ื ืžืจื›ื–ื™ ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

14 ื”ืžื™ืœื™ื ื”ืžืชืงื“ืžื•ืช ื‘ื™ื•ืชืจ ื‘ืกืจื˜ื•ืŸ, ืขื ื”ื”ื’ื™ื™ื” ื•ื”ืžืฉืžืขื•ืช ืฉืœื”ืŸ:

ืžื™ืœื”ื”ื’ื™ื™ื”ืžืฉืžืขื•ืช
worker ืฉื ืขืฆื/หˆwษ.kษš/ืขื•ึนื‘ึตื“, ืขื•ื‘ื“ืช
sculpture ืฉื ืขืฆื/หˆskสŒlptอกสƒษš/ืคึถึผืกึถืœ
shadow ืฉื ืขืฆื/หˆสƒรฆdษ™สŠฬฏ/ืฆึตืœ
impression ืฉื ืขืฆื/ษชmหˆpษนษ›สƒnฬฉ/ืจื•ืฉื, ืจึนืฉึถืื
reflection ืฉื ืขืฆื/ษนษชหˆflษ›kสƒษ™n/ื”ืฉืชืงืคื•ืช
shine ืคื•ืขืœ/สƒaษชn/ื–ึธืจึทื—
realistic ืฉื ืชื•ืืจ/หŒษนษชษ™หˆlษชs.tษชk/ืจึตื™ืึธืœึดื™ืกึฐื˜ึดื™
cliff ืฉื ืขืฆื/klษชf/ืฆื•ืง
drill ืฉื ืขืฆื/dษนษชl/ืžืงื“ื—ื”
tricky ืฉื ืชื•ืืจ/หˆtษนษชk.i/ื˜ึฐืจึดื™ืงึดื™
masterpiece ืฉื ืขืฆื/หˆmรฆstษšหŒpis/ื™ึฐืฆึดื™ืจึทืช ืžื•ึนืคึตืช
pupil ืฉื ืขืฆื/หˆpjuหpษ™l/ืชึทึผืœึฐืžึดื™ื“, ืชึทึผืœึฐืžึดื™ื“ึธื”
carve ืคื•ืขืœ/kษ‘ษนv/ื’ึทืœึตืฃ
jackhammer ืฉื ืขืฆื/หˆdอกส’รฆkหŒhรฆmษš/ืคื˜ื™ืฉ ืื•ื•ื™ืจ

ื“ืงื“ื•ืง ื‘ืกืจื˜ื•ืŸ ื”ื–ื”

ื”ืžื‘ื ื™ื ืฉื”ื“ื•ื‘ืจ ืžืฉืชืžืฉ ื‘ื”ื ื”ื›ื™ ื”ืจื‘ื”, ืขื ื”ืžื™ืœื™ื ื”ืžื“ื•ื™ืงื•ืช ืžื”ืกืจื˜ื•ืŸ:

ืžื‘ื ื”ื‘ืกืจื˜ื•ืŸ
ืกื‘ื™ืœ (Passive voice) be + past participle โ€” ื”ื“ื’ืฉ ื”ื•ื ืขืœ ืžื” ืฉืงื•ืจื”, ืœื ืขืœ ืžื™ ืฉืขื•ืฉื” ืืช ื”ืคืขื•ืœื”could be marked ยท would be left

ื”ื’ื™ื™ื” ืฉืฉื•ื•ื” ืœืฉื™ื ืœื‘ ืืœื™ื”

  • ื”ืฆืœื™ืœื™ื ืฉืœ โ€œshโ€ ื•-โ€œzhโ€: unusual /สŒnหˆjuหส’(u)ษ™l/, shadow /หˆสƒรฆdษ™สŠฬฏ/, impression /ษชmหˆpษนษ›สƒnฬฉ/, reflection /ษนษชหˆflษ›kสƒษ™n/, shine /สƒaษชn/
  • ืžื™ืœื™ื ืืจื•ื›ื•ืช โ€” ืฉื™ืžื• ืœื‘ ืœื”ื˜ืขืžื”: naturally /หˆnรฆtอกสƒ.(ษ™.)ษนษ™.li/, unusual /สŒnหˆjuหส’(u)ษ™l/, painstakingly /หˆpeษชnหŒsteษชkษชล‹li/

ืฆืœื™ืœื™ื ืฉื“ื•ื‘ืจื™ ืขื‘ืจื™ืช ืžืชืงืฉื™ื ื‘ื”ื:

  • /รฆ/ โ€” ืคืชื•ื— ื™ื•ืชืจ ืžื”-โ€œืึถโ€ ื”ืขื‘ืจื™ืช, ืœื ื›ืžื• โ€œaโ€ ื‘-โ€œcupโ€: naturally /หˆnรฆtอกสƒ.(ษ™.)ษนษ™.li/, shadow /หˆสƒรฆdษ™สŠฬฏ/, craft /หˆkษนรฆft/, masterpiece /หˆmรฆstษšหŒpis/, dangle /หˆdรฆล‹.ษกษ™l/
  • /r/ โ€” ื”ืœืฉื•ืŸ ืœื ื ื•ื’ืขืช ื‘ืฉื•ื ืžืงื•ื, ืœื ื”-โ€œืจโ€ ื”ื’ืจื•ื ื™ืช: naturally /หˆnรฆtอกสƒ.(ษ™.)ษนษ™.li/, impression /ษชmหˆpษนษ›สƒnฬฉ/, craft /หˆkษนรฆft/, reflection /ษนษชหˆflษ›kสƒษ™n/, realistic /หŒษนษชษ™หˆlษชs.tษชk/

ืื™ืš ืœืชืจื’ืœ ืขื ื”ืกืจื˜ื•ืŸ ื”ื–ื”

  1. ื”ืงืฉื™ื‘ื• ืœื›ืœ ื”ืกืจื˜ื•ืŸ ืคืขื ืื—ืช ื‘ืœื™ ืœื“ื‘ืจ, ื•ืจืฉืžื• ืืช ื”ืžื™ืœื™ื ืฉืืชื ืœื ืžื›ื™ืจื™ื.
  2. ื”ืชื—ื™ืœื• ื‘ืžื”ื™ืจื•ืช 0.75ร—, ืชืจื’ืœื• Shadowing ืžืฉืคื˜ ืื—ืจ ืžืฉืคื˜, ื•ื—ื–ืจื• ืœืžื”ื™ืจื•ืช ืจื’ื™ืœื” ื›ืฉื–ื” ืžืจื’ื™ืฉ ืงืœ.
  3. ื”ืงืœื™ื˜ื• ืืช ืขืฆืžื›ื ื•ื”ืฉื•ื• ืœืžืงื•ืจ, ืชื•ืš ืชืฉื•ืžืช ืœื‘ ืœืžื™ืœื™ื ื›ืžื• worker, sculpture, shadow.

ืžื”ื™ ื˜ื›ื ื™ืงืช ื”ืฉืื“ื•ืื™ื ื’?

ืฉืื“ื•ืื™ื ื’ ื”ื™ื ื˜ื›ื ื™ืงืช ืœืžื™ื“ืช ืฉืคื” ืžื‘ื•ืกืกืช ืžื“ืข ืฉืคื•ืชื—ื” ื‘ืžืงื•ืจ ืœื”ื›ืฉืจืช ืžืชื•ืจื’ืžื ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืคื•ืคื•ืœืจื™ืช ืขืœ ื™ื“ื™ ื”ืคื•ืœื™ื’ืœื•ื˜ ื“"ืจ ืืœื›ืกื ื“ืจ ืืจื’ื•ืืœืก. ื”ืฉื™ื˜ื” ืคืฉื•ื˜ื” ืืš ืขื•ืฆืžืชื™ืช: ืืชื” ืžืงืฉื™ื‘ ืœืื•ื“ื™ื• ื‘ืื ื’ืœื™ืช ื™ืœื™ื“ื™ืช ื•ื—ื•ื–ืจ ืขืœื™ื• ื‘ืงื•ืœ ืจื ืžื™ื“ โ€” ื›ืžื• ืฆืœ ื”ืขื•ืงื‘ ืื—ืจื™ ื”ื“ื•ื‘ืจ ืขื ืขื™ื›ื•ื‘ ืฉืœ 1โ€“2 ืฉื ื™ื•ืช ื‘ืœื‘ื“. ื‘ื ื™ื’ื•ื“ ืœื”ืื–ื ื” ืคืกื™ื‘ื™ืช ืื• ืชืจื’ื™ืœื™ ื“ืงื“ื•ืง, ืฉืื“ื•ืื™ื ื’ ืžื›ืจื™ื— ืืช ื”ืžื•ื— ื•ื”ืฉืจื™ืจื™ื ื‘ืคื” ืœืขื‘ื“ ื•ืœืฉื—ื–ืจ ื“ืคื•ืกื™ ื“ื™ื‘ื•ืจ ืืžื™ืชื™ื™ื ื‘ื• ื–ืžื ื™ืช. ืžื—ืงืจื™ื ืžืจืื™ื ืฉื–ื” ืžืฉืคืจ ืžืฉืžืขื•ืชื™ืช ืืช ื“ื™ื•ืง ื”ื”ื’ื™ื™ื”, ื”ืื™ื ื˜ื•ื ืฆื™ื”, ื”ืงืฆื‘, ื”ื“ื™ื‘ื•ืจ ื”ืžื—ื•ื‘ืจ, ื”ื‘ื ืช ื”ืฉืžื™ืขื” ื•ืฉื˜ืฃ ื”ื“ื™ื‘ื•ืจ โ€” ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ืช ื”ืฉื™ื˜ื•ืช ื”ื™ืขื™ืœื•ืช ื‘ื™ื•ืชืจ ืœื”ื›ื ื” ืœIELTS Speaking ื•ืœืชืงืฉื•ืจืช ื‘ืื ื’ืœื™ืช ื‘ืขื•ืœื ื”ืืžื™ืชื™.

ื˜ื›ื ื™ืงืช Shadowing: ืงืจื ืืช ื”ืžื“ืจื™ืš ื”ืžืœื ืฉืœื‘ ืื—ืจ ืฉืœื‘ โ†’