Pratica di Shadowing: Billie Eilish Gets Her Mind Blown | Interview with A Magician - Impara a parlare inglese con i video
Creazione lezione...
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Wow!
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Wait, there was smoke in your mouth, right?
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Yeah, because you were so hot.
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Oh my gosh.
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I can't believe I'm also answering questions.
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This is crazy.
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I'm such a fucking whore for magic.
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Hi, Billie.
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Nice to meet you.
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I'm Anna.
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Thank you so much for joining us on Interview with a Magician.
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Thank you for having me.
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I'm very excited and scared.
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Don't be scared.
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OK.
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I'm not going to be doing tricks on you.
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I'm actually going to be teaching you one.
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OK.
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Are you familiar with cards?
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Fuck yeah.
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You know how to shuffle all in?
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You do?
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Ooh, OK.
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Let's see your best shuffle.
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Let's see if my rings get in the way of this.
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Pretty good.
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Pretty good.
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Not my best.
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No. OK, but now you know that they're all mixed up.
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They're all mixed up.
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Go ahead and take one.
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Anyone that calls out to you.
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OK.
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This one's calling to me.
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It represents you pretty well?
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Sure.
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OK.
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I'm sorry, I'm lost in your eyes.
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Stop.
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Stop.
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But think of the card, send it to me.
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It's not a red card, is it?
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No. No, it's a black card, totally.
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It's not a letter, like a Jacqueline Klinger ace.
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It's a number, for sure.
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It's an odd number.
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Say the number over and over again, like three, three, three, three, three, three.
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It's three.
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Yes.
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Three of spades?
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Yes!
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Okay.
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Stashing up strong.
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Okay.
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Here, go ahead and sign.
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I need your autograph across the three of spades.
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Make it big and unique.
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I mean, maybe I could forge your autograph, right?
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Like put a smiley face.
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OK.
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OK, this is nice and ugly.
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Don't worry, I'm not going to sell it.
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I'm actually going to frame it.
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Whoa.
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So I wanted to show you my kind of shuffling.
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Oh my god, fresh.
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Yeah, I'm pretty good with my hands.
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Stop.
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Thank you.
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Let's try this.
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I know you're very careful about your voice.
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Obviously, I can do sleight of hand.
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So I needed to create something for you where I do sleight of mouth.
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OK?
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OK.
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Just go with it.
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OK?
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I'll go with it.
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Open your mouth.
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Yes, good girl.
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Bite down.
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You're doing great, sweetie.
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You've never seen anything like this before.
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No. Go ahead and say stuff.
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Shut up.
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Queen of hearts, right?
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Because we're a couple of queens.
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Uh-huh.
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And I'll sign it and do the exact same thing.
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No fucking way.
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Mm-hmm.
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Oh, my God!
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Okay.
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You gotta do the same?
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If that's your card, what's in your mouth?
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And this is the card you just signed, correct?
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Yeah.
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And now you can keep that and remember me forever.
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What?
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Bitch, I watched you do that.
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Wall-ish, it was in my...
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What the hell is fucking going on?
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I don't understand this.
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Was I in your mouth?
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I mean, yes, obviously.
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Souvenir.
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What the fucking hell?
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Okay.
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Whatever, dude.
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Whatever, Anna.
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Wait, there was smoke in your mouth, right?
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Yeah, because you were so hot.
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I got all flustered.
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I wasn't paying attention.
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Oh, I'm distracting?
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Yes.
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Interesting.
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Yes.
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What was it like working with James Cameron?
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I can't believe I'm also answering questions.
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This is crazy.
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Oh, God.
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You're still flustered by magic.
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Yes.
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Like, nothing gets me like magic gets me.
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It was crazy.
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It was crazy.
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It was crazy.
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Honestly, the way it happened was James Cameron sent an email to my mother, literally.
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Because they had met through something else and he himself sent an email to my mom and said, I want to make a movie in 3D of your daughter's concert.
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Like, I want to capture your show how it is and I don't want to change anything about it.
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Which was like, also one of the first things I said to him.
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If we can't get it exactly right, I don't really want to do it at all.
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And he was 100% in agreement.
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Did you pull any inspo from any other people's like tour movies?
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My favorite films as a child were Justin Bieber's Believe and Never Say Never.
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But literally that's not the two that I was gonna say.
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So because of those movies, I was like, oh my god There's nothing cooler than a documentary concert film.
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Nothing cooler.
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Well, I do actually have a gift for you.
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What?
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I heard you say usually you have a magic wand on you.
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Oh my god, I would die without that thing.
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So you have number one song.
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Okay.
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Birds of a Feather.
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Yes.
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So this is inspired by that.
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So can you hold out your hand? and make it look empty.
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And we're gonna loop this through.
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Wow!
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And catch it.
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Now you can do it, you wanna try?
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Sure, okay.
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This is like a good little beginner's.
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Yeah, like for them, try doing it to them.
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And they, you have to say the spell.
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And birds of a feather, we should stick together.
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Catch it, catch it, catch it, yes!
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But you gotta keep, yeah.
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Thanks guys, you're supposed to catch it.
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Okay, well, next time.
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Yeah, no, she's killing it.
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Okay.
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You're killing it, you're on.
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And that's a souvenir for you to keep later.
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What's on your ride?
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Pineapple.
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Interesting.
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Stop.
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Pineapple, watermelon, tajin, lime, frozen grapes.
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We've been squeezing some lime on some frozen grapes and pouring tajin all over it.
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Oh, amazing.
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Chocolate milk, oat milk, I know.
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Cereal, bread, peanut butter, jelly.
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Has anything gone wrong on stage?
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Probably the worst one at the beginning of the show and throughout the show.
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I'm on this platform.
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I have a belt on and it's hooked to a wire that hooks to the center.
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When I get into that little box thing and I get onto the platform, I have to hook myself in.
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And basically I hooked the lift belt through the fucking cord of my in-ears.
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It was like a bit, like a horse bit, pulling me out from my ears.
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But you recovered gracefully.
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Recovered, my boy Trevor came up, unhooked me.
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And I was fine.
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Shout out to Trevor.
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But was there a city that you were most surprised by?
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Honestly, when I played Japan, over the summer, it was like the most magical show.
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This isn't the last tour, right?
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No, hell no. Bitch, I'm touring for the rest until I'm dead.
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Okay, so I'm sure that there will be one I will catch.
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There will be many a tour, yes.
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Do you do any vocal warm-ups?
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Oh, yeah.
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Do you do the Sharpay Evans, like, That one?
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The Sharpay.
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Yes, of course.
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Can I hear that?
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You know, a really good one is not, you know, like, Oh, are you okay?
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I don't know what I was saying.
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I've been asking all the questions.
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Yeah, well, yeah.
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I want you to think of a question.
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You were already thinking of a question?
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Oh yeah, I was.
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But you didn't say it out loud.
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No. Ask me the question.
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Okay.
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What was the last song you listened to, like, before you went to bed?
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I know, it's really specific.
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Okay, that's no, but that's like, there's millions of songs.
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Yes.
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Does anyone on your team know what it is?
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No. last night when you were listening to this song.
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Yeah.
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So it's not like you were with someone who could have told me.
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No. It's not one of your own songs?
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No. I'm going to think about it.
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This is really hard.
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I'm like, I know, it's a really broad question.
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OK, wait, wait, wait, I got it.
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OK.
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No worries if you don't know, because how the hell would you possibly be working?
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Well, OK.
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It's not a weird song.
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It's like an emotional song.
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Yeah.
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And it's not by the original artist, is it?
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No. Oh, my god.
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I'm going to show the cameras.
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What was the song that you listened to?
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It's called The Gold by Phoebe Bridgers.
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It's a cover.
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Yeah.
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And like, it's an orchestra version.
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Yeah.
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Let me just say something.
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She wasn't even in here.
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They weren't even filming.
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Swear.
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Swear to fucking God.
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Swear you didn't tell anybody the question.
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No one was filming and you fucking got it.
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What the hell is going on here?
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I knew how this interview was going to go.
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Okay.
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I got it.
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I had a vision about it.
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A vision about meeting you, how we would meet, how this interaction would go.
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Okay.
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Billy, I want to thank you so much for coming to interview The Magician
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because I actually wrote down that that Never Say Never was the movie Japan, and then you wrote the question about the song before bed.
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What the hell?
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And thank you so much for coming today.
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What the fucking hell is going on?
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This has been sitting here this whole time.
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It was sitting here this whole time.
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And I didn't see nobody write on it.
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You're a hard audience.
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You think I'm a hard audience?
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Look at me.
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Anything you do, I'm going to be drooling.
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This is really amazing.
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I'm like, I'm such a fucking whore for magic.
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I bet you know the one where you draw the little X and then it appears.
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How do you fucking do that?
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Can you do it on me?
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Please.
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Really quick, really, really quick.
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I have seen it already.
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You already know.
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I don't understand.
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Please, I love magic.
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Please.
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Last one, last one.
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This one's just for fun.
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Go ahead and sign.
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OK.
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This is a big hint to the new album.
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Just going to say that.
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Sorry, you heard it here first, people.
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Oh, this is great.
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OK.
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Seriously big.
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Huge.
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Huge.
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Really huge.
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We're going to put it in the middle, right?
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Yes, push it all the way, so it's like in the middle.
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Can you take the lighter?
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Ooh, this is a cool little case.
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Chrome.
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Hey, bitch.
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Light the corner of the card.
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This is a huge reveal of the new album.
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Let everybody know.
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Wow.
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With that, thank you so much.
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My name is Anna Deguesson.
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Billie Eilish.
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Can't wait for a movie.
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Yay, Anna.
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Can you give me a hug?
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Oh my god.
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What the hell is happening?
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Today's episode is brought to you by Tidevo.
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And guys, I'm telling you, this product is straight up magical.
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I know it's in here somewhere.
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Um, no. That's not it.
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No. There it is.
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Tidevo, so light.
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You won't even notice it's there.
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And that's real laundry magic.
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you
Perché esercitarsi a parlare con questo video?
Questo video presenta un'intervista avvincente tra Billie Eilish e un mago, che offre l'opportunità perfetta per migliorare le proprie capacità di espressione in inglese. È imperativo praticare il parlato in contesti autentici come questo, poiché consente di immergersi in situazioni di comunicazione reale. Conosciuta per il suo stile unico e il suo linguaggio colloquiale, Billie rappresenta un modello interessante per apprendere frasi e modalità espressive comuni tra i giovani adulti.
Grazie alla loro interazione vivace e spensierata, gli studenti possono facilmente identificare espressioni colloquiali e toni di conversazione che rendono la pratica più coinvolgente. Utilizzando tecniche di shadowing in inglese, come il shadow speak, è possibile imitare le loro intonazioni e ritmo, contribuendo a migliorare la pronuncia inglese. Questo metodo non solo rende il processo di apprendimento più divertente, ma aiuta anche a fissare le strutture grammaticali e frasi memorabili nella mente.
Grammatica ed Espressioni nel Contesto
Analizziamo alcune strutture chiave utilizzate nel video:
- "Wait, there was smoke in your mouth, right?" - Qui utilizziamo il passato e le domande retoriche per coinvolgere l’ascoltatore, perfetto per conversazioni informali.
- "I'm very excited and scared." - La combinazione di aggettivi offre un esempio chiaro di come esprimere emozioni in modo diretto e sincero.
- "You know how to shuffle all in?" - Questa espressione è un ottimo esempio di slang giovanile, utile per parlanti che vogliono suonare naturali e fluenti.
- "Go ahead and take one." - L'uso di frasi imperativali in contesti di invito rende l'interazione più naturale e amichevole.
Trappole Comuni nella Pronuncia
Nel video, ci sono alcune parole e frasi che potrebbero risultare difficili da pronunciare:
- "Wow!" - L'accento sulla "o" e la segnalazione di stupore possono essere sfide per chi impara l'inglese. Praticare con shadowspeaks può aiutare a catturare l’emozione.
- "I'm lost in your eyes." - Questa espressione richiede una corretta intonazione per esprimere il giusto sentimento e potrebbe portare a errori di pronuncia se non praticata sufficientemente.
- "Three of spades." - La pronuncia della "th" può essere complicata. Praticare in modalità shadow speak può aidare a migliorare la pronuncia inglese in generale.
Incorporando questi aspetti nella tua pratica quotidiana, diventerai più sicuro nel parlare inglese e nell'utilizzare espressioni colloquiali importanti.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.