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1
I know you think getting in trouble is cool, but let me show you what can happen if you continue down this path.
2
Hey, yo, I'm an at -risk kid, and I think it's cool to sell drugs.
3
Hold up.
4
Why does a kid selling drugs sound like he's black?
5
He's not.
6
Well, why not?
7
Are you saying that black people can't sell drugs?
8
No, I'm not saying that.
9
We have a black president.
10
Why can't black people sell drugs?
11
I'm so confused.
12
Black people can sell drugs.
13
Black people can sell drugs.
14
Black people can't sell drugs!
15
Black people can't sell drugs!
16
Black people can't sell drugs!
17
Black people can't sell drugs!
18
The guy I'm seeing isn't at some shady stuff, right?
19
There is the breakthrough.
20
Follow up, follow up!
21
So, how'd you guys meet?
22
That's a funny story.
23
The next time.
24
You're all done, and you look hot, girl.
25
No, no, she was opening up.
26
Rosa, figure out a way to stay in that chair.
27
Hey, Nikki?
28
I was just wondering, how do you think I would look... as a blonde?
29
Like a Danielle Steele novel.
30
Nobody sucks up like a boil.
31
Of course, you knew that already because you're so smart.
32
I just did it to you.
33
Ugh!
34
Fine, little man.
35
Bring it.
36
Okay.
37
Looks like you and I are in a good old -fashioned suck -off.
38
Don't call it a suck -off.
39
Why not?
40
Why should...
41
Oh, yeah, yeah, yeah, yeah, yeah.
42
Totally, yep.
43
Mm?
44
Coat!
45
Coat!
46
Jacket!
47
Coat!
48
Is this a police precinct or a Turkish bazaar?
49
Holt cares more about whether I do my job right than whether I have a job at all, so I'm taking suggestions.
50
I say piss off Holt so we get to watch your career end right in front of us.
51
Okay, thank you for that, Santiago.
52
I'm gonna put you down for don't arrest, and I'm also going to put your phone number on every urinal in Rikers.
53
Don't arrest him.
54
Just smack him hard with a phone book on a body part no one can see, you know what I'm saying?
55
So you're suggesting police brutality?
56
I guess so, yeah.
57
Welcome to the first day of the rest of your life, desk brother.
58
I don't think so.
59
This is just temporary.
60
That's what I said.
61
Join us, Jake.
62
You know you want to?
63
We're going to wing sluts.
64
Thank God.
65
Why is little one so mad?
66
He's going through something.
67
Now stand up, wet wipe your hands, and put them behind your back so we can cuff you.
68
Well, thank God.
69
I'm so tired of running.
70
It's only been an hour.
71
Oh, hey, babe.
72
Ah!
73
Oh!
74
Oh, it's me, Jake!
75
I'm just working.
76
What is wrong with you?
77
What are you doing?
78
Why do you have a knife?
79
Why am I covered in red Post -its?
80
That's blood.
81
You're the corpse.
82
Ah!
83
Jake, who is that?
84
Franco McCoy, CSI.
85
He's helping me with the case.
86
For the record, I think it's weird that I'm here, too.
87
Both of you?
88
Get out.
89
Yeah, sounds good.
90
Ooh, did something awkward happen?
91
I could probably relate.
92
Dish, bitch.
93
Rosa got dumped out of the blue because she cares so much about her job and doesn't spend enough time with Jocelyn.
94
Ow!
95
There's no weaving with you!
96
Oh, so he got dumped and he didn't see it coming.
97
Oh, brother, you are in Boyle country.
98
Here's what you're gonna wanna do.
99
Come on, Boyle.
100
Beg her to take you back.
101
And don't be afraid to cry.
102
I'm talking tears and snot.
103
Vision.
104
What?
105
The woman you love.
106
The one you work with.
107
The scary one with the black hair.
108
Rosa?
109
Yes?
110
She doesn't love you back.
111
She will never love you back.
112
Say thank you, Charles.
113
She just told you your future.
114
Thank you.
115
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
116
oh, oh, oh, oh, oh, oh, oh I'm sorry.
117
I'm sorry.
118
I'm sorry.
119
I'm sorry.
120
I'm sorry.
121
I'm sorry.
122
I'm sorry.
123
I'm sorry.
124
I'm sorry.
125
Good.
126
That's the one Captain sorry I'm just about to enter sprinkle city Hitchcock you ever play crazy cupcakes.
127
I love that game I just got up to sprinkle city.
128
Oh my gosh interesting.
129
What level are you on Captain Hall?
130
Sprinkle City.
131
We have so much in common.
132
Look at that.
133
I'm cured.
134
I'm the reigning champ.
135
The only thing you won last heist was a lifetime of mediocre heterosexual intercourse with Jake.
136
Hello, sir.
137
Sorry again for tying you spread eagle on the bed.
138
Apology not accepted.
139
Gina!
140
It's our first annual Boyle and Eddie Christmas.
141
Are you excited about going to town on Daddy's nog?
142
Christmas is canceled, Charles ruined it.
143
I don't know, Jake.
144
I'm afraid I'm gonna think about it every time I look at your crotch.
145
Then stop looking at my crotch.
146
There's a confused old woman here who wants to talk to a detective.
147
Oh, come on.
148
Another drill.
149
Hello.
150
My name is Adelaide.
151
I'd like to report a crime.
152
So, we're just doing one of these every day?
153
Oh, you got it.
154
I know you got it.
155
I want my money.
156
Tick, tick, tick, tick, tick, tick, tick, tick.
157
Come on, Amy, loosen up!
158
You look like such a cop!
159
Come on, have some fun, you know?
160
I'm gonna help you blend in!
161
Whoo!
162
Stop trying to get me to love Halloween.
163
It'll never work.
164
I'm backing it up!
165
Oh, God, please don't.
166
Will you just tell me where we're going?
167
Guys?
168
Guys?
169
Oh, my God, you're gonna beat me up.
170
Welcome to Babylon.
171
It's our secret bathroom.
172
It's so beautiful.
173
There used to be a transit police squad down here.
174
This was the captain's bathroom.
175
I found it a while back.
176
She told me about it a year ago, when I got stomach flu from that sewer rave.
177
Fun night, though.
178
I put a lot of effort into making this place nice.
179
Look.
180
Weird crystals.
181
Also lavender -scented candles, a zebra -skin rug, and the toilet paper is triple -ply.
182
Turns anyone's bottom into a VIP.
183
More importantly, it has great cell service.
184
We thought you could use this place to call Vivian when you need to.
185
But you have to promise not to tell anyone about this.
186
I pinky promise.
187
Mmm, not good enough.
188
Blood pack.
189
Ha!
190
Hi -ya!
191
Oh!
192
Door kick.
193
What's up, dude?
194
Is it lunchtime?
195
Is the drill over?
196
We're freeing you guys.
197
Jake, can you hear me?
198
Is it lunchtime?
199
No, it's not lunchtime.
200
It's 10 .30 in the morning.
201
No wonder I'm starving.
202
Detective Scully, you're up.
203
Oh, uh, okay.
204
Um, no. You know, we'll do this over the phone.
205
Oh, Raymond.
206
This isn't about pizza.
207
What's it actually about?
208
When I was a kid, I was shortstop on my Little League team.
209
Oh, my God.
210
It's the truth.
211
It's not a brag.
212
My dad was the coach, and after every game, he would take the team to Sal's.
213
Halfway through our last season, he left me and my mom, and the worst part about it was that I couldn't go with him to Sal's anymore.
214
Well, that's certainly not what I expected this to be about.
215
Oh, God.
216
I'm sorry.
217
I'm sorry that happened to you.
218
I mean, what kind of dad does Lee's son like that?
219
Look, you're a cop, and I'm a firefighter, but underneath all of it,
220
we're just two boys whose dads abandoned them.
221
And you and I, we're going to solve this thing together, OK?
222
OK.
223
OK.
224
But first, let's hug like men.
225
Oh, boy.
226
This is happening.
227
Oh, hey, Captain.
228
Did you get my report on the Finley murder?
229
Uh, yeah, I looked it over.
230
Nice work.
231
Good.
232
Thanks, Dad.
233
Why is everyone staring at me?
234
He just called Captain Hold Dad.
235
He said, thanks, Dad.
236
What?
237
No, I didn't.
238
I said, thanks, man.
239
Do you see me as a father figure, Peralta?
240
No. If anything, I see you as a bother figure, because you're always bothering me.
241
Hey, show your father some respect.
242
I didn't call him dad.
243
No, no, no, no. Jacob.
244
I take it as a compliment.
245
It's not a big deal.
246
I called Vivian mom once, and she's my fiancé.
247
Guys, jump on that.
248
Boyle has psychosexual issues.
249
Old news.
250
But you calling Holt daddy...
251
Hey, daddy is not on the table here.
252
But you did call him dad, dude.
253
You shut up.
254
You've done nothing but lie since you got here.
255
All right, all right.
256
I was lying about the holdup.
257
But the dad thing? That happened.
258
Aha!
259
He admitted that his alibi was a lie.
260
It was a trap.
261
All part of my crazy, devious plan.
262
I believe you.
263
Thank you.
264
Son, you want to talk about it later over a game of catch?
265
I'd like that.
266
So, looks like Operation Nasty is a full -on success, huh?
267
You mean Operation Nasty's sex slut.
268
Is it what I know it?
269
Didn't you see him flirting with me?
270
No, I most definitely did not.
271
And you're a blind man and a prude to boot.
272
Did you see his tie?
273
A single Windsor.
274
The easiest knot to undo.
275
Why bother wearing any clothes at all?
276
I think you badly misread that interaction.
277
Please.
278
He did everything but lick his lips and purr.
279
Get rid of them.
280
And bring me someone who can keep it in their slacks.
281
Did someone say to take off our slacks?
282
No. Not even close.
283
Oh.
284
Well, keep me busting.
285
My dogs are barking.
286
What dogs?
287
Sorry, but this is a firefighter bar now.
288
Although we might want to make some changes to the decor.
289
I'm thinking some old -timey pressure gauges.
290
Maybe an autographed photo of Dennis Leary from Rescue Me.
291
You wouldn't.
292
Wouldn't I?
293
Check it out.
294
You son of a bitch.
295
Doug Judy, I wish you were alive.
296
Doug Judy, God will give you a high five.
297
Doug Judy!
298
Oh, he gave himself a key change.
299
Yeah, yeah, yeah, Doug Judy!
300
Damn, sir, you took that charbonnet to the house.
301
How you feeling?
302
Let me take stock.
303
Doc, my equilibrium is askew, my vision is partially impaired, and I am clearly slurring my words.
304
To put a fine point on it, your boy's turned.
305
Today we're gonna work on our courtroom demeanor.
306
Pass.
307
The seminar is not optional, Diaz.
308
You're testifying in an aggravated assault case tomorrow.
309
The DA is worried about how you present yourself on the stand.
310
Why?
311
I'm fine on the stand.
312
Look, I'll make this real simple so even these dum -dums can understand.
313
Man did crime.
314
I'm sorry, can you make her stop doing that weird thing with her face?
315
Crime?
316
And when this is over, I'm gonna find you, and I'm gonna break those little fingers.
317
Ms. Diaz, please stop threatening the stenographer.
318
You and Scully are giving campaign speeches in the briefing room tomorrow.
319
What?
320
Sir, permission to arrest Diaz for being a jerk.
321
Permission to shoot Santiago for being a coward.
322
Stop it, both of you.
323
Now you've done it.
324
You've made me turn my chair.
325
Well, when you finally change lanes an hour from now, we should go talk to Jake Super, see if there was a power outage.
326
What?!
327
Oh!
328
Why would you do that?!
329
Hello, Muriel.
330
Another day in paradise.
331
She actually means that.
332
Please don't be offended.
333
Great.
334
What do you want?
335
To apply for a block party permit, here is Form 1290.
336
Oh, wait, you're trying to get a permit for this Friday?
337
You would need...
338
A 1290B expedited request and a 1021J adjustment waiver and a sweet, sweet P28P supplemental.
339
Right.
340
There's just one problem.
341
What?
342
No. I did absolutely everything.
343
The 1021J has to be submitted with an approved 1290.
344
But I'm submitting the 1021J to get the 1290 approved.
345
That doesn't make any sense.
346
Well, I guess it doesn't.
347
Okay.
348
Okay.
349
Okay.
350
This is just a puzzle, and I can figure it out.
351
To get an approved 1290, I need an approved 1021J, which I can't get without an approved 1290, which I can't get without an approved 1021J,
352
which I can't get without an approved 1290, which I can't get without an approved 1021J, which I can't get without an approved 1290, which I can't get without an approved 1021J.
353
Hello, bud.
354
Boom, boom.
355
Boom, boom.
356
Bill, what are you doing back here?
357
This floor is closed on the weekend.
358
I know what's going on.
359
You're fishing for one of my patented neck massages, aren't you?
360
There's the bill I know.
361
Present and accounted for.
362
Now, turn around and give me that neck.
363
You're not gonna do it from the front?
364
Well, of course.
365
I mean, that's how I do it.
366
Oh, that's the good stuff.
367
Boom, boom.
368
Boom, boom.
369
Hey, where's my eye contact?
370
I got the files.
371
I told you it would work.
372
Wait, what's her?
373
You formed a line, Jake.
374
They formed a line.
375
Stop everything!
376
We're here!
377
Where have you guys been?
378
You sent us out to find a band.
379
Right.
380
I definitely remember doing that.
381
It took a while, but I think we really nailed it.
382
Check this guy out.
383
We found him on the subway.
384
Hey, I know you.
385
You're Malipnos.
386
No. We have never met.
387
No, I'm pretty sure we have.
388
You sell me horse blood?
389
No. Would you like to buy horse blood?
390
No. You know what?
391
Maybe we don't need music for this.
392
That's totally fine.
393
We can just skip that part of it.
394
Guitar.
395
Holy crap, Malipnos plays like an angel.
396
Amy, we're go.
397
Hey, Malipnos.
398
I don't know you.
399
Okay.
400
Can I help you?
401
I'm just trying to work up the nerve to see her.
402
See who?
403
My female wife, Crystal.
404
I was cheating on her with a waitress from Wingsluts named Jamie Lynn.
405
One night when I was philandering, Crystal caught me kissing Jamie Lynn's heavy breasts.
406
She flew into a rage, and now she's serving five years for aggravated assault.
407
Hey, I'm sorry to hear that.
408
Yeah, thanks, man.
409
Hey, bring it in.
410
Hey, babe.
411
You forgot your lunch at home.
412
Aw, thanks, Adrian.
413
You're the sweetest. Of course.
414
I French kissed every slice of meat in that sandwich.
415
Pimento, welcome back.
416
How was Argentina?
417
It was kind of boring, actually.
418
Although, one funny thing did happen to me.
419
It still feels like you and I have a different idea about what a funny thing is.
420
Right?
421
Anyway, I should boogie.
422
Wait, say goodbye to mommy.
423
Don't mind if I do.
424
All right.
425
I'm going to just look over here.
426
I'm doing that thing.
427
I think it's still happening.
428
Hang on.
429
Were you creeps watching that the whole time?
430
I'm just kidding.
431
I know you were.
432
It's like an eclipse.
433
You should always look at it with both eyes wide open, full on.
434
You're welcome.
435
I love you, babe.
436
Love you, too.
437
Yeah!
438
Damn it, he's still here.
439
Excuse me?
440
Uh, I was just talking to another one of the voices.
441
Is it Tatiana? Who now?
442
The mischievous seven -year -old British girl you told me about on the phone.
443
May I speak with her?
444
Uh.
445
Yes?
446
Hello, Doctor.
447
I'm from Wasex.
448
Is that an actual place in England?
449
How should I know?
450
I'm just a little girl.
451
I am, I am.
452
Well, it's nice to speak with you, Tatiana.
453
Can I say hello to Brian, the bookkeeper from central London?
454
Cheers, I'm Brian.
455
I like bookkeeping right in the middle of London.
456
Did I tell you a full list of my old many personalities when I called you on the old telly, innit?
457
Yes, you did.
458
And are any of them, hopefully, not from England?
459
There's Jeffrey.
460
You said he's Australian.
461
Oh, crikey!
462
Okay, I think we're ready for a practice sandwich.
463
Sounds good, boss.
464
Please call me chef.
465
That's funny.
466
Chef.
467
Thank you.
468
Okay, see?
469
That cut is a little slopey.
470
I want you to cut it straight across.
471
No big deal.
472
Again.
473
Slopey!
474
Don't overthink it.
475
Again.
476
Now you're not thinking enough.
477
Again.
478
Still slopey.
479
Again.
480
Again!
481
You know what?
482
Why don't we try this?
483
Why don't you just take that knife, put it to my throat, and finish the job!
484
Do I look like Jake to you?
485
What?
486
Do I look like Jake to you?
487
No, not at all.
488
Then why are you trying to screw me?
489
Oh my God, Charles, what is going on with you?
490
It's chef.
491
You're not ready for this.
492
Gina, you're up.
493
Okay, but I'm not calling you chef, and you're not yelling at me.
494
Mm -hmm.
495
There you go.
496
Ah, thank you.
497
No slope, a nice straight cut.
498
Thank you.
499
I felt good because the nice...
500
But you smushed the bread.
501
It's too smushy.
502
Again.
503
Okay, now that the plaster's drying, you'll see why we lubricated the subject's face with Vaseline first.
504
Oh, no, we forgot the lube.
505
Charles, can you hear us?
506
What do we do?
507
Doctor, what if someone, no one in this room, mind you, forgot to lubricate before applying the plaster?
508
Oh, one of my lab techs made that mistake once.
509
It becomes impossible to remove the mask without literally skinning the subject alive.
510
It takes five days for the plaster to slough off on its own.
511
Boyle, a mistake was made, and we can't remove your mask yet.
512
We're gonna leave you in here until after the class is over, because if Dr. Ye sees you like this, we can kiss our certification goodbye.
513
I'm sorry, Boyle, but Hitchcock and Scully will be here with you.
514
No worries.
515
Wait a minute!
516
I don't know, Captain.
517
He seems pretty upset.
518
Hold on.
519
Mmm!
520
Look how happy he is now.
521
Mmm!
522
Yes, you're welcome, Boyle.
523
Every aspect of owning a food truck is fun.
524
It's fun, fun, fun.
525
What the hell do you want, Troy?
526
Just throw in my spots, you son of a bitch!
527
Oh, go on, get out of here, you dead jealous!
528
I got that fair and square!
529
Give me a break!
530
I should call the cops!
531
Oh, are you gonna call the cops?
532
I am the cops!
533
Why don't you go back to your garbage truck and cook some pudding?
534
You're gonna regret this.
535
Kill yourself, Troy!
536
Jake, I have a confession to make.
537
The food truck is kind of stressing me out.
538
Boyle?
539
Nicolaj is a picky eater!
540
I lied about his palate.
541
All he drinks is milk.
542
All he eats is buttered noodles.
543
And perhaps my walnut pie?
544
I wish.
545
He hates nuts.
546
My son is a basic bitch.
547
Shall we carve the turkey, get this dinner started?
548
I'm an excellent carver.
549
Allow me.
550
Think I can carve the turkey after all there's my house?
551
It's sitting right here in front of me.
552
We have two turkeys.
553
You can both carve one.
554
Yes, thank goodness for the second turkey, a very normal thing to have brought.
555
This is actually very good, because now everybody could see who cuts the turkey better.
556
You're a...
557
Wow, really mature.
558
You're just saying that because you know my dad's gonna win. As if.
559
Hey, Roger, you like jokes.
560
Here's one.
561
I'd hate to be a passenger on one of your flights if you fly as slow as you cut a turkey.
562
Riddle me this, Victor.
563
Who sucks at carving turkey?
564
Thinks their rum is good when it's bad.
565
You.
566
Up top, Jake.
567
Joyous.
568
Uh, Camilla, did you put your stuffing in my ceramic?
569
I thought it was a bull.
570
It's art.
571
It's unguenco.
572
What does that mean?
573
What did she say?
574
She said it was a bull.
575
Bet she didn't know I understood Spanish.
576
Very impressive.
577
You learned that from one of your mistresses?
578
Yeah.
579
As a matter of fact, I did.
580
Sounds like someone's jealous.
581
I bet you never even had sex.
582
Ho, ho, ho.
583
I've had sex.
584
And I'm actually pretty good.
585
Camila?
586
The best.
587
Oh, what is happening right now?
588
Roger's really good at sex, too.
589
Ha, ha!
590
I'm so grossed out.
591
You know what?
592
I'm sick of you looking down your nose at us.
593
I know that Peraltas aren't perfect, but we don't look down on other people.
594
I mean, you come into our home and you act like we're idiots.
595
Well, we're not idiots.
596
In fact, I just cut my thumb off.
597
What?
598
I just cut my thumb off.
599
What?
600
What?
601
What?
602
What?
603
I think it's bad.
604
Do not do it.
605
What?
606
Don't you love your girls? So much.
607
I mean, you should have seen Cagney this morning with the little braces.
608
But they are a ton of work, man.
609
If you are not totally 100 % sure you want them, you will survive.
610
Is it really that hard?
611
Yes.
612
I never get any sleep.
613
I'm always sick.
614
I never get to watch anything I want on TV.
615
I still haven't finished Breaking Bad, but I can recite Moana from memory.
616
Maui.
617
Shapeshifter, demigod of the wind and sea, I am Moana.
618
Why do I know that?
619
I don't want to watch kids' movies.
620
I want to watch movies for adults, adults and teens.
621
And they are getting so manipulative.
622
Yesterday, Cagney pretended to be hurt.
623
I went in to help her, and Lacey snuck in the kitchen and stole two cookies.
624
Oh, my god.
625
Your children are monsters.
626
Hey, those are my kids, man.
627
Back off.
628
Right.
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Che cosa imparerai in questa lezione
Questa lezione si basa su un dialogo divertente e dinamico tratto da un video, ideale per esercitarti nella pratica di conversazione in inglese e migliorare la tua pronuncia. Attraverso i momenti comici e le interazioni tra i personaggi, lavorerai sulla velocità del discorso, l'intonazione e l'uso di espressioni colloquiali. È un'opportunità perfetta per imparare l'inglese con i video in modo divertente e pratico.
Parole e frasi chiave
- "At -risk kid": Ragazzo in situazione di rischio (usato nel contesto di comportamenti problematici).
- "Shady stuff": Cose sospette o non oneste (es. "The guy I'm seeing isn't into some shady stuff?").
- "Suck up": Lusingare o adulare per ottenere vantaggi (es. "Nobody sucks up like a boil").
- "Good old -fashioned": Classico, nel modo tradizionale (es. "a good old -fashioned suck -off").
- "Piss off": Arrabbiare o infastidire (es. "I say piss off Holt").
Consigli per la pratica
Il video ha un tono colloquiale e una velocità media, perfetto per esercitare lo shadow speech. Ecco come procedere: Ripeti le frasi immediatamente dopo i personaggi, cercando di imitare l'intonazione e la pausa. Concentrati su espressioni come "Hold up" o "Ugh!" per capire come il tono trasmette emozioni. Per migliorare la pronuncia inglese, metti in evidenza le parole contratte (es. "I'm" invece di "I am") e le connessioni tra le parole (es. "Why not?" pronunciato come "Whynot?"). Ripeti le scene più veloci più volte finché non riesci a mantener il ritmo. Lo shadowing in inglese con questo video ti aiuterà a sentirti più a tuo agio nella conversazione quotidiana.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | is canceled · is partially impaired · be offended |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | It's only been · You've done · You've made |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.