Pratica di Shadowing: Does Benedict Cumberbatch Know His Lines? - Impara a parlare inglese con i video
Creazione lezione...
1
Let the game commence.
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That's not one of my lines.
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Am I taking too long with this?
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Oh, I get to read it.
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Okay.
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Wow.
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The power of reading.
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I'm not a psychopath.
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I'm a high -functioning sociopath.
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Do your research, Sherlock Holmes.
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Circa God knows when now.
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It feels like ancient history, but that's a great line.
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I remember saying that to Sherlock.
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I'm not a psychopath, Anderson.
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I'm a high -functioning sociopath.
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Do your research.
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There's something about it held in its memory as it is, and it's so tantalizing.
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You know, You leave them or yourselves wanting more, there's always that itch to scratch.
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But I think it would have to be the superlative version of what we've already achieved.
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And I would like a script to read, which was not the normal way of doing it, naturally enough.
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You know, Stephen and Mark are trusted entities, and I was just only too glad to be fed by their script.
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But I think this has to be a little bit more like, if we're all going to do this together, let's have a read.
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It'll be recycled.
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Okay.
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Do you remind me I've come to bargain?
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Like, yeah, that's Doctor Strange, the first film.
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Romamo, I've come to bargain.
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I can't remember how many times I said that in different setups, how many times I died.
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A lot was taken over by Digi Doubles, but I was in all sorts of rigs.
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It was the same space rig as Sandra Bullock in her acting as well, putting up with that.
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It was unbelievably good fun for the first sort of couple of rides, and then it was just, it was really hard.
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Very odd strains on the body in a weird way.
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And I like that kind of work.
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I like the physical aspect of my work.
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But I think there was a bit of
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that involved on the same set and just coming up and saying it again and again and again as he dies.
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Where's Dormammu out in this trap of repeated time?
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Next.
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Thank you.
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I specifically brought enough food to last until January.
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How much emotional eating have I been doing?
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That's really funny. Is this a cartoon?
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It's not The Grinch.
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It's the Grinch.
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How much emotional eating have I been doing?
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It's one of the chiefest things I get a thrill out of because I don't, you know, to do a voice character for kids who go, you're not the Grinch, and then go, I know just what to do.
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It's fun.
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It's just fun.
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They're going to go, ooh, it's creepy.
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It's all the same.
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Was it because, you know, I can't obviously be the Grinch as opposed to being strange or any of the other more iconic ones they might know?
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But God, I had fun.
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I mean, it's a long process, but it's really good.
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And Chris and all that team are brilliant.
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They're just brilliant.
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They write really witty scripts.
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Scott, who directed me a lot of the time, was light on his feet.
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The sessions were fun and the animation was just gorgeous.
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And, you know, it's another cut of that brilliant story that we all love and know from the Dr. Seuss canon.
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And I like it.
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Bring on another one.
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I love that.
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I am fire.
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I am death.
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I mean, I've had some quite good lines.
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I am fire.
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I am death.
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These are hard ones to forget, really.
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Smaug.
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I am...
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Death.
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that was just great and we did a lot of variations on
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that i don't remember doing
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that in the now very available youtube video of me crawling
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around like a madman in a in a mocap suit i laid low the warriors of old
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and in stew of terror
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but i do remember on the sound stage doing it a lot with peter
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when we were kind of augmenting the voice and trying different vocodas
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and strains and effects with microphones and different temperatures and placings and tonalities
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and i just remember the sort of the quieter it was
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the more terrifying it was as this you know shape of
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destruction swooped down silently through the night very cool line to have to say
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this is not i i don't like this tossing it's pretty it's great a man was made patience
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and the odds again that's not right a man it was made patient by the odds against him
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i think that's a quote of is it phil burbank in power the dog and i say about Oh, I forgot the character's name, which is essential to that part.
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Oh, God, what he's called.
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Bronco Henry.
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A man was made by patience and the odds against him.
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I mean, I didn't remember it being that way, unless I got it wrong on the day, and that's what it is in the film, which is mortifying.
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And we all know I had trouble with the word penguin.
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His penguins.
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Yeah, I think I screwed up a line, either of Thomas Savage's.
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I mean, I did put some of Savage back in, much to Jane's chagrin at the time, but then some of it made it, some of it ended up on the floor.
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I can't remember when that was in her original screenplay.
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Well, what kind of prep didn't I do?
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I mean, everything that he does in the book I tried to do, whether it was ironmongery, taxidermy, which that was a very odd afternoon.
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Well, obviously horsemanship and wrangling and cowarding and also braiding, that was featured a lot, which is fine when you're not then doing dialogue and not looking and going, oh, shit, don't film this bit.
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I've done about five, oh, no, they're not.
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And you just keep going.
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Yeah, I mean, it was a really deep dive into kind of city slicker, guy culture, cowboy camp.
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It was amazing.
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I spent some time in Montana with an incredible bunch of folk there and we were all over the county as well.
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We went to different places so we saw some really beautiful flat planes
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that kinds of grazed by thousands of buffalo back in the day
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and then to mountainous stuff
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that was slightly nearer where thomas savage set the novel near his family home yeah recite i'll recycle it towards you
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is there anything you would not do for your family yes so
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that was khan in star trek into darkness is there anything
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you would not do for your family is it sad
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that i remember these lines
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or these just these are very potent these lines apart from the one
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that i think i mangled from power the dog oh
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that was fun i mean
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that was just a big moment for me we just had
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a blast i mean J .J.'s sets are just a fun ground of entertainment and distraction and creativity and energy, you know.
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And he was so grateful.
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He was so encouraging.
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And I was a very little fish in a big pond.
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It was a big, scary movie to be on with.
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The first kind of announcing me, OK, what it is, Benedict Cumberbatch, woo!
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Tommy Gormley, that's a crap Scottish accent, sorry, Tommy.
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You get whooped on set like it's the beginning of your turn in a sitcom on US television.
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I was like, oh, I'm sort of in character.
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This is a bit distracting, you know we worked at some amazing places some amazing sets
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and then we went to this really amazing amazing location the national ignition facility
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which is where they're hoping to create nuclear fusion rather than fission
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and the only byproduct of that is water they convinced me before i got there
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that there was this neutron cream you had to dot on your face to protect against all the neutrons
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that were flying around in the air and i'm like i'm not sure really
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and you know who am i to question science i played a few scientists
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but i don't you know i'm not stephen hawking so So, therefore, maybe it's some crazy American sort of, you know, insurance thing.
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This is all by way of, you know, excusing how stupid I am.
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I then went on set, I had this cream on, and then there was a sign up, and I had to read this notice to the whole crew about, you know, guys, you really have to do this neutron cream.
134
And as I was reading it, I went, yeah, and if you've been wearing neutron cream, then you're an idiot, there's no such thing.
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And I was like, what?
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The whole crew had me.
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It was brilliant.
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It was brilliant.
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Fling.
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Thank you.
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A machine is different from a person, hence they think differently.
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That's very true.
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Alan Turing, my God, we need him now.
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That was Alan Turing in The Imitation Game.
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A machine is different from a person, hence they think differently.
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It's just like a deep, deep, deep kind of connection of thinking, oh, I understand what you were or went through.
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And the pain of that at certain points in his story.
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You know, no acting was required it just sort of thinking of him
149
was enough maybe that's not good acting i don't know i've
150
talked about this a bit maybe that's just witnessing something
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and feeling it historically as that abomination that it was his chemical castration
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because of his sexuality and
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if you just leave it alone i don't think how does
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this story get most effectively told at this point something just
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happens i think that's true of a lot of art a
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lot of sport a lot of anything where we're just doing it
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and it's coming through us you're not really you know i got patted on the back for it a lot
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but it's not really you it's something else just coming through you it's the power of the story or the character.
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And just letting yourself be open for that, I suppose, is the trick of the acting of it.
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Thank you.
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All is done here.
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Wow, that's quite prosaic, isn't it?
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All is done here.
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Okay, you got me.
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I have no idea.
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All is done.
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We're done here.
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All is done here.
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I mean, I don't know.
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Am I stretching back into the mists of time?
171
Is this a little bit further away?
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Oh, oh, oh, all, all is done here.
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Zoolander 2.
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Sorry.
175
That was post -limitation game, yeah.
176
All is done here.
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I've had to apologise for that quite a lot.
178
So it's a difficult one to talk about.
179
I love that group of people
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and it was the chance to sort of be part of something
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that the first time round was iconic and I was a huge fan of.
182
But it got complicated, it got misunderstood and I upset people and I respect that.
183
So I probably wouldn't do that again now.
184
What does this do?
185
Shoot poison darts?
186
Oh, oh, oh, oh.
187
Oh, no, I knew this one.
188
What was it?
189
What does this do?
190
Shoot poison darts?
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um it's not sherlock is it no it's the kind of
192
thing james bond would say in q's office isn't it whilst looking at a straw
193
or something i don't know
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but uh oh oh i know i know i know the
195
invitation oh no the courier the courier yeah what does this do shoot poison dart i was with rachel
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and angus angus wright in a fruit store just having been
197
propositioned to become this kind of mule for this guy penkovsky the highest ranking soviet official to trade secrets
198
or give away secrets during the cold war because he thought
199
that russia was going in the wrong direction
200
and it's just he's trying to make funny out of a
201
very sort of serious situation it's a sort of joke
202
that falls flat a complex character in real life i mean
203
a really fun unexpected hero to play thank you i got
204
a truth to tell my god that's i don't know i've got a truth to tell
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that's a pretty forthright line am i taking too long with this sounds like
206
and then i burst into song is this the film i'm
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about to do it sounds american okay i'm gonna need more
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of a clue what uh oh really really i don't remember saying
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that in um augusto sage county really i got the truth to tell i got a truth to tell
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But all the truth in that is about my relation to my love.
211
You know, I think it's just a cousin.
212
Okay, when do I say that?
213
I'll have to watch this to find out when I...
214
Okay.
215
Okay, we're in the endgame now.
216
Well, yeah, yeah, that's a big old Avengers line.
217
We're in the endgame now.
218
That's me at the end of Infinity War, I think.
219
Oh, this is so boring watching people not know what everyone watching knows.
220
Sorry, people watching who know.
221
Yeah, I can't remember exactly when I said that, but I think it was the end of the first film.
222
And it was a sort of Easter egg for what the title of the follow -up film, Endgame, was going to be.
223
We are very small, but we are profoundly capable of very big things.
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Stephen Hawking.
225
We are very, very small, but we are profoundly capable of very, very big things.
226
That was a very big moment for me to get cast in that role.
227
And I think like a lot of people I've played
228
that I've had the fortune of knowing him for a short period of time, but very intense and wonderful period you know to be brought close to people's lives like
229
that and to have a friendship out of someone as extraordinary like
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that to have a communication with them to be able to
231
convene with them is just that's the cheapest thrill of
232
that kind of stuff that lasts well after the job you know
233
and to be there at westminster abbey for his memorial was
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just uh incredible very very special man my last memory of him was getting drunk on margaritas
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and telling him at a time when no one else could tell him
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and he had about three so i think he was a little in his cups
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so i know where you live and you can't run away from me, which was probably a very bad taste joke, which he grinned at.
238
I'm gonna tell you a secret.
239
I'm playing Khan in Star Trek.
240
About half an hour later, I got this, you know, IBM voice going, very good.
241
He was really excited about it.
242
What a person to be associated with.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione si basa sul video “Does Benedict Cumberbatch Know His Lines?”. Questo video contiene 242 frasi e 2488 parole da ripetere con lo shadowing. Il parlato dura 11:37. Chi parla va veloce, circa 214 parole al minuto: aspettati suoni legati e ridotti. Solo il 81% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.
Vocaboli chiave di questo video
15 parole del video che vale la pena imparare, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| odd aggettivo | /ɑd/ | strano, strambo |
| script sostantivo | /skɹɪpt/ | scritto |
| poison sostantivo | /ˈpɔɪ.zən/ | veleno |
| dart sostantivo | /dɑɹt/ | dardo |
| hence avverbio | /ˈhɛns/ | da qui |
| khan sostantivo | /kɑːn/ | khan |
| differently avverbio | /ˈdɪf.ə.ɹənt.li/ | differentemente, diversamente |
| patience sostantivo | /ˈpeɪ̯.ʃəns/ | pazienza |
| strain sostantivo | /stɹeɪn/ | ceppo |
| iconic aggettivo | /aɪˈkɑnɪk/ | iconico |
| bargain sostantivo | /ˈbɑːɹɡən/ | trattativa, accordo |
| hawk sostantivo | /ˈhɔːk/ | falco, sparviero |
| penguin sostantivo | /ˈpɛŋ.ɡwɪn/ | pinguino |
| thrill verbo | /θɹɪl/ | elettrizzare |
| courier sostantivo | /ˈkʊɹ.i.ɚ/ | corriere |
I phrasal verb che sentirai
| Parola | Significato |
|---|---|
| come up verbo | venire fuori, emergere |
| find out verbo | scoprire |
| give away verbo | regalare, dare via |
| go through verbo | attraversare |
| put up with verbo | sopportare, tollerare |
| take over verbo | usurpare |
Frasi da ripetere
Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:
- That's not one of my lines.
- Am I taking too long with this?
- Do you remind me I've come to bargain?
- How much emotional eating have I been doing?
- Am I stretching back into the mists of time?
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | are trusted · be recycled · was taken |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | we've already achieved · I've come · I've had |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | read, which was · kids who go · name, which is |
Pronuncia a cui fare attenzione
Chi parla usa 62 contrazioni e forme ridotte, come I'm, don't, I've. Pronunciale nella forma breve, così come le senti.
- I suoni “th”: thrill /θɹɪl/, psychopath /ˈsaɪkəʊpæθ/, sociopath /ˈsəʊ.si.ə(ʊ)ˌpæθ/, forthright /ˈfɔɹθˌɹaɪt/
- I suoni “sh” e “zh”: patience /ˈpeɪ̯.ʃəns/, friendship /ˈfɹɛn(d)ʃɪp/, destruction /dɪsˈtɹʌkʃən/, relation /ɹɪˈleɪʃ(ə)n/, animation /ˌæn.ɪˈmeɪ.ʃən/
- Parole lunghe — attenzione all’accento: differently /ˈdɪf.ə.ɹənt.li/, naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, complicated /ˈkɑm.plɪˌkeɪ.tɪd/, memorial /məˈmɔːɹi.əl/, extraordinary /ɪksˈtɹɔːrdɪn(ə)ɹi/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: hence /ˈhɛns/, hawk /ˈhɔːk/, historically /hɪˈstɔɹɪkli/
- Consonante finale — senza aggiungere una vocale dopo: odd /ɑd/, script /skɹɪpt/, dart /dɑɹt/, hence /ˈhɛns/, patience /ˈpeɪ̯.ʃəns/
- /æ/ — più aperta della “e”: naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, rank /ˈɹæŋk/, aspect /ˈæspɛkt/, trap /tɹæp/, blast /blæst/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come odd, script, poison.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.