Pratica di Shadowing: Does Miley Cyrus Know 'Hannah Montana' Lyrics? - Impara a parlare inglese con i video
Creazione lezione...
1
This is a trick question.
2
I have no idea at all what this is.
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Dude, you said these were easy.
4
What the hell, bro?
5
I was spending the weed era.
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What is, what is this?
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First lyric.
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This is the life.
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Hold on tight.
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And this is the dream.
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It's all I need.
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This is the life.
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Hannah Montana.
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This is the life.
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Light work.
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We're just warming up.
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this is the life is my favorite hannah montana song
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so it resurfacing makes me very happy
19
because it was the first song i ever cut as hannah montana
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so now 20 years later that it's still living its best life that makes me happy bye
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thank you hold on wait hold on oh yeah
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when you're famous it can be kind of fun Best of Both Worlds by Hannah Montana.
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There's parts of being famous that, to me, I kind of love it.
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Being famous, for me, is very fun because it comes with things that I love,
25
like getting to experiment with my looks and my sounds and music and getting to creatively express for a living,
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which I love, but also it's not without its challenges that you do give up a certain sense of your own privacy.
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And so it's something that I've really reclaimed over the, you know, kind of adulthood phase
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that I'm in of kind of closing the doors to my personal life and protecting my kind of sacred personal time.
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Early on, the songs are being curated a lot by Disney, but I, as I am now,
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would never do anything that didn't feel authentic or honest and honorable.
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And because it wasn't me, it was the character I always had to check in.
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Maybe it doesn't fit for Miley, but does it work for Hannah?
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And so Best of Both Worlds, obviously being thematically perfect for the show, is what makes the song so great.
34
Thank you.
35
Dude, you said these were easy.
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The stars are aligned when I'm with him and I'm so into him?
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What the hell?
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Okay, let me think of the Hannah is it um if we were a movie?
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I'm making a decision between Jesse and Jake.
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I don't fucking remember the song.
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Stars are aligned when I'm with him and I'm so into him.
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I have no idea.
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He could be the one.
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Guys the stars are aligned when I'm with him and I'm so into him.
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Poetry at its finest.
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He could be the one.
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Team Jesse is probably more my real choice.
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I would kind go for that more bad boy rock star energy
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but i think because jake just made sense for hannah
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so i think i was more team jake at
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that time hannah is more jake miley's more jesse i like the kind of poly life
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that we're putting together for miley
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and hannah that's nice very very modern i love it okay
54
you're getting like deep cut we need to go back to the singles hannah means everything to me?
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Is this just me?
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Hannah means everything to me.
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That can't be a song.
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It's a line.
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Oh, is this the last episode?
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I could imagine Miley Stewart being like, Hannah means everything to me, but I don't know a line.
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Who would have said this?
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Hannah means everything to me.
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Not something I said.
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In real life?
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Is this a Miley Stewart thing?
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So this is an episode. Is it the movie?
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Okay, so is this before the climb
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or after the climb where I'm about to tell the town my secret
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and all of us have decided that we believe
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that an entire town is going to keep the secret this
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is it after before i always find your way back home
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what the hell bro i was that's been in the weed
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era what is what is this i feel like hannah means everything to me is like
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something
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that was said a lot of times this is a little
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it was before i wanted to go to new york
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but i had to go to nashville
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because dad robbie ray had to teach me a lesson hannah
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means everything to me this was something i really wanted to
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do it was actually originally kind of an idea my mom
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threw out there she's always the kind of man behind the
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curtain we were saying what's the next step not just for miley
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but how does the show evolve
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because the show naturally did become something bigger than just a kid's tv show it became something
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that culturally like all ages all around the world
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but it felt like it had reached its ceiling of what we could actually do on a sitcom
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because a sitcom you only have you know 20 something minutes to kind of tell
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that story and also you want most of the beats to be funny
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and physical comedy and loud
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and you you don't have a lot of time to have still stories like deep moments with my dad
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or with the best friend and for things to go quiet
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so I think for us it was important
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that this show would evolve to the film
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so we could actually have some of these more grounded moments that you just don't get to to do in a sitcom.
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thank you oh tai chi practicing snowboard champion i could fix
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the flat on your car rock star i know this
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because this is alex cooper who hosted the hannah 20th special this is her favorite hannah montana song
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and i asked her does she actually know the lyrics to it
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and she never knew that it says tai chi practicing snowboard champion it's like
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but that's the chorus she's like i never even really thought about it saying
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that she does have it tattooed on her arms i don't know she forgot
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but originally i was not cast for hannah montana they actually filmed the pilot without me with other characters
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and other casts because they were waiting kind of for me to grow up
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and when i started auditioning i was 11 years old
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and by the time i actually was on set filming the first season i was 13
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so it was about a two -year process i remember at
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first in the audition i was being put on tape
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so i was interacting with like my aunt
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or my sister whoever was willing to read the other part
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with me i was just in our kitchen in nashville you
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know i never expected to actually get into the room with the disney executives
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that will end up making that final decision
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and then as the auditioning process continued eventually i ended up flying out to la
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and being in one of the most terrifying rooms you could be in
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but it wasn't scary to me because i was so young
116
that i couldn't even really comprehend fully what i was doing i didn't know what an executive even meant.
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I just kind of thought, well, they're going to end up deciding if I get this or not, which I would have been happy with either outcome because I was a little bit stressed out about, you know, leaving home, leaving my friends,
118
my family, my school, my cheer team.
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It was a scary process to know that I was giving so much up, you know, big risk, hoping it would be a big reward,
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but I was going to be okay whether I got the role or not because I was like, well, I just go back and be with my friends and be a cheerleader and that would be cool too.
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oh felt like I couldn't breathe this is actually perfect you
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asked what's wrong with me my best friend Leslie said oh she's just being Miley
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which my best friend Leslie is this is um duh
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see you again my best friend Leslie was my is my real best friend in Nashville
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and she was on my cheer team and
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so one of the main reasons i didn't want to get cast as hannah montana was
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because i didn't want to leave my best friend i feel like she definitely uses this like
128
if they're like okay sorry ma 'am all reservations are taken
129
we have no more spots at this restaurant she might be like
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but i am the best friend leslie she probably uses it
131
to her advantage more than she admits she deserves it though
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because i'm not an easy best friend to have especially
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when i was younger because i was wild
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and being my friend was 24 7 on i was exactly the way
135
that i am now i wanted kind of boredom was the
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enemy it was like how do we just stay doing no matter what
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that was i'm still like that i was always like
138
that i don't love being bored and i'm not bored very often
139
because i keep myself busy but
140
that means my best friend has to keep up oh wait
141
strike a pose for the front cover of a magazine everywhere
142
i arrive i get high five hold on this is a trick question
143
Strike a pose for the front cover of a magazine.
144
Everywhere I arrive, I get high fives.
145
I have no idea at all what this is.
146
It's a Hannah song.
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I had a feeling.
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Strike a pose for the front cover of a magazine.
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Everywhere I arrive, I get high fives.
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I literally now, okay, you have to give me like another hint.
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Is it season four?
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It's gotta be season four because I was so tuned out.
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Does Hannah have short hair?
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Because that's my least favorite error and I blocked it out.
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Okay, can you tell me?
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It's Ordinary Girl.
157
I never was going to get that.
158
But Dochi just posted Ordinary Girl on her Instagram, which I was very excited about.
159
But I would have not gotten this. Is this a transition?
160
Like an interstitial?
161
Ooh, yeah, yeah, yeah.
162
Is that like what that is?
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This has to be.
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How did I know this but not he could be the one?
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Oh, yeah, this is definitely.
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Is it just?
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All of them are the same.
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Oh, yeah, yeah.
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This is like, yes.
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Okay, this is a transition.
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Those are wacky, those ones.
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I hopped off the plane at LAX with a dream in my cardigan.
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This one, I like.
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Party in the USA, Miley Cyrus song.
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dream my cardigan it was always pretty organic for me to decipher what a hannah song is
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and what a miley song is
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and still my ear is like very attuned to what would be organic for hannah because even though Hannah is a fantasy, she still has her own.
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sound, I think her own thoughts, because again, it's Miley Stewart.
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And what I love about the Hannah music is a lot of the time, the songs are inspired by something that Miley Stewart, the character actually went through.
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So they really are real stories.
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So even though the idea of Hannah is that it's a facade, it's this, you know, kind of double life, she's usually singing songs that aren't very far away,
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you know, a Miley song.
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I think the real difference between the miley music
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and the hannah music is she's kind of less organic
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and kind of more of a manufactured sound
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which i think is really fun to get to play with both
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because i love hyper pop and i love when things feel produced
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and glossy and shiny and big and mainstream
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and then for me sometimes as an artist i get torn just between the kind of storytelling
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and i want the story to come first and
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so sometimes the production can kind of eclipse what you're trying to say
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if it gets too over the top but with Hannah
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that doesn't matter more is better more glitter more dancers more
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confetti the whole thing the whole pop works part of the USA is another credit to my mom who
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she found that song
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and I actually threw a fit about covering it I thought of it more of the cover as recording it
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because I didn't write it and I was so writing my own music
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and like creating what I thought was my own sound but she definitely could hear the potential of that song before
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even i could a gift is being able to interpret someone else's words
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or ideas and actually make them your own okay if you're 5
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or 82 this is something you can do hoedown throwdown that's easy i do remember the hoedown throwdown
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because right now doing the hannah 20th anniversary special jamal sims is the choreographer who originally choreographed the hoedown throwdown
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and so we randomly improvised the other day
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and did it for the first time in however many years
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and we didn't really miss a beat i think we have right now maybe six to eight wigs
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and i of course have my favorites i like
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when they're longer blonder i don't love at the end of the show hannah's wig just kept going shorter
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and shorter i think we were trying to kind of you
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know all great artists they kind of have a metamorphosis
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or they evolve in some way
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but i felt like hannah wasn't broken it didn't need to be fixed i liked season season one and two
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right you can change your hair you can change your clothes
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you can change your mind that's just the way it goes
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you'll always find your way back home we were just talking
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about changing the hair i love to change hair change clothes change my mind i love to experiment
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so those lyrics even though they're hannah lyrics they actually really kind of relate to me and my thought too
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Taylor had pitched that song along with a lot of other writers
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and songs and we were just kind of curating the thing
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that would most kind of bring the story of the film to life
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and so we wanted a really big song for the finale of
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that it needed to feel celebratory
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because you know obviously Miley had just told the biggest secret and so we needed something that felt like
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the kind of balloon like drops all the way down you get grounded you get still
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but it needs to go all the way back up.
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And so I love that song.
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Thank you.
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Oh, so lot of the daddy we like to party dancing with Molly slash Miley depends how you read that.
228
We can't stop.
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For me, it had never been something that was created in a boardroom
230
or all of us had a kind of a master plan.
231
Actually, I think what I love about bangers is
232
that it was such a risk and it did have its reward
233
but it was something that i was just doing organically it was really finding myself truly
234
because i had been in a character for such a kind of long time
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that character becomes you you know i almost didn't have a full divide from miley cyrus miley stewart
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and hannah so i took a year between wrapping the last season
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and making bangers to like actually just go on a discovery journey
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and live and listen to music and find who I was
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and so that was completely off map we were off -roading at
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that point we were just doing I was doing whatever felt authentic to me behind closed doors in public
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which is a brave thing to do after my whole life
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had kind of been scripted it was you know not without its bumps
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and it was turbulent at times just
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because change is never easy to kind of make these big brave new choices
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but i always think the bigger the risk the bigger the
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reward everybody makes mistakes everybody has those days that's one of my favorite hannah songs nobody's perfect
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that That was also one of the first songs I ever cut is Hannah and I love that one.
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Oh there's a voice inside my head saying you'll never reach it.
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The climb.
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The song in the Hannah movie that changes everything.
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There's a voice inside my head saying you'll never reach it.
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I couldn't imagine there being any other destiny for me.
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It felt like a perfect fit of fate.
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Exactly what I was made to do and built for.
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The character and I couldn't imagine anyone else ever being hannah i would feel very territorial over
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that that's that's me that's an extension of myself
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and like anybody else
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that has a fantasy we all have our own hannah hannah is what you brave
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and what you do in a way
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that sometimes i always say she's like she's the youngest drag queen she's like what do i want to do
261
but i need this other character to almost be armor
262
but i want the armor to be beautiful what is that
263
and so that beauty could be whatever you want it to be
264
that could be what you do with your hair your makeup your wardrobe
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but it can be deeper than that it can be something
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that you kind of subconsciously switch that makes you feel like you're your ultimate self, but you don't leave your kind of everyday person behind.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione di livello B2 si basa sul video “Does Miley Cyrus Know 'Hannah Montana' Lyrics?”. Le parole che ritornano più spesso: hannah, song, miley. Questo video contiene 266 frasi e 2928 parole da ripetere con lo shadowing. Il parlato dura 15:59. Chi parla va veloce, circa 183 parole al minuto: aspettati suoni legati e ridotti. Il 82% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
Le 15 parole più avanzate del video, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| align verbo | /əˈlaɪn/ | allineare |
| audition sostantivo | /ɑˈdɪʃən/ | audizione |
| pose verbo | /poʊz/ | porre |
| banger sostantivo | /ˈbæŋ.ə/ | petardo |
| cardigan sostantivo | /ˈkɑːdɪɡən/ | cardigan |
| curate sostantivo | /ˈkjʊɹɪt/ | vicario |
| snowboard sostantivo | /ˈsnoʊˌbɔɹd/ | snowboard, tavola da neve |
| bore verbo | /boɹ/ | annoiare, tediare |
| armor sostantivo | /ˈɑːɹ.mɚ/ | armatura |
| authentic aggettivo | /ɔˈθɛn.tɪk/ | autentico |
| boredom sostantivo | /ˈbɔɹ.dəm/ | noia, tedio |
| celebratory aggettivo | /ˈsɛləbɹəˌtɔːɹi/ | celebrativo, di festeggiamento |
| choreographer sostantivo | coreografo, coreografa | |
| confetti sostantivo | /kənˈfɛ.ti/ | coriandoli |
| creatively avverbio | /kɹiˈeɪtɪvli/ | creativamente |
I phrasal verb che sentirai
| Parola | Pronuncia | Significato |
|---|---|---|
| end up verbo | andare a finire, finire | |
| give up verbo | arrendersi | |
| go back verbo | tornare | |
| go through verbo | attraversare | |
| grow up verbo | crescere | |
| keep up verbo | mantenere, conservare | |
| throw out verbo | /ˈθɹəʊ ˌaʊt/ | buttare via, rigettare |
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | being curated · are aligned · was said |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | I've really reclaimed · have decided |
Pronuncia a cui fare attenzione
Chi parla usa 56 contrazioni e forme ridotte, come I'm, didn't, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “sh” e “zh”: audition /ɑˈdɪʃən/, interstitial /ɪntəɹˈstɪʃəl/, reservation /ˌɹɛz.ɚˈveɪ.ʃən/
- Parole lunghe — attenzione all’accento: celebratory /ˈsɛləbɹəˌtɔːɹi/, creatively /kɹiˈeɪtɪvli/, interstitial /ɪntəɹˈstɪʃəl/, metamorphosis /ˌmɛtəˈmɔːfəsɪs/, organically /ɔːˈɡænɪkli/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: hoedown /ˈhoʊdaʊn/, comprehend /ˌkɑmpɹɪˈhɛnd/, hint /hɪnt/
- Consonante finale — senza aggiungere una vocale dopo: jake /dʒeɪk/, evolve /ɪˈvɑlv/, pose /poʊz/, curate /ˈkjʊɹɪt/, snowboard /ˈsnoʊˌbɔɹd/
- /æ/ — più aperta della “e”: banger /ˈbæŋ.ə/, choreograph /ˈkɔɹjəɡɹæf/, organically /ɔːˈɡænɪkli/, randomly /ˈɹændm̩li/, dancer /ˈdænsəɹ/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come align, audition, pose.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.