Pratica di Shadowing: Dracula and Baby Mavis Opening Scene | Hotel Transylvania (2012) - Impara a parlare inglese con YouTube

A2
Peek-a-boo!
⏸ In Pausa
176 frasi
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1
Peek-a-boo!
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No, no, no, no, no,
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I didn't mean to startle you, my little baby.
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Shhh shhh shhh shhh shhh Hush little vampire don't say a word Papa's gonna bite the head off a bird
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Jabba de kuba!
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I want to kiss your tool!
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I want to kiss your tool!
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Nice, but maybe a little more square footage.
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I want a lot of monsters here.
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I'm gonna get you little babies, I'm gonna get you!
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What out there?
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Oh, we never go out there.
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Ever.
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And then the monsters ran away and were forced into hiding.
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But Harry the human found them and jumped out from under their bed.
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I'm scared!
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And burned their clothes and beat their toes and took their candy!
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Don't take my candy.
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Baby Claus, you don't need to be frightened.
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I promised your mommy I would protect you forever.
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My beautiful baby, let me wipe all your poop away.
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Those humans are nasty, so with daddy you will stay.
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And if a human tries to harm you,
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I'll simply say, Simply say, daddy.
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Because you're daddy's girl.
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Daddy's girl.
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I'm your daddy's girl.
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Just bend the legs and push off.
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Trust me, Mouse.
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Look at you!
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Faster, baby, faster!
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You got it, my little voodoo doll!
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Excuse me, sir.
34
What?
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What?
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Ow!
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I'm okay.
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It's ready.
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Looks good.
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Only monsters can get in?
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Oh, absolutely.
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It's hidden real nicely.
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You've got 400 acres of haunted forest in front of you.
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You've got the land of the undead on the perimeters.
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Any humans daring to even look over there will run away real quick.
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But of course be smart.
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No bonfires, no fireworks shows.
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Yeah, yeah, no, no, no fire.
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I get it, I get it.
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It's time, my darling Martha.
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The place we always talked about for Mavis.
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No one will ever harm her here.
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The End
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Yeah, it's a mess back there.
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Welcome to Hotel Transylvania.
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Human 3 since 1898.
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Your safest destination.
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Take an itinerary.
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I have personally designed a spectacular schedule of events.
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All leading to my daughter's birthday extravaganza tomorrow.
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We always look forward to coming every year, Calum.
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We enjoy the safety so much.
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Of course, that's why we built it.
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Yes, good evening.
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Thank you, Marty.
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You look pale as well.
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Sir, sir, sir.
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We have an urgent plumbing issue.
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Coming?
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On it.
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Mr. Gulligan.
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There is a clogged toilet in room 348.
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It's okay, we all get stomachaches, Mr. Bigfoot.
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Hey kids, reel it in.
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You're only supposed to make Mom and Dad miserable.
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Now, now, is that any way to behave?
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This is a hotel, not a cemetery.
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Hi, Uncle Drack.
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Drack, how are you?
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Wayne, my old friend.
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Couldn't wait for this weekend.
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Always great to be out of the shadows for a couple days.
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The family looks beautiful.
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Let me just clean up their filth.
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Housekeeping!
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Frankie, my boy, look at you.
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Still traveling by mail, Mr. Cheapo, eh?
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It's not a money thing.
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I have a plane phobia.
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I mean, at any moment, those engines could catch...
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Fire!
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Yeah, yeah.
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Fire!
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Dad!
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We know.
96
Auguste's porridge head, come on!
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Does that look like Frankenstein's head?
98
Hey, Drac, buddy, what's going on with your cape there?
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What do you mean?
100
Father!
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Who pitched me?
102
Guilty.
103
You're irresistible.
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Yes, very amusing, invisible man.
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Hello, great to see you.
106
Ah, never gets old.
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Miss me.
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Ooh!
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Miss me, miss me, miss me!
110
Okay, you win.
111
Hold this bacon.
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Why am I holding bacon?
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Ah!
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Ha ha!
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No!
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Get him off!
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Ow!
118
Ha ha ha!
119
Here comes the party!
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Ha ha ha!
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Hello, Murray!
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Drac, what's up, buddy?
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The sand, Murray, the sand!
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Always with the sand!
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Woofie!
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Wonder!
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Brain!
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WAAAHHHH!
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BOO!
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I love this guy!
131
You're always bringing it full tilt!
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You're looking skinny too!
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Now that you're just ahead.
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Oh, okay.
135
You'll pay for that.
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So what's up, Jack?
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The hotel is looking off the hook.
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Hey, guys, watch this.
139
By the way, you were right about those directions.
140
Oh, good, good.
141
Yeah, I took the tiders through the Nile and there was absolutely no traffic.
142
You're kidding me, right in my lobby?
143
Is that a swear man?
144
I don't want like that.
145
Housekeeping!
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I was not the cause of that.
147
We're ready!
148
If only Martha were here to see this.
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She's always here, Wanda.
150
Okay, friends, I am so glad you are here to celebrate.
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Another birthday for my sweet little Mavis and another successful year of refuge from them.
152
These are recent human images our surveillance has uncovered.
153
They are getting fatter so as to overpower us.
154
And they are wearing less clothing,
155
allowing more movement to strangle us or cut open our heads and put candy in them.
156
But they will never find us here.
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Evil villain, you will never win!
158
Okey-doke.
159
The fun starts in 30 minutes.
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Right now, I have to see my little girl.
161
She's not so little anymore.
162
Yes, she is.
163
What's going on out there?
164
Are we at the hotel?
165
Frank, did you book us for a tandem massage?
166
Did you get us a table at Hunchpacks?
167
Did you do anything?
168
You're welcome.
169
What's going on?
170
Dad, you said that when I turned 118,
171
I could go out into the world like every other adult that gets to come and go from this hotel.
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But maybe, maybe, it's not safe.
173
Blah, blah, blah.
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Dad, 30 years ago, you promised.
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I remember we were both eating mice and you specifically said that you gave me your work.
176
you

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Contesto e Sfondo

Il video "Dracula and Baby Mavis Opening Scene | Hotel Transylvania" offre uno sguardo divertente e affettuoso sulla dinamica tra un padre vampiro, Dracula, e la sua piccola figlia, Mavis. In questa scena, Dracula cerca di tranquillizzare la sua bambina in un ambiente pieno di mostri e umani spaventosi. Il dialogo è caratterizzato da frasi giocose e un tono affettuoso, utile per chi desidera migliorare la pronuncia inglese attraverso conversazioni quotidiane e situazioni familiari.

Le 5 Frasi Chiave per la Comunicazione Quotidiana

  • Shhh shhh shhh shhh shhh - Un modo tenero per calmare un bambino.
  • Daddy's girl - Un'affermazione affettuosa che evidenzia il legame tra un padre e la sua figlia.
  • Don't take my candy - Un'espressione comune tra bambini che evidenzia l'importanza del possesso.
  • Only monsters can get in - Una frase che crea un senso di sicurezza, creando un ambiente esclusivo.
  • It’s time, my darling - Un'espressione affettuosa usata per segnalare che è giunto il momento di fare qualcosa.

Guida Passo Passo al Shadowing

Per affrontare la difficoltà di questo video e migliorare la tua abilità di shadow speak, segui questi passaggi:

  1. Guarda con attenzione: Prima di tutto, guarda il video senza interrompere. Fai attenzione alle emozioni e al tono di voce di Dracula.
  2. Ascolta e ripeti: Usa la tecnica del shadowing. Metti in pausa il video frequentemente e ripeti le frasi subito dopo averle ascoltate. Questo ti aiuterà a imparare l'inglese con youtube.
  3. Focalizzati sulla pronuncia: Concentrati sulle parole e sulle intonazioni. Puoi ripetere frasi più volte fino a sentirti sicuro.
  4. Pratica con un partner: Se possibile, trova un compagno di pratica che possa ascoltarti e darti feedback sulla tua pronuncia.
  5. Usa un sito di shadowing: Infine, considera di utilizzare un shadowing site dedicato che possa fornirti ulteriori modalità di apprendimento e materiali.

Seguendo questi passaggi, potrai migliorare significativamente la tua capacità di parlare inglese in modo fluente e naturale, oltre a rendere l'apprendimento più divertente e coinvolgente!

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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