Pratica di Shadowing: Mark Wahlberg & Tom Holland team up | UNCHARTED - Impara a parlare inglese con i video

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218 frasi
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1
Oof.
2
Look at that car.
3
Bet that ain't cheap.
4
Shit.
5
Santiago Moncada.
6
Like the house of Moncada?
7
Yeah.
8
He thinks the cross is his by birthright.
9
He buys it before we can grab it.
10
You kiss that gold, goodbye.
11
Welcome, sir.
12
What can I get you?
13
You know what?
14
I'll have a martini.
15
Yes, sir.
16
A martini?
17
Yeah, why not?
18
I'd go great with a bubblegum.
19
You should actually put the gum in the martini.
20
You have a bubblegum martini.
21
It's actually not a bad idea.
22
No. My God, this girl is totally flirting with me.
23
What?
24
There.
25
The woman with moncata.
26
Look, she's flirting with me.
27
Hi.
28
She's not flirting, all right?
29
Not with you.
30
That's Joe Braddock.
31
You ever see her coming, you'd run the other way.
32
I'm serious.
33
She's coming this way now, look.
34
Yeah, then you know what to do.
35
I'll thank you later.
36
Hello, Victor.
37
What's the matter?
38
Feeling so hurt after Saint Sebastian?
39
There's something else.
40
So what ridiculous scheme have you cooked up this time?
41
Well, if I tell you, it'll ruin the surprise.
42
Well, you do tend to ruin everything, don't you?
43
I'm not the one working for my god -up.
44
I'm this low, even for you, Jo.
45
Whatever gets me the gold, right?
46
Well, you taught me that, Victor.
47
Okay, man.
48
Whoa, Jesus.
49
Sorry.
50
It's pretty cool, huh?
51
Well, he's, uh, one -of -a -kind solid gold altar crucifix.
52
And crafted in Barcelona in the early 16th century, so, yes, yeah.
53
It's pretty cool, man.
54
Wow.
55
You know your crosses.
56
My family has been looking for this one for a very long time.
57
No way.
58
So have I.
59
You're a collector.
60
I dabble.
61
I don't dabble.
62
This cross has a very tragic history.
63
Eighteen men died trying to hold onto it.
64
So much blood, so needlessly spilled.
65
Ladies and gentlemen, if I could have your attention, please.
66
We'll talk to you.
67
Would you please take your seats?
68
The auction will be commencing very soon.
69
Hey, Pablo Young.
70
Done chatting up our arch -nemesis?
71
I'm pretty sure he's just threatened to kill me.
72
Don't touch your ear like that.
73
You look like an idiot.
74
You gotta move on.
75
I'll make my way upstairs.
76
Your girlfriend seems pissed.
77
Is that something I should be worried about?
78
Just stay focused.
79
Keep an eye on him for me.
80
If you would, please come and take your seats.
81
Thank you very much.
82
Okay, let's get started then with lock number one.
83
A magnificent oil on copper, our Lady of Good Counsel by Bartolomei Perez.
84
Hello?
85
600 ,000, going once, going twice.
86
Soil to the Lady of the Bank.
87
Thank you very much.
88
Cross is up next, kid.
89
Um...
90
Sully, don't worry, I got it.
91
La Cruz de la Hermandad.
92
Most of you will know this was made in Barcelona, circa 16th century.
93
It is truly a gorgeous piece and representative of Spanish Renaissance gold work.
94
So we're going to start off tonight's bidding at 200 ,000.
95
Do I have 200 ,000 in the room?
96
Thank you very much.
97
I have an opening bid of 200 ,000 from Mr. Moncada.
98
Okay, here we go.
99
Do I hear four?
100
How we doing?
101
You're doing great.
102
Five hundred thousand it is.
103
Do I have six?
104
I have six, thank you very much madam.
105
I don't have all night yet.
106
Do I have seven?
107
Seven hundred thousand from Mr. Moncada.
108
Do we have eight?
109
No takers so fair warning on seven hundred thousand
110
that is seven hundred going don't make me do this seven hundred going twice
111
There we are at the back of the room.
112
Thank you very much, sir.
113
We have eight hundred thousand eight hundred thousand is bid ladies and gentlemen Do I have not?
114
I'm spending money.
115
I don't have okay.
116
There's nothing Oh God!
117
I shouldnae come out to play where the big boys we in because you're about to get a proper Scottish welcome.
118
I'm sorry?
119
Mr. Moncada, it's back to you now.
120
1 .9.
121
Mr. Moncada makes it an even two million dollars, ladies and gentlemen.
122
Well, the train's already left the station, right?
123
Why not?
124
2 .1, thank you very much indeed.
125
Mr. Moncada, over to you.
126
Any advances on that?
127
2 .2.
128
We have 2 .2, ladies and gentlemen.
129
Oh, God, here she comes.
130
Oh, shit!
131
You shouldn't have come out to play with our camp boys.
132
We ain't done about to get up for as good as well.
133
Whoa, whoa, whoa, whoa, whoa, whoa!
134
I literally have no idea what you're saying.
135
Shit, all that.
136
2 .2 is what we have.
137
So I have 2 .3.
138
He goes with it.
139
Mr. Moncada takes it to 3 million dollars.
140
Stupid door.
141
Okay.
142
Um...
143
Solly, I think you're just gonna have to buy that cross.
144
Three million dollars, it is.
145
You better do something now.
146
Kill the power, fake a heart attack.
147
I don't give a shit.
148
Go twice. And...
149
This is gonna suck!
150
Oh, that was something.
151
What's your plan, no!
152
Well, at least you fat asses can't come out here and get me.
153
Small situation.
154
We'll have to walk back in just a second.
155
Careful.
156
Can we secure the cross, please?
157
Thank you very much.
158
You can't please.
159
We'll go down and find out what's going on.
160
You're doing great.
161
Hang in there.
162
Oh, shit.
163
No!
164
No!
165
No!
166
No!
167
Hey, Trent.
168
Addison wanted me to take that to the vault, pronto.
169
Thanks.
170
Sully, where are you going?
171
You can't leave me.
172
There's only one rule in this game, kid.
173
Don't get caught.
174
Excuse me, sir.
175
We need to ask you a few questions.
176
I think that's a little rude.
177
I think I should be asking you the questions, if I'm honest.
178
Actually, you know what?
179
I'm gonna do you one better.
180
I'm gonna get my lawyer to ask the questions, starting with who installed that handrail.
181
I mean, look at that.
182
Hey, hey!
183
Even more ridiculous than I could have imagined.
184
I don't know.
185
I think it was going pretty well so far.
186
Funny.
187
I think that belongs to me.
188
Joe, come on.
189
Save it, Victor.
190
Save it.
191
Oh, thank God.
192
Guys, she's trying to steal the cross.
193
Just put down the case and step aside.
194
Yeah, put down my case.
195
Step aside.
196
I'll get this to where it belongs.
197
Good luck.
198
All right, lady.
199
Stay calm, all right?
200
Sorry sons of bitches.
201
Let's get out of here Tony.
202
Hey, you surprised to see me?
203
What, you proved yourself again kid?
204
That was some swan dive you took.
205
You were just gonna leave me back there.
206
Well, it wouldn't do any good having us both locked up.
207
Somebody had to get the cross.
208
Holy shit, you got it.
209
Hey, maybe I should hold on to that for...
210
What, you don't trust me?
211
Oh, is that supposed to be funny?
212
Here.
213
Tony, take us to T -Toboro.
214
Unless you want to get dropped off somewhere else.
215
Oh, yeah, you'd like that, wouldn't you?
216
Sorry, Sully, but I'm all in.
217
Hey, Tony, T -Toboro.
218
Thank you.

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Perché esercitarti a parlare con questo video?

Il dialogo tra Mark Wahlberg e Tom Holland in Uncharted è perfetto per il shadow speak: combina conversazioni informali, battute e situazioni tense, creando un contesto reale per migliorare la fluidità e l'intonazione. Le frasi sono semplici ma ricche di espressioni coloquiali, ideali per chi vuole imparare a parlare come un madrelingua. Con il shadowing in inglese, ripeti le frasi immediatamente dopo i personaggi, imitando il tono e il ritmo: un metodo scientifico per rafforzare l'orecchio e la pronuncia.

Grammatica e espressioni nel contesto

  • "Bet that ain't cheap": L'uso di "ain't" è tipico del inglese colloquiale, sostituisce "isn't" o "aren't". Utile per conversazioni informali, ma da evitare in contesti formali.
  • "You kiss that gold, goodbye": Struttura idiomatica per dire "dimenticati del oro". La forma "kiss... goodbye" è usata per esprimere la perdita di qualcosa in modo veloce e diretto.
  • "What ridiculous scheme have you cooked up this time?": "Cooked up" significa "inventare" o "progettare" (spesso in modo ingenuo o subdolo). Una frase pratica per chiedere di cosa si tratta in situazioni sospette.

Trappole di pronuncia comuni

Nel video, parole come "Moncada" (pronunciata /mɒnˈkɑːdə/) o "Braddock" (/ˈbrædək/) possono creare difficoltà per i non madrelingua: attenzione alla "c" sonora e alla "dd" aspra. Inoltre, il ritmo veloce delle battute tra i personaggi richiede di ascoltare attentamente le connessioni tra le parole (es. "I'll have a martini" diventa "I'llav a martini"). Usare il shadowing per esercitarsi: ripeti ogni frase subito dopo il video, cercando di corrispondere al tono e alla durata delle sillabe. Un shadowing site può aiutarti a controllare il tempo, ma anche ripetere il video a slow motion è efficace per capire i dettagli. Migliorare la pronuncia inglese non è difficile se pratichi quotidianamente con contesti reali come questo!

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Consigli con “should” should + verbo — dire che cosa è meglio fareshould actually put · should be · shouldn't have
Present continuous am/is/are + -ing — qualcosa che succede adesso o in questo periodois totally flirting · she's flirting · She's not flirting
Futuro con “will” will + verbo — una decisione, una promessa o una previsioneI'll have · I'll thank · it'll ruin
Futuro con “going to” be going to + verbo — un piano o qualcosa che si vede arrivarewe're going to start · gonna have · gonna suck

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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