Pratica di Shadowing: Self improvement means letting go of yourself - Impara a parlare inglese con i video
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Hello my sweet little angel babies.
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I haven't really been on the internet a lot recently because I just didn't have anything to say.
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And I've been doing a lot of soul searching behind the scenes
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and trying to figure out a whole bunch of stuff, right?
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But in the midst of trying to figure out a whole bunch of stuff going on in my life, right?
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Went and saw Hadestown the musical.
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Now I've seen Hadestown before.
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I know the story of Eurydice and Orpheus.
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but watching it
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while simultaneously going through a couple things kind of made me look at self-improvement through a different lens
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which I thought I'd share with you today
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because this channel has always been about motivation and inspiration
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and I've been finding it very difficult to improve as a person recently
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and I've been backsliding on a lot of very bad habits
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and very bad mindsets and I find myself finding a lot of shame towards
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that for good reason because whenever you backslide into a worse version of yourself, of course there's going to be shame associated with that.
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And it makes me think, why is it so difficult to improve?
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And why does self-improvement actually feel so horrible in the long run?
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And why is it so difficult to actually stick to it?
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And I think it's because a piece of you has to die.
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A piece of you has to be lost on the journey to self-improvement.
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I know that sounds like a very dramatic, very extreme version of self-improvement
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but it really is true all these bad habits we've developed
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all these negative mindsets we've clung to they have to slowly
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get chipped away like you're michelangelo carving marble out of yourself till you become someone different
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because i know there's multiple past versions of myself that have fully
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and completely went they're gone that version of me is not accessible anymore
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because it's just gone for example like i didn't speak for the first like 22 years of my life.
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That was just something I didn't do.
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I didn't express my thoughts.
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I didn't express myself.
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I just didn't speak.
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It wasn't something that was a part of me.
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And then somewhere around 22, I started speaking and I started sharing my thoughts.
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And then I slowly started sharing my thoughts on the internet, which is very scary.
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But the version of me that doesn't talk, that doesn't speak, doesn't exist anymore.
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She's a figment of my imagination, a figment of my past.
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And I was thinking about that moment when Orpheus turns around
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and he sees Eurydice right before she descends into the underworld for that very last time.
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And for those of you that aren't familiar with the story of Orpheus and Eurydice, basically it's a story about two lovers and Eurydice gets sent to hell.
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She gets sent to the underworld and Orpheus decides he's going to walk into hell and beg for her back. And Hades
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decides to grant him a chance to win her back
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but basically he has to face forward and lead her out of hell
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but he is not allowed to look back and see her
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and if he looks back to see her for even a moment even a second to confirm
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that she's there
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or to check on her as this journey out of hell happens she will go back to the underworld
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so the story goes that they're going along they're going along
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and then he turns around and I believe the reason he turns around is
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because he hears her slip and he just instinctively turns back to check on her
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and he forgets for just a second that he's not supposed to do
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that and his heart gets the better of him
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and he turns around and he faces her
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and then she gets sent back into the underworld
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and it's a very tragic story
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but I feel like that's the conversation I've been having with my own soul recently where I'm looking
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and dissecting all of these past versions of myself
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and I'm looking back at them and I'm like
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that version of me cannot exist anymore either
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because it's not helping me it's not healthy or I'm just not
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that person anymore and there's a sense of of longing where I'm like no I don't want
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that version of me to go away anymore
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because it felt like safety it felt like comfort it felt like who I was at that time
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but it's kind of like the final stage of grief is acceptance where a lot of people want to think
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that the story of Orpheus and Eurydice is a very complex way of talking about grief, where the final stage of acceptance,
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where the final stage of acceptance is to turn around and face what you have been trying to not face, the inevitable.
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And I feel like when I first started this channel, there was this clinging to this past self, this very obsessive ballerina who really,
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really, really was working herself into the ground and was trying everything she could to be the best she could.
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And while I believe there's pieces of her that had the best of intentions, that version of me can no longer exist as who I am now.
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There has to be a sense of balance.
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There has to be a sense of peace.
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You can't be running from your past anymore through overworking.
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And there was someone at the restaurant who, I didn't really like the way he phrased this necessarily because it felt almost manipulative in the way he spoke,
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but it was this church group that came in.
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And I have nothing against religion, but we were talking and he was like, oh, you just display grace.
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What did you used to do for your work.
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And I was like, oh, I was a ballerina for about nine years.
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And he was like, oh, you, you can tell from the way you present yourself and the way you walk around, there's just a certain grace that you have.
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I'm like, yeah, I kind of, you know, was trained into me from an early age.
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He was like, you know, God's speaking through me right now.
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And he's telling me to tell you that you should be a dancer again, you should dance again, that should be something you do.
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And I felt almost a sort of resentment towards him because I was like, one, I didn't tell him that I had to quit because of illness,
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but two, because that version of me just doesn't exist anymore.
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She's not someone I wish to connect to.
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She's a very wounded individual.
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She's someone that was trying to work herself into the ground as a form of self-hatred
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because she just wanted to not be herself.
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There's many things wrong with that version of myself and that way of thinking
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that drove me further and further away from my own love and peace of myself.
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and I felt like when he said that in that moment I felt like Orpheus facing Eurydice for a second
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and I was watching that version of myself
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that mask just kind of fade away for a second
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and I was like I'm not
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that person anymore I didn't say anything I just quietly agreed with him
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and walked away from the table but I'm not that person anymore that's not who I am the same way with
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I'm not who I was at eight years old.
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I'm not who I was at 21 years old when I still didn't speak.
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I'm not who I was at 10 years old.
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I'm not these past versions of myself.
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I am who I am now, which is the 25 year old version of myself that desperately wants the best of myself, but refuses to destroy myself in the process.
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And I think a lot of us, when we try to improve, we desperately try to cling on to the past versions of ourselves because we found comfort in it.
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We found comfort in the destruction of ourselves.
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We found comfort in hating ourselves.
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We found comfort in the desperation that they carried.
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We find comfort in the chaos of a past version of ourselves, even though we know for a fact it is not healthy to hang on to.
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And I think the reason why self-improvement actually does hurt
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so bad is because you have to let go of a lot of yourself in order to take that step forward.
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There's a load you have to unload.
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There's a weight you have to offload from yourself in order to step into this new version.
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There are mindsets you have to let go of.
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There are habits you have to be free from.
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and when you let go of this you look in the mirror
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and you don't recognize yourself and the reason you don't recognize yourself is
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because you're building yourself from the ground up as a brand new person
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but for a second when you don't recognize your reflection
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and you think to yourself who the fuck is
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that who the fuck am i is possibly scarier than letting go of any past version of yourself
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because for a second during self-improvement you become completely unrecognizable to yourself as you build the new version of yourself.
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And that is why I do not like self-improvement, because for a moment, I become completely unrecognizable to myself.
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I cling to past versions.
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I revert back to old selves.
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There's this voice screaming in my head telling me that to improve is to not be safe.
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To improve is to not be a better person.
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To move forward from this hurt
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or to move forward from this place I used to be in is the scariest thing in the world.
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And it is, but you have to let Eurydice he go?
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You have to let her lower.
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And I think I've been caught in the space between Orpheus and Eurydice where parts of me are being released,
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but I'm also desperately grieving who I used to be at the same time, and that can be a difficult spot to be in.
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But I think to move forward and to let go of the past
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and to not be scared of everything so much and to recognize
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that you're going to become a new person is a scary moment yes
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but you have to face it but it's also scary
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because you have to let go of all these past versions of you
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that built you up to be who you are today
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and it just gets overwhelming sometimes to think
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that every version i've ever been of myself has led me to where i am today you know
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and that can be a good thing i don't know like i said i'm caught between the space of orpheus
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and eurydice in that acceptance part of grief of motivation
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and self-improvement where I desperately wish to cling to old versions of myself, but I also know it is time to let them go.
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Again, I don't know if this makes any sense, but that's just where my head and my heart is at today.
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I hope we're having a great day wherever we are.
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I love you.
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Have a good night.
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Per chi è questo video?
Questo video è perfetto per chi vuole imparare l'inglese con YouTube in modo pratico e profondo, soprattutto per gli apprendisti intermedi che vogliono migliorare non solo la comprensione, ma anche la capacità di esprimere concetti complessi. Ideale per chi cerca ispirazione per il self-improvement e vuole unire l'apprendimento linguistico a riflessioni personali: le conversazioni semplici ma ricche di emozione offrono un contesto ideale per esercitarsi con il shadow speech.
Parole e modi di dire da rubare
- Soul searching: Ricerca interiore. Es: "Sto facendo un po' di soul searching per capire cosa fare nella vita".
- Backsliding: Ritorcare indietro. Es: "Ho avuto un backsliding nelle mie abitudini salutari".
- Chipped away: Rimuovere a pezzetti. Es: "Le mie paure sono state chipped away con il tempo".
- Figment of my imagination: Fantasia mia. Es: "Quella versione di me è solo un figment of my imagination ora".
Come migliorare la pronuncia inglese con questo video
Il parlante ha un tono calmo e conversazionale, perfetto per esercitare il shadowing in inglese. Concentrati su:
- L'intonazione nelle domande retoriche ("why is it so difficult to improve?"): la voce sale leggermente alla fine.
- La connessione tra le parole in frasi come "a piece of you has to die": "a piece of you" si fonde in "a piece uh you".
- La pronuncia di "r" in "Orpheus" e "Eurydice": è un "r" morbido, non gutturale.
Per esercitarti, riproduci un frammento, pausa e ripetilo immediatamente, cercando di imitare il ritmo e il tono: è il modo migliore per migliorare la pronuncia inglese con il shadowing!
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've been doing · I've been finding · I've been backsliding |
| “Used to” used to + verbo — un’abitudine o uno stato passato che non è più vero | used to do · used to be |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | haven't really been · I've seen · has always been |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | be lost · is not allowed · was trained |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.