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Hello, today I want to talk about poetry, particularly the poems that have haunted me across the years.
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So I'm going to recommend some good poems and I hope you read them.
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I want to kick off with a poem by Emily Dickinson
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and this one really does haunt me and it makes me believe in something more supernatural, something that perhaps we cannot see.
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Now you might know if you've listened to a lot of my stuff, if you've listened to the Hardcore Literature podcast,
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that one of my critical heroes is the late great Harold Bloom.
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I see what i'm doing with explicating great literature helping people understand the great books
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i see what i'm doing as being very much in the same vein as harold bloom
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and his tradition his his tradition of interpretation
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i'm carrying on what he uh also carried on from those who came before him
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and so this is really really spooky because harold bloom died on the 14th of october 2019
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and I read 14th of October it was gone midnight I read a poem by Emily Dickinson
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and I believe though I've not seen this anywhere I believe
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this might have been one of Bloom's favorites we do know
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that he loved Emily Dickinson along with Walt Whitman
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he held Dickinson up as part of the American Sublime one
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of the great modern American poets Dickinson is one of the most difficult poets to understand
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and i was going through a tough time
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when i stumbled across this poem i opened the complete works of emily dickinson at a random page
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and i came across this little poem which is short enough to quote here
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so i'm going to quote it now had this one day not been
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or could it cease to be how smitten how superfluous were
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every other day less love should value less what loss would value more had it the stricken privilege
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it cherishes before they have to read
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that 10 20 30 times before you even somewhat understand it
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but i think
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that i read this perhaps at the moment where one of my critical heroes his soul departed from the earth
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and at that moment he passed on the literary the critical torch to me um
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and i know that sounds kooky i know
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that sounds crazy a lot of people will say that's that's not possible maybe not
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but i think it's too coincidental anyway let's go into another poem
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now the next poem i would like to recommend you is tithonus by tennyson he wrote this in 1833
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and for a very long time i preferred ulysses it little prophets
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that an idle king by this still hearth among these barren crags matched with an aged wife i meet
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and dull unequal laws unto a savage race
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but Tithonus I've come to really love
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and be haunted by Tithonus you might even know the beginning of Tithonus the woods decay the woods decay
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and fall the vapors weep their burthen to the ground man comes
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and tills the field and lies beneath
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and after many as summer dies the swan me only cruel immortality consumes
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and listen to this line i wither slowly in thine arms
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if you know anything about mythology you'll know that tithonus was granted immortality
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but not eternal youth painful
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and um i think tennyson actually wrote this as a sort of Virgilian poem to his late friend Hallam.
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Most of Tennyson's poems are filled, imbued with grief.
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Grief for Hallam, who died before his time.
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Hallam, who really promoted Tennyson, built him up, encouraged him, filled him with confidence about his poetic technique.
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Tennyson was consumed by grief his entire life
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and it produced some really affecting poems and I would ask you to read Tithonus.
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It's not that long and it should send shivers up your spine.
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Here at the quiet limit of the world a white -haired
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shadow roaming like a dream the ever -silent spaces of the east
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Far -folded mists and gleaming halls of morn
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The next poem I want to recommend is by Yeats
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It's called The Lake Isle of Innisfree It's a popular one Yeats in his lifetime knew
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that this was the poem people most wanted to hear him recite
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Indeed you can find the poet himself reciting
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The Lake Isle of Innisfree And it doesn't sound like what you might expect
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Because Yeats had his own theories and philosophies about how poetry should be read aloud and what it should sound like.
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But the reason the Lake Isle of Innisfree affects me
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so much is because it's indelibly wrapped up with a very specific mournful time in my life
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when my aunt and godmother sadly passed away.
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I gave the eulogy at her funeral and I remember giving a...
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bible quote a bible verse reading from a passage
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that talked about morning's veil and at the same time i was reading yeats
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and he talks about dropping from the veils of the morning to where the cricket sings
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and they sort of became entwined together it's a poem that is strongly
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wrapped up with the color purple and a really specific mood
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when i read it now i think about my longing to get away from the city
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and to go somewhere quiet quiet save for the lapping of a lake
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and some crickets singing again it's a short poem
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and it's really nice
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so i'm just going to read it to you it's the lake isle of innisfree by yeats i will arise
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and go now and go to innisfree
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and a small cabin build there of clay
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and wattles made nine bean rows will i have there a hive for the honey -bee, and live alone in the bee -loud glade.
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And I shall have some peace there, for peace comes dropping slow,
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dropping from the veils of the morning to where the cricket sings.
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There midnight's all a -glimmer, and noon a purple glow, and evening full of the Lynette's wings.
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I will arise and go now for always night and day.
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I hear lake water lapping with low sounds by the shore.
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While I stand on the roadway or on the pavements grey, I hear it in the deep heart's core.
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Now for a long time I didn't realize what this noon purple glow was,
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I thought that was just a beautiful way of depicting a sunset in the poem.
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But if you listen to Yeats, read it.
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There's one of his readings where he explicates and he says that Innisfree basically means like heather field or something like that.
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So obviously it's the fields of heather and I think that's beautiful as well.
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Yeats is great.
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If you want more recommendations for Yeats, I'd be more than happy to give them to you.
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He's got some really lovely poems.
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He's a poet working in the same tradition as William Blake, another affecting difficult but rewarding poet so
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so far we've had Dickinson we've had Yeats and we've had Tennyson
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and I want to throw another Shelley a romantic poet into the mix
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and I would highly recommend if you like any of these poems
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or you'd like to explore these poets further check out the pocket everyman series
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they're beautiful little collectible gorgeous little hardback volumes
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that you can fit easily in your pocket
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I'll put a link in the description below let's get into Shelley
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he wrote a poem called ode to the west wind quite a famous one
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and he wrote that in the autumn of 1819 near the Arno River which is near
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Florence and there was a real tumultuous storm rain and hail
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and the winds were kicking up
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and he wrote this wonderful poem ode to the west wind I'm going to read you a couple of selections
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but implore you to read the whole thing yourself oh wild
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west wind thou breath of autumn's being thou from whose unseen
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presence the leaves dead are driven like ghosts from an enchanter fleeing yellow
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and black and pale
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and hectic red pestilence stricken multitudes oh thou who chariotest to
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their dark wintry beds the winged seeds where they lie cold and low, each like a corpse within its grave,
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until thine azure sister of the spring shall blow, her clarion over the dreamy earth, and fill, driving sweet buds like flocks to feeding air,
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with living hues and odours plain and hill, wild spirit which art moving everywhere,
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destroyer and preserver, here, oh, here.
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And you'll forgive me, I can't resist, I'm going to read the next stanza.
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Thou on whose stream, mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed,
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Shook from the tangled boughs of heaven and ocean, Angels of rain and lightning there are spread
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On the blue surface of thine airy surge.
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I'm going to go on a little bit more.
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Thou for whose path the Atlantic's level powers cleave themselves into chasms
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while far below the sea blooms and the oozy woods
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which wear the sapless foliage of the ocean know thy voice
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and suddenly grow gray with fear and tremble and despoil themselves oh here
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and as Shelley goes on this is if I were a dead leaf
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and he starts to hypothesize about
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that he asks this west wind to make him a liar through
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which he can communicate with this godly powerful sublime presence
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and motivation and force and this is a sublime poem
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and what is sublime well if we're going off the back of Edmund Burke's
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definition and opinion sublime is different from beautiful beautiful is somewhat dainty pretty delicate small sublime is
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that which inspires awe through its power a tiger
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and blake wrote about a tiger a tiger is sublime
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because it can kill you inspires fear it's powerful um what else
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if we're talking about the romantic still coleridge the rhyme of
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the ancient mariner yeah these storm blasts a storm is sublime
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if we're going back to shelly and going to mont blanc
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that is sublime this huge mountain that inspires awe and grandeur
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and my favorite line from ode to a west wind is
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drive my dead thoughts over the universe like withered leaves to quicken a new birth
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and he ends on a very very famous line
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that everybody knows even if you don't read poetry he says oh wind
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if winter comes can spring be far behind and
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if you enjoy ode to a west wind i would highly recommend that you pick up Shelley's incomplete death poem,
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his Dante -esque poem written in Teresarima called The Triumph of Life.
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And if that's not enough, check out Prometheus Unbound.
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Now the next poet is one who Shelley actually inspired.
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Shelley inspired a lot of poets.
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This poet, by the way, is Robert Browning.
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The thing about Shelley is academics today, and actually since he was around, have scorned him as though he hasn't got any value.
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They'll try to damn his aesthetic sensibilities
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and call it even though they have an actual issue with his moral sensibilities we can talk about Shelley's life
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and all that at some point if you're interested it is interesting
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but don't get caught up in all that Shelley is a sensitive soul
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and he has rendered some of those beautiful affecting
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and inspirational poetry in all of history
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and one poet who he went on to affect Robert Browning is a very difficult poet
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and English students today don't read Robert Browning, unless you've got a good teacher or a good tutor who pushes you towards Browning a little bit.
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And what you'll find with Browning is you'll either hate him or you'll love him, okay?
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So if you like grotesque, like the poetry and even the prose, if you like writing of the grotesque
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Victorian grotesque, you'll like Robert Browning.
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If you like dramatic monologues, you'll like Browning.
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He is not as psychologically compelling as Shakespeare.
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His dramatic monologues are infused with his own thoughts
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but he's a master and
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if you like him you'll you won't just like him you'll love him
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and he's very very difficult so persevere
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and one of the most difficult poems
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i've ever come across is robert browning's child roland to the dark tower came the story goes
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that browning had a nightmare and then wrote this poem
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which was a recall of nightmare um in one day something like
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that coleridge did a similar thing with kubala calm where he woke up from an opium dream
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and then noted down his his dream but it's it is a nightmare
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and it's the sort of nightmare where there is no progression
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and you can't trust anything
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that you're being told uh it's also deeply metaphorical it's this sort of knight's journey uh through
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and i think it's symbolic
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if you read it in a freudian sense um
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it is symbolic of robert browning's own journey his own poetic journey
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and his journey to go beyond his precursors his poetic precursors like Shelley
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but it's a really difficult poem it's really ugly I wouldn't say
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it's a it's a beautiful poem here's a passage from the 30th stanza burningly
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it came on me all at once
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this was the place those two hills on the right crouched like two bulls locked horn in horn in fight
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while to the left a tall scout mountain dunce dotard a
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dozing at the very nonce after a life spent training for the sight what in the midst lay
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but the tower itself the round squat turret blind as the
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fool's heart built of brown stone without counterpart in the whole
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world the tempest's mocking elf points to the shipment thus the unseen shelf he strikes on
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only when the timbers start this is the final stanza of
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that poem very resonant stanza especially if you've gone through the whole thing and you feel the temporal stickiness, I suppose you could call it,
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the sense of time almost not passing, the sense of landscape almost not passing.
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This is the last stanza of that really difficult poem.
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There they stood, ranged along the hillsides, met to view the last of me, a living frame for one more picture.
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In a sheet of flame I saw them and I knew them all
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and yet dauntless the slughorn to my lips I set and blew child Roland to the dark tower game.
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Now let's talk Keats.
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If you get on with Keats, if you like Keats, then you're getting on with my aesthetic sensibilities.
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If you don't like Keats, I don't understand.
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I don't understand how anyone can not like Keats.
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Keats is.. extraordinarily affecting his designs his artifices are phenomenally beautiful
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i actually cannot believe how young keats was he died well before his time
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he died in his late 20s um and he he's
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so masterful and i'll read a poem that makes me literally cry
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and then i'll find out that keats was like 24
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or something when he wrote the poem
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but age doesn't really define anything does it its suffering
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and its experience and its life lived
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and keats we know had a lot of trauma with his
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brother dying different people dying getting tuberculosis scorned in love keats lived a full life in his short time
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and it does make me sad sometimes to think
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that the world doesn't have all the poems
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that they might have he was on the cusp of writing some contenders for
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milton's paradise lost had he just lived another 10 20 years
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but i think this was shakespeare as well i think
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this was every great poet who didn't get beyond his 30s 40s 50s 60s 70s even um
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but that's okay we have plenty to choose from i would implore
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you to read as much keats as you can get your
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hands on it was really difficult to pick one poem do i pick to autumn season of mists
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and mellow fruitfulness close bosom friend of the maturing sun do i choose ode to a nightingale my heart aches
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and a drowsy numbness pains my sense as though of hemlock i had drunk
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or do i choose ode on a grecian urn thou still unravished bride of quietness thou foster child of silence
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and slow time sylvan historian no if i have to choose one that i and oh no this is too hard
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Let's just say, for now, which will probably change by the end of the day, I choose John Keats's La Belle Dame sans Merci.
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Oh, what can ail thee, knight at arms, alone and palely loitering?
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The sedge is withered from the lake, and no birds sing.
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Now imagine that you fall in love with a fairy, you fall in love with a magical being from beyond the netherworld,
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from the dream world you fall in love with her you eat the fruit of the fairy lands
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and then you are damned to return to mortality think about how much pain you would be in
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and that's la belle d 'amson's mercy
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and next I should probably mention John Dunne's a nocturnal upon st. Lucie's day being the shortest day
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I mentioned this because this is the poem that enraptured me
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that sort of broke me into poetry in fact there's a specific line
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and everybody who loves poetry without fail has one specific line
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or phrase or a part of a poem
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that they thought wow i didn't realize language could do that
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and for me it comes in a nocturnal upon saint lucy's day
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and it is the it's the part where dunn says study me
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then you who shall love us be at the next world
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that is at the next spring for i am every dead thing it was
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that for i am every dead thing and i know
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that might not sound like much it's not hugely resonant um
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but i thought it was at the time i must have been 12 13 around
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that time maybe 14 for i am every dead thing
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and i thought wow typical hormonal teacher i thought wow you can say
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that in poetry and not only can you say that
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but i felt the sincerity of don um
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if you want to get further into don
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i would recommend after reading a handful of his poems like the ecstasy
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and the flea he was a metaphysical poet by the way and he has some very interesting conceptual things,
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you might want to move on to his sermons.
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I studied his sermons along with Lancelot Andrew's sermons at university my second year at Oxford, and he does some very,
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very cool things with biblical exegesis, deep diving into scripture.
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And I would particularly recommend his sermon on the passage, Jesus wept, the shortest part, the shortest scripture in the Bible,
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two words jesus wept and he spins it out into the most phenomenal lecture
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or sermon um really really cool stuff
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so john dunn let's move on to the last poet
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that i want to recommend or the last poem
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that haunts me has to be shakespeare doesn't it now it's actually impossible to choose one part of shakespeare
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that i want to share with you do you pick something from one of his plays something
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that a character said a soliloquy
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or do you pick one of his many poems his sonnets alone are endlessly ripe and your favourites will change over time.
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I issued a call, a homework reading assignment for you all listening to the podcast
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and hopefully those signing on to the book club forthcoming, details coming soon on that one,
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to read all of Shakespeare's sonnets in sequence and then collect and rank your favourites.
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You'll know
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that this is one of my favourites, it's sonnet 121 tis better to be vile than vile esteemed
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when not to be receives reproach of being and the just pleasure lost which is so deemed not by our feeling,
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but by others' seeing.
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For why should others' false, adulterate eyes give salutation to my sportive blood?
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Or are my frailties, why are frailer spies, which in their wills count bad what I think good?
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No, I am that I am, and they that level at my abuses reckon up their own.
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I may be straight, though they themselves be bevel,
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by their rank thoughts my deeds must not be shown unless this general evil they maintain all men are bad
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and in their badness reign if you want to go
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and deep dive with me on the sonnets it will be part of the book club
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when we kick it off we're reading
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Anna Karenina together over the long term
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and we're also doing the first 17 sonnets the procreation sequence from February onwards
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so details in the link below
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if you sign up to the anna book club then you can get straight in
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when it drops but let me know what poems haunt you what poems or lines from poems pulled you into
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appreciating poetry what poets do you recommend let me know and
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if you enjoyed this video i'd really appreciate it
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if you hit the like button and subscribe and i'll keep making more have a Lovely day and happy reading.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione si basa sul video “The 7 Poems that Haunt Me the Most”. Questo video contiene 282 frasi e 3568 parole da ripetere con lo shadowing. Il parlato dura 21:12. Chi parla ha un ritmo naturale di circa 168 parole al minuto, vicino a una conversazione quotidiana. Solo il 74% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.
Vocaboli chiave di questo video
15 parole del video che vale la pena imparare, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| poem sostantivo | /ˈpoʊ.əm/ | poema, poesia |
| poet sostantivo | /ˈpoʊ.ət/ | poeta, poetessa |
| poetry sostantivo | /ˈpoʊ.ə.tɹi/ | poesia |
| sermon sostantivo | /ˈsɝ.mən/ | sermone, predica |
| nightmare sostantivo | /ˈnaɪt.mɛɚ/ | incubo, brutto sogno |
| aisle sostantivo | /aɪ̯l/ | collaterale, navata laterale |
| haunt verbo | /hɔnt/ | infestare |
| purple sostantivo | /ˈpɝ.pl̩/ | viola |
| tiger sostantivo | /ˈtaɪɡə/ | tigre |
| passage sostantivo | /ˈpæsɪd͡ʒ/ | passo |
| grief sostantivo | /ɡɹiːf/ | dolore, pena |
| inspire verbo | /ɪnˈspaɪə(ɹ)/ | ispirare |
| bloom sostantivo | /blum/ | fioritura |
| poetic aggettivo | /poʊˈɛtɪk/ | poetico |
| pocket sostantivo | /ˈpɑ.kɪt/ | tasca |
I phrasal verb che sentirai
| Parola | Significato |
|---|---|
| check out verbo | investigare |
| come across verbo | dare l'impressione, avere l'aria |
| go through verbo | attraversare |
| find out verbo | scoprire |
| go off verbo | esplodere |
| pass away verbo | scomparire, mancare |
| pick up verbo | tirare su, sollevare |
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Frasi condizionali if + frase, will/would + verbo — una condizione e il suo risultato | if you know anything about mythology you'll know · If you like dramatic monologues, you'll like · if you like him you'll you |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | be haunted · was granted · are filled |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | have haunted · you've listened · I've not seen |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | those who came · poem which is · River which is |
Pronuncia a cui fare attenzione
Chi parla usa 64 contrazioni e forme ridotte, come you'll, I'm, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “th”: aesthetic /ɛsˈθɛ.tɪk/, heather /ˈhɛðɚ/, beneath /bɪˈniːθ/, wither /ˈwɪðɚ/
- I suoni “sh” e “zh”: shadow /ˈʃædəʊ̯/, sheet /ʃit/, shake /ˈʃeɪk/, shore /ʃɔɹ/, interpretation /ɪnˌtɜːpɹəˈteɪʃən/
- Parole lunghe — attenzione all’accento: literary /ˈlɪt.(ə.)ɹə.ɹi/, interpretation /ɪnˌtɜːpɹəˈteɪʃən/, motivation /ˈmoʊ.tə.veɪ.ʃən/, communicate /kəˈmjuːnɪkeɪt/, recommendation /ˌɹɛkəmɛnˈdeɪʃən/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: haunt /hɔnt/, horn /hɔɹn/, heather /ˈhɛðɚ/, honey /ˈhʌni/, homework /ˈhoʊmˌwɝk/
- Consonante finale — senza aggiungere una vocale dopo: poet /ˈpoʊ.ət/, haunt /hɔnt/, passage /ˈpæsɪd͡ʒ/, grief /ɡɹiːf/, poetic /poʊˈɛtɪk/
- /æ/ — più aperta della “e”: passage /ˈpæsɪd͡ʒ/, rank /ˈɹæŋk/, romantic /ɹoʊˈmæn(t)ɪk/, dramatic /dɹəˈmætɪk/, wrap /ɹæp/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come poem, poet, poetry.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.