シャドーイング練習: John Deacon Interview 1986 - 動画で英語スピーキングを学ぶ
レッスンを作成中...
1
Since the release of the works in 1984 you've been relatively quiet.
2
Yes, in a way We did some touring last year We did a big festival in Brazil, Rock and Rio festival in January last year
3
And then later on in the year we went on and we did a concert in Auckland
4
New Zealand and some in Australia and some in Japan.
5
Now we had the scripts and we went to see
6
Quite a lot of the footage that they got already
7
and then we all went away and all tried to write songs for various bits
8
I actually found it hard to find a spot.
9
It took me a long while to find something where I could actually, something A to write about in terms of the lyrical idea to fitting with the film,
10
and also where it could go in the film.
11
So I ended up writing a slow, another slow ballad in a 6 -8 sort of, which is called One Year of Love,
12
and that goes, that's when he eventually decides to have another relationship with a woman again, because he vowed he never would again because it hurt him so much the first one.
13
So that's when we came to do the album.
14
We did all the music for the film first and they dubbed it onto the film.
15
Then when we came to do the album we actually rearranged a lot of the tracks, made them longer and wrote more lyrics and tried to make them into fully fledged songs.
16
So they stand up in their own right without necessarily having to be with the film.
17
You could actually hear them on the radio and they would sound like songs rather than actually more incidental music.
18
In the early days it was Brian and Freddie who really used to write most of the material, And Roger and I have started to contribute more,
19
and the fact that we've all had hit singles, that's really been quite a balancing factor.
20
And that's very rewarding in a way.
21
I think if I'd just been a bass player all my life with the band, it wouldn't be so satisfying to sit here now and that would have been my input.
22
Because I only consider that as part of what I do.
23
You know, actually writing songs and also being involved in the decision making processes, you know, or arguments or whatever, is nice, you know, I mean,
24
it really feels that you're part of, you know, of our own destiny, really.
25
De juin à juillet, ce n 'est pas dans dix villes que Queen va tourner, mais dans dix pays.
26
Combien de temps faut -il pour préparer une telle aventure?
27
Veillez -vous personnellement à tous les détails.
28
Qu 'est -ce qui se trouve?
29
We're starting on it now, really, ideas for the staging and lighting and that sort of thing.
30
I'm not particularly involved in that, but we really won't get into gear until May, when we actually get together and start rehearsing.
31
We're going to rehearse here in London for two or three weeks.
32
And that's quite a commitment from us, in a way, really, because Freddie's sometimes a little reluctant to go on the road these days.
33
We can't just go out and play now, you know, say, oh, we do this number, we'll do that number.
34
Obviously, there's certain numbers that we have to play.
35
I mean some of the bigger hits we have to play but choosing from the rest of them is quite difficult
36
it really is quite difficult and you know there are some numbers
37
that we've forgotten what key it's in
38
because we've got such a vast amount of material over the
39
years we actually do forget some of our older numbers it
40
wasn't another gig at all in fact i had a really bad attack of nerves in the morning
41
because of the tv and you knew it was being satellited everywhere we walked out there You know, there's the four of us, no sound check, no lights,
42
and the response we got was very, you know, it was, we didn't, you know, it hit us a bit that day.
43
Like weeks afterwards, we realized, you know, how successful it was.
44
I don't know what to say about that, really.
45
When we first started, we always had, we were future thinking in the fact that we wanted to do this, we wanted to tour here, we wanted to go there,
46
we wanted our albums to be successful here and there and ever, you know, and we worked really hard at it.
47
But in a strange way, now we have achieved that in a lot of countries in the world.
48
It does take away some of the incentive.
49
I think we all find it quite difficult now to actually sort of, to do nothing, to laze around and do nothing.
50
We all get, I don't know, we all get very bored and get fidgety and want to do something, work, which is good I suppose in a way.
51
I'm going probably through a very uncertain phase in my life at the moment.
52
Part of the insecurities of being involved in the music business or in a band.
53
And over the years, we have actually had quite a wide age range.
54
I mean, apart from the fact that we've actually been doing it for so long and we've grown up through it all.
55
You know, I mean, people who started out the same age as us when we started, you know, early 20s and whatever, still, we have some that still follow us.
56
We've also picked up a lot of younger people as well as we've gone along.
57
I, I, it's very hard because it, when we look back on it, because it's so many years ago now, and were we that shocking?
✨ おすすめ動画
B23
117 文
Roger Taylor Interview : Explains How Freddie Mercury Wrote Bicycle Race
Daily ConversationWorking Adults
B22
19 文
ANNIHILATOR | Jeff Waters | Interview 1990 | Hard'n Heavy VHS | Thrash and Speed Metal Special
Daily ConversationWorking Adults
B22
62 文
I wanted David Byron to REJOIN Uriah Heep! HE WOULDN'T LISTEN!
Daily ConversationWorking Adults
B21
50 文
Brian Johnson & AC/DC: The Definitive Story Of How He Joined The Best Band In The World
Daily ConversationWorking Adults
B21
871 文
The Best Johnny Depp Moments | David Letterman
Daily ConversationWorking Adults
B21
95 文
Mike Muir from Suicidal Tendencies on living tenaciously through the tough times!
Daily ConversationWorking Adults
B23
12 文
Graham Bonnet discusses the recording of Rainbow's 'All Night Long'
Daily ConversationWorking Adults
B21
80 文
Fear Factory interview - Dino Cazares and Burton C Bell (part 3)
Daily ConversationWorking Adults
B22
23 文
Tony Iommi's Goodbye Message to Ronnie James Dio
Daily ConversationWorking Adults
B23
27 文
Paul Di'Anno interview 1987 (Spanish TV)
Daily ConversationWorking Adults
B22
67 文
Izzy Stradlin From Guns N Roses Rare Interview From Rock In Rio 1991
Daily ConversationWorking Adults
B21
35 文
Totally Committed (The AWOLNATION Podcast) - Chino Moreno of Deftones
Daily ConversationWorking Adults
このレッスンの語彙とスピーキングのポイント
このスピーキングレッスンは、動画「John Deacon Interview 1986」を教材にしています。 この動画には、シャドーイング用の文が57文、単語が981語あります。 音声の長さは4:53です。 話す速さは速く、1分あたり約201語です。音のつながりや弱く発音される音が多くなります。 単語の85%は英語の頻出3,000語に含まれます。残りは練習の前に確認しておきましょう。
この動画の重要語彙
動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。
| 単語 | 発音 | 意味 |
|---|---|---|
| vast 形容詞 | /væst/ | 広大な, 莫大な |
| adventure 名詞 | /ədˈvɛn.t͡ʃə/ | アドベンチャー, 冒険 |
| shock 名詞 | /ʃɔk/ | 衝撃, ショック |
| afterwards 副詞 | /ˈæf.tɚ.wɚdz/ | その後, それから |
| script 名詞 | /skɹɪpt/ | 文書, 文章 |
| lyrics 名詞 | /ˈlɪɹ.ɪks/ | 歌詞, リリック |
| contribute 動詞 | /kənˈtɹɪb.jut/ | 貢献する |
| tail 名詞 | /ˈteɪ̯l/ | 尻尾, しっぽ |
| reward 名詞 | /ɹɪˈwɔɹd/ | 見返り, 賞 |
| satellite 名詞 | /ˈsætəlaɪ̯t/ | 衛星 |
| footage 名詞 | /ˈfʊtɪd͡ʒ/ | 映像 |
| bass 名詞 | /beɪs/ | ベース |
| nerve 名詞 | /nɝv/ | 神経 |
| pour 動詞 | /poɹ/ | 注ぐ |
| satisfy 動詞 | /ˈsætɪsfaɪ/ | 満たす |
動画に出てくる句動詞
| 単語 | 意味 |
|---|---|
| go away 動詞 | 去る, 出る |
| go out 動詞 | 出る |
| grow up 動詞 | 成長する, 大人に成る |
| pick up 動詞 | 拾う, 拾い上げる |
この動画の文法
話し手がよく使っている文型を、動画の実際の表現とともに紹介します。
| 文型 | 動画での表現 |
|---|---|
| 現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している | you've been · have started · we've forgotten |
| 受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる | is called · being involved · being satellited |
| 関係詞節 who / which + 節 — 人や物について情報を加える | work, which is · people who started |
注意したい発音
話し手はwe've, don't, I'mなど、短縮形や弱形を22回使っています。聞こえたとおりの短い形で発音しましょう。
- 長い単語（アクセントの位置に注意）: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, incidental /ɪnsɪˈdɛntəl/
日本語話者が苦手な音：
- /r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, lyrics /ˈlɪɹ.ɪks/, reluctant /ɹɪˈlʌktənt/, lyrical /ˈlɪɹɪkəl/
- /v/ — /b/ にならないように、上の歯を下唇に当てる: vast /væst/, adventure /ədˈvɛn.t͡ʃə/, nerve /nɝv/, incentive /ɪnˈsɛntɪv/, vow /vaʊ/
- /f/ — 「フ」ではなく、上の歯と下唇で出す: afterwards /ˈæf.tɚ.wɚdz/, footage /ˈfʊtɪd͡ʒ/, satisfy /ˈsætɪsfaɪ/, fidgety /ˈfɪd͡ʒɪti/, fledged /flɛd͡ʒd/
この動画での練習方法
- まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
- まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
- 自分の声を録音して元の音声と比べます。vast, adventure, shockなどの単語に特に注意しましょう。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。