Prática de Shadowing: John Deacon Interview 1986 - Aprenda a falar inglês com vídeo

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Since the release of the works in 1984 you've been relatively quiet.
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Yes, in a way We did some touring last year We did a big festival in Brazil, Rock and Rio festival in January last year
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And then later on in the year we went on and we did a concert in Auckland
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New Zealand and some in Australia and some in Japan.
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Now we had the scripts and we went to see
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Quite a lot of the footage that they got already
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and then we all went away and all tried to write songs for various bits
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I actually found it hard to find a spot.
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It took me a long while to find something where I could actually, something A to write about in terms of the lyrical idea to fitting with the film,
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and also where it could go in the film.
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So I ended up writing a slow, another slow ballad in a 6 -8 sort of, which is called One Year of Love,
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and that goes, that's when he eventually decides to have another relationship with a woman again, because he vowed he never would again because it hurt him so much the first one.
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So that's when we came to do the album.
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We did all the music for the film first and they dubbed it onto the film.
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Then when we came to do the album we actually rearranged a lot of the tracks, made them longer and wrote more lyrics and tried to make them into fully fledged songs.
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So they stand up in their own right without necessarily having to be with the film.
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You could actually hear them on the radio and they would sound like songs rather than actually more incidental music.
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In the early days it was Brian and Freddie who really used to write most of the material, And Roger and I have started to contribute more,
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and the fact that we've all had hit singles, that's really been quite a balancing factor.
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And that's very rewarding in a way.
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I think if I'd just been a bass player all my life with the band, it wouldn't be so satisfying to sit here now and that would have been my input.
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Because I only consider that as part of what I do.
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You know, actually writing songs and also being involved in the decision making processes, you know, or arguments or whatever, is nice, you know, I mean,
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it really feels that you're part of, you know, of our own destiny, really.
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De juin à juillet, ce n 'est pas dans dix villes que Queen va tourner, mais dans dix pays.
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Combien de temps faut -il pour préparer une telle aventure?
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Veillez -vous personnellement à tous les détails.
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Qu 'est -ce qui se trouve?
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We're starting on it now, really, ideas for the staging and lighting and that sort of thing.
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I'm not particularly involved in that, but we really won't get into gear until May, when we actually get together and start rehearsing.
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We're going to rehearse here in London for two or three weeks.
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And that's quite a commitment from us, in a way, really, because Freddie's sometimes a little reluctant to go on the road these days.
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We can't just go out and play now, you know, say, oh, we do this number, we'll do that number.
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Obviously, there's certain numbers that we have to play.
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I mean some of the bigger hits we have to play but choosing from the rest of them is quite difficult
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it really is quite difficult and you know there are some numbers
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that we've forgotten what key it's in
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because we've got such a vast amount of material over the
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years we actually do forget some of our older numbers it
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wasn't another gig at all in fact i had a really bad attack of nerves in the morning
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because of the tv and you knew it was being satellited everywhere we walked out there You know, there's the four of us, no sound check, no lights,
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and the response we got was very, you know, it was, we didn't, you know, it hit us a bit that day.
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Like weeks afterwards, we realized, you know, how successful it was.
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I don't know what to say about that, really.
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When we first started, we always had, we were future thinking in the fact that we wanted to do this, we wanted to tour here, we wanted to go there,
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we wanted our albums to be successful here and there and ever, you know, and we worked really hard at it.
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But in a strange way, now we have achieved that in a lot of countries in the world.
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It does take away some of the incentive.
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I think we all find it quite difficult now to actually sort of, to do nothing, to laze around and do nothing.
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We all get, I don't know, we all get very bored and get fidgety and want to do something, work, which is good I suppose in a way.
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I'm going probably through a very uncertain phase in my life at the moment.
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Part of the insecurities of being involved in the music business or in a band.
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And over the years, we have actually had quite a wide age range.
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I mean, apart from the fact that we've actually been doing it for so long and we've grown up through it all.
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You know, I mean, people who started out the same age as us when we started, you know, early 20s and whatever, still, we have some that still follow us.
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We've also picked up a lot of younger people as well as we've gone along.
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I, I, it's very hard because it, when we look back on it, because it's so many years ago now, and were we that shocking?

Vocabulário e dicas de fala para esta lição

Esta aula de conversação usa o vídeo “John Deacon Interview 1986”. Este vídeo tem 57 frases e 981 palavras para praticar shadowing. A fala dura 4:53. O falante fala rápido, cerca de 201 palavras por minuto, então espere sons ligados e reduzidos. 85% das palavras estão entre as 3.000 mais comuns do inglês; vale a pena estudar o restante antes de começar.

Vocabulário principal deste vídeo

15 palavras do vídeo que vale a pena aprender, com pronúncia e significado:

PalavraPronúnciaSignificado
vast adjetivo/væst/vasto
necessarily advérbio/ˌnɛs.əˈsɛɹ.ə.li/necessariamente
adventure substantivo/ədˈvɛn.t͡ʃə/aventura
gear substantivo/ɡɪɚ/equipamento
shock substantivo/ʃɔk/choque
commitment substantivo/kəˈmɪtmənt/compromisso, promessa
afterwards advérbio/ˈæf.tɚ.wɚdz/depois, mais tarde
script substantivo/skɹɪpt/escrito
lyrics substantivo/ˈlɪɹ.ɪks/letra
contribute verbo/kənˈtɹɪb.jut/contribuir
tail substantivo/ˈteɪ̯l/rabo, cauda
reward substantivo/ɹɪˈwɔɹd/recompensa
satellite substantivo/ˈsætəlaɪ̯t/satélite
footage substantivo/ˈfʊtɪd͡ʒ/material
bass substantivo/beɪs/baixo

Phrasal verbs que você vai ouvir

PalavraPronúnciaSignificado
end up verboterminar, acabar
get together verboreunir
go away verbosair, partir
go out verbosair
grow up verbocrescer
pick up verbopegar
take away verbo/ˌteɪk əˈweɪ/levar embora, retirar

Gramática neste vídeo

As estruturas que o falante mais usa, com as palavras exatas do vídeo:

EstruturaNo vídeo
Present perfect have/has + particípio passado — uma ação passada que ainda importa agorayou've been · have started · that's really been
Voz passiva be + particípio passado — o foco está no que acontece, não em quem fazis called · being involved · being satellited
Orações relativas who / which + oração — informação extra sobre uma pessoa ou coisawork, which is · people who started

Pronúncia para ficar de olho

O falante usa 22 contrações e formas reduzidas, como we've, don't, I'm. Diga-as na forma curta, do jeito que você ouve.

  • Palavras longas — acerte a sílaba tônica: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, incidental /ɪnsɪˈdɛntəl/

Sons difíceis para falantes de português:

  • Consoante final — sem acrescentar um “i” depois: bind /ˈbaɪ̯nd/, vast /væst/, shock /ʃɔk/, commitment /kəˈmɪtmənt/, script /skɹɪpt/
  • /l/ final — a língua toca o céu da boca, não vira “u”: tail /ˈteɪ̯l/, incidental /ɪnsɪˈdɛntəl/, lyrical /ˈlɪɹɪkəl/

Como praticar com este vídeo

  1. Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
  2. Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
  3. Grave a sua voz e compare com o original, prestando atenção a palavras como vast, necessarily, adventure.

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.

Técnica de shadowing: leia o guia completo passo a passo →