跟讀練習: John Deacon Interview 1986 - 通過影片學習英語口語

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57 句

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Since the release of the works in 1984 you've been relatively quiet.

Yes, in a way We did some touring last year We did a big festival in Brazil, Rock and Rio festival in January last year

And then later on in the year we went on and we did a concert in Auckland

New Zealand and some in Australia and some in Japan.

Now we had the scripts and we went to see

Quite a lot of the footage that they got already

and then we all went away and all tried to write songs for various bits

I actually found it hard to find a spot.

It took me a long while to find something where I could actually, something A to write about in terms of the lyrical idea to fitting with the film,

and also where it could go in the film.

So I ended up writing a slow, another slow ballad in a 6 -8 sort of, which is called One Year of Love,

and that goes, that's when he eventually decides to have another relationship with a woman again, because he vowed he never would again because it hurt him so much the first one.

So that's when we came to do the album.

We did all the music for the film first and they dubbed it onto the film.

Then when we came to do the album we actually rearranged a lot of the tracks, made them longer and wrote more lyrics and tried to make them into fully fledged songs.

So they stand up in their own right without necessarily having to be with the film.

You could actually hear them on the radio and they would sound like songs rather than actually more incidental music.

In the early days it was Brian and Freddie who really used to write most of the material, And Roger and I have started to contribute more,

and the fact that we've all had hit singles, that's really been quite a balancing factor.

And that's very rewarding in a way.

I think if I'd just been a bass player all my life with the band, it wouldn't be so satisfying to sit here now and that would have been my input.

Because I only consider that as part of what I do.

You know, actually writing songs and also being involved in the decision making processes, you know, or arguments or whatever, is nice, you know, I mean,

it really feels that you're part of, you know, of our own destiny, really.

De juin à juillet, ce n 'est pas dans dix villes que Queen va tourner, mais dans dix pays.

Combien de temps faut -il pour préparer une telle aventure?

Veillez -vous personnellement à tous les détails.

Qu 'est -ce qui se trouve?

We're starting on it now, really, ideas for the staging and lighting and that sort of thing.

I'm not particularly involved in that, but we really won't get into gear until May, when we actually get together and start rehearsing.

We're going to rehearse here in London for two or three weeks.

And that's quite a commitment from us, in a way, really, because Freddie's sometimes a little reluctant to go on the road these days.

We can't just go out and play now, you know, say, oh, we do this number, we'll do that number.

Obviously, there's certain numbers that we have to play.

I mean some of the bigger hits we have to play but choosing from the rest of them is quite difficult

it really is quite difficult and you know there are some numbers

that we've forgotten what key it's in

because we've got such a vast amount of material over the

years we actually do forget some of our older numbers it

wasn't another gig at all in fact i had a really bad attack of nerves in the morning

because of the tv and you knew it was being satellited everywhere we walked out there You know, there's the four of us, no sound check, no lights,

and the response we got was very, you know, it was, we didn't, you know, it hit us a bit that day.

Like weeks afterwards, we realized, you know, how successful it was.

I don't know what to say about that, really.

When we first started, we always had, we were future thinking in the fact that we wanted to do this, we wanted to tour here, we wanted to go there,

we wanted our albums to be successful here and there and ever, you know, and we worked really hard at it.

But in a strange way, now we have achieved that in a lot of countries in the world.

It does take away some of the incentive.

I think we all find it quite difficult now to actually sort of, to do nothing, to laze around and do nothing.

We all get, I don't know, we all get very bored and get fidgety and want to do something, work, which is good I suppose in a way.

I'm going probably through a very uncertain phase in my life at the moment.

Part of the insecurities of being involved in the music business or in a band.

And over the years, we have actually had quite a wide age range.

I mean, apart from the fact that we've actually been doing it for so long and we've grown up through it all.

You know, I mean, people who started out the same age as us when we started, you know, early 20s and whatever, still, we have some that still follow us.

We've also picked up a lot of younger people as well as we've gone along.

I, I, it's very hard because it, when we look back on it, because it's so many years ago now, and were we that shocking?

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本課的詞彙與口語要點

這節口語課以影片“John Deacon Interview 1986”為素材。這段影片共有 57 個句子、981 個單詞可供跟讀。講話部分時長為 4:53。說話人語速較快，每分鐘約 201 個詞，會出現較多連讀和弱讀。 85% 的單詞屬於英語最常用的 3,000 詞，其餘的詞建議在練習前先學一下。

影片中的重點詞彙

影片中 15 個值得學習的單詞，附發音和釋義：

單詞	發音	釋義
vast 形容詞	/væst/	浩大
necessarily 副詞	/ˌnɛs.əˈsɛɹ.ə.li/	必然地, 必定地
adventure 名詞	/ədˈvɛn.t͡ʃə/	奇遇, 冒險 /冒險
shock 名詞	/ʃɔk/	衝擊 /衝擊
commitment 名詞	/kəˈmɪtmənt/	承諾 /承諾
afterwards 副詞	/ˈæf.tɚ.wɚdz/	然後 /然後
script 名詞	/skɹɪpt/	文章
input 名詞	/ˈɪnpʊt/	輸入 /輸入
lyrics 名詞	/ˈlɪɹ.ɪks/	歌詞 /歌詞
contribute 動詞	/kənˈtɹɪb.jut/	貢獻 /貢獻
tail 名詞	/ˈteɪ̯l/	йиба, 尾
reward 名詞	/ɹɪˈwɔɹd/	報酬 /報酬, 獎勵 /獎勵
satellite 名詞	/ˈsætəlaɪ̯t/	衛星 /衛星
footage 名詞	/ˈfʊtɪd͡ʒ/	影片, 錄影 /錄影
bass 名詞	/beɪs/	低音

影片中出現的短語動詞

單詞	釋義
end up 動詞	到達
go away 動詞	離開 /離開, 走
go out 動詞	出, 出口
grow up 動詞	長大 /長大
pick up 動詞	拾取, 撿 /撿

影片中的語法

說話人最常用的結構，並附上影片中的原話：

結構	影片中的用法
現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事	you've been · have started · that's really been
被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的	is called · being involved · being satellited
定語從句 who / which + 從句 — 補充說明人或事物	work, which is · people who started

需要注意的發音

說話人用了 22 次縮略和弱讀形式，例如 we've, don't, I'm。請按聽到的簡短形式來說。

長單詞——注意重音位置: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, incidental /ɪnsɪˈdɛntəl/

中文母語者容易讀錯的音：

/v/ — 不要讀成 /w/，上齒輕觸下唇: vast /væst/, adventure /ədˈvɛn.t͡ʃə/, nerve /nɝv/, incentive /ɪnˈsɛntɪv/, vow /vaʊ/
詞尾子音 — 要讀清楚，後面不要加母音: bind /ˈbaɪ̯nd/, vast /væst/, shock /ʃɔk/, commitment /kəˈmɪtmənt/, afterwards /ˈæf.tɚ.wɚdz/
/r/ 和 /l/ 的區別: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, lyrics /ˈlɪɹ.ɪks/, reluctant /ɹɪˈlʌktənt/, lyrical /ˈlɪɹɪkəl/

如何用這段影片練習

先完整聽一遍影片，不要開口，記下不認識的單詞。
先用 0.75 倍速逐句跟讀，熟練之後再回到正常速度。
錄下自己的聲音並與原聲對比，特別注意 vast, necessarily, adventure 這類單詞。

什麼是跟讀法？

跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

影子跟讀法: 閱讀完整分步指南 →

跟讀練習: John Deacon Interview 1986 - 通過影片學習英語口語

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