Shadowing Practice: FCE1 TEST1 PART4 - Learn English Speaking with Video

Les maken...
1
Now turn to part four.
2
You'll hear an interview with Trina Travos, a pop singer who is only 15.
3
For questions 24 to 30, choose the best answer A, B or C.
4
You now have one minute in which to look at part four.
5
Thank you.
6
Thank you.
7
Marina, you're 15 and you've just come back from America where you've been making records.
8
What was it like?
9
It was wonderful.
10
I had the six-week school summer holidays and, you know, went over there for a month and then started school again.
11
What did your classmates at school think?
12
I just told close friends what I was doing in the States and I thought, well, if the records were successful then I'd tell everyone.
13
And they were successful.
14
Right.
15
And my friends were very good about it, not envious or anything.
16
Did you like being in the USA?
17
Oh, yes.
18
Most of the time it was great.
19
The people are so friendly.
20
Did you manage to write any songs there?
21
Well, yeah, I did.
22
Most of the stuff I'd done in England had been about the people closest to me.
23
You know, Mum, Dad, my sister.
24
They weren't with me in the States.
25
And although I miss them, and silly things like the rain in England and fish and chips, being surrounded with new faces gave me lots of material for my songs.
26
Now, your home in England is a long way from London.
27
Yes, about as far as you can get.
28
So, is it easy to get into the music business if you live that far away?
29
Don't you have to be in London, or near a big city at least?
30
No, no. We did play in London once.
31
We were actually approached at a local concert, so I don't think it's impossible to get noticed anywhere.
32
There are lots of record companies looking for bands, and they do go quite a long way from the cities to find them.
33
I was lucky with my band, and there have been other bands like us that have been lucky as well, so you don't have to come from a huge city to be discovered.
34
Now, in the USA you did a song with someone who was a star when I was your age, David Pearson, and you hadn't any idea who he was.
35
No, it was embarrassing actually, but he was a really pleasant guy.
36
Yeah?
37
He was recording an album in the same studio and he had this song that he needed someone to sing with him.
38
And he asked me and I was only too delighted to do it.
39
But that wasn't the only famous star you worked with in the States, was it?
40
No, there was Lance Lakatov.
41
But you had heard of him?
42
Yes, he's a bit of a hero of mine, in fact.
43
And you were in his TV series?
44
Yes.
45
And what was that like?
46
It was a really good experience.
47
I hadn't done anything like that before.
48
And they filmed us for three or four days, you know, and that was the end of it.
49
Oh, so I thought, but they'd made some mistakes, which was such a shame, because I had to go back to the USA.
50
Oh!
51
I came home to England, and then they phoned up and said they had some bad camera work, etc., and had to fly all the way back and do it again.
52
Actually, in the USA, your record did well, but not here in England.
53
Why is that?
54
Because you've never been able to get it over here in Britain.
55
The record company's never had any arrangements to sell their records in Britain, so it's always just been the USA, which is nice, in a way.
56
Why do you say that?
57
Well, it's good to come home and get away from it.
58
But is it that the company don't think your style will appeal over here?
59
No, it's purely the fact they don't operate over here.
60
But the company's just been sold, and the new company does operate over here.
61
So maybe they will release the record.
62
So, where do you see your career going?
63
Will you go back to the States?
64
Well, not for a while, I shouldn't think, as I have another two years at school here in England.
65
I know my school friends are thinking of college, but I'm not sure that's for me, even to do music.
66
Then, my agent has been trying to persuade me to do it full time, and my parents say it's up to me, but I'm happy to wait a while before that happens.
67
I can still write, after all.
68
In fact, one of my songs is in the American charts at the moment, but sung by someone else.
69
Well, the best of luck, Trina.
70
Now you'll hear part four again.
71
Trina, you're 15 and you've just come back from America where you've been making records.
72
What was it like?
73
It was wonderful.
74
I had the six-week school summer holidays and, you know, went over there for a month and then started school again.
75
What did your classmates at school think?
76
I just told close friends what I was doing in the States.
77
and I thought, well, if the records were successful, then I'd tell everyone.
78
And they were successful.
79
Right.
80
And my friends were very good about it.
81
Not envious or anything.
82
Did you like being in the USA?
83
Oh, yes.
84
Most of the time it was great.
85
The people are so friendly.
86
Did you manage to write any songs there?
87
Well, yeah, I did.
88
Most of the stuff I'd done in England had been about the people closest to me.
89
You know, mum, dad, my sister.
90
They weren't with me in the States.
91
And although I miss them, and silly things like the rain in England and fish and chips, being surrounded with new faces gave me lots of material for my songs.
92
Now, your home in England is a long way from London.
93
Yes, about as far as you can get.
94
So, is it easy to get into the music business if you live that far away?
95
Don't you have to be in London, or near a big city at least?
96
No, no. We did play in London once.
97
We were actually approached at a local concert, so I don't think it's impossible to get noticed anywhere.
98
There are lots of record companies looking for bands, and they do go quite a long way from the cities to find them.
99
I was lucky with my band, and there have been other bands like us that have been lucky as well, so you don't have to come from a huge city to be discovered.
100
Now, in the USA you did a song with someone who was a star when I was your age, David Pearson, and you hadn't any idea who he was.
101
No, it was embarrassing actually, but he was a really pleasant guy.
102
Yeah?
103
He was recording an album in the same studio, and he had this song that he needed someone to sing with him, with him and he asked me and I was only too delighted to do it.
104
But that wasn't the only famous star you worked with in the States, was it?
105
No, there was Lance Lakatov.
106
But you had heard of him?
107
Yes, he's a bit of a hero of mine, in fact.
108
And you were in his TV series?
109
Yes.
110
And what was that like?
111
It was a really good experience.
112
I hadn't done anything like that before and they filmed us for three or four days, you know, and that was the end of it.
113
Or so I thought.
114
But they'd made some mistakes, which was such a shame because I had to go back to the USA.
115
Oh!
116
I came home to England, and then they phoned up and said they had some bad camera work, etc. and had to fly all the way back and do it again.
117
Actually, in the USA, your record did well, but not here in England.
118
Why is that?
119
Because you've never been able to get it over here in Britain.
120
The record company's never had any arrangements to sell their records in Britain, so it's always just been the USA, which is nice in a way.
121
Why do you say that?
122
Well, it's good to come home and get away from it.
123
But is it that the company don't think your style will appeal over here?
124
No, it's purely the fact they don't operate over here.
125
But the company's just been sold, and the new company does operate over here, so maybe they will release the record.
126
So, where do you see your career going?
127
Will you go back to the States?
128
Well, not for a while, I shouldn't think, as I have another two years at school here in England.
129
I know my school friends are thinking of college, but I'm not sure that's for me, even to do music.
130
Then, my agent has been trying to persuade me to do it full-time, and my parents say it's up to me, but I'm happy to wait a while before that happens.
131
I can still write, after all.
132
In fact, one of my songs is in the American charts at the moment, but sung by someone else.
133
Well, the best of luck, Trina.
134
That's the end of Part 4.
135
There'll now be a pause of five minutes for you to copy your answers onto the separate answer sheet.
136
Be sure to follow the numbering of all the questions.
137
I'll remind you when there is one minute left so that you're sure to finish in time.
138
That's the end of the test.
139
Please stop now.
140
Your supervisor will now collect all the question papers and answer sheets.

Woordenschat en spreektips bij deze les

Deze spreekles op niveau B2 is gebaseerd op de video “FCE1 TEST1 PART4”. Deze woorden komen het vaakst terug: record, England, Usa, song. Deze video bevat 140 zinnen en 1645 woorden om na te spreken. Het gesproken deel duurt 9:13. De spreker praat in een natuurlijk tempo van ongeveer 178 woorden per minuut, dicht bij een alledaags gesprek. 91% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden, dus de woordenschat is goed te volgen. 32 van de 140 zinnen zijn vragen, dus het is goede oefening voor vraagintonatie en korte antwoorden.

Belangrijke woorden in deze video

De 15 moeilijkste woorden uit de video, met uitspraak en betekenis:

WoordUitspraakBetekenis
sheet zelfstandig naamwoord/ʃit/blad
discover werkwoord/dɪˈskʌvə/ontdekken
silly bijvoeglijk naamwoord/ˈsɪl.i/ondoordacht, dom
chip zelfstandig naamwoord/t͡ʃɪp/fiche
pleasant bijvoeglijk naamwoord/ˈplɛz.ənt/aangenaam, behaaglijk
delight zelfstandig naamwoord/dəˈlaɪt/vreugde, plezier
persuade werkwoord/pə(ɹ)ˈsweɪd/overtuigen, overhalen
surround werkwoord/səˈɹaʊnd/omgeven, omringen
collect werkwoord/ˈkɑlɪkt/verzamelen, opstapelen
remind werkwoord/ɹəˈmaɪnd/herinneren
pause zelfstandig naamwoord/pɔːz/pauze
supervisor zelfstandig naamwoord/ˈsupɚˌvaɪzɚ/toezichthouder, leidinggevende
marina zelfstandig naamwoord/məˈɹinə/jachthaven, passantenhaven
classmate zelfstandig naamwoord/ˈklæs.meɪt/klasgenoot, klasgenote
embarrass werkwoord/ɪmˈbæɹəs/verlegen maken, in verlegenheid brengen

Zinnen om te herhalen

Korte, volledige zinnen uit de video die je in alledaagse gesprekken kunt gebruiken:

  • What did your classmates at school think?
  • Did you manage to write any songs there?
  • I hadn't done anything like that before.
  • Why do you say that?

Grammatica in deze video

De structuren die de spreker het meest gebruikt, met de exacte woorden uit de video:

StructuurIn de video
Present perfect continuous have/has been + -ing — iets dat eerder begon en nog bezig isyou've been making · has been trying
Voorwaardelijke zinnen if + zin, will/would + werkwoord — een voorwaarde en het gevolgif the records were successful then I'd tell · if the records were successful, then I'd tell
Lijdende vorm be + voltooid deelwoord — het gaat om wat er gebeurt, niet om wie het doetbeing surrounded · were actually approached · be discovered
Present perfect have/has + voltooid deelwoord — iets uit het verleden dat nu nog teltyou've just come · have been · you've never been

Uitspraak om op te letten

De spreker gebruikt 43 samentrekkingen en verkorte vormen, zoals don't, you've, hadn't. Spreek ze kort uit, zoals je ze hoort.

Klanken die Nederlandstaligen lastig vinden:

  • Stemhebbende eindmedeklinker — /b/, /d/, /g/, /z/, /v/ niet verscherpen: persuade /pə(ɹ)ˈsweɪd/, surround /səˈɹaʊnd/, bind /ˈbaɪ̯nd/, remind /ɹəˈmaɪnd/, pause /pɔːz/
  • /æ/ — opener dan de Nederlandse “e”: classmate /ˈklæs.meɪt/, embarrass /ɪmˈbæɹəs/

Zo oefen je met deze video

  1. Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
  2. Begin op 0,75× snelheid, spreek zin voor zin na en ga terug naar normale snelheid zodra het makkelijk gaat.
  3. Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als sheet, discover, silly.

Wat is de Shadowing-techniek?

Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.

Shadowing-techniek: lees de volledige stap-voor-stap-gids →