Shadowing Practice: SPIDER-MAN 4: BRAND NEW DAY All Clips & Trailers (2026) - Learn English Speaking with Video

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www .fema .gov
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I got you, Spidey!
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No, no, I don't need your...
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Hey, hey, no!
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You okay, kid?
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Yeah, you're okay.
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See you later!
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Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, no, no, no, no, no, no, no, no, no, no,
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no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
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no, no, no, no You just hit me with a van!
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Quit your whimper.
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You can't just shoot yourself out of every situation.
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Innocent people get hurt.
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What do you think's down range of that tank, dumb -dumb?
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Suit yourself.
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Motherfucker.
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Go home, Greg!
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In this movie, we did this really cool thing to recreate all of these famous comic book covers.
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We're shooting at 420 frames per second, which is virtually impossible to act at 420 frames per second.
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And Tom had to do this kind of perfect uppercut reverse
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swan dive where we're yanking him up into the air towards the camera.
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It was a real awakening to how much control he has over every muscle in his body.
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He hit that perfect pose in two or three takes.
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That was a lot of fun trying to figure out how to do those things, and I think those shots look amazing.
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When we decided that we were going to make Spider -Man Brand New Day, We said, what if we made a suit that was an homage to Toby's and Andrew's designs?
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Because now my Peter Parker had met those guys.
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So we kind of created a spider child of all three costumes.
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Everything had to fit into the world of Peter Parker.
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And we went back to that dumpster diver kid who's retrofitting old tech.
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So a result of that is the suit that I think is beautiful in its simplicity.
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The suit does have a bit of a tactile feel to it.
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We are embracing the folds, the wrinkles.
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When it moves, it's actually material.
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And you can see the human beneath the material.
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It gave a real purpose to why the suit looks the way it does.
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There's no secret that I absolutely love Jon Bernthal.
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He is one of the nicest people that I have ever met in this business.
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I've known Tom Holland now since he was 17 years old.
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We were in Ireland together when he was first auditioning for Spider -Man.
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Tom made my first Punisher audition tape and I made his Spider -Man audition tape.
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And, you know, if anybody could have come and told us then that we'd be here now, I just think we'd be so thrilled and you have to take a second to enjoy those moments in life.
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There's always been a drive for me to share the screen with him in these characters
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and the fact that we get to do it now in this movie is so exciting.
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What the hell, Frank?
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You just hit me with the van!
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Put your windbreak.
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Suit yourself.
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When we got to set and John and I started riffing and it kind of became a really funny big brother, little brother type relationship, Destin kind of just let us run with it.
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The type of chemistry that these two have bubbles up in unexpected ways
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that cannot be written and it's my favorite rush
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when we have captured a moment that would not be able to be replicated.
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Peter Parker is always making the hard decisions and in his mind, the best way to keep the ones that he loves safe is to keep them away from him.
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He kind of starts the film with this mindset of he has to push Peter Parker to one side
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and allow Spider -Man to take up his entire existence.
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And that creates a pressure and a stress.
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So not only is everyone else going to forget who Peter Parker is, but Peter Parker is going to forget who Peter Parker is.
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and that is his biggest fear because that is the only thing
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that links him to the love of his life his best friend, his aunt that sacrificed everything for him so
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that to me is a really strong emotional drive for a character to follow
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and I was just really happy that Destin was willing to tell something
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that is a little more mature and a little more complicated Sometimes Spider -Man has to do the hard thing, even if it breaks Peter Parker's heart
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this is some of the best action
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that we've had in any of these movies
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and we shot the most stunts on the day in camera shooting
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that opening action sequence was really exhilarating it was the first thing
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that we did putting spider -man on the street with cars exploding it's just
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so awesome it's going allow the audiences to be a part of this experience
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and one of the results of
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that is we were seeing thousands of people showing up to
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watch us work it was a really lovely reminder to all
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of us how much this movie means to a lot of people in the world
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what is happening to me did you miss me spidey i'm losing my mind
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i am totally out of control i gotta fix whatever this is right now final semester m .i .t Dad,
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who do you think is actually watching these?
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Uh, maybe someone.
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Okay, well, bye someone.
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What the...
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Dr. Banner, you found a way to suppress mutating DNA, right?
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If you see me with this stuff, run.
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So could you get rid of the bad aspects, but keep the good?
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How would you decide whether parts of nature are good or bad?
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Well, sorry about that.
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You're not one of my students, are you?
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it appears we're faced with a threat we can't control one we can't even see
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you're the only one who's immune to it you're the only one who can sense it
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what do you think they're looking for oh see you stumbled
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across my board i'm not one of those weirdos i swear
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he's a little weird i'm mj you two don't know each other Yo, Spider -Man.
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You okay?
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Did you get rid of that monster inside you?
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I think I might go see how MJ's doing.
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You're not going to get away with this.
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But he might.
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I didn't know you could get that big.
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Hey, hey, hey.
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You're in danger.
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You just have to trust me.
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Fine.
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This whole thing can get really scary.
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Who the hell is that?
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Who the hell are you?
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Frank, please.
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I don't have anywhere else to go.
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By the people who love you?
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Just gonna let them go on top?
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I love you because you're you.
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If you're gonna do something, you better do it now!
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Never forget that.
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No matter how powerful you become.
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I miss you, mate.
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huh all right just give me a sec give me a sec i'm not in high school anymore
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oh did you stretch you're a big stretcher it's so good for you you ready
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yeah i know it's gonna be nuts but we have to get there before the rush okay
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shut up no not you i i gotta go i gotta go i gotta go
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you're messy yeah kid he knows okay well what are you
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doing here spider the spidey tracker wait are you looking for
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spider -man see just just wait here okay welcome to new york Hey, I heard you were looking for me.
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You good with heights?
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Como?

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Who Is This Video For?

This video is perfect for intermediate English learners ready to practice real-world conversation flow and casual dialogue. If you’re working on english speaking practice or mastering the shadowing technique, the mix of fast-paced exchanges, slang, and behind-the-scenes interviews offers dynamic material. It’s ideal for those aiming to sound natural in both everyday chats and more expressive speech.

Words & Idioms Worth Stealing

  • "Quit your whimper": Stop complaining. Great for casual, direct tone.
  • "Suit yourself": Do as you please (often with a hint of frustration). Common in everyday arguments.
  • "Riffing": Improvising dialogue or ideas. Useful for describing creative collaboration.
  • "Bubbles up": Emerges naturally. Perfect for talking about unplanned moments.

These phrases add authenticity to your speech—practice saying them aloud to nail their rhythm.

How to Get the Accent Right

The video features conversational American English with varying speeds: quick, panicked lines ("Come on, come on!") and slower, reflective interviews. For shadow speak, focus on: - Reduced speech: "Got you" vs. "Gotcha" (listen for how "I got you" shortens in fast dialogue). - Stress in slang: Emphasize "whim-" in "whimper" and "suit" in "suit yourself" to match the speaker’s tone. - Pacing shifts: Shadow the behind-the-scenes parts to practice smooth, connected speech, then switch to the action lines to build fluency in rapid exchanges. Use the shadowing technique by pausing the video, repeating lines immediately, and mimicking both sound and rhythm. This helps train your mouth to move like a native and improves listening comprehension. Learning English with videos like this makes practice fun—you’ll pick up real language while engaging with exciting content. Keep at it, and you’ll notice your speech sounding more natural in no time!

Grammar in this video

The structures the speaker uses most, with the exact words from the video:

StructureIn the video
Present perfect have/has + past participle — a past action that still matters nowhave ever met · I've known · There's always been
Relative clauses who / which + clause — extra information about a person or thingsecond, which is · one who can · people who love
Passive voice be + past participle — the focus is on what happens, not who does itcannot be written · be replicated

What is the Shadowing Technique?

Shadowing is a science-backed language learning technique originally developed for professional interpreter training and popularized by polyglot Dr. Alexander Arguelles. The method is simple but powerful: you listen to native English audio and immediately repeat it out loud — like a shadow following the speaker with just a 1–2 second delay. Unlike passive listening or grammar drills, shadowing forces your brain and mouth muscles to simultaneously process and reproduce real speech patterns. Research shows it significantly improves pronunciation accuracy, intonation, rhythm, connected speech, listening comprehension, and speaking fluency — making it one of the most effective methods for IELTS Speaking preparation and real-world English communication.

Shadowing technique: read the full step-by-step guide →