Prática de Shadowing: Christina Aguilera | On The Record - Aprenda a falar inglês com vídeo
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It's not really on my agenda to really worry about what are people going to think
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because then I would be living by their standards and rules.
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I take pride in expressing my sexuality as a female.
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I think my fans have come to expect that.
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If I'm a bitch, then I'm a bitch.
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If that's what an assertive woman is to you.
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I've come full circle.
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Welcome, Christina.
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Thank you.
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You're on the record with Fuse.
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Thanks for coming by.
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Thank you.
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I know you're feeling a little stuffy today.
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A little under the weather, thank you.
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Yes, for clarifying so everybody knows.
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Bear with me today.
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That's supposed to get a little huskiness to your voice.
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It's working, you know.
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A little bit, a little bit.
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Alright, let's talk about your family life.
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Do you film everything your son does?
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In every single move he makes, you're do -doop, right?
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I wish I was a little better about it.
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I'm a book person, so I write down everything.
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And I'm always journaling and I keep his own specific journal.
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I have two pregnancy books where I did massive collages and I was that person.
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So he'll get his book one day.
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What inspires you now that you would never have thought to notice about life now
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that you have a family when it comes to your music or your work?
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I would definitely say tapping into my playful side again.
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The fun of it involved.
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My son Max has been able to help me make peace with my own past
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and make me feel like I can have a fresh start in incorporating peace
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and safety and having a safe haven for my son and my family that I was never able to have growing up.
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And when, you know, you have so much on your plate, as I do, having a strong man by your side is so crucial.
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What kind of personality does he have that he provides this sort of rock to you?
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Yeah, he is my rock, 100%.
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When I met him, I didn't know who really was around me for the right reasons.
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It got to a point, you know, where everything's sort of chaotic all around me in my head.
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And then he was just that one solid thing right down the center
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that just seemed to bring everything into focus and line it up for me and brought me peace and just honesty.
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He was a really genuine person, and that to me meant more than anything else in the world.
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And he's strong enough to be with someone who's such a bright star?
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Did he know he was getting into?
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It's a tough challenge.
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He knew what he was getting into.
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He knew what he was getting into.
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We started dating actually on the set of my Dirty video.
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Really?
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So he knew what he was getting into.
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He's just so accepting, you know, and I have to be with a man that is strong enough to accept me as a strong woman,
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a woman that expresses herself, the artist in me.
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But he appreciates the person in me, you know, the person that no one really gets to see at the end of the day.
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No makeup, sweatpants and old t -shirts.
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He's just that guy.
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He's my support.
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He's my rock.
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You've been pretty frank in your music talking about your past and what you went through when you were growing up.
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Some people that I know that have grown up in abusive households change their perspective when they have kids.
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They either become more empathetic because they know how hard it is to be a parent, or they become less forgiving because they can't believe what a parent can do.
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And I wanted to know if you went in one direction or another when you became a parent.
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That's a great question.
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I would say that I have mixed emotions about that, and at different times I feel both emotions.
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That's why I feel that I can make so much peace with it, having my son, because I know that he's so happy,
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and that I'm creating an environment that is peaceful and is safe for him to just be a child in.
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Your safety seems to come up again and again when you talk.
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Because it's so important for every child to feel that they have a safe place to go home to.
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And, you know, when I went home, I didn't know what I was going to walk into.
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And it was hard, but it was something that drove me.
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And sometimes maybe why I'm a perfectionist, because I want to overly control my environment to my liking.
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Interesting.
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But you know intellectually that you do that.
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I'm into whatever is gonna make me feel happy and I'm not hurting anyone, then I do it.
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And that's expressing myself as an artist, releasing emotion and pain, getting it out of me.
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It's really important.
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If I stay bottled up, then I would just probably go into an insane asylum.
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That's why it's important for me to talk about it so that I can inspire others to hopefully get their stories out.
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Because I'm not the only one that's ever had a painful past or a chaotic childhood or didn't feel safe growing up.
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You've really removed the stigma and the shame for a lot of people, haven't you?
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I hope so.
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I mean, when I get the letters that I do and I'm told that, you know, my lyrics have helped them to speak about their own pain,
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then that's the greatest reward of anything.
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And you mentioned in a recent article that your relationship with him is pretty much non -existent.
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Is that probably going forward?
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It's beyond repair maybe?
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I wouldn't say anything's beyond repair,
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but I've come this far without sort of a father figure presence in my life.
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So it's not something that I really feel the need to entertain.
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And it takes time to figure that out, but it feels good when you do.
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Beautiful was a turning point and that was a message to your fans
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and I did a story once for the Harvey Milk School, this school downtown in New York City, and it was just this gay and transgender anthem
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and some kids had it on repeat over and over again and that's all they listened to for weeks!
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Wonderful.
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And it was so great and I just want to know why
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that world is important to you because you sure are important to them.
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I think that any environment or place where there's injustice happening, it really triggers me.
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I was always unfairly judged or talked about or criticized growing up my entire life,
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you know, because I always went against the norm and did things
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that were not exactly like my peers per se
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and even wanting in the area
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that I grew up wanting to sort of pursue the career path that I that I wanted to was different.
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Oh people made fun of you for that like oh she wants to work?
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Yeah yeah yeah it was I was a little bit of an oddball in
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that regard so there was some bullying that would happen being picked on
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so I would definitely say anytime I see unfairness happening I step up to the plate and
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and try to be a voice for them.
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Being bullied sticks with you your entire life, doesn't it?
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It does, yeah.
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All the boys think it's cake when they taste mine?
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Well, you had to know that was going to garner a lot of attention, right?
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Well, I've never been racy before in my life.
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Let's get right into your new album, Bionic, which I've been listening to nonstop and there's a lot of playfulness on the album.
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There's a lightness, which I really love.
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What was going on with you when you were putting the album together?
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Well, thank you, first of all.
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And yes, definite playfulness.
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I was inspired by my son to actually just want to get back to just having fun
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and being playful with pop music at its best again.
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You know, when you have a child, you also think about the future and you think about the next generation
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so I wanted to put a futuristic twist on that as well, because that's just where I was inspired to go, exploring different sounds of electronica.
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I got really into sort of electronica music, which I've been into since I was 15 and first heard Prodigy for the first time.
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And knowing that I kind of wanted to dive into that world one day, after exploring the retro world with Back to Basics,
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I definitely wanted to move forward into a futuristic direction with Bionic.
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And yes, that involves a lot of play, A lot of collaborations, experiments with different sound and using different textures of my voice.
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Critics have said that you over -sing sometimes.
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Is that something that has hit home with you?
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As far as critics are concerned, I mean, you cannot please everyone at the same time.
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So I really make music for myself, first of all, because I can't be happy with anything if I'm not, first of all, happy with it.
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And second of all, you know, my core fans who really get and appreciate what I do.
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And they're getting so many different dimensions of everything.
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It's just like, pick a favorite, so it's fun.
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Yeah.
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Well, this leads into the making of Not Myself Tonight, the video.
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Tell us a little bit about the making of it.
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I mean, that was quite the production, wasn't it?
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Not Myself Tonight came out because I literally was not able to be myself for six months.
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I was nearing the end of wrapping my first film, Burlesque.
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And as an actress, it's definitely more of a challenge for me
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because you have to put all of yourself on hold to go be somebody else.
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And so it came up as just a release for me.
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And so you're this typhoon then, and you just...
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Yeah, there's a lot of bondage referencing also within the video
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that reflects to that feeling of being sort of tied up and pent up and not myself.
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And then being able to just let it all go.
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That's why the, ah, ah, at the beginning of the record is sort of
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that moment of release that this is my night and I'm going to be back to myself in a way.
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Some people see little pieces of Madonna's human nature in the video.
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Do you see it or do you not?
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I wasn't thinking of that, actually.
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Where I do make a direct Madonna reference is the eyeglass.
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And Express Yourself was the video, actually, that I took a direct reference from
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and wanted to pay tribute to her by sort of standing on the big staircase with the billowing smoke.
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And she wore that famous Gautier pantsuit and the eyeglass.
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So I thought it would be fun to pay tribute
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and pay homage to such a strong woman that wouldn't be able to have as much freedom.
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Yeah, truly.
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If it wasn't for the ones that came before.
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It's a different kind of sexuality that you're exploring than in the dirty video, for sure.
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Yeah, it's definitely my sexuality that I'm exploring is how I've come full circle.
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As a woman, being more in touch with my body, it's just a more sophisticated presentation of it.
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You really suffer for your art, though.
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Some of those costumes could not have been easy, right?
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chaps and all those things.
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I get into the dress up.
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I do.
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I get into the dress up.
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I always have Lady Marmalade.
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You know, you think, you know, corsets and push -up bras aren't, you know, necessarily that comfortable.
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But for me, I really, I get into the whole costuming of it.
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So you're not like, oh, get me out of here.
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That's where you're so comfortable.
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Oh, when I'm done with the scene, I'm like, get me out of this right now.
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I want to put on my cozy robe and my slippers or flip -flops and be done.
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Millions of people are reacting to your visual imagery and as an artist I know you want to provoke.
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Was there ever a point where you thought, you know what, this is the wrong kind of attention, I don't want it, I'm uncomfortable with it?
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Well I think what an artist does isn't try to provoke, they just do.
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Because I think artists tend to want to explore their own personal boundaries.
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And I think for a lot of people it's just too much sometimes.
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But I can't think about that, you know.
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It's not really on my agenda to really worry about what are people going to think of it
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and is it too much for them?
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Because then I would be living by their standards and rules and how they would live their life and not mine.
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So why did you choose to work with Nicki Minaj on Woohoo?
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I mean, she is the biggest thing right now and you just nailed it when you grabbed her.
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She's great.
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I thought it would be fun in the girl anthem vein to get other females on it.
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And Nicki Minaj was an obvious choice.
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And that track has gotten a lot of attention.
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You know, there's lyrics like...
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Woohoo!
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Yeah!
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Why would it?
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Yeah!
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All the boys think it's cake when they taste mine.
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Woohoo!
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And you had to know that that was going to garner a lot of attention, right?
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Well, I've never been racy before in my life, you know, with songs like Dirty and whatnot.
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Yeah, I think my fans have come to, you know, expect that from me, that it's just part of of how I enjoy expressing myself.
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And I really take pride in expressing my sexuality as a female.
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I feel like it's so much frowned upon or made women to feel shame.
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And really, I think the female body is beautiful and I take pride in it.
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So more power to the woohoo.
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If I'm a bitch, then I'm a bitch, if that's what an assertive woman is to you.
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How did you come up with Xtina?
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I realize I don't know the genesis of that.
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Yeah, Xtina actually was a nickname given to me by the man that signed me, Mr. Ron Fair.
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He gave me that name.
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I was like, Xtina?
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And he's like, yeah, you know, like, Xmas, Xtina, you know.
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I was like, oh, I didn't think about that.
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And so I kind of adapted it on my stripped record.
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I took it on as sort of this, you know, nickname that I let everyone know about, and then it just sort of caught on.
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Now that some time and distance have passed from Dirty, what do you make about the tsunami of attention that that video received?
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Oh, I look back at it and I'm so proud of it.
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It did get a lot of attention and a lot of controversy stirred up, you know.
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I think that that's all about what artistic expression and creativity is, you know, where it stems from is making people feel something and making people,
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you know, evoking emotion in them.
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And, you know, opening subjects up for conversation.
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And I think that's what Dirty really did.
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It was my, I'm 21 years old and I don't give a record.
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And it was just really fun for me to be free of all inhibitions and everything that I felt.
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And I'm proud that I had the balls to do it, to be honest.
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It's true.
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It's like, you know, so many people were so, you know, ruffled feathers about it and it's just like, you know, what is the big deal?
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You refer to yourself as a super girl and a super bitch.
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I mean, have you been called a bitch before?
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I think every woman at one point in their lives or another has been called a bitch.
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And, you know, for a long time I had a real problem with that word.
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I didn't like it, you know, and I thought it was derogatory.
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But then, I don't know, I've gotten to a place now where I've made a lot of peace with it.
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It's been so overused and made to seem so derogatory towards women
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that I've almost adapted it into an empowering feeling for myself.
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If I'm a bitch, then I'm a bitch.
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If that's what an assertive woman is to you.
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So I adapted it as sort of a vag of honor.
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Yeah.
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I think a lot of people don't know about you is that there's like a trillion charities and causes that you're, you know, helping out.
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I recently became a WFP, World Food Program, ambassador for the UN.
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It was just so funny because I was like, you know, I could really see how Angelina goes to these places and, you know, starts wanting to adopt these children.
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I mean, they're so beautiful and they're so full of life and hope for what they represent, you know.
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So I go and I help feed these children
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and get to know about their lives and the mother's lives and try and help these families.
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Is this true that in 2005 you gave your wedding gifts to various charities in support of Hurricane Katrina?
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That stuff is not on people's radar a lot of times.
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It doesn't need to be.
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I do it because I want to do it, and I feel like I'm in a very fortunate position in life,
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and it's a necessity for me to sort of want to help where I can.
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What's the biggest misconception about you, do you think?
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Oh, what isn't a misconception?
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Sometimes maybe my seriousness.
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I'm really silly and really goofy when it comes down to it.
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I'm really playful and I get, yeah, I get really silly.
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And I think some people find that I can be very closed off and guarded, but really on the flip side, I'm super open.
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So you think that people perceive you as being serious?
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I've gotten that, yeah.
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Uh -huh.
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And I do, I think, see how people can see that sometimes, or maybe that I come off even cold.
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But, you know, there was a long time where, you know, being in this business, everyone's just coming at you, and they want, and they want, and they want, and then finally comes a point where you do want to shut down and,
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you know, not let everybody in.
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But at this point in my life, you know, I think that has even come full circle, and that only comes with feeling more and more comfortable in your own skin.
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Right.
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Let's talk about burlesque.
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Now, they wrote the part with you in mind.
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Did that mean you had to audition, or did they just offer it to you?
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They offered it to me, actually.
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Yeah, the script showed up at my door, and you know what happened?
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They had seen the work that I did when I hosted SNL, Saturday Night Live, and I was Samantha from Sex and the City, and they were like, you have the chops,
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and they just were very supportive of me.
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And the idea of burlesque really intrigued me.
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The beautiful women, the art of the teas, the sensuality involved.
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I just said, it's a no -brainer.
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It really allows me to venture into a whole different person.
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She has different pain in her past.
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But she's meaty and she's a fighter.
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So it was something I could sort of relate to so
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that I could bring on the tears where I had to cry.
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I mean, it was very emotionally draining at times.
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You know, you really have to be in control of your emotion and turn it on, turn it off at the drop of a hat.
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You don't have much autonomy on a film set, and it's a very controlled atmosphere.
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And for you, getting to do what you want all the time, was that a strange thing for you?
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I mean, it must have been an adjustment, was it not?
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It's definitely an adjustment.
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I mean, I'm not going to lie.
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I don't lie anyway, but, you know.
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I'm not going to even beat around the bush.
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Yes, it was definitely something that I had to get used to.
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So it was very interesting getting into the whole world of acting and film.
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It's just a completely different animal than music.
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I thought it was funny that you noticed
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that the burlesque dancers were really young and that suddenly for the first time you were like the older lady, which would be surreal.
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Yeah, it was so funny because if you think about it, you know, I've been doing this since I was six years old, performing in front of audiences and then recorded my first album at 16, 17.
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So being in this for a while and always sort of being the young one, It was always like everyone was up here and I was like, oh, how old are you?
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19. It's almost like an embarrassing thing.
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And now it's almost like, hey, wait a second.
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What happened here?
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One of the choreographers on the film was 19 years old.
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And I was like, what?
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Whoa, wait, wait.
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Where did time go for a second?
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You know?
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A decade later.
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Well, thank you.
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Wish you a joy and a pleasure.
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Thank you for having me.
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O que você vai aprender
Este vídeo ajuda a desenvolver duas habilidades práticas de fala: expressão de opiniões assertivas (como Christina usa frases como "If I'm a bitch, then I'm a bitch" de forma direta) e narrar experiências pessoais (ao falar sobre sua família e relacionamento). Além disso, treina a capacidade de responder a perguntas informais de forma natural, como nas conversas sobre o filho e o marido.
Ouça esses sons
Na fala coloquial, observemos as ligações e reduções:
- "It's not really on my agenda" → "It's not really on my agenda" (não há pausa entre "not" e "really").
- "I wish I was a little better" → "I wish I was a little better" (a palavra "was" é reduzida, soando quase como "wuz").
- "He was just that one solid thing" → "He was just that one solid thing" (a ligação entre "was" e "just" cria um som suave, "wuzjus"). Esses detalhes ajudam a entender a fala rápida de nativos.
Fale como um nativo
Para imitar o ritmo e a ênfase de Christina, siga estes passos:
1. Ênfase em palavras-chave: Nas frases como "I take pride in expressing my sexuality", dê destaque a "pride" e "expressing" para transmitir convicção.
2. Ritmo lento nas histórias pessoais: Quando ela fala sobre o filho ("I write down everything"), a fala fica mais calma, com pausas após "write down" para dar importância ao ato.
3. Intonação ascendente em perguntas: Na pergunta "Did he know he was getting into?", a voz sobe no final de "into" para mostrar incerteza. Use um shadowing site para praticar essas nuances, repetindo a fala em tempo real. Essa técnica, conhecida como shadow speak ou shadow speech, é essencial para aprimorar a fluência na prática de conversação em inglês. Lembre-se: a chave é imitar não só as palavras, mas o tom e a energia da fala.
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect continuous have/has been + -ing — uma ação que começou antes e continua | I've been listening · I've been doing |
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | have come · I've come · has been |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | was always unfairly judged · being picked · Being bullied |
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.