Prática de Shadowing: David Gilmour At Later... with Jools Holland - The Interview (2024) - Aprenda a falar inglês com vídeo

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A marvellous studio this evening with acts, brand new acts, great legends, all sorts of people.
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And speaking of great legends, one of the greatest guitar players of all time, and great singers, great songwriters, the lot, we have David Gilmore.
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Thank you.
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Very nice to see you.
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So, congratulations on your number one album, Luck and Strange.
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I was talking to Matt Johnson and it was his first album for 25 years.
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But this is your first album for nine years.
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That's still quite...
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It's not 25, but it's quite a gap.
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Why is it so long?
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There have been a lot of albums over a lot of years, and I'm slowing down a little bit at this point in my life.
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It sounds great.
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I'm working all the time, but without a timetable, and it just takes a while.
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Next one will be much quicker, I promise.
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You think?
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Good, OK.
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We'll all stand by for that in a couple of years' time.
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Luck and Strange, great title.
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Where does that come from?
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Well, it's Polly's lyrics to a track,
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which is a jam session that we did in 2006 with Rick Wright playing the keyboards on it.
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We've repurposed it for this
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and the lyrics are about the temptations of the sort of lifestyle
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that I've had and other people in our business have had.
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You know all about those yourselves.
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Well, how difficult it is to resist those temptations.
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Yes, I mean, that Piper's call is, you know, summoning you to follow and you find it hard to resist.
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Always somebody, but also temptations and diversions.
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It's always something to divert you, what you're trying to get with the music you're trying to do. That too.
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But that's sort of a, these things are a long way in the past.
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And Polly is, of course, a great author.
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Very good title of that book, Lying in Bed.
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Great title, that double meaning there.
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But she's been doing some of the words, but also you've had other family members helping, haven't you?
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Well, Romani, my daughter, is singing lead vocal on one of the tracks for the next song we're going to do.
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Her voice is amazing, I have to say i heard her songs maybe 10 years ago or something
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and she was good then now she's absolutely incredible she sang
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with your band didn't she my big band she sang uh la vie on rose
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made us all weep it was beautiful when she was 13 yeah exactly
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because you are noted as one of the world's great guitar
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players does the flow come out more easily i suppose um would the right piece of music
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and the right words inspiring you there are still moments where
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it comes flowing out very naturally other times takes a bit
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more work now you've just done some triumphant shows in rome
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at the ancient circus maximus home of the chariot races yes the you know gladiators
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and all 150 000 people it used to hold until julius caesar up the capacity to 250 000
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but we only used a tiny bit at at one end, a measly 15,000 people.
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Well, that's pretty good.
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And there were no chariots or anything.
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Nope.
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But of course, the question you just played in Rome, the question I know a lot of people are going to be asking, what did you have to eat?
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Well, Italy is a legendary place for food.
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I love Italian food, of course.
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But we were a little bit stuck in a very lovely hotel which had a brilliant restaurant.
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In a moment you're going to do the closing song on the show and Roman is going to sing it.
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What is it you're going to be doing?
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It's called Between Two Points.
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It's a song by a band from the 90s called the Montgolfier Brothers.
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Two guys who wrote this lovely song, lovely vulnerable song that Polly and I both listen to on a regular basis.
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Until we came to the thought one day that Polly suggested that we do a cover version.
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I thought we don't do cover versions, but on this occasion it's such a great song.
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It's definitely worth it.
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It sounds absolutely wonderful.
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And congratulations on a wonderful record that's gone to number one, quite rightly.
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Thank you very much, David Gilmore.
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Thank you, Julian.
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Lovely to see you again. And now...

Sobre esta lição

Nesta prática, você vai mergulhar em um diálogo informal e envolvente entre David Gilmour e Jools Holland, focando em shadowing em inglês para aprimorar a fluência, a pronúncia e a compreensão de conversações cotidianas. A lição trabalha com a velocidade natural do inglês falado, expressões coloquiais e a arte de responder de forma espontânea, ideal para quem quer melhorar a prática de conversação em inglês.

Vocabulário e frases-chave

  • Repurpose: Reutilizar, dar uma nova finalidade. Exemplo: "We've repurposed it for this album."
  • Temptations: Tentações. Exemplo: "The lyrics are about the temptations of the lifestyle."
  • Diversions: Distrações. Exemplo: "Temptations and diversions can affect music."
  • Triumphant shows: Shows triunfantes. Exemplo: "He did triumphant shows in Rome."
  • Measly: Pequeno, insignificante (em tom informal). Exemplo: "A measly 15,000 people."

Dicas de prática (shadowing)

O shadow speak é uma técnica comprovada para imitar a pronúncia e a entonação. Aqui's como aplicá-la nesse vídeo:
1. Reproduza um trecho de 5-10 segundos e pause. Repita imediatamente, tentando igualar a velocidade e o tom de Gilmour e Holland. A conversa é relaxada, então não se preocupe em falar rápido, mas em manter a fluidez.
2. Foque nas frases coloquiais, como "I promise" ou "Well, that's pretty good", que são essenciais para a prática de conversação em inglês. Observe como as palavras se conectam (ex: "it's not 25" → "it's nottwentyfive").
3. Grave sua voz e compare com o vídeo. Isso ajuda a identificar diferenças na entonação e na articulação.
Lembre: o shadowing funciona com consistência. Pratique 10 minutos por dia e veja a evolução na confiança e na naturalidade do seu inglês falado.

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.