Pratique du Shadowing: David Gilmour At Later... with Jools Holland - The Interview (2024) - Apprendre l'anglais à l'oral avec la vidéo

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67 phrases
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A marvellous studio this evening with acts, brand new acts, great legends, all sorts of people.
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And speaking of great legends, one of the greatest guitar players of all time, and great singers, great songwriters, the lot, we have David Gilmore.
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Thank you.
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Very nice to see you.
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So, congratulations on your number one album, Luck and Strange.
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I was talking to Matt Johnson and it was his first album for 25 years.
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But this is your first album for nine years.
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That's still quite...
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It's not 25, but it's quite a gap.
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Why is it so long?
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There have been a lot of albums over a lot of years, and I'm slowing down a little bit at this point in my life.
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It sounds great.
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I'm working all the time, but without a timetable, and it just takes a while.
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Next one will be much quicker, I promise.
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You think?
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Good, OK.
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We'll all stand by for that in a couple of years' time.
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Luck and Strange, great title.
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Where does that come from?
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Well, it's Polly's lyrics to a track,
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which is a jam session that we did in 2006 with Rick Wright playing the keyboards on it.
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We've repurposed it for this
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and the lyrics are about the temptations of the sort of lifestyle
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that I've had and other people in our business have had.
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You know all about those yourselves.
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Well, how difficult it is to resist those temptations.
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Yes, I mean, that Piper's call is, you know, summoning you to follow and you find it hard to resist.
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Always somebody, but also temptations and diversions.
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It's always something to divert you, what you're trying to get with the music you're trying to do. That too.
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But that's sort of a, these things are a long way in the past.
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And Polly is, of course, a great author.
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Very good title of that book, Lying in Bed.
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Great title, that double meaning there.
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But she's been doing some of the words, but also you've had other family members helping, haven't you?
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Well, Romani, my daughter, is singing lead vocal on one of the tracks for the next song we're going to do.
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Her voice is amazing, I have to say i heard her songs maybe 10 years ago or something
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and she was good then now she's absolutely incredible she sang
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with your band didn't she my big band she sang uh la vie on rose
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made us all weep it was beautiful when she was 13 yeah exactly
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because you are noted as one of the world's great guitar
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players does the flow come out more easily i suppose um would the right piece of music
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and the right words inspiring you there are still moments where
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it comes flowing out very naturally other times takes a bit
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more work now you've just done some triumphant shows in rome
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at the ancient circus maximus home of the chariot races yes the you know gladiators
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and all 150 000 people it used to hold until julius caesar up the capacity to 250 000
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but we only used a tiny bit at at one end, a measly 15,000 people.
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Well, that's pretty good.
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And there were no chariots or anything.
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Nope.
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But of course, the question you just played in Rome, the question I know a lot of people are going to be asking, what did you have to eat?
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Well, Italy is a legendary place for food.
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I love Italian food, of course.
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But we were a little bit stuck in a very lovely hotel which had a brilliant restaurant.
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In a moment you're going to do the closing song on the show and Roman is going to sing it.
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What is it you're going to be doing?
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It's called Between Two Points.
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It's a song by a band from the 90s called the Montgolfier Brothers.
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Two guys who wrote this lovely song, lovely vulnerable song that Polly and I both listen to on a regular basis.
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Until we came to the thought one day that Polly suggested that we do a cover version.
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I thought we don't do cover versions, but on this occasion it's such a great song.
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It's definitely worth it.
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It sounds absolutely wonderful.
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And congratulations on a wonderful record that's gone to number one, quite rightly.
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Thank you very much, David Gilmore.
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Thank you, Julian.
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Lovely to see you again. And now...

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Vocabulaire et conseils d’expression pour cette leçon

Cette vidéo contient 67 phrases et 731 mots à répéter en shadowing. La partie parlée dure 4:19. Le locuteur parle à un rythme naturel d’environ 169 mots par minute, proche d’une conversation courante. 84 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.

Vocabulaire clé de cette vidéo

15 mots de la vidéo à retenir, avec leur prononciation et leur sens :

MotPrononciationSens
temptation nom/ˌtɛmpˈteɪʃən/tentation
guitar nom/ɡɪˈtɑɹ/guitare
legend nom/ˈlɛd͡ʒ.ənd/légende
congratulations/kənˌɡɹæt͡ʃəˈleɪʃ(ə)nz/félicitations
lyrics nom/ˈlɪɹ.ɪks/paroles
resist verbe/ɹɪˈzɪst/résister
naturally adverbe/ˈnæt͡ʃ.(ə.)ɹə.li/naturellement
occasion nom/əˈkeɪ̯ʒən/occasion
lifestyle nom/ˈlaɪfˌstaɪl/mode de vie, hygiène de vie
nope/noʊp/bah, nan
legendary adjectif/ˈlɛd͡ʒ.ənˌdɛɹ.i/légendaire
vulnerable adjectif/ˈvʌln(ə)ɹəbl̩/vulnérable
vocal adjectif/ˈvoʊ̯.kəl/vocal
keyboard nom/ˈki.bɔɹd/clavier
inspire verbe/ɪnˈspaɪə(ɹ)/inspirer

Les verbes à particule que vous entendrez

MotPrononciationSens
come out verbe/ˌkʌm ˈaʊt/sortir
slow down verberalentir, décélérer

Prononciation à surveiller

Le locuteur utilise 15 contractions et formes réduites, comme you're, I'm, you've. Prononcez-les sous leur forme courte, telles que vous les entendez.

  • Les sons « sh » et « zh »: temptation /ˌtɛmpˈteɪʃən/, congratulations /kənˌɡɹæt͡ʃəˈleɪʃ(ə)nz/, occasion /əˈkeɪ̯ʒən/, diversion /dɪˈvɝ.ʒən/
  • Mots longs — placez bien l’accent: congratulations /kənˌɡɹæt͡ʃəˈleɪʃ(ə)nz/, naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, legendary /ˈlɛd͡ʒ.ənˌdɛɹ.i/, gladiator /ˈɡlædiˌeɪ̯tə/

Comment s’entraîner avec cette vidéo

  1. Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
  2. Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
  3. Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme temptation, guitar, legend.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

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