Prática de Shadowing: Does Sydney Sweeney Know Her Lines? - Aprenda a falar inglês com vídeo
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1
My apple pie's here.
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I have a cart of apple pie and ice cream being delivered right now.
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I'm ready.
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Oh, I've never ever been happier.
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I mean, OK, we're starting really easy.
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This is Cassie from Euphoria.
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I have never, ever been happier.
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This is the first day filming season two.
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We did this scene.
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And I was really nervous because it had been years.
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and it was probably one of the most memorable moments.
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It's so fun playing characters that are drastically different from yourself
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and being able to kind of go to places that not only challenge you, but excite you as an actor as well.
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I have a lot of empathy for Cassie because I have to as like a performer of her, but she definitely has very morally questionable choices.
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Yeah, maybe grandpa was a power bottom.
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Does that make you feel better?
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This is Olivia from White Lotus.
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Maybe grandpa was a power bottom.
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Does that make you feel better?
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Okay, I'm gonna tell a little terrible secret.
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I haven't seen the next seasons of White Lotus.
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I have a thing where I just, I don't watch stuff that often.
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Like I was a huge fan of Handmaid's Tale, like biggest fan, my mom and I binged it.
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And then the moment I was on it, I haven't seen it since.
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And I don't know why.
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I do remember this line because it was just one of the funniest lines I'd ever read in a script before.
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Being on set of White Lotus is, and it was such a treat.
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Like we were filming in a beautiful, beautiful area.
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We were in Hawaii, on Maui, at the Four Seasons, the whole place to ourselves.
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I felt like I was in a tropical version of a very fancy, luxurious camp.
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Made lifelong friends on that set.
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All right.
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No, seriously, get your hands off my hands.
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This isn't even a movie, this is an iconic song.
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Miss Possessive.
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No, seriously, get your hands off my man.
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This was probably one of the coolest things.
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Glenn texted me in a group chat with Tate and was like, I got to connect you two.
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Tate wants to meet.
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And then I talked to her and she was like, would you be down to do this?
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I was like, Holly, I'm the biggest fan.
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Like, you're absolutely iconic and I love you.
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So this was a pretty, pretty cool moment for me.
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I was filming Housemaid at the time and I was in my trailer
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and I was just doing a bunch of recordings and I would text them to say, and then she'd give me notes and I'd send her more.
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I didn't really know where they'd place it, and I was like, oh gosh, oh geez.
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It was so cool though.
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My apple pie's here?
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I need the pie's here.
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My apple pie.
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All right.
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Wait, you're the paramedic, you saved my stepmother when you were super awkward about it.
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Wait, you're the paramedic.
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You saved my stepmother.
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Then you were super awkward.
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Okay, who had a stepmother?
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There's someone literally leaving a cart in the back.
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I have a cart of apple pie and ice cream being delivered right now.
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Literally, it's being delivered right now.
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Okay, wait, wait, wait.
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Madam Web.
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Wait, you're the paramedic.
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You saved my stepmother, then you were super awkward about it.
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I had a good time.
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I thought it was really funny.
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The experience and the relationships that I built with everybody at Sony on Madame Web definitely correlated over into anyone but you,
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and now I have a really great working relationship there.
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Your appearance tells the world who you are and what you want.
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Speaking for myself, the goal is boners.
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Emily and everything sucks.
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Oh my gosh!
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Your appearance tells the world who you are and what you want.
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Speaking for myself, the goal is boners.
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I was nothing like Emmeline in high school.
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Emmeline has way more confidence, and she was outgoing, and she's a theater kid.
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I was very quiet and just focused on school.
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Yeah, I was a real follower for sure.
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Emmeline was one of the first characters that I think will forever be in my heart.
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It was the first time I'd ever had like a big role on anything.
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I got to film it in Oregon, so I was really close to where I grew up.
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So on the weekends I would drive home and see my family.
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And it was just me and my dog Tank and it was just, it was so great.
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I loved it.
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Titanic Me.
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Anyone but you.
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Titanic Me.
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Glenn and I kind of like created that moment in the moment.
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It was really funny.
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I'm obsessed with Titanic and Will, our director, also is just really good at embracing everything
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that Glenn and I would want to bring into the script
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and like letting us play around with the lines
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and we just felt so free and fun and this was a really fun moment.
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When I'm involved as a producer on projects, I think that for me at least the environment just, I feel more immersed in it.
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I know everybody.
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I have a deeper connection and relationship to people.
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And I just want to make sure everybody's having a really good time.
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Like, I try to create activities for everybody.
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And I love when people feel like a family when they're working together.
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I didn't have a desk yet, so I took it with me and passed through security and went to Starbucks.
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What?
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I didn't have a desk yet, so I took it with me and passed through security and went to Starbucks. Who?
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I don't remember this at all.
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Are you sure I said this?
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Who said this?
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Oh, reality!
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I didn't have a desk yet, so I took it with me and passed through security and went to Starbucks.
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I had to memorize so many lines for reality, I think that my brain doesn't remember a single thing that I said.
108
That movie was so intense because it was the actual transcript from the interrogation, and so we had everything precisely the same.
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We did the whole movie in 16 days, and we were filming like 10, 15 pages of just pure dialogue every single day.
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I'm like trying to narrow down the different projects.
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He won't touch me, I'm ugly.
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What?
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He won't touch me, I'm ugly. Who said this?
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I kind of remember how I said it.
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I just don't remember who said it.
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You won't touch me, I'm ugly.
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Oh, oh, Handmaid's Tale.
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You won't touch me, I'm ugly.
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On set of Handmaid's Tale, it was like they were playing Taylor Swift all the time.
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We were singing, dancing.
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It was such a good vibe.
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And I remember being like, oh, this is how sets should be.
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Like this is just so much fun.
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Everybody's friends.
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The crew's incredible.
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It was a really good environment.
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Eden was such a beautiful, tragic character.
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She just was so unaware of the world and was raised in such a bubble, so she didn't actually understand a lot of the things going on around her.
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And my agent sent me the audition and went in and I had an audition and then a callback and another callback.
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And my mom would take me every single time.
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She'd drive me and I'd sit in the car and I'd be so nervous to go in.
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But I remember just having this feeling, I was like, I can just know Eden.
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Like I loved her on a different kind of level as an actor.
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And I was like, no one else could do this.
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Wait, so you don't even believe in God?
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Wait, so you don't even believe in God?
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Immaculate.
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I don't actually remember specifically this line, but God's involved, so it's for sure immaculate.
139
Wait, so you don't even believe in God?
140
Immaculate was such a treat because it was a script that I had from when I was younger.
141
And so being able to be a part of hiring the entire team, the director, the cast, bringing on financiers,
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producers, and then rewriting the script and going location scouting and being a part of budgeting, like everything.
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I loved it.
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Being able to bring my grandma through and getting to show them the world and then show them what I do.
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It was so special.
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And they were in the giant chapel scene.
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So they saw all the beautiful nuns and the church.
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And it was me dressed as Mother Mary.
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And they're like, wow, this is so beautiful.
150
And I didn't actually tell them what happens
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so my grandy watched it and she had very strong words for me as a uh as a catholic
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we are officially being creepy weirdos oh goodness you're officially being creepy I don't remember this at all Oh,
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um, uh, uh, uh, Voyeurs.
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Yes.
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We are officially being creepy weirdos.
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So a fun little story behind Voyeurs is the writer-director of Everything Sucks was the writer-director of Voyeurs.
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So I had a couple of the crew members from that project carry on over and then I brought them onto Immaculate.
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And it was like being able to do different projects at different stages of my life
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and my career and it was always like little happy reunions.
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I remember when I first read it, I was not expecting the twist ending.
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I think Mike does such a good job at having an audience down one road
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and then completely spinning them on their heels and taking them down another.
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I thought the movie would end at one point, and then I was like, there's 20 more pages?
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What else is going to happen?
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Mommy ate Daddy.
166
What?
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Mommy ate daddy?
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What the hell?
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Wait a second.
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Okay, hold on.
171
We're saying mommy ate daddy.
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It means I'm young.
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Right?
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I'm pretty young.
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Okay, so this is like, this is pre-18.
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Oh, man.
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I have a lot of questionable choices pre-18 project-wise.
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Zombies of mass destruction?
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Hell yeah.
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Mommy, Daddy.
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I remember being on that set and I think I was like 10, 10 or 11.
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It was a local movie up in our small town
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and they had like open casting for it and my mom found out
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and I went and auditioned and then I was turned into a zombie.
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It was pretty cool.
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I've never seen the movie.
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I wasn't allowed to see it.
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I don't think I've ever even read the script.
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I don't think anyone actually needs to see the movie, but it was the first experience I had on a set and I loved it.
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I knew from, I think I got three, but I don't think I knew actually what it was.
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I just wanted to play characters.
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I had all these imaginary friends and these worlds and I put on little performances for my parents.
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And I knew that I just wanted to constantly play different characters.
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O que você vai aprender
Nesse vídeo, você pratica três habilidades essenciais para falar inglês com fluência. Primeiro, a expressão de emoções — observe como Sydney Sweeney usa a voz para transmitir nervosismo ("I was really nervous") e excitação ("I'm the biggest fan"). Segundo, a conversação informal, com frases coloquiais como "Oh gosh" e "Holly, I'm the biggest fan". Terceiro, a memorização de falas em contextos variados, desde cenas de filmes até colaborações musicais. Essas situações ajudam a treinar a shadow speak, uma técnica de imitação que melhora a pronúncia e a fluência.
Ouvir atentamente esses sons
A fala natural em inglês tem muitas conexões e reduções — preste atenção nesses exemplos do vídeo:
- "I've never ever been happier" → A contração "I've" é pronunciada rapidamente, quase como "Iv", ligando-se a "never".
- "would you be down to do this" → "would you" se torna "wudja", uma redução comum em conversas informais.
- "I was like, oh gosh, oh geez" → As interjeições "oh gosh" e "oh geez" são ditas com uma entonação alta, transmitindo surpresa.
Esses detalhes são cruciais para o shadowing em inglês, pois ajudam a se integrar melhor à fala cotidiana.
Falar como um nativo: ritmo e ênfase
Para imitar a fala de Sydney Sweeney, concentre-se no ritmo e na ênfase. Ela usa pausas curtas antes de frases importantes, como "This was probably one of the coolest things" — a pausa antes de "coolest" deixa a frase mais impactante. Além disso, ênfase nas palavras-chave: em "I'm the biggest fan", a palavra "biggest" é destacada com mais volume e duração. Pratique isso com o método shadowspeaks: reproduza um trecho, pause e repita imitando exatamente o tom e o ritmo. Isso ajuda a treinar o ouvido e a musculatura da fala, tornando sua pronúncia mais natural.
Aprender inglês com YouTube é uma ótima forma de mergulhar na língua real — e com esse vídeo, você pode treinar a shadow speak em situações variadas, desde cenas de filmes até colaborações. Basta clicar no play, ouvir atentamente e repetir: a prática constante faz a diferença!
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.