Практика Shadowing: Making a Documentary From Start to Finish - Beginner Tips - Изучайте разговорный английский по видео
Создание урока...
1
I don't know about you, but planning and shooting documentaries has always been the fun part for me.
2
Even the edit process, as tedious as it can be, has its moments when you feel like your story is really coming together.
3
But finishing something, like finally exporting it and sharing it with the world type of finishing, is something else entirely.
4
The rollercoaster of excitement, emotions, and usually a healthy quantity of regrets thrown in that filmmakers go through is, for me anyways, a huge part of why this job is so stimulating.
5
Making a film from start to finish is fun, nerve -wracking, incredibly frustrating, and ultimately one of the most satisfying things I could ever imagine doing with my time.
6
So in this video I'm going to share some of the
7
key takeaways from each stage of the production process from pre -pro to filming
8
and through to the edit so
9
that you can get some ideas for what to do
10
and maybe more importantly what not to do on your next film
11
and at the end i'll break down exactly how much we spent to make this film happen
12
and let you know where and when you can see the full version
13
but for now let's get into it
14
and explain why i'm sitting out here in the middle of
15
the forest right away you can probably see i'm not in
16
my studio like normal i'm actually way up north in the
17
canadian arctic for the next three months for a shoot hence the radio
18
and bear spray and the fact that i haven't changed my clothes in three days
19
that all means that my videos for a
20
while are going to be a little bit different than you're used to
21
and obviously the sound and lighting are going to be a bit rougher than in my office
22
but at the end of the day i'm not a full -time youtuber i'm a working dp
23
and i gotta make some compromises if i want to keep getting these videos out
24
so thanks for being patient with me
25
and hopefully you're cool with me doing these videos from out
26
behind my desk anyways you might have seen some of the bts content from the shoot
27
that i'm talking about i released them earlier in a three -part series
28
but for a quick recap this film is about jose a former soldier who stepped on an ied in afghanistan
29
and became a triple amputee overnight he went through some crazy dark times
30
but eventually he started surfing through a veterans program
31
and found something new to live for now he's on a mission to become a serious adaptive surfer
32
and inspire others through his journey it's an amazing story
33
and a great lead into the first piece of advice i'd
34
give to anyone wanting to make a film for themselves and that's to start with your character first.
35
A character who wants something and then changes over time is so, so important for telling a story.
36
And one of the biggest issues I see with projects pitched by newer filmmakers is that they have a really interesting topic, but there's no story.
37
Like, it's really easy to confuse story and topic, but to make your film great, you want to tell a story, which usually means finding a character who wants something and either gets
38
or doesn't get what they want over time the struggles of
39
wounded veterans is a topic for example the rise of adaptive surfing is a topic
40
but a wounded veteran on a mission to change his life
41
through surfing is a story now i'm definitely not the only one preaching this stuff online
42
and if you like my channel odds are you've probably heard of mark bones channel
43
and the art of documentary film school that he
44
and his business partner micro actually the only reason
45
that this whole film exists in first place is
46
because AOD has started funding small projects
47
and giving out micro budgets to filmmakers like me to actually go out and make stuff.
48
So a big thanks to them for putting their money where their mouth is and actually helping us to make stuff.
49
And if you have no idea what I'm talking about and you've never heard of The Art of Documentary,
50
they've got a really great thing going on there with courses on everything from story structure all the way through editing.
51
The doors opened a few days ago, which only happens twice a year, so if that sounds like something you'd be interested in.
52
I think enrollment will be open for the next two weeks -ish.
53
They're not sponsoring this video or anything, but they've been a longtime friend of this channel, and they're giving all my viewers a discount code that will save you 10 % on any of their modules,
54
plus send a little kickback my way.
55
So check out the link in the description and use the code Luke10
56
if you want to save some cash and support this channel at the same time.
57
And just in case people are wondering, hey, didn't you just release a cinematography course of your own?
58
How can you also recommend AOD?
59
The answer is pretty simple.
60
It's we're not competitors.
61
We come from different parts of the filmmaking world, we approach teaching in different ways,
62
and whether you want to learn filmmaking from me or Mark or AOD or anyone else for that matter, all I care about is that you're actually going out there and going for it.
63
So no, just because I have my own stuff now doesn't mean I'm going to stop repping AOD
64
because we're all part of the same community here.
65
It's not me versus them.
66
That's a scarcity mindset.
67
It's all of us growing together and pushing the whole documentary community to do better work.
68
Sorry I had to get that out of the way before the comments start rolling in like I'm sure they will.
69
The next thing I'd say I learned from this whole experience was just how much can be accomplished with minimal resources.
70
Now I come from the mainstream documentary industry and it's totally normal for us to spend millions of dollars per shoot.
71
Like the reason I'm not in my normal studio right now is
72
because I'm out on a long -term show that's going to
73
cost something like 13 million dollars to make we've got nearly
74
30 people out here in a remote location to make this thing happen
75
and the amount of gear and logistics
76
that goes into making something like this is mind -boggling so
77
when i took on the micro grant from aod films for
78
five thousand dollars even though that's real money for normal people i knew the team
79
and i would have to be pretty resourceful to pull it
80
off i mean this was an international shoot i'm canadian
81
and jose lives in california
82
and we had three crew members including myself who needed hotel rooms and food and transportation paid out of that budget.
83
That meant skipping a lot of the things
84
that I'm used to on big shoots like massive rental budgets
85
and big crews but in the end I think we did a really nice job even
86
while spending very little money relatively speaking.
87
And I know $5 ,000 is a lot of money
88
but in the scope of film production and considering we had to travel to another country it's almost nothing.
89
But you know what?
90
I'm really not sure if you can see
91
that much of a difference between the work I do for netflix
92
or national geographic in this short film maybe in some back -end things like sound mixing
93
and expert color grading
94
but in general i think this scrappy little project looks just
95
as good as what i'd make with 10 times the budget
96
the lesson is don't let money get in the way you
97
don't need as much as you think you do to make this kind of thing
98
and to tack an extra point on there if you're just starting out
99
and don't have a ton of money for your projects a tip
100
that i really want to stress is to stay local don't plan huge expeditions for your films pick stories
101
that are close to home that you can access easily
102
and your money is going to stretch a lot further like
103
if we didn't go to california we could have spent over a month with jose on the same budget so
104
if you do decide to apply for some funding for your
105
film maybe even through aod films then don't do what we did stick close to home
106
because i guarantee that there are amazing stories to tell
107
and your money will go way way further the next takeaway
108
i want to touch on for small run -and -gun productions
109
like this is just how important pre -production is to the
110
whole process I mean pre -pro is always important no matter what size your project is but
111
when you're working with really limited funds in a short timeline
112
like we were I mean we shot the whole thing in
113
four days you can't really just afford to show up and see what happens.
114
We could only afford four shooting days maximum
115
so before we got on a plane I had tons of
116
calls with my directing partner Eros as well as with Jose to make sure
117
that we understood what story we were telling and what elements we needed to make it happen.
118
Like I say all the time on this channel
119
if you want your doc to really tell a powerful story
120
you need to think in terms of scenes not b -roll with voiceover
121
and in order to capture enough real scenes in just four
122
days we needed to know what most of them would be
123
in advance we didn't just show up at jose's house
124
and say okay what should we film today because
125
that would have been a disaster with
126
so little time to work with no instead we showed up
127
with a list of scenes we thought would speak to his story then we talked them over with jose
128
and his wife we cut the ones they didn't like
129
and then we got to work it's not like we scripted the entire thing
130
because in the end there are quite a few moments
131
that we didn't expect that just sort of happened
132
and made it into the final film like how his wife lisette braids his hair before he goes surfing
133
and a bunch of other stuff
134
but even though we allowed for some spontaneous moments to unfold
135
and you should too we always had a plan to fall back on
136
and we knew what the spine of our story was going in
137
if you've got months
138
and months to work on something then a pure verite fly -on -the -wall approach might work
139
but when you're trying to get a lot done in a very short time, don't sleep on pre -production.
140
Both modules one and two of AOD have units on pre -pro, but for my money, module two goes deeper,
141
and the lesson about the character being a co -director is great advice that most film schools gloss over, so check those out if you're looking for pre -pro tips.
142
Okay, so the next point I'm gonna make here isn't really something new that I've learned, but it's something that I have to constantly remind myself over and over again,
143
and that's that you have to be really diligent about setting aside dedicated time for the edit.
144
what can really easily happen with small projects like this is
145
that you get super excited for the idea
146
and the shoot then you get back
147
and you've got like 13 hours of footage to comb through
148
and the whole thing just slows way down organizing footage
149
and getting your first rough cut done is time -consuming
150
and pretty annoying if I'm being honest and then after
151
that there's multiple rounds of feedback and re -edits
152
and then all the fine -tuning things like sound and grading
153
and if you don't set aside dedicated days or even weeks just to roll up your sleeves and get it done, then these things can drag on forever.
154
I mean, we shot this thing in February and between my full -time job as a DP and running this YouTube channel, it's been way too easy to just push the edit to the side while I wait for a convenient day.
155
But there's probably never going to be a convenient day.
156
So you just have to make the days happen, whether it's convenient or not, or you're going to never finish your film.
157
And a half -finished or even a three -quarter finished film is essentially the same thing as no film at all.
158
So just make time and get it done remember your triple f's filmmakers finish films
159
if you don't finish it
160
and share it it basically doesn't exist lastly make sure you're not operating in a vacuum chamber and
161
that you're getting as much advice from people you trust as
162
possible as i was editing this film I sent it to a lot of different people and in the end, their input made the film much stronger.
163
I had several calls with Mark and Mike, as well as my filmmaking friends around the world, and without all their feedback, I kind of think I would have had a much worse final export.
164
Filmmaking is a team sport at the end of the day, and if you aren't getting outside perspectives, the work probably won't hit its full potential.
165
So ask your friends, reach out to other filmmakers you know, or join online communities.
166
AOD has a great online Facebook group you can access to once you're a member, and I see people on there every day getting feedback on their projects.
167
But wherever you go for advice, you're doing your story a disservice if you only work in an echo chamber of your own ideas.
168
So what did this thing cost?
169
In the end, we spent just over $5 ,000 to make this film.
170
The vast majority of it went to travel and accommodation, like I said.
171
Flights and baggage were around $1 ,500, hotels were just over $1 ,000, and food and gas worked out to be $9 .80 for the week.
172
Eros and I didn't pay ourselves anything, but we did pay our camera assistant and BTS shooter Richard $1 ,000 as a token fee.
173
Now, I know that's a terrible rate for a multi -day international shoot, but he's a good friend and he did it as a favor.
174
On top of that, we also needed to license some stock footage of Jose on big waves because on our surfing day, the waves were tiny.
175
We did get some really great footage of him in the water
176
and you'll see it in all the moody shots in there
177
but for all the shots where he's flying down the face
178
of an eight -foot wave we had to buy those off an underwater dp based in san diego
179
and we spent another five hundred dollars for the rights to that footage
180
that brings the cost to just under five grand then i spent another five hundred dollars on sound design and mixing
181
which was also an incredible discount from a friend who wanted
182
to help out for a grand total of five thousand four hundred
183
and ninety two dollars
184
and that's us dollars i'm talking about not the adorable canadian dollars i have in my bank account that's real money, but it's also dirt cheap relative to what most film productions cost,
185
and I'm super proud of what we were able to pull off.
186
The film is going to premiere at the second AOD film festival in New York, which I think is happening in November sometime, so hopefully I'll have a chance to meet some of you there,
187
assuming I get out of the Arctic in time.
188
Big shout out to AOD for helping me make this film possible, and if you do decide to join the next cohort, don't forget to use the code LUKE10 to save 10%.
189
The doors are only going to be open for the next two weeks or so, and they only open twice a year so
190
if you've been thinking about it you'll probably want to act pretty quickly hope
191
that video gave you some ideas for what to do with your own next short film
192
and maybe even inspired you to get out and actually make something the final film is going to launch in November, like I said, and I'll keep you in the loop when I know the exact dates.
193
See ya!
📺 Тот же канал
✨ Рекомендуемое видео
B22
93 предложений
2026 Mac Mini - CRAZY FAST! (M5 Pro / M5 Ultra)
Business EnglishUniversity StudentsWorking Adults
B21
545 предложений
WHY YOU NEED TO GET OUTSIDE YOUR COMFORT ZONE | getting over your fears & anxieties + just doing it!
Business EnglishDaily ConversationUniversity Students
B21
95 предложений
Michael (2026) - The Making Of A Michael Jackson Movie | Behind The Scenes
Business EnglishUniversity StudentsWorking Adults
B23
231 предложений
simple tricks to hiding lights in a scene
Business EnglishUniversity StudentsWorking Adults
B21
45 предложений
Creating Iron Man suit. Full workflow by @AlexLab. Real life Iron Man exosuit with a box of scraps)
Business EnglishUniversity StudentsWorking Adults
B23
185 предложений
How I Edit My YouTube Videos as a Med Student (Edit for Youtube) 📸 // PETER LE
Business EnglishUniversity StudentsWorking Adults
B21
281 предложений
Fujifilm Should Be VERY Worried
Business EnglishUniversity StudentsWorking Adults
B21
373 предложений
I built my dream podcast studio in Austin.
Business EnglishDaily ConversationUniversity Students
B21
122 предложений
"James Barkman" - VW Van Life
Business EnglishDaily ConversationUniversity Students
B11
366 предложений
pov: you abandoned your channel for 6 months...
Business EnglishDaily ConversationUniversity Students
B21
205 предложений
ZV-E10 Low Light - Best Picture Profile
Business EnglishUniversity StudentsWorking Adults
Лексика и советы по произношению к этому уроку
В этом видео 193 предложений и 2813 слов для шедоуинга. Речь длится 12:22. Говорящий говорит быстро, около 228 слов в минуту, поэтому звуки часто сливаются и сокращаются. 86% слов входят в 3000 самых частых слов английского языка; остальные стоит разобрать перед занятием.
Ключевая лексика этого видео
15 слов из видео, которые стоит выучить, с произношением и значением:
| Слово | Произношение | Значение |
|---|---|---|
| edit глагол | /ˈɛdɪt/ | редакти́ровать, изменя́ть |
| documentary существительное | /ˌdɒk.jʊˈmɛn.tɹi/ | документа́льный фильм |
| footage существительное | /ˈfʊtɪd͡ʒ/ | отсня́тый материа́л, фута́ж |
| surf глагол | /sɝf/ | занима́ться сёрфингом |
| filmmaker существительное | созда́тель кинофи́льма, кинорежиссёр | |
| topic существительное | /ˈtɑpɪk/ | те́ма, предме́т |
| feedback существительное | /ˈfiːdˌbæk/ | о́тзыв, о́тклик |
| veteran существительное | /ˈvɛ.tə.ɹən/ | ветера́н |
| convenient прилагательное | /kənˈviː.niənt/ | удо́бный |
| module существительное | /ˈmɑd͡ʒul/ | мо́дуль |
| microwave существительное | /ˈmaɪkɹoʊˌweɪv/ | микроволна́ |
| chamber существительное | /ˈt͡ʃeɪ̯mbɚ/ | ко́мната |
| lesson существительное | /ˈlɛs.ən/ | уро́к, ле́кция |
| discount существительное | /ˈdɪskaʊnt/ | ски́дка, диско́нт |
| triple прилагательное | /ˈtɹɪp.əl/ | тройно́й |
Фразовые глаголы, которые вы услышите
| Слово | Значение |
|---|---|
| go out глагол | выходи́ть, вы́йти |
| show up глагол | объявля́ться, объяви́ться |
| break down глагол | ломаться, сломаться |
| check out глагол | проверя́ть, прове́рить |
| give out глагол | обнаро́довать, объявля́ть |
| pull off глагол | оттащить, стянуть |
| roll up глагол | свора́чивать, свёртывать |
| sit out глагол | отсидеться, пропустить |
Произношение, на которое стоит обратить внимание
Говорящий использует 80 сокращённых и редуцированных форм, например I'm, you're, don't. Произносите их коротко, так, как слышите.
- Звуки «sh» и «zh»: capture /ˈkæp.(t)ʃɚ/, essentially /ɪˈsɛnʃəli/, emotion /ɪˈməʊ.ʃən/, accommodation /əˌkɒm.əˈdeɪ.ʃən/, shout /ʃaʊt/
- Длинные слова — следите за ударением: documentary /ˌdɒk.jʊˈmɛn.tɹi/, essentially /ɪˈsɛnʃəli/, incredibly /ɪŋˈkɹɛdɪbli/, importantly /ɪmˈpɔɹ.tənt.li/, accommodation /əˌkɒm.əˈdeɪ.ʃən/
Как заниматься с этим видео
- Прослушайте всё видео один раз молча и выпишите незнакомые слова.
- Начните со скорости 0,75×, повторяйте предложение за предложением и вернитесь к обычной скорости, когда станет легко.
- Запишите себя и сравните с оригиналом, обращая внимание на такие слова, как edit, documentary, footage.
Грамматика в этом видео
Конструкции, которые говорящий использует чаще всего, с точными словами из видео:
| Конструкция | В видео |
|---|---|
| Условные предложения if + предложение, will/would + глагол — условие и его результат | if that sounds like something you'd be · if you've been thinking about it you'll probably |
| Present Perfect have/has + причастие прошедшего времени — прошлое действие, важное сейчас | has always been · haven't changed · you've probably heard |
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.