ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Zendaya & Andrew Garfield | Actors on Actors - Full Conversation
เลือกโหมดฝึก
แต่ละโหมดจะเปิดห้องฝึกแบบเต็มจอ
654 ประโยค
หากประโยคสั้นหรือยาวเกินไป กดที่ Edit เพื่อปรับแก้
1
We were on set for Spider -Man.
2
I kept forgetting that you were English because you spoke in your American accent the whole time.
3
Yeah.
4
And I was like, oh shit, he is.
5
I'm sugar.
6
Oh, snap.
7
He is, he is, dang.
8
Okay.
9
Darn.
10
Darn it.
11
Oh, fudge, fudge.
12
Fudgesicles.
13
What was really funny, I think, about it is like, Tom was so nervous about you guys coming in.
14
That's so wild. So nervous.
15
He never let anything onto us.
16
Yeah.
17
Pull those pants down.
18
Yeah.
19
Get those calves under wraps.
20
Yeah, under control.
21
Yeah.
22
That the crazy forearms.
23
Inside jokes.
24
What was that for?
25
What was that for?
26
I forget what that was for.
27
It was a Toby one and he was like, it's crazy.
28
Because he was trying to pull up the thing.
29
It was just.
30
Crazy forearms.
31
So that reminded me of this.
32
Acting. So acting.
33
Acting.
34
So really acting though, because.
35
We knew this would happen.
36
We were like, it's gonna go great off camera.
37
As soon as the stars roll, we're gonna be like, so.
38
I don't know how to speak anymore.
39
Yeah.
40
No, but, okay, but seriously though, because I haven't said to you yet, and I've been saving it since I've seen you this morning,
41
having seen season two now of your show Euphoria with our friend
42
Sam Levinson, the brilliant creator, showrunner, director, extraordinaire that he is, and your incredible cast.
43
But I just do want to start making you very uncomfortable
44
and say that it is kind of one of the most remarkable things
45
I've seen an actor do of recent memory because of its rawness, because of its agony, because of its unflinching vulnerability
46
and access to a woundedness and a kind of universal soul cry for meaning that you seem to just have an accent.
47
How, but how?
48
Well thank you.
49
No, but like.
50
No, but I mean that.
51
That means the world.
52
I really, really appreciate that.
53
But like, it's kind of wild, man.
54
And I know it's hard to receive those things and, cause you just do what you do.
55
But for me to witness it, especially, I think it was episode five.
56
What's the name of the episode?
57
Um, I - Stand like a hummingbird?
58
Yeah, stand still like a hummingbird.
59
Stand still like a hummingbird.
60
Where did you put it?
61
Where'd you put my pills, mom?
62
Where did you put it?
63
What the fuck?
64
I'm calling the police.
65
No, you can't.
66
You can't do that.
67
You will not attack me in my own home.
68
What the fuck I want in your own home?
69
It is the most, one of the most relentless episodes of television, like emotionally relentless episodes of television I've ever seen.
70
And we love you so much in the show, just as a character.
71
And to see you being so, and I know you, you know,
72
I'm starting to get to know you better and better but to have access to that kind of Yeah,
73
I know and the damage and the pain and to make it
74
so human and I'm not asking a question yet And I don't know how to ask a question about it
75
And it's gonna be 30 minutes of just praising you
76
and that's fun for me and for all of us not for you
77
Yeah, well, yeah, but that's another thing we can get into Yeah, yeah, so actors taking compliments welcome back to back is taking compliments with No,
78
but for real though So how did you sustain access to
79
that agony access to that rage access to that yearning for the whole series?
80
But particularly that relentless episode like how did you do that?
81
This is really good
82
Right to it, right?
83
Sorry, it's like the thing I'm interested in.
84
But I wanna say thank you because I've obviously been a fan of your work for a long time and hearing,
85
I think, compliments from people that you admire and people whose work that you respect, and it means so much.
86
So thank you for that.
87
Well, I'm flattered that it's meaningful to you.
88
Yes, no, it is.
89
But it's tough and I thought what was actually quite sweet was when that episode did air,
90
I did get a lot of messages from people checking in on me, which I really appreciate.
91
It makes you want to cry.
92
Yeah.
93
It was very kind and heartwarming in that way, that people were looking out.
94
I think there was a lot of actors that were like, are you good?
95
And I was like, yeah, I'm good, I'm good.
96
It didn't feel like there was any acting.
97
It felt like you were living through something in such an authentic way.
98
I don't know.
99
It's hard to say that there's any specific process for that.
100
I feel like when it comes to Rue, at least for me,
101
my experience with her is I've been able to have had the privilege of playing her for a while.
102
So I've had the luxury of living in her skin for a bit and the closeness that I share with Sam,
103
who you spoke of, is a huge part of that because I think
104
Rue is very much based on him as a teenager.
105
And I think a lot of the pain that he went through
106
and now him being able to turn it into something quite beautiful and express it through Rue.
107
So Rue has become kind of like an amalgamation of my experiences,
108
his experiences, and our collective pain and seeing through the eyes of an addict and trying to always kind of,
109
I think the approach was to try to approach
110
it as human as possible without ever shying away from the devastation and the ugliness of what that can create.
111
And also, because it's not just about Rue, right? that whole kind of opening,
112
it's about an entire family and friends and loved ones that are affected by that pain as well.
113
And you have to show that and you have to go there.
114
And I had actually been very afraid to shoot that episode because it had been an episode that we,
115
that's why I was having a hard time remembering the name of the episode, because we just always called it
116
The Roo Run.
117
So, you know, it had been written for like a while before the pandemic.
118
And so I was kind of dreading having to do it.
119
I was very scared to tackle that.
120
And also knowing
121
that on top of just kind of this massive blowout where the pain is coming to a head
122
and getting to a point where you can't hide it anymore.
123
And then on top of that, she's going through withdrawal.
124
So that's like a whole nother physical thing
125
and aspect to kind of keep inside your brain while also trying to like understand everything else that's happening.
126
What was cool basically is we, you know, Sam lit the whole house.
127
So we usually with Euphoria, it's like things are very structured shots, right?
128
And to try to give the show that feels very chaotic some type of structure,
129
a lot of dollies, and a lot of calculated kind of camera movements.
130
For that, it was all Marcel.
131
Our incredible cinematographer, Marcel Rev, he had it on his shoulder the whole time and was moving with me,
132
and I think it becomes like a dance, when you have that camera operator that understands.
133
How long were those takes?
134
Until the mag went out so you know yeah
135
Which is very specific film stock that you guys use as well extra chrome yeah
136
They need for us so beautiful so crazy haunts is everything
137
and just kind of gives it a hue of Beauty
138
and sadness and tenderness I was gonna ask you like did you say we're doing my close -up first
139
No, I don't give a shit about the crap about the dolly
140
There was no kind of structure
141
because it couldn't be there had to be a level of of volatility
142
and unpredictability to her mood and where it was gonna go.
143
So we just started from the beginning and they just made, they said, listen, you can break whatever you want.
144
We made it so it's safe to break one, throw whatever you want.
145
We're gonna light the whole house so you can go through the whole thing.
146
So weirdly caring.
147
So caring, right?
148
To make sure I was good.
149
Because they know that you were gonna be doing something incredibly painful and hard.
150
Yeah.
151
And then how many takes of that sequence did you do?
152
Just over and over again until we felt like we had it and then we moved on to the next part.
153
But it was a long day.
154
Cuz that's like, you know.
155
That was one day.
156
It was a one day of just fighting everyone.
157
And I'm sure you can understand, but when you're playing a character that you deeply care about, but they're actively making decisions, like why?
158
Please don't say that, don't do that.
159
And then on top of that, you as a person with your fellow actors, you love them, you care about them.
160
You don't wanna say these things to others.
161
What am I crying?
162
I know, no. What am I crying?
163
But you don't want to hurt somebody else, you know?
164
You don't want to hurt someone.
165
You don't want to say something to someone that hurts them.
166
That's not the kind of person I feel like I am.
167
You're a shame, Mom.
168
My dad's dead.
169
Kind of keeps you from admitting what shit fucking mother you are.
170
So evident in that sequence, like, I can see those moments which are just so subterranean, which are like, I don't want to do this.
171
I have to do it.
172
And so actually, weirdly, your struggle as an actor can be used as your struggle as the character, and then the lines become.
173
And anything you have inside, any pain at least, I've held onto throughout my life.
174
I just, I let
175
Rue have it, you know?
176
And I let her use whatever kind of I need to hold onto, and I let her get it out for me, you know?
177
Because I get it out in a different way.
178
I'm not like that.
179
And often I shove, so it allows her to take
180
that on and I'm just very grateful to have an environment where I felt safe.
181
My gosh, amen.
182
Like, do you feel, because I remember when I was a kid and I didn't know where to put, I'm not saying you're a kid,
183
I'm just saying when I was a kid I didn't know where to put my...
184
The feelings.
185
Yeah, my experience of this insanity of being alive and obviously
186
Sam Levinson, your fearless leader, is kind of dealing with with his own demons within the show,
187
which is so personal obviously and so kind of healing.
188
And when I found theater for the first time, I was like, oh my gosh,
189
I get to be all the things I'm told not to be.
190
Right.
191
In an environment where I'm not gonna get judged but in fact I'm gonna get thanked.
192
Right.
193
And I love the dynamic between you and your sister particularly.
194
And then the family, the mom saying, no, this is about Rue, and then your sponsor, She's always look, yeah.
195
Coleman Domingo, it just goes, who's brilliant.
196
Yeah, amazing, the whole cast is so incredible.
197
I love Coleman.
198
And the young actress who plays your sister is just like, oh my gosh.
199
Storm is also very, I mean, I'm very lucky.
200
Dang.
201
I'm very, very lucky.
202
It's so cool.
203
Because you need that, you know?
204
You need that support.
205
Because your brain part of it knows that what you're doing isn't real right or that it's not supposed to be real
206
Mm -hmm, but your body doesn't know the difference right?
207
You're still gonna get the same bruises if you kick a door down
208
I have a great acting teacher who was basically like well
209
It has to be healing if it isn't healing then what are you doing it right?
210
And it's about pitching it up, as you said, and pitching it out.
211
Right.
212
And also it does become of service.
213
Like I watched that and I got a lot of healing for the experiences I've had with the addicts in my life.
214
And that's the point of what we do.
215
That's everything.
216
You know what I'm saying?
217
If you can find a way to heal through it and helpfully heal someone else through it, that is like...
218
That's it.
219
That's the purpose of it.
220
Thank you, brother.
221
Thank you for your understanding.
222
Thank you for sparing me.
223
There's a million different characters that you're jumping in and out of
224
and how do you keep track of those people
225
and how are you able to separate
226
or compartmentalize to a degree to make it healthy enough to say I'm leaving them here
227
and then I'm moving on to this one
228
and then Andrew's gonna be here and I'm gonna leave him here you know how do you find that?
229
It's a good question and I want to deflect it
230
and I want to bring it back to you but I'll try
231
and keep it on me for a second but like because it is important and I I don't know about you, but I find actually if,
232
and it's about, I surf as well, so it's about wave selection.
233
It's actually like, okay, is this wave mine, or is this wave that guy's, or that girl's, or that person's,
234
like, no, I'm gonna let that one pass.
235
And when I started out acting, it was like, I'll just take that amount.
236
Yeah, right, right, right.
237
I did like a, the first thing I did was a Doritos commercial in Spain, and I thought I was done,
238
I'd made it, I made like two grand for two days of work, and I was like, that's like, Like, my life is set up,
239
like showing my father the pay stub, going, I don't need to work at Starbucks for the next week.
240
I love it.
241
But then we get, I think both you and I have gotten to a very privileged position where we get to decide.
242
And we get to have agency and choose.
243
And I think it's really, I find it important for myself to go, well, what am I called to?
244
What am I actually, do I need, do I have a choice in this?
245
Right, right.
246
If I'm like, oh my God, oh no, I have to do this.
247
I have to do it.
248
It's that fear, it's that, there are two types of fear.
249
It's like one type of fear is that fear that says, oh don't go there, which means a bus is coming.
250
And the other fear is the kind of fear that says, oh no, I have to go there. Because, yeah.
251
Because you're gonna get hit by the right bus.
252
Yeah, if that makes sense, right.
253
It's a good bus, yeah.
254
It's like a spiritual bus, but you think you're gonna get trounced by it,
255
but actually it's gonna enhance your life and expand you and you're gonna.
256
And that's such a scary feeling.
257
Yeah, like this character I play in this guy, Jeb Pyre, he's a Mormon detective,
258
father, husband, in the 80s in Utah.
259
Like, I'm - There's a gap.
260
There's some difference there, yeah.
261
There's a distance, but that excites me as well.
262
And I'm like, well, so where does that
263
Mormon detective live?
264
Inside of - In me, and how can I live as him authentically? and how and what parts of myself need healing.
265
She's in so much pain, Bishop.
266
In all the pain she's in, what do we...
267
What do I...
268
What do I do?
269
The average person would look at me and say, well, what the hell do they have in common with this character, right?
270
Sure.
271
But on that, don't you think that empathic imagination is the job?
272
Yes.
273
And so it's funny.
274
So like on paper, right, that's what someone would assume.
275
But it's interesting to me because I found kind of like what you're saying, but she is so much of an extension of myself.
276
Yeah.
277
I don't know, you know, a few things different in our life or, you know, wired a different way, whatever it is.
278
And that's me also.
279
But from the grace of God go I.
280
Yeah.
281
That kind of like thing where it's like, oh, I, and that's the beauty of what we do as actors is
282
we can look at any human being in any room and go.
283
There's part of me in that.
284
I could end up there, I could end up here, I could end up, and that's the kind of, the universal thing.
285
Empathy.
286
Yeah, exactly.
287
Yeah, that idea that we're all people trying to survive life and figure it out, and we don't know what we're doing, you know?
288
And I think.
289
With Rue, which I appreciated so much about when I first kind of went in to meet
290
Sam is he said to me that I was on This board this dream board that he had made
291
Oh, wow Like no like I just didn't think that
292
that was true because up until
293
that point I was like I've never really done anything to show
294
that I could do what you're asking me to do
295
but he said I watched interviews and I just knew and And I felt like that to me,
296
A, meant a lot, because it meant somebody believed in me.
297
But also I think he saw the pieces of me that existed in Rue already, and thus part of himself too.
298
There was a connection already creating and forming, and when I met him, he was like, oh, that's her.
299
And so I thought that that was quite fascinating, and then as I've gotten to be Rue, I feel like with certain characters,
300
right, you have to search for them.
301
And, you know, it takes you a little bit longer for them to click in your body and you feel like,
302
oh, I'm in their skin now, right?
303
With her, I don't have to think about it as much, right?
304
She's a little thing that just kind of takes over.
305
And I know when Rue is here.
306
And it's funny because we joke about it on set, but we're like, my face changes, right?
307
And I can tell that I look, I'm her now.
308
And that's her expressions and her way of moving.
309
And it's weird, cuz it's like, it kind of creates its own thing.
310
I don't know, it's weird to say like, I have this love for this character.
311
But I do because I feel she represents so many people that I've met along the way, that have shared their stories with me.
312
And I feel like I carry that with her.
313
Do you know what I mean?
314
I do, yeah.
315
She's a collection of a whole lot of people.
316
Sure.
317
And a whole lot of experiences.
318
And every time someone, I think, shares with me, that's when I gain more insight and understanding.
319
And I think having to play, like you're saying, those specific things, I think it's just that open conversation and I trust
320
Sam enough to go, I don't buy it.
321
I don't believe what you're doing.
322
And he'll tell me, he'll come up to me and be like, why are you acting there?
323
I can see it happening, you know?
324
And remind me that I got it.
325
He's like, you got it, you got it.
326
You already got it, you don't have to, you got it.
327
I'm just gonna steal some shit.
328
Tell me about the memes, because I noticed this.
329
Every Sunday, Euphoria became the meme of the thing.
330
It was Euphoria Sundays.
331
It became a sporting event.
332
It was interesting because I think it's hilarious.
333
I think so many people, I was like, wow, you guys are so creative.
334
I also was a little concerned, because I was like, are you guys watching the episode?
335
because how are you typing and staying on time with the episode at the same time?
336
Pay attention.
337
I don't know.
338
But no, it was cool in the sense that there's a collective, right?
339
It's people coming together and being able to enjoy something together and talk about something together, have discourse together, which is cool.
340
But also I got really nervous too because we were still in the middle of editing while things were coming out.
341
So while episode five was coming out, I was literally in the studio writing rewriting a version of I'm tired with lab to put in the
342
Thank you so much
343
To put in the finale so we were like that's what we were doing while that was happy
344
So we're still editing so we're still inside of it.
345
So it wasn't like a big separation
346
Yeah, it's like reading reviews when you're doing a play or something.
347
Yeah, you're still
348
You don't need to influence you wanted to remain pure exactly and I song is so gorgeous
349
Thank you so much.
350
It's so beautiful.
351
Lab is very, very talented, very special.
352
Yeah.
353
And also, like, I'm very protective over Rue.
354
Yeah.
355
And also, like I said, because of all the people that she represents.
356
Totally.
357
And so I know that sometimes maybe the world won't be as kind to her as I am.
358
Yep.
359
And that's hard for me, you know?
360
So I'm like, just love her though, but just wait, just wait.
361
Yeah.
362
You know, just wait till we get to the episode we're working on right now.
363
Right, right.
364
Like, just hold on to this.
365
Oh, God.
366
Just hold on to this.
367
Mind is a little fudge.
368
Yeah, yeah.
369
So, again, balance.
370
Yeah, balance, yeah, yeah.
371
Right, with everything.
372
So it was a lot of fun, but it was also very, you know, nerve wracking.
373
Okay, so I'm gonna flip it back to you.
374
Okay.
375
Because I am very interested in your process, right?
376
Because, and I'm trying to, maybe my memory deceives me, but I wanna say we were on set for Spider -Man,
377
I kept forgetting that you were English because you spoke in your American accent the whole time.
378
Yeah.
379
And I was like, oh shit, he is.
380
Who's Suga?
381
Oh, oh snap.
382
He is, he is, oh dang, dang.
383
Oh darn.
384
Darn it.
385
Oh fudge fudge.
386
Fudge sickles.
387
You know?
388
Okay.
389
Let's pick one target.
390
Right.
391
And we take them off the board one at a time.
392
Now you got it.
393
Okay.
394
Peter one, Peter two.
395
Peter two.
396
Peter three.
397
I don't know your connections to your characters and how much you stay in them or step out of them,
398
but I'm sure there's a process from when you see them on a paper, you know, and you visualize and you start.
399
Again, how do you feel that they come in to you?
400
Do you feel like you find them?
401
Do you feel like it's a mixture of both?
402
I find this different every time.
403
I feel like it's first day of school every single time.
404
And I feel like I start from scratch.
405
And I feel like every single time I'm stepping, I'm jumping off the side of a cliff.
406
It never feels safe.
407
And if it feels safe, I'm a bit concerned.
408
And that I think is the bus analogy as well.
409
A little bit of fear is good.
410
A lot of fear and doubt is kind of become a friend.
411
It's had to become a friend.
412
Comforty.
413
Yeah, strangely.
414
It's like, I hear you up.
415
Come on, buddy.
416
We're still gonna go back into rehearsal even though we'd rather throw ourselves in the river.
417
We're still gonna carry on.
418
But yeah, with an accent, for me, it's like I just don't wanna confuse my body, and I don't wanna confuse someone else's system.
419
Right, right, right.
420
You know what I mean?
421
I just wanna, it's just simpler.
422
It's easier.
423
It's easier, and the musculature stays warm in that way.
424
I find it fun because it's kind of like a more technical, I mean like the creative choices are the creative choices.
425
And I'm so indecisive as well.
426
Like I, you know, when I'm like redoing my kitchen right now and I'm like, oh my god, I love this tile,
427
but this tile is like, and it takes me like a year to figure out, like I don't, anyway.
428
So with the creative choices, they take moments for me to figure out,
429
but then I love having something solid to hold on to in a process that is so intangible, like what we were talking about.
430
So actually an accent and a voice and a physicality, some like hooks and places where I can hang my hat that will ground me,
431
that can be kind of triggers to get back into the character actually.
432
When you feel like you're...
433
Yeah, or like a piece of costume or like a rhythm or if I'm doing like an animal study as a physicality.
434
I'm looking for the forgotten aspects of myself Right.
435
That I can activate.
436
I need you to get more rest to bring the print kit. And, um, video camera.
437
I need you both to record every single corner in that house.
438
What drew me into it was, I think, the step -by -step,
439
moment -by -moment process of a kind of psychological breakdown.
440
Right.
441
That kind of a belief system crumbling.
442
I remember speaking to a guy in Utah who went through the exact same thing.
443
It was a Mormon police officer who had a really big crisis of faith because of a case he was working on.
444
And was having to reckon with potentially losing his wife, potentially losing his kids, losing his community, being thrown out of the Mormon faith.
445
And suddenly this character became flesh and bones and cells and dreams and longings and a heart and ancestry.
446
Suddenly it was like, oh my god, the universe just is tangible.
447
And again, a feeling of calling and a responsibility to represent an experience, to represent a type of person going through a type of experience.
448
That feels really important, because I think as long as we have the longing,
449
then some mystery happens where we find our way into forcing the skin of that person around us.
450
Or that skin emerges above our skin, however we want to describe it.
451
You know what, if I were you, I would rather find that kind of family dead rather than safe and sound.
452
The endurance that I think you have to have with a character
453
and emotionally when it comes to a television show as well versus a film.
454
And I wanted to kind of ask you about, A, your experiences with that, and then I want to tag on to that.
455
Again, when you're dealing with, I think, the subject matter of your show, I mean, it's so heavy, right? and painful and delicate, you know?
456
And it's not an easy thing to just say, you know, yeah, today I'm walking onto a crime scene like and I'm just gonna,
457
that's my day today and I'm gonna pretend like none of it affects me
458
and then I have to do this for the next eight months because this is not a movie where I can
459
dip up out of it but I'm in this for like the long haul, right, and how do you stay in that?
460
And how do you find working on like a longer medium, I guess?
461
It's hard, I found it really hard.
462
Really hard, yeah, I could imagine.
463
It was six months in Calgary.
464
Mm, okay.
465
I mean.
466
Got it.
467
And there was beautiful mountains and lakes and really good restaurants in the city.
468
There's a place called the Repsol Center, which I went most days off, which had a cold plunge and a steam room and a great gym.
469
Shout out to the Repsol Center, love you guys, I miss you guys so much.
470
Repsol for life.
471
You guys are great.
472
Repsol for life.
473
For real, they're at Repsol for life.
474
Yeah, they helped get you through it clearly.
475
They really did.
476
Yeah, Dustin Lance Black, who created the show and adapted the John Krakow non -fiction book from, oh God, for the last 10 years.
477
It's a real passion project for him.
478
He's an ex -Mormon himself, Dustin, and he, you know, it's very, very personal for him.
479
And that helps.
480
When you have someone at the helm who, like Sam Levinson, it's so personal, it's such a passion project,
481
it kind of like, it trickles down to the rest of the ensemble and the rest of the crew.
482
So we had a great group of actors, Daisy Edgar Jones and Wyatt Russell and Sam Worthington.
483
Denise Gough, just amazing, amazing actors.
484
And I think we were all in location together.
485
And I think that's always fun.
486
When you have a bunch of actors who are kind of
487
taken out of their day to day
488
and you're figuring out a new city together
489
and riding around all those bird scooters and trying to find the best ribs in Calgary and not get COVID, it's like it becomes a game.
490
But it was, it was a, it's heavy.
491
It's like the universe and the world
492
that my character had to be dipped in and stay in and explore and not flinch away from in pursuit of truth,
493
in pursuit of doing right by this horrendous act of violence that took a mother and a young child.
494
And I think that is the thing that kept this character connected.
495
that was the North Star and the light at the end of the tunnel.
496
So for me it was like, well, I have no choice.
497
It's again, it's one of those things, I have to go there, I have to stay in it, I have to go there.
498
But he's actually struggling with the same thing of how do I keep this toxicity away from my family,
499
away from my kids, away from my own being, away from my own soul, how do I stay clean?
500
How do I not lose myself in this dark, seedy underworld, this kind of hellscape?
501
Because it's a hellscape.
502
He's dealing with evil.
503
And I think that is a remarkably powerful force when you're just faced with kind of abstract, intangible evil.
504
You're attempting to wrangle and to snuff out.
505
It's like dealing with the Nazi regime or something like that.
506
So it was painful.
507
It was really, really painful and hard and I, the Repsol Center just cured all of it.
508
Shout out again.
509
You're getting a lot of love.
510
I gotta go.
511
Recommended by.
512
Everyone in Calgary, shooting in Calgary, you gotta hit Repsol.
513
I, no, but like, it was not fun a lot of the time.
514
My guess is that
515
Sam's army, they consider themselves totally devout, willing to give up their lives for their beliefs and their own sons included in their sacrifice.
516
Sometimes I'm like, ah, like I'm an actor and I look at myself like, what a ridiculous job.
517
Like I'm like, I have the coolest job, I love my job so much.
518
But sometimes it's just like, I mean, I dress up for a living and I do,
519
and I'm like, I don't wanna take myself too seriously because I feel like there's people
520
who do far more important things than I do.
521
My brother's a lung doctor for crying out loud.
522
Yeah, exactly, right.
523
Come on, come on.
524
I can pretend to be one, but I can't actually, you know.
525
So within that is finding purpose in what you do.
526
Yeah.
527
And why do I love this so much?
528
And I think that what I found is what you're talking about in that sense of like,
529
it's this understanding of like a collective empathy and an understanding of someone else's life and experience.
530
And as corny as it is, but walking a mile in their shoes like that whole thing is so deeply important.
531
It's also important to feel seen in that way
532
because what I found through Euphoria is it gave people the tools to communicate feelings
533
that they didn't have the ability to express or say and say, hey, I don't know how to tell you, but this is how I'm feeling.
534
Or this is what I'm going through.
535
Can you watch this with me?
536
Or let's watch this together.
537
Beautiful.
538
Like we talk about Spider -Man, but the amount of joy that that brought people is so cool.
539
Like, to see you guys have that moment together was special, but then also it made people happy.
540
I think that's really cool.
541
And also, like, about brotherhood.
542
Yeah.
543
And I love the idea that maybe
544
Tom's Peter would have suffered the same fate as Andrew's Peter
545
if Andrew hadn't have somehow come into that universe
546
and learned from the mistakes of the past and made sure
547
that my younger brother and his love didn't have the same fate.
548
That's kind of cosmically...
549
It's so cool.
550
It's awesome.
551
It's so cool.
552
I mean, I remember when I wrote that, I was like...
553
Yeah, it's really...
554
It made me very happy.
555
And that was fun.
556
I loved shooting that with you so much.
557
It was.
558
Wasn't that like our first thing?
559
It was like, yeah, absolutely. And you.
560
Like, hi, I met you yesterday.
561
Thanks for catching me.
562
How are you?
563
You good?
564
OK, you have to cry?
565
Sorry.
566
It was pretty intense.
567
It went like that.
568
And then suddenly we were kind of done.
569
Yeah.
570
It was this huge moment that we just did a few takes of.
571
I guess it was good to get the more emotional stuff out of the way.
572
I think so.
573
Because the rest of the time was just us.
574
Just giddy, joyful.
575
We were just having a good old time.
576
Being so dumb.
577
Yeah.
578
I don't want to brag, but I will.
579
I was in the Avengers.
580
The Avengers?
581
Yeah.
582
That's great.
583
Thank you.
584
What is that?
585
What was really funny, I think, about it is like, Tom was so nervous about you guys coming in.
586
That's so wild.
587
He never let anything onto us.
588
Pull those pants down.
589
Yeah.
590
Get those calves under wraps.
591
Yeah, under control.
592
Yeah. That thing.
593
Crazy forearms.
594
Um, inside jokes.
595
What was that?
596
What was that?
597
I forget what that was.
598
It was a Toby one, and he was like, just crazy.
599
Because he was trying to pull up the thing.
600
It was just crazy using four arms.
601
Four arms.
602
So that reminded me of this.
603
Anyway.
604
Good joke, Bank, you got there.
605
Yeah.
606
I'm noggin at yours.
607
They stay with us.
608
We use them a lot.
609
Damn, that's really good.
610
Yeah, we use them a lot.
611
But he was so nervous and, cause like, you know, he was like,
612
I don't wanna step on anyone's toes and I don't want anybody to feel, like I just want.
613
We were like that, me and Toby were like that.
614
We were like, we don't wanna step on Tom's, like this is Tom's movie, it's your guys' movie and it was like,
615
if we can help, again, just to serve and be a bit of serve.
616
But it's so funny, because he just seemed so, but that's so sweet that you guys were there.
617
That's why we were there.
618
That's right.
619
So he was like, can you guys come with me?
620
Yeah, because you guys were like, I guess we're going to come and hang out with you guys for rehearsal.
621
I'm like, what are these guys doing here?
622
Yeah, because at rehearsal, we didn't really have very many lines.
623
We were just like, we were there for emotional support.
624
Sweet.
625
Very sweet.
626
But with that being said, I think we were like,
627
I think they don't know how much fun we like to have when we're doing this job.
628
Like, this is, like, we have fun.
629
And it was nice that you guys just, like, fell right into the crew.
630
It was such a fun experience.
631
I was, like, pissing myself laughing, but I was dying.
632
You guys had me dying, like, crying, laughing in between takes all the time.
633
That is so silly.
634
How cool is that?
635
It's the best.
636
We are very lucky, and then my brother's saving lives.
637
Right.
638
Here we are.
639
My brother's treating COVID patients as we speak.
640
I'm wearing a lovely jacket talking about Spider -Man.
641
No, but then he goes home and he watches
642
Spider -Man with his boys.
643
You know what I mean?
644
Yeah.
645
It's that.
646
It's like, it's, oh no, I'm just trying to justify my existence.
647
Right?
648
Not feeling bad about my life.
649
I'm like, we love talking and I'm like, shit, I have to ask him something that I don't really want the answer to.
650
Next week on Zendaya and Andrew at the Repsol Center, we will be.
651
We'll have visitors for from the Repsol Center?
652
Yeah, we have testimony.
653
A live testimony.
654
Repsol, that's right.
ดาวน์โหลดแอป
ทุกอย่างที่ต้องใช้เพื่อพูดได้คล่อง
AI ให้คะแนนการออกเสียงให้คะแนนทุกประโยค
ฝึก IPAเชี่ยวชาญทุกเสียง
คำศัพท์สร้างคลังคำของคุณ
เกมคำศัพท์เล่นไปเรียนไป
ช่องเดียวกัน
B21
Jonathan Bailey & David Corenswet | Actors on Actors
Daily ConversationWorking Adults
B21
Does Travis Scott Know His Lyrics?
Daily ConversationWorking Adults
B2Camila Cabello On Mental Health And The Importance Of Self Care
Daily ConversationWorking Adults
B22
Jenna Ortega & Elle Fanning | Actors on Actors
Daily ConversationWorking Adults
B22
Noah Schnapp on Coming Out via TikTok & What He Doesn't Like About College | This or That
TeensDaily Conversation
B21
Cillian Murphy & Margot Robbie | Actors on Actors
Daily ConversationWorking Adults
B2Does Tate McRae Know Her Lyrics?
TeensDaily ConversationWorking Adults
B2Charli xcx - Camera | Behind the Song
Daily ConversationWorking Adults
B25
Does Benedict Cumberbatch Know His Lines?
Daily ConversationWorking Adults
B23
Jennifer Aniston & Quinta Brunson l Actors on Actors
Daily ConversationWorking Adults
B22
Sadie Sink Talks Her Little Known Singing Skills, 'Stranger Things 5' & Brendan Fraser
Daily ConversationWorking Adults
B2Does Miley Cyrus Know 'Hannah Montana' Lyrics?
Daily ConversationWorking Adults
B21
Jennifer Aniston & Lisa Kudrow | Actors on Actors
Daily ConversationUniversity StudentsWorking Adults
B22
Emily Blunt & Anne Hathaway | Actors on Actors
Daily ConversationUniversity StudentsWorking Adults
B22
Does Sydney Sweeney Know Her Lines?
Daily ConversationWorking Adults
B23
Robert Downey Jr. & Mark Ruffalo | Actors on Actors
Daily ConversationUniversity StudentsWorking Adults
B216
Does JENNIE Know Her Lyrics From Her Biggest Songs?
TeensDaily ConversationHigh School Students
B22
Leonardo DiCaprio & Jennifer Lawrence | Actors on Actors
Daily ConversationUniversity StudentsWorking Adults
B2Timothée Chalamet & Emma Stone | Actors on Actors - Full Conversation
Daily ConversationWorking Adults
B2Brad Pitt & Adam Sandler | Actors on Actors - Full Conversation
Daily ConversationWorking Adults
FOR YOU
วิดีโอแนะนำ
B23
174 ประโยค
Zendaya & Tom Holland On Each Other's Personalities, Happy Memories Together & Fan Edits
Daily ConversationWorking Adults
B21
910 ประโยค
Andrew Garfield’s Holocaust Family Story | Season 21 Episode 3 | Who Do You Think You Are
Daily ConversationWorking Adults
B21
192 ประโยค
Heated Rivalry's Connor Storrie & Hudson Williams On Intimacy, Romance and the Female Gaze | Them
Daily ConversationWorking Adults
B21
97 ประโยค
Michael B. Jordan Best Actor Press Room Speech | 98th Oscars (2026)
Daily ConversationWorking Adults
B21
75 ประโยค
Sadie Sink Opens Up About Her Secret Spider-Man: Brand New Day Role
Daily ConversationWorking Adults
B21
113 ประโยค
Chris Hemsworth & Chris Evans Chat THE AVENGERS: AGE OF ULTRON
Daily ConversationWorking Adults
B22
50 ประโยค
Gwen's Big Speech to Her Dad | Spider-Man: Across the Spider-Verse (Hailee Steinfeld, Shea Whigham)
Daily ConversationWorking Adults
B21
155 ประโยค
Channing Tatum & Kirsten Dunst on How Parenthood Changed their Lives | The Drew Barrymore Show
Daily ConversationWorking Adults
B26
19 ประโยค
10년차 #스파이더맨 #톰홀랜드 #tomhill #tomholland #spiderman #영어회화
Daily ConversationWorking Adults
B22
297 ประโยค
Zendaya, Florence Pugh & Timothée Chalamet Answer Rapid-Fire Questions | Off the Cuff | Vogue
Daily ConversationWorking Adults
คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้
บทเรียนฝึกพูดนี้ใช้วิดีโอ “Zendaya & Andrew Garfield” เป็นสื่อ วิดีโอนี้มี 654 ประโยค และ 6277 คำ สำหรับฝึกพูดตาม ช่วงที่มีเสียงพูดยาว 32:44 ผู้พูดพูดเร็ว ประมาณ 192 คำต่อนาที จึงมีการเชื่อมเสียงและลดเสียงค่อนข้างมาก 85% ของคำอยู่ใน 3,000 คำที่ใช้บ่อยที่สุดในภาษาอังกฤษ ส่วนที่เหลือควรดูไว้ก่อนเริ่มฝึก
คำศัพท์สำคัญในวิดีโอนี้
คำที่ควรเรียนรู้ 15 คำจากวิดีโอ พร้อมคำอ่านและความหมาย:
| คำศัพท์ | คำอ่าน | ความหมาย |
|---|---|---|
| remind คำกริยา | /ɹəˈmaɪnd/ | เตือน |
| compliment คำนาม | /ˈkɑmpləmənt/ | คำชมเชย |
| universal คำคุณศัพท์ | /ˌjunəˈvɜɹs(ə)l/ | จักรวาล |
| pants คำนาม | /pænts/ | กางเกง |
| pitch คำนาม | /pɪt͡ʃ/ | การขว้าง |
| fate คำนาม | /feɪt/ | ดวง, โชคชะตา |
| sequence คำนาม | /ˈsiː.kwəns/ | ลำดับ |
| edit คำกริยา | /ˈɛdɪt/ | แก้ไข |
| detective คำนาม | /dɪˈtɛktɪv/ | นักสืบ |
| privilege คำนาม | /ˈpɹɪv.(ɪ.)lɪd͡ʒ/ | สิทธิ |
| wrap คำกริยา | /ɹæp/ | ห่อ |
| testimony คำนาม | /ˈtɛstɪmoʊni/ | ปากคำ |
| shout คำกริยา | /ʃaʊt/ | ตะโกน, กระโชก |
| meme คำนาม | /miːm/ | มีม |
| tile คำนาม | /ˈtaɪ.əl/ | กระเบื้อง |
กริยาวลีที่คุณจะได้ยิน
| คำศัพท์ | ความหมาย |
|---|---|
| give up คำกริยา | ยอมแพ้ |
| go out คำกริยา | ออก, ออกไป |
ประโยคที่ควรฝึกพูดซ้ำ
ประโยคสั้น ๆ ที่สมบูรณ์จากวิดีโอ ซึ่งนำไปใช้ในบทสนทนาประจำวันได้:
- Where'd you put my pills, mom?
- You know what I'm saying?
- Do you feel like it's a mixture of both?
- Wasn't that like our first thing?
- I'm like, what are these guys doing here?
ไวยากรณ์ในวิดีโอนี้
โครงสร้างที่ผู้พูดใช้บ่อยที่สุด พร้อมคำพูดจริงจากวิดีโอ:
| โครงสร้าง | ในวิดีโอ |
|---|---|
| Present perfect have/has + กริยาช่อง 3 — เหตุการณ์ในอดีตที่ยังเกี่ยวข้องกับปัจจุบัน | haven't said · I've seen · I've ever seen |
| Passive voice be + กริยาช่อง 3 — เน้นสิ่งที่เกิดขึ้น ไม่ใช่ผู้กระทำ | are affected · had been written · can be used |
| Relative clauses who / which + อนุประโยค — ข้อมูลเพิ่มเติมเกี่ยวกับคนหรือสิ่งของ | ones that are · moments which are · teacher who was |
การออกเสียงที่ควรระวัง
ผู้พูดใช้รูปย่อและรูปลดเสียง 206 ครั้ง เช่น I'm, don't, gonna ให้พูดแบบสั้นตามที่ได้ยิน
- เสียง “th”: empathy /ˈɛmpəθi/, theater /ˈθi(ə)tɚ/, rhythm /ˈɹɪð.əm/, withdrawal /wɪðˈdɹɔ(ə)l/, authentic /ɔˈθɛn.tɪk/
- เสียง “sh” และ “zh”: gosh /ɡɑːʃ/, passion /ˈpæʃən/, potentially /pəˈtɛnʃ(ə)li/, shout /ʃaʊt/, emotionally /ɪˈməʊʃənəli/
- คำยาว — ลงเสียงหนักให้ถูกพยางค์: universal /ˌjunəˈvɜɹs(ə)l/, potentially /pəˈtɛnʃ(ə)li/, testimony /ˈtɛstɪmoʊni/, emotionally /ɪˈməʊʃənəli/, ridiculous /ɹɪˈdɪk.jə.ləs/
เสียงที่คนไทยมักออกเสียงยาก:
- เสียงท้ายคำ — ออกเสียงให้ครบ ไม่เปลี่ยนเป็นตัวสะกดแบบไทย: heal /ˈhiːl/, collective /kəˈlɛktɪv/, gosh /ɡɑːʃ/, relentless /ɹɪˈlɛntləs/, universal /ˌjunəˈvɜɹs(ə)l/
- /v/ — ไม่ใช่ /w/ ให้ฟันบนแตะริมฝีปากล่าง: collective /kəˈlɛktɪv/, universal /ˌjunəˈvɜɹs(ə)l/, detective /dɪˈtɛktɪv/, privilege /ˈpɹɪv.(ɪ.)lɪd͡ʒ/, versus /ˈvɝsəs/
- /z/ — เสียงก้อง ไม่ใช่ /s/: confuse /kənˈfjuːz/, praise /pɹeɪz/, visitor /ˈvɪzɪtɚ/
วิธีฝึกกับวิดีโอนี้
- ฟังวิดีโอให้จบหนึ่งรอบโดยยังไม่ต้องพูด แล้วจดคำที่ยังไม่รู้จัก
- เริ่มที่ความเร็ว 0.75× พูดตามทีละประโยค แล้วกลับไปใช้ความเร็วปกติเมื่อเริ่มคล่อง
- อัดเสียงตัวเองแล้วเทียบกับต้นฉบับ โดยสังเกตคำอย่าง remind, compliment, universal เป็นพิเศษ
เทคนิค Shadowing คืออะไร?
Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ