跟读练习: Character: Advice - 通过视频学习英语口语
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I think if you're looking for what kind of story you want to tell, I actually, what I used to do when I was in school, before I would start making a film, is I would just ask myself,
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"If I could take a vacation anywhere, where would I want to go?" "You know, I'd like to go to a medieval castle.
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Oh, that'd be a cool place to tell a story." So, you don't even have to necessarily start from a theme or a conflict, just
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jump into a setting and then start thinking of the characters and what do they want and maybe
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"Maybe this is a castle that's been too boring, so they've got to hire a dragon to come attack them." "And
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so we're going to do a talent scout for a dragon." and then you just go from there.
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So, you know, when in doubt, just let your mind go on a vacation.
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Through storytelling and especially in animation, you can go anywhere that your mind can take you.
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Sometimes it's fun to just think about what you would like to see.
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What would you like to watch.
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What is something that and for you personally, you would say, "Oh, I'd love to watch a movie like that," and make it.
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And even if it's not perfect, it's great to
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just have things out in the world that are personal to you and
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It's good to look at other films for ideas and inspiration and structure and how they you know, work things out, problems that they may have,
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But always.. try to stay true to your gut and go with something that is important to you.
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I went to California Institute of the Arts, the school that was started by Walt Disney specifically for animators, and I studied character animation.
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And one of the things you learn at CalArts is that you have your professors, which are great, they're professionals in the field.
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The people you're really learning from are your fellow students.
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They're the people that you are spending every day with
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and you're telling jokes to and you're learning if you're not funny or if you're pitching your stories and you're realizing,
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oh, you know what, I'm not making JG laughs.
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Maybe I should make this story a little funnier.
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And even to this day, when we pitch scenes to each other, Sometimes we forget that we're going to be showing them to billions of people in the world,
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and we're just trying to make the director and our story crew laugh.
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Because at the end of the day, we're just people telling stories to each other.
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What happens when I tell the story to another person is that all these other things show up.
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without me asking for them.
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Even while I'm telling them.
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the story starts to come alive.
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the characters start to come along.
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And then also, the person you told the story to, will tell you what they thought of it.
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Notes.
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They're free.
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they actually are helping you make your story and your character better.
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So that's why I encourage everybody, if you're crafting a story, and you want it to get better, keep telling your story over and over again.
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You'd be surprised how good those characters and those stories become over a short period of time.
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And you don't have to sit alone in a room.
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with it, thinking that's good or bad or whatever.
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Somebody can tell you.
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So another important thing that I've coming to learn the more I'm working in the industry is,
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it's, you know, it's filled with really amazing artists and you're kind of always struggling to figure out how to stand out.
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And I think the best way to do that is to worry less about
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what you think people want from you and just do express yourself as best as possible.
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All the responses I got from the internship
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and all the responses I got on my portfolio were just me going back and thinking about
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what made me laugh or what were things that my siblings did
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that made me laugh really hard and just try to express that into my boards and people would be like, how did you come up with that?
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And I'd be like, you know, I, didn't come up with it.
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It's just like, you know, this is me and what I'm exposed to.
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And, you know, and people really react into that and wanted more of it and, you know, thought it was entertaining or fresh and new.
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So I think that's the biggest advice I could give is just, you know, figure out what influences you in your life and try to display that in your art.
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So I think a big thing to remember if you're trying to get a job somewhere like Pixar is to be yourself.
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I know it sounds cliche, but it really is important.
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There's a lot of failure, of course.
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There's a lot of times when you're wrong.
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There's a lot of times when you think that something is working and it's not.
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That actually is the most important thing that could happen to you as a storyteller.
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is when things are not working.
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and when things are kind of only slightly working, you always want to get better.
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And the only way you're going to get better is if you keep trying.
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本课的词汇与口语要点
这节 B2 级别的口语课以视频“Character: Advice”为素材。 视频中反复出现的词有:character, laugh, telling。 这段视频共有 60 个句子、909 个单词可供跟读。 讲话部分时长为 4:51。 说话人语速较快,每分钟约 187 个词,会出现较多连读和弱读。 89% 的单词属于英语最常用的 3,000 词,词汇容易理解。
视频中的重点词汇
视频中最难的 10 个单词,附发音和释义:
| 单词 | 发音 | 释义 |
|---|---|---|
| animation 名词 | /ˌæn.ɪˈmeɪ.ʃən/ | 動畫 /动画, 動漫 /动漫 |
| animator 名词 | /ˈænɪˌmeɪtə(ɹ)/ | 動畫製作者 /动画制作者 |
| cliché 名词 | /kliˈʃeɪ/ | 陳詞濫調 /陈词滥调, 老生常談 /老生常谈 |
| storyteller 名词 | 故事員 /故事员 | |
| sibling 名词 | /ˈsɪb.lɪŋ/ | 兄弟姐妹, 兄弟 |
| internship 名词 | /ˈɪntɜːnʃɪp/ | 實習 /实习 |
| bore 动词 | /boɹ/ | 煩擾 /烦扰 |
| scout 名词 | /ˈskaʊ̯t/ | 斥候, 偵察兵 /侦察兵 |
| expose 动词 | /ɪkˈspoʊz/ | 揭露, 暴露 |
| medieval 形容词 | /mɪdˈi.vəl/ | 中世紀的 /中世纪的 |
视频中出现的短语动词
| 单词 | 释义 |
|---|---|
| come up with 动词 | 想出, 提出 |
| figure out 动词 | 弄清楚 |
| come along 动词 | 陪伴, 陪同 |
| go back 动词 | 回去, 返回 |
| show up 动词 | 露面 |
需要注意的发音
说话人用了 33 次缩略和弱读形式,例如 you're, I'm, we're。请按听到的简短形式来说。
- “sh” 和 “zh” 音: animation /ˌæn.ɪˈmeɪ.ʃən/, cliché /kliˈʃeɪ/, internship /ˈɪntɜːnʃɪp/
- 长单词——注意重音位置: animation /ˌæn.ɪˈmeɪ.ʃən/, animator /ˈænɪˌmeɪtə(ɹ)/, portfolio /pɔːtˈfəʊ.liˌəʊ/
中文母语者容易读错的音:
- 词尾辅音 — 要读清楚,后面不要加元音: internship /ˈɪntɜːnʃɪp/, scout /ˈskaʊ̯t/, expose /ɪkˈspoʊz/, react /ɹiːˈækt/
- /æ/ — 嘴张大,不要读成 /e/: animation /ˌæn.ɪˈmeɪ.ʃən/, animator /ˈænɪˌmeɪtə(ɹ)/, react /ɹiːˈækt/
如何用这段视频练习
- 先完整听一遍视频,不要开口,记下不认识的单词。
- 先用 0.75 倍速逐句跟读,熟练之后再回到正常速度。
- 录下自己的声音并与原声对比,特别注意 animation, animator, cliché 这类单词。
什么是跟读法?
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧,最初开发用于专业口译员的培训,并由多语言者Alexander Arguelles博士普及。这个方法简单而强大:您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同,跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性,语调,节奏,连读,听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。





























