ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Character: Advice
กำลังสร้างบทเรียน...
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I think if you're looking for what kind of story you want to tell, I actually, what I used to do when I was in school, before I would start making a film, is I would just ask myself,
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"If I could take a vacation anywhere, where would I want to go?" "You know, I'd like to go to a medieval castle.
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Oh, that'd be a cool place to tell a story." So, you don't even have to necessarily start from a theme or a conflict, just
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jump into a setting and then start thinking of the characters and what do they want and maybe
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"Maybe this is a castle that's been too boring, so they've got to hire a dragon to come attack them." "And
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so we're going to do a talent scout for a dragon." and then you just go from there.
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So, you know, when in doubt, just let your mind go on a vacation.
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Through storytelling and especially in animation, you can go anywhere that your mind can take you.
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Sometimes it's fun to just think about what you would like to see.
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What would you like to watch.
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What is something that and for you personally, you would say, "Oh, I'd love to watch a movie like that," and make it.
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And even if it's not perfect, it's great to
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just have things out in the world that are personal to you and
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It's good to look at other films for ideas and inspiration and structure and how they you know, work things out, problems that they may have,
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But always.. try to stay true to your gut and go with something that is important to you.
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I went to California Institute of the Arts, the school that was started by Walt Disney specifically for animators, and I studied character animation.
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And one of the things you learn at CalArts is that you have your professors, which are great, they're professionals in the field.
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The people you're really learning from are your fellow students.
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They're the people that you are spending every day with
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and you're telling jokes to and you're learning if you're not funny or if you're pitching your stories and you're realizing,
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oh, you know what, I'm not making JG laughs.
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Maybe I should make this story a little funnier.
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And even to this day, when we pitch scenes to each other, Sometimes we forget that we're going to be showing them to billions of people in the world,
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and we're just trying to make the director and our story crew laugh.
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Because at the end of the day, we're just people telling stories to each other.
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What happens when I tell the story to another person is that all these other things show up.
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without me asking for them.
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Even while I'm telling them.
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the story starts to come alive.
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the characters start to come along.
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And then also, the person you told the story to, will tell you what they thought of it.
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Notes.
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They're free.
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they actually are helping you make your story and your character better.
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So that's why I encourage everybody, if you're crafting a story, and you want it to get better, keep telling your story over and over again.
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You'd be surprised how good those characters and those stories become over a short period of time.
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And you don't have to sit alone in a room.
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with it, thinking that's good or bad or whatever.
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Somebody can tell you.
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So another important thing that I've coming to learn the more I'm working in the industry is,
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it's, you know, it's filled with really amazing artists and you're kind of always struggling to figure out how to stand out.
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And I think the best way to do that is to worry less about
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what you think people want from you and just do express yourself as best as possible.
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All the responses I got from the internship
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and all the responses I got on my portfolio were just me going back and thinking about
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what made me laugh or what were things that my siblings did
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that made me laugh really hard and just try to express that into my boards and people would be like, how did you come up with that?
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And I'd be like, you know, I, didn't come up with it.
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It's just like, you know, this is me and what I'm exposed to.
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And, you know, and people really react into that and wanted more of it and, you know, thought it was entertaining or fresh and new.
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So I think that's the biggest advice I could give is just, you know, figure out what influences you in your life and try to display that in your art.
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So I think a big thing to remember if you're trying to get a job somewhere like Pixar is to be yourself.
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I know it sounds cliche, but it really is important.
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There's a lot of failure, of course.
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There's a lot of times when you're wrong.
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There's a lot of times when you think that something is working and it's not.
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That actually is the most important thing that could happen to you as a storyteller.
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is when things are not working.
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and when things are kind of only slightly working, you always want to get better.
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And the only way you're going to get better is if you keep trying.
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คุณกำลังฝึกภาษาอังกฤษกับ "Character: Advice" ด้วยเทคนิค Shadowing — วิธีที่พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ
ฟังทีละประโยค สังเกตการเน้นเสียงและการเชื่อมเสียง แล้วพูดตามดังๆ อย่างมั่นใจ ฝึกวันละ 15–30 นาทีจะเห็นผลลัพธ์ที่ชัดเจน
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Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ





























