Pratique du Shadowing: AMADEUS: Criação do Requiem - Apprendre l'anglais à l'oral avec YouTube

C1
The end of the record, Dary.
⏸ En pause
109 phrases
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1
The end of the record, Dary.
2
Statues in part.
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So, now, Confutatis.
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Confutatis maledictis.
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Get her confounded.
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Flami sacripus addictis.
7
How would you translate that?
8
Consigned to flames of woe.
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Do you believe in it?
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What?
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Fire which never dies, burning you forever.
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Oh, yes.
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Impossible.
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Come, let's begin.
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We ended in F major.
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Yes.
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So, now, A minor.
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A minor.
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Yes.
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Confutatis.
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A minor.
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Start with the voices.
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Bases first.
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Second beat of the first measure.
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Common time.
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Second beat of the first measure.
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On A.
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Second measure, second beat.
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Maledictis.
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You see?
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Yes, yes.
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G sharp?
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Of course.
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Yes.
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Second beat of the third measure, on E.
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Fami sacripus adictis rest.
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Maledictis fami sacripus adictis.
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You have me.
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I think so.
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Show me.
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Good.
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Good.
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Now the tenors.
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Fourth beat of the first measure on C.
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Second measure, fourth beat, D.
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All right.
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Yes, yes, yes, continue.
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Second beat of the fourth measure, on F.
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Now the orchestra.
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Second bassoon and bass trombones with the basses.
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Identical notes and rhythm.
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First bassoon, tenor trombones, with the tenors.
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Go too fast.
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Do you have it?
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Go too fast.
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Do you have it?
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First bassoon, tenor trombone, what?
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With the tenors.
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Identical?
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Of course.
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The instruments doubling the voices.
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Now, trumpets and timpani, trumpets and D.
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No, no, no, I don't understand.
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Listen.
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Trumpets in D, tonic and dominant, first and third beats.
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It goes with the harmony.
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Yes, yes, yes.
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Yes, I understand.
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Yes, yes, and that's all.
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No, no, not for the real fire.
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Strings in unison.
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Astonado on A, like this.
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Next measure is rising.
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Do you have it?
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Yes, yes, I think so.
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It's wonderful.
77
Yes, yes, yes, yes, yes, yes, go on.
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Voca me.
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Soto voce.
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Write that down.
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Soto voce.
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Yes, yes, yes.
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Punissimo.
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Punissimo.
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Yes.
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Call me among the blessed.
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C major.
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Sopranos and altos and thirds.
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Altos on C, sopranos above.
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Sopranos up to F on the second book, huh?
91
Yes.
92
Yes.
93
Yes.
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And on dictus.
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Yes.
96
And underneath, just violins, arpeggios.
97
Descending scale in eighth notes,
98
and then back to the ostinato again and that's it.
99
Do you have it?
100
Go too fast.
101
Do you have it?
102
Go too fast.
103
One moment, please.
104
One moment.
105
Yes.
106
Good.
107
Show me.
108
The whole thing.
109
From the beginning.

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Why practice speaking with this video?

This video, centered around the creation of Mozart's Requiem, offers an engaging context for practicing English speaking skills. As the speaker discusses musical notation and performance, learners encounter a rich vocabulary and expressive structures that can enhance their language capabilities. By immersing yourself in this context, you can improve your English pronunciation while deepening your understanding of musical terminology and the emotional weight behind the composition.

Moreover, the conversational tone encourages interaction. As the speaker transitions between instructions and questions, you can mimic these dialogues to refine your speaking proficiency. Utilizing the shadowing technique—where you repeat after the speaker, trying to match their intonation and rhythm—will not only improve your fluency but also prepare you for IELTS speaking practice scenarios, where articulating thoughts clearly is essential.

Grammar & Expressions in Context

The dialogue within the video features several significant grammatical structures that are useful for learners. Here are a few notable ones:

  • Imperative Sentences: The speaker frequently uses commands, such as "Start with the voices" or "Continue." This structure is essential for giving instructions and can be useful in various contexts.
  • Present Continuous Tense: Expressions like "You have me" indicate current understanding and engagement. This tense is vital for describing ongoing actions and feelings.
  • Questions: The video includes questions like "Do you believe in it?" that encourage conversation. Formulating questions correctly is crucial for effective communication, especially in speaking assessments.
  • Prepositions of Time: Phrases like "second beat of the first measure" illustrate time and sequence, which are important for discussing processes or events clearly.

Common Pronunciation Traps

When shadowing this video, certain pronunciation challenges may arise. Here are a few tricky words and phrases to focus on:

  • Confutatis: This Latin term may be unfamiliar, so pay attention to the flow and emphasis as you practice pronunciation.
  • Maledictis: The consonant clusters and vowels in this word can lead to mispronunciation, particularly for non-native speakers.
  • Rest: When pronounced in the context of musical pauses, be aware of the soft ‘r’ to ensure clarity.

Utilizing the shadowing site technique can help you overcome these hurdles by exposing you to the correct pronunciation and rhythm. By carefully listening and repeating, you will find yourself improving not only your vocabulary but also your overall speaking skills.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

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