Pratique du Shadowing: Benedict Cumberbatch reads a beautiful love letter - Apprendre l'anglais à l'oral avec la vidéo
Création de la leçon...
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Reviewer.pxs.
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My darling George, you said that things seemed clearer when they were written down.
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Well, herewith a very boring letter, in which I will try and put down everything,
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so that you may read and reread it in horror at your folly in getting involved with me.
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deep breath.
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To begin with, I love you with the depth and passion that I have felt for no one else in this life.
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And if it astonishes you, it astonishes me as well.
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Not, I hasten to say, because you are not worth loving, far from it.
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It's just that first of all, I swore I would not get involved with another woman.
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Secondly, I have never had such a feeling before, and it's almost frightening.
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Thirdly, I would never have thought it possible
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that another human being could occupy my waking and sleeping thoughts to the exclusion of almost everything else.
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Fourthly, I never thought that even if one was in love,
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one could get so completely besotted with another person so that a minute away from them felt like a thousand years.
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Fifthly, I never hoped aspired, dreamed that one could find everything one wanted in one person.
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I was not such an idiot as to believe this was possible.
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Yet in you, I have found everything I want.
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You are beautiful, giving, gentle, idiotically and deliciously feminine, sexy,
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wonderfully intelligent and wonderfully silly as well.
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I want nothing else in this life than to be with you, to listen and watch you, your beautiful voice, your beauty,
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to argue with you, to laugh with you, to show you things and share things with you, to explore your magnificent mind,
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to explore your wonderful body, and to help you, protect you, serve you, and bash you on the head when I think you're wrong.
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Not to put too fine a point on it, I consider that I am the only man outside mythology to have found the crock of gold at the rainbow's end.
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Now let me tell you something.
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I have seen a thousand sunsets and sunrises, on land where it floods forests and mountains with honey-colored light,
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at sea where it rises
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and sets like a blood orange in a multicolored nest of cloud slipping in and out of the vast ocean.
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I have seen a thousand moons, harvest moons like gold coins, Winter moons as white as ice chips,
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new moons like baby swan's feathers.
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I have seen seas as smooth as if painted, colored like shot silk, or blue as a kingfisher,
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or transparent as glass, all black and crumpled with foam, moving ponderously and murderously.
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I have felt winds straight from the South Pole, bleak and wailing like a lost child.
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Winds as tender and warm as a lover's breath.
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Winds that carried the astringent smell of salts and the death of seaweeds.
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Winds that carried the moist, rich smell of a forest floor, the smell of a million flowers.
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Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore's edge like a kitten.
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I've known silence, The cold, earthy silence at the bottom of a newly dug well.
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The implacable stony silence of a deep cave.
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The hot, drugged midday silence when everything is hypnotized and stilled into silence by the eye of the sun.
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The silence when great music ends.
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I have heard summer cicadas cry so that the sound seems stitched into your bones.
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I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies.
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I've heard the keys calling over great glaciers that groaned to themselves
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like old people as they inched their way to the sea.
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I've heard the hoarse street vendor cries of the mating fur seals as they sang to their sleek golden wives.
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The crisp staccato astonishment of the rattlesnake.
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the cobweb squeak of the bat and the belling roar of red deer knee-deep in purple heather.
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I've heard wolves baying at a winter's moon, red howler monkeys making the forest vibrate with their roaring cries.
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I have heard the squeak, purr and grunt of a hundred multicolored reef fish.
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I've seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top.
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I've seen flying fish skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails.
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I've seen spoonbills flying home to roost like a scarlet banner across the sky.
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I've seen whales, black as tar, cushioned on a cornflower blue sea,
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creating a Versailles of fountain with their breath.
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I've watched butterflies emerge and sit trembling while the sun irons their wings smooth.
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I've watched tigers, like flames, mating in the long grass.
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I've been dive-bombed by an angry raven, black and glossy as the devil's hoof.
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I've lain in water warm as milk, soft as silk, while around me played a host of dolphins.
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I have met a thousand animals and seen a thousand wonderful things,
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but all this I did without you.
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This was my loss.
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All this I want to do with you.
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This will be my gain.
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All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice,
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your eyes, hair, lips, body and above all for your sweet ever surprising mind,
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which is an enriching quarry in which it is my privilege to to delve.
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Yours ever, Gerry.
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Vocabulaire et conseils d’expression pour cette leçon
Cette vidéo contient 67 phrases et 923 mots à répéter en shadowing. La partie parlée dure 6:58. Le locuteur parle à un rythme régulier d’environ 132 mots par minute, confortable pour le shadowing. Seuls 70 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| silence nom | /ˈsaɪ̯ləns/ | silence |
| breathe verbe | /bɹiːð/ | respirer, inspirer |
| smooth adjectif | /smuːð/ | doux, facile |
| explore verbe | /ɪkˈsploɹ/ | explorer |
| silk nom | /sɪlk/ | soie |
| roar verbe | /ˈɹoɹ/ | rugir, hurler |
| scarlet nom | /ˈskɑɹlɪt/ | écarlate |
| wonderfully adverbe | /wʌn.də(ɹ).fli/ | merveilleusement |
| vast adjectif | /væst/ | vaste, immense |
| bone nom | /boʊn/ | os |
| complicated adjectif | /ˈkɑm.plɪˌkeɪ.tɪd/ | compliqué, alambiqué |
| argue verbe | /ˈɑɹ.ɡju/ | affirmer, débattre |
| cloud nom | /ˈklaʊ̯d/ | nuage |
| flash verbe | /flæʃ/ | clignoter |
| passion nom | /ˈpæʃən/ | passion |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| put down verbe | médire |
| write down verbe | noter, écrire |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have felt · have never had · have thought |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | were written · is hypnotized |
Prononciation à surveiller
Le locuteur utilise 13 contractions et formes réduites, comme I've, you're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: breathe /bɹiːð/, smooth /smuːð/, heather /ˈhɛðɚ/, feather /ˈfɛðə/, mythology /mɪˈθɑ.lə.d͡ʒi/
- Les sons « sh » et « zh »: flash /flæʃ/, passion /ˈpæʃən/, bash /bæʃ/, exclusion /ɪksˈkluːʒən/, cushion /ˈkʊʃən/
- Mots longs — placez bien l’accent: complicated /ˈkɑm.plɪˌkeɪ.tɪd/, intelligent /ɪnˈtɛlɪd͡ʒənt/, magnificent /mæɡˈnɪfəsənt/, mythology /mɪˈθɑ.lə.d͡ʒi/, multicolored /ˈmʌltɪˌkʌlɚd/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme silence, breathe, smooth.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.