Pratique du Shadowing: Why Good People Stop Caring (The Higuruma Complex) - Apprendre l'anglais à l'oral avec la vidéo
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202 phrases
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You've seen the Statue of Lady Justice, sword in one hand, scales in the other, and a blindfold over her eyes.
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The story we're told about that blindfold is beautiful.
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It means she doesn't see race, doesn't see money, doesn't see whether you're powerful or broken.
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She weighs the facts, just the facts.
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It's a great story.
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Hiromi Higuruma believed in that story with everything he had.
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He passed one of Japan's hardest bar exams, took impossible cases, defended people nobody else would touch.
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Not for money, the people he defended rarely had any.
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But because if the law could be just, then someone had to make it just.
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One day, he looked at that blindfold and understood something.
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The blindfold isn't there so justice can't see your face.
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It's there so justice doesn't have to look you in the eye when it destroys you.
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A man who spent his whole life holding up the scale and what happened when he finally let it drop.
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Before anything else, you need to know one number.
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99%.
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In Japan's criminal court system, 99 % of defendants who go to trial are found guilty.
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Not because 99 % of defendants are actually guilty, but because prosecutors in Japan don't bring cases they don't already control.
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Judges are career government employees who answer, in subtle and not -so -subtle ways, to the same institutions that fund the prosecution.
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Once you're accused, the machinery is already moving, and the only question is how much it's going to hurt.
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Higuruma knew this.
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He knew it the way a surgeon knows that some patients don't survive.
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He went in anyway.
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His last case was a young man named Keita Owe.
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Keita was accused of murdering a mother and daughter in Morioka.
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Wrong place, wrong profile.
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Higuruma took the case.
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He built a defense.
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Real evidence, real arguments.
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The prosecution offered the same shaky arguments, the same circular logic, the same verdict, guilty, life in prison.
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So Keita Oe, who may have been completely innocent, was going to spend the rest of his life in a cell.
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Higuruma, who had given everything to stop that from happening, had to stand in that courtroom and watch it go into the record.
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But the worst part wasn't the verdict.
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The worst part was the look.
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Keita turned to Higuruma from across the room, and in his eyes, not rage, not even hatred exactly, just sorrow and disappointment.
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Why couldn't you save me?
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What happens when a person who genuinely wants to do good is placed inside a system
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that uses their goodness as raw material, and spits out suffering.
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Higuruma didn't fail Keita.
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The system failed Keita.
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But the system has no face.
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Higuruma does.
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So the sorrow in Keita's eyes landed on the one person in that courtroom who had actually tried to help him.
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Quick pause.
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Understanding the burden Higuruma carries makes us look at Jujutsu Kaisen in a much more real way.
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If you want to see more videos diving into these characters minds, leave a like and subscribe.
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Since we're at the start of the journey, giving this video a hype helps the algorithm understand that this type of analysis has value.
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Let's get back to the moment he decided to break the rules.
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Higuruma reached into his bag, and pulled out a gavel.
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Not the judge's gavel, his own.
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He slammed it on the table and told the court.
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Behind him, something unfurled.
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A cursed technique awakening the way they always do in JJK, at the exact moment a human soul reaches its absolute limit.
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A Shikigami called Judge Man appeared, and Higuruma, still in that courtroom, killed the judge and the prosecutor.
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He snapped because he finally reached the conclusion
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that a man can only reach after years of watching the scale tip the same wrong way.
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The game is rigged.
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And the only honest response to a rigged game is to stop playing by its rules.
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A philosophical idea lives behind this, not a complicated one, just an honest one.
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When the rules you've dedicated your life to turn out to be a lie, following them more carefully isn't virtue anymore.
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It's complicity.
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Higuruma decided to stop being complicit.
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The execution was wrong.
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He knew that.
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He would carry that weight for the rest of his life.
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But the ideology behind it, I will no longer pretend this system is justice, that part was completely, painfully rational.
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Look at what he builds with his power.
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His domain expansion is called deadly sentencing.
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Inside it, a courtroom exists, guillotines lining the walls.
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Not a space for rehabilitation, execution.
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He assumes the role of prosecutor, the side he never played in real life,
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the side that had access to tax money and state power and always won.
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The Shikigami, Judge Man, floats above it all with its eyes sewn shut.
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It only opens its eyes to deliver one thing, a guilty verdict.
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Higuruma built his trauma into his power.
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He created a system that mirrors everything he despised, rigid, presumptuous, allergic to innocence, and then installed himself at the center of it.
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He thinks it's wrong, but he's given up on the idea of right.
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He's projecting his own disillusionment onto the entire world.
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If the real system was corrupt, then everyone inside it was corrupt.
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If humans built a rotten institution, then humans are rotten, including him.
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He enters the culling game not as a hero, and not as a monster,
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as a man who has decided that the world deserves deserves exactly what it built.
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Yuji Itadori walks into his colony.
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In the context of the Culling Game,
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a death tournament where sorcerers fight for points to survive in a world that Kenjaku turned into a killing field,
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Yuji is trying to add rules to the game.
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Reduce the casualties.
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He needs points.
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He goes to Higuruma.
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Higuruma, who has been dismantling sorcerers without much interest, activates deadly sentencing almost as a formality.
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He expects what he always gets in a courtroom.
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Lies.
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A defendant reaching for any exit available.
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Judge Man reads the first charge.
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Yuji entered a pachinko parlor as a minor.
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It's a small crime.
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But Yuji gets tripped up in his defense, loses, and Judge Man confiscates his ability to use cursed energy.
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He fights back with pure physical instinct, holds his own, but realizes he can't win like this.
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So he uses a rule of the domain.
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He demands a retrial, back inside the courtroom.
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But Judge Man doesn't repeat the first charge.
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It reads a new one.
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Mass murder.
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The Shibuya incident.
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Hundreds of civilians kill.
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Higuruma leans in, where defendants lie.
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I wasn't in control.
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It wasn't really me.
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The circumstances were, Yuji Itadori confesses.
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Guilty.
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Judge man's sewn eyelids tear open.
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Confiscation.
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Death penalty.
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The worst punishment the domain can deliver.
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Higuruma now holds the executioner's sword.
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One hit, no surviving it.
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He approaches Yuji.
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And he stops.
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From a legal standpoint, Yuji isn't guilty.
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Sukuna took over his body.
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Sukuna made those choices.
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Yuji wasn't even conscious for most of it.
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But Yuji doesn't know how to live in the gap between legal guilt and moral weight.
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He feels responsible.
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So he said responsible.
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To Yuji, what happened in Shibuya happened with his hands.
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And no technicality in the world changes the fact that he's been carrying every single one of those deaths since.
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Higuruma has spent years watching defendants twist language to escape accountability.
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He's watched the guilty walk free and the innocent get buried.
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Now a boy stands in front of him who isn't guilty under the law, and who still confessed.
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That does what years of fighting in court couldn't.
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It creates dissonance, his entire model of the world.
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Everyone is selfish.
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Everyone protects themselves.
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The system is just a mirror of human corruption.
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That model doesn't have a slot for Yuji Itadori.
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Higuruma already knows the truth.
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His domain gives him all the facts.
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He knows Sukuna committed those murders.
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But Yuji's confession breaks the trial.
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Higuruma dispels the executioner's sword.
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The one thing he built his identity around, the one thing that separated him from the corrupt judges he hated, was defending the wrongfully accused.
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And the wrongfully accused is standing right in front of him.
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He can't execute that.
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He won't.
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And in that moment, in the silence between the gavel and the blow, Higuruma's eyes open.
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After the trial, Higuruma does something unexpected.
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He gives Yuji points, changes the culling game rules to allow it.
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He tells Yuji he can't stay with him.
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He says...
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Yuji's presence, this person who carries guilt so purely, so completely, reminds Higuruma of every place he went wrong.
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Higuruma isn't punishing himself out of performance.
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He genuinely feels that what he did with his hands, the murders he chose, with full consciousness driven by ideology,
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cannot be footnoted away.
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The system corrupted itself.
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Keita Oe was probably innocent.
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The judge and prosecutor were complicit in an unjust verdict.
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And Higuruma still pulled a trigger he chose to pull.
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Both things are true at the same time.
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And he's not willing to be the kind of person who collapses the first truth to escape the second.
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From here on, there will be manga spoilers.
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If you want to avoid them, skip to the timestamps on the screen.
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He eventually joins the alliance against Sukuna.
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If something in this world represents the complete absence of law, the complete rejection of any accountability,
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it's the king of curses, who kills for aesthetics.
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In the final confrontation, Higuruma opens his domain against Sukuna.
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For the first time, he wears both hats at once.
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He's the prosecutor, putting Sukuna on trial for Shibuya.
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He's also the defense attorney, protecting Yuji, making sure the right person is finally held responsible.
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But the plan hits a legal loophole.
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If a defendant holds a cursed tool, Judge Man confiscates the weapon instead of their cursed technique.
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Sukuna keeps his power.
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The prosecution fails on a technicality.
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But what does Higuruma do before everything falls apart?
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He gives Yuji the executioner's sword.
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He couldn't use it himself, but trusting someone else to carry it is the most radical thing a man who once stopped trusting everyone can do.
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He found his way back, not to the idealist who thought the law could save everyone, to something quieter and harder and more honest.
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The man who knows exactly how bad he's capable of being, and still chooses to use what's left of himself for something good.
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Higuruma isn't a villain story, he's not a redemption arc in the traditional sense.
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What happens to idealism when it collides with reality at full speed?
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He entered the law believing that rules, applied correctly, produce justice.
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He spent years discovering that rules, applied correctly, mostly produce paperwork.
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The system didn't just fail him, it failed through him.
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It made him the face of its failures years.
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It handed him the grief of people he couldn't save and said, that's your fault.
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A lot of people know that feeling.
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Not in courtrooms necessarily, but in jobs where you care more than the institution does.
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In systems, hospitals, schools, governments, where you entered with a compass and slowly watched the compass become a libel -bility.
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A specific kind of exhaustion comes from realizing the thing you believed in doesn't believe in anything.
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Higuruma didn't fall because he was weak.
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He fell because he cared too long in a place that punished caring.
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The laws are written by humans, which means they carry everything humans carry.
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The selfishness, the bias, the fear, the desire to protect people who already have power at the expense of people who don't.
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True justice was never in the gavel, never in the statute, never in the blindfold.
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It's in the choice.
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The daily, exhausting, thankless choice to look at a person the world has already written off,
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to see them clearly, with all their guilt and all their innocence, and to decide that they deserve someone in their corner anyway.
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Higuruma lost that choice for a while.
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A boy who couldn't stop carrying guilt handed it back to him, and the man who broke the scale picked it up again.
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Do you have to kill people in your own way?
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Yes.
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That's right.
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It's the worst feeling, right?
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Why Good People Stop Caring ». Les mots qui reviennent le plus souvent : Higuruma, Yuji, judge, guilty, rule. Cette vidéo contient 201 phrases et 2062 mots à répéter en shadowing. La partie parlée dure 14:17. Le locuteur parle à un rythme régulier d’environ 144 mots par minute, confortable pour le shadowing. Seuls 77 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| courtroom nom | salle d'audience | |
| defendant nom | /dɪˈfɛnd.ənt/ | inculpé, inculpée |
| domain nom | /ˌdəʊˈmeɪ̯n/ | domaine |
| curse nom | /kɝs/ | mauvais sort, malédiction |
| prosecutor nom | /ˈpɹɑ.səˌkjuːˌtəɹ/ | procureur |
| sword nom | /soɹd/ | épée, glaive |
| corrupt adjectif | /kəˈɹʌpt/ | corrompu, dévoyé |
| guilt nom | /ɡɪlt/ | culpabilité |
| verdict nom | /ˈvɜː.dɪkt/ | verdict |
| accuse verbe | /əˈkjuz/ | accuser |
| defend verbe | /dɪˈfɪnd/ | défendre |
| innocent adjectif | /ˈɪnəsənt/ | innocent |
| prosecution nom | /ˌpɹɑ.sɪˈkju.ʃən/ | parquet, vindicte |
| mirror nom | /ˈmiɹɚ/ | glace, miroir |
| technique nom | /tɛkˈniːk/ | technique |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| fall apart verbe | tomber en morceaux |
| hold up verbe | retenir |
| pull out verbe | se retirer |
| take over verbe | reprendre |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Present perfect continu have/has been + -ing — une action commencée avant et toujours en cours | has been dismantling · he's been carrying |
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | man who spent · person who genuinely · man who has |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | are found · was accused · is placed |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | You've seen · you've dedicated · has decided |
Prononciation à surveiller
Le locuteur utilise 41 contractions et formes réduites, comme doesn't, isn't, couldn't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: algorithm /ˈælɡəɹɪðm̩/, aesthetics /ɛsˈθɛt.ɪks/
- Les sons « sh » et « zh »: prosecution /ˌpɹɑ.sɪˈkju.ʃən/, institution /ˌɪn.stɪˈtʃuː.ʃən/, execution /ˌɛk.sɪˈkjuː.ʃən/, conclusion /kənˈkluːʒən/, corruption /kəˈɹʌpʃən/
- Mots longs — placez bien l’accent: prosecutor /ˈpɹɑ.səˌkjuːˌtəɹ/, prosecution /ˌpɹɑ.sɪˈkju.ʃən/, institution /ˌɪn.stɪˈtʃuː.ʃən/, execution /ˌɛk.sɪˈkjuː.ʃən/, genuinely /ˈd͡ʒɛn.ju.ɪn.li/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: hatred /ˈheɪtɹɪd/, hype /haɪp/, loophole /ˈluphoʊl/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: institution /ˌɪn.stɪˈtʃuː.ʃən/, genuinely /ˈd͡ʒɛn.ju.ɪn.li/, ideology /aɪ.diˈɑ.lə.d͡ʒi/, surgeon /ˈsɝd͡ʒən/, rage /ɹeɪd͡ʒ/
- /r/ anglais — langue recourbée, sans frotter la gorge: prosecutor /ˈpɹɑ.səˌkjuːˌtəɹ/, sword /soɹd/, corrupt /kəˈɹʌpt/, prosecution /ˌpɹɑ.sɪˈkju.ʃən/, mirror /ˈmiɹɚ/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme courtroom, defendant, domain.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.