Pratique du Shadowing: On Suicide - Apprendre l'anglais à l'oral avec la vidéo
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130 phrases
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Here you are.
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Somehow, either through the combination of tragic events in
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which you felt the harsh stabbing of the truth of life bleed you out into a melancholy, or the sudden realization of the meaninglessness of your world and the indifference the universe reflects upon humanity,
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you have decided to willingly climb the structure of a building and let the entirety of your existence smack into a sidewalk.
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You know all the cliches.
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You have a life worth living.
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Well, okay, but then why is my life's purpose reserved to the cruelty of chaotic existence?
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We care about you and love you.
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Well, I'm sure there must be some honesty behind this statement, but why has this been brought to my attention now
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and not the moments preceding the one in which I was about to leave your life?
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It makes sense to end it, right?
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Once an individual spends a good amount of time trying to find some objective purpose of being here, they end up pretty disappointed by their findings.
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The world makes no sense.
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You're brought up under the assumption that the bad will get what they truly deserve
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and the good will be rewarded for their deeds.
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Then why do horrible things happen?
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And why, when late at night you ask the cosmos, why do these things happen?
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Why does anything happen?
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Are you met with absolute silence?
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No one cares, and why should you?
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Why should you live?
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You take one breath and just as you're about to let go?
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Habité!
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A man grabs your arm and greets you with a warm smile.
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The stench of 1940s French cigarettes is the first thing to greet your perception of Albert Camus, one of the most famous novelists of the 20th century.
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Camus loved life.
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He loved soccer, he loved women, the more the merrier, and he loved, loved, loved art.
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Okay then, Camus, are you going to teach me some type of hippie crap?
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Are you going to convert me to our lord and savior?
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No!
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You see, Camus may be one of the best characters in history to agree with you on this perceived utter meaninglessness of the world.
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Camus even has a name for this.
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Not necessarily the meaningless of the world itself, but when people perceive it.
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Absurdity, he calls it.
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Camus believes that we live in an absurd world because of our human tendency to try to search for reason, truth, and some type of meaning.
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We set systems to determine these truths through religion and even philosophy itself, but they never seem to completely work out.
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Simply because the way the world works, the way reality functions, isn't under these truths.
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If the world wasn't absurd, no innocent people would die.
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People that are honest and work hard would be rewarded.
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Your very healthy and young dog wouldn't suddenly grow a tumor and die.
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But we live in an absurd world and these things do happen.
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Part of the thing that's such a bummer about this absurdity is how frustrated we get about all this chaos
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and unjust fate.
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We try to make sense of the world and the world doesn't appear to make any sense at all.
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Then we feel defeated and crumble under the weight of all this hopeless suffering.
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This realization isn't necessarily.. the worst thing that could happen.
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In fact, it is the beginning of one of the truest ways to live.
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Camus states that nothing becomes a tragedy until the hero is conscious of their circumstances.
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All these people driving into work, stuck in traffic, and cursing racial slurs, cramping their backs over filing legal reports in small office cubicles,
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only to return home, splurge on various centers of satisfaction, just enough to get them to do it again the next day.
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For the most part, these people never go, why?
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Their life is not a tragedy.
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But you did.
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You asked, why do I go to work?
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So I can get money for those new Air Jordan XX9s.
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Why do you want that?
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So I can be a sick baller.
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Why do you want to be that?
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So I can impress this girl at my gym.
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Why do you want to impress her?
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Because I think I have the possibility to fall in love with her.
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Why do you want to fall in love?
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Because then I will be happy.
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Why do you want to be happy? Because it feels good.
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Why does it matter if you feel good?
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It's better than feeling bad.
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Why does it feel better?
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It just does?
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You saw that there was a logical fallacy in anything you did, that eventually you reach a point where you go, What is the point?
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So you're here.
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Thanks Camus.
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Yes, you are conscious of your existence and you think suicide will solve the absurdity and meaninglessness of it all.
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But have you considered your other alternatives?
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You see for Camus there is but one truly serious philosophical problem, and that is suicide.
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Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy.
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All other questions, whether there was truly three dimensions, whether we have nine or twelve categories in our minds,
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which eye is Sartre's good eye, these are secondary.
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Camus takes this seriously and presents us with this idea of the reason why we off ourselves.
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We do it because we are conscious of the absurdity of our world and our existence, and we simply cannot take it anymore.
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Suicide to him is confessing that life is too much for you, or that you do not understand it.
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It is merely confessing that...
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It is not worth the trouble.
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Camus knows you're stronger than this, and you know somewhere inside yourself you are stronger than this.
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Have you ever considered the strength that you hold as a human being?
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You are the universe attempting to figure itself out.
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Don't end it because you got confused.
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Because these rules that other people made up don't happen to coincide with the way the universe is.
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Don't surrender to the absurdity.
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Camus says that, In the depth of winter, I finally learned that there was in me an invincible summer.
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Within every individual is this power to be happy, to enjoy life in the desert of their existence.
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Albert Camus knew this, and he knew
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that arguing with a suicidal nihilist will amount to no good
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if he tried to use any system of purpose because that's just not something you do with a nihilist.
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Life will be lived all the better if it has no meaning. But the suffering, Camus.
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What about the suffering?
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This is totally the absurd's fault, man.
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And do you know what you should do?
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You should revolt against it.
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Scorn it but never deny its existence.
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You have to accept it scornfully. But how?
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Camus uses the Greek myth of Sisyphus to really nail this point home.
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Sisyphus is one badass guy and he's running around being an asshole to the gods.
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He chains up death and then spills beans about super secret god stuff.
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So they grab Sisyphus, give him a boulder and tell him to roll it up a hill.
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But when he rolls it to the top it rolls back down.
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In fact, every time he rolls it up, he rolls back down.
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He is performing a task of absolute futility, meaninglessness.
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Sisyphus is in a good position.
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He knows that his purpose, his actions in life, are meaningless, and he's stuck there.
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He knows this too because he is condemned.
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But Sisyphus, at least in Camus interpretation, is one smart guy.
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Sisyphus doesn't hope that eventually things get better.
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He doesn't develop some deity or pray to the gods to stop his suffering.
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He doesn't jump off the top of a mountain to end his suffering and kill himself.
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No. Sisyphus enjoys it.
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He is in the moment.
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He embraces the absurdity of his condition, and by enjoying it, he revolts against it.
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He is scornful.
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Each atom of that stone, each mineral flake of that night -filled mountain in itself forms a world.
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The struggle itself towards the heights is enough to fill a man's heart.
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One must imagine Sisyphus happy.
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Now, why the hell are you going to jump off here?
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Live, goddammit.
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We are all participants in existence and we all suffer, and whether there is a greater or less suffering in others is not an appropriate argument,
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because suffering itself should be but a greater reason for compassion among us in a meaningless desert.
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And in this desert we shall create.
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Continue to push the boulder of existence, of life, not because you may reach the top and be done, but because it is in the suffering, in the hardest of our times,
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in our loneliest of lonelies, in our daily struggle to comprehend just how absurd everything is.
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We experience the most fullest, genuine, and beautiful of life that our human condition has to offer.
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Thank you.
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Vocabulaire et conseils d’expression pour cette leçon
Les mots qui reviennent le plus souvent : Camus, Sisyphus, suffering, existence, absurdity. Cette vidéo contient 130 phrases et 1517 mots à répéter en shadowing. La partie parlée dure 8:37. Le locuteur parle à un rythme naturel d’environ 176 mots par minute, proche d’une conversation courante. 83 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer. 29 de ses 130 phrases sont des questions : un bon entraînement pour l’intonation interrogative et les réponses courtes.
Vocabulaire clé de cette vidéo
Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| meaninglessness nom | /ˈminɪŋlɪsnɪs/ | futilité, absurdité |
| absurd adjectif | /əbˈsɜːd/ | absurde |
| meaningless adjectif | /ˈmiː.nɪŋ.ləs/ | dénué de sens, dépourvu de sens |
| nihilist nom | /ˈnaɪ.(h)ɪl.ɪst/ | nihiliste |
| boulder nom | /ˈboʊl.dɚ/ | rocher, boulder |
| realization nom | /ˌɹɪə.laɪˈzeɪ.ʃən/ | connaissance |
| perceive verbe | /pɚˈsiv/ | percevoir |
| revolt nom | /ɹɪˈvoʊlt/ | révolte |
| greet verbe | /ɡɹiːt/ | saluer, recevoir |
| confess verbe | /kənˈfɛs/ | avouer, confesser |
| impress verbe | /ɪmˈpɹɛs/ | impressionner |
| coincide verbe | /ˌkoʊɪnˈsaɪd/ | coïncider |
| crumble verbe | /ˈkɹʌmbəl/ | s'effondrer |
| cubicle nom | /ˈkjuːbɪkəl/ | box |
| fallacy nom | /ˈfæl.ə.si/ | tromperie |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| bring up verbe | élever | |
| end up verbe | se terminer, se finir | |
| make up verbe | /ˌmeɪk ˈʌp/ | constituer, composer |
| run around verbe | courir partout | |
| work out verbe | /ˌwɝk ˈaʊt/ | calculer |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- Are you met with absolute silence?
- No one cares, and why should you?
- You take one breath and just as you're about to let go?
- You asked, why do I go to work?
- Why do you want that?
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | been brought · will be rewarded · would be rewarded |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have decided · have you considered · Have you ever considered |
Prononciation à surveiller
Le locuteur utilise 16 contractions et formes réduites, comme doesn't, you're, don't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « sh » et « zh »: realization /ˌɹɪə.laɪˈzeɪ.ʃən/, compassion /kəmˈpæʃ.ən/, dimension /daɪˈmɛn.ʃən/, assumption /əˈsʌm(p).ʃ(ə)n/
- Mots longs — placez bien l’accent: absurdity /æbˈsɝd.ɪ.ti/, meaninglessness /ˈminɪŋlɪsnɪs/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, futility /fjuˈtɪləti/, invincible /ɪnˈvɪn.sə.bəl/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: nihilist /ˈnaɪ.(h)ɪl.ɪst/, comprehend /ˌkɑmpɹɪˈhɛnd/, hopeless /ˈhoʊplɪs/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: splurge /splɝd͡ʒ/, stench /stɛnt͡ʃ/, unjust /ʌnˈd͡ʒʌst/, tragic /ˈtɹæd͡ʒɪk/
- /r/ anglais — langue recourbée, sans frotter la gorge: realization /ˌɹɪə.laɪˈzeɪ.ʃən/, revolt /ɹɪˈvoʊlt/, greet /ɡɹiːt/, impress /ɪmˈpɹɛs/, crumble /ˈkɹʌmbəl/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme meaninglessness, absurd, meaningless.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.