Pratica di Shadowing: Emma Watson: “Dating Feels Like a Disaster… But Writing Saved Me” - Impara a parlare inglese con YouTube
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I think what's nice is at the very least,
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I think what's nice is at the very least,
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dating for everyone is basically a complete disaster and free for all.
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So I feel like I'm in good company in that sense.
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But I think it's funny,
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occasionally people will apologize to me for the fact they've not seen my films.
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And I will be like, please don't apologize.
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That is bliss to me,
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like music to my ears that you're not going to constantly be navigating.
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And me also navigating with you,
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this projection of me, or this Emma Watson avatar person will not be this ghost in the room.
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So that's happened a few times where people have been like, I'm really sorry.
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And I'm like, please don't apologize.
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I'm so relieved.
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I'm so incredibly relieved.
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And then you realize they have the box in that later on.
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Yeah, no, my God, I hope not.
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But I mean, I guess I want people to appreciate my work,
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but I think knowing you don't have to navigate that extra degree of weirdness is helpful and relief.
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How do you help people get to know the real you at this stage in your life?
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You know, I wrote this play that I actually sent you to read,
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but I actually read parts of it to people because I find
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that trying to explain sometimes how weird it is to be me I almost need aids.
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It's so difficult to convey how weird it is and how surreal sometimes.
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Sometimes I'll just be like,
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can I just read you this thing I wrote?
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Because I think it's going to shortcut you somewhere.
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And so that's actually been incredibly helpful.
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And I'm so glad I went and did this creative writing masters.
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And I've spent more time writing about my experiences because sometimes I can't even articulate it to myself.
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Like how are you supposed to explain something to someone else that you can't really even understand for yourself?
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So I think writing, creative writing,
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making art has been the best therapy I've ever done because it's helped me get clarity.
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And also just be able to laugh at myself and laugh at the situation.
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I think one-on-one therapy can be amazing,
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but like there is a kind of intensity and a seriousness to
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that that maybe when you're writing something down and
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when I wrote the play I wrote it for my friends
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and family
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and I was able to kind of be more my bring more of myself to the picture in a way
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which is someone who's like this is just nuts like I
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just can't like I can't sometimes I just genuinely cannot believe that my life is my life and
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I need a place I can put that yeah I loved
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so just for everyone who's you know hearing about the referencing of this play Emma wrote a play
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which helped her closest friends and family understand her experience of life basically yeah right is
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that a bad description no no it's not a bad description
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but like specifically I wrote the play about me transitioning from basically being a full-time actress,
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an activist, to trying to move home and like be a normal student
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and attend a normal university as a super famous person.
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And I basically kept a journal of what those experiences were like
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and chronicled them for my friends and family for about a year
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and then performed it as a one-woman show at the end of the first year
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and handed that in as my as my first year piece of work
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and yeah yeah did it get an a it got a
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distinction oh amazing great there we go i love it it actually did not
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that that was the point but it kind of wasn't the point
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but i think the coolest thing was was like i read
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it for my roommate for example who's been living for seven years
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and he was like wait wait stop stop stop he's like
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is this actually how you feel like do do you actually feel this?
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And I was like, yeah,
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I wouldn't have written it if I didn't.
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And he was like, I had no idea that this was how you felt.
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And this is someone I live with.
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And so for me, who I perceive myself to be this massive open book,
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and actually I realized, I was like,
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wow,
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I think I'm doing a good job of bringing the people that I love along with me on what this feels like.
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And actually, I'm not saying nearly enough or explaining it in a way where it makes sense.
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And so even my parents were just like, couldn't believe it really.
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Yeah.
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I'm sure they were brought to tears by parts of it.
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I mean, I was so moved by it.
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And I really hope you do one day make it a production in some capacity
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because it was so moving and so powerful.
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And it was, Emma, honestly,
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it was what every public figure has ever tried to explain to me about their experience,
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yet put so succinctly, powerfully,
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and meaningfully that anyone could relate to it.
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And I think anyone meaning anyone who's ever felt misunderstood,
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loved for what they have and not who they are,
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seen for parts of themselves and not all of themselves.
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And I really believe it will be such a service to
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everyone to share it one day in however way you decide to,
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because honestly, I was gripped.
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I was completely captivated.
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I couldn't put it down.
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I feel like I'm going to read it again and again and again.
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It's not something that I think you read once.
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Not only are you a brilliant writer,
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but it is so true and honest.
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And for everyone who's listening and watching,
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I think the lesson for me is that your therapy could turn into something creative that when you shared that with me,
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when we were speaking on the phone,
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I was so in awe of that that therapy in one-to-one setting
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or in whatever way of healing you believe in
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if it turns into something you have to put together to
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communicate to others that's the revelation like the revelation is in
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that process not in the listening telling share uh speaking that's great
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and that's a part of it but
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if you can go one step ahead truly i i feel this like urgency and desperation to communicate this specific piece,
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which is like, make art about your experiences.
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The neurosis of being a writer or anyone making anything is like,
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I don't have anything valuable to say.
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It's all been said before.
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This is so self-indulgent.
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This is so narcissistic.
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Who even wants to hear this?
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This is bad.
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I thought all of those thoughts probably most days as I wrote this
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but trust me like whatever you think people know about you
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or they know about your life or how you feel about it they don't
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and they need you to write poems write songs make pictures write plays
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and you don't need to be someone with the title of an artist to be able to do
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that you really don't
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and in fact I have to write on my mirror I
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have it written on my door I am an artist
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because I don't think anyone feels like they deserve
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that title I've been making films and writing
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and making art since I was nine years old
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and I don't feel like I deserve that title
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and I have to work at it all the time to
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feel like I have anything that's worthwhile saying I really understand the struggle I really really do
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but there is something about doing it and like having a physical thing
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because I think so many of these thoughts and feelings live in our heads
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and it's not a great place for them to live.
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They need to come out somewhere.
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And once you can put them somewhere, then you're free.
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Being understood or feeling like you're understood by the people around you has got to be the best feeling in the world.
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And I think it's what we're looking for when we do so many things,
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but often that's not the way to find it.
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And I just, God, yeah.
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Honestly, I want to go to every person in the street and be like,
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you need to write a one-person show about your life and then perform it for your friends and family.
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Or like, you need to paint the thing,
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write the song, just do it.
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Because it's kind of one of the best,
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most meaningful things I've done.
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It's trying to make sense of it all.
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And I love that you did it for your family.
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That's the part that proves to me
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when you say the message of make your art
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and you don't need to be a full-time actor or director or movie filmmaker.
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It's like you actually lived that part.
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And that's what I love about it the most is
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that you didn't make it for a stage or a movie or a documentary or whatever.
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And honestly, first I wrote it for myself.
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Honestly, I didn't think I had the guts to read this aloud to anyone.
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I thought it was just for me and maybe like two other people.
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And performing it for my...
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I didn't even invite my family until like two days before because I just didn't think I had the courage.
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Make art for people you love.
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Make beautiful things for people that you love,
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just for people that you love.
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That's one.
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I guess I had the extraordinary experience of making things for the world,
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basically, from such a young age.
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And I never made anything that I didn't feel like needed to be shared publicly.
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And I remember when I made Little Women,
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I mean, that's such an amazing thing about Louise May Alcott,
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is that really she wrote those stories for her sisters and so many people's journeys and paths start because,
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yeah, out of love they wrote them for just one person.
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There was a certain point I remember in my life where I was like,
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right, I'm done with university now and now I'm going to just focus full,
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what I should be doing is just focusing full time on being an actress and doing all of that.
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And I had completely missed actually that Emma,
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the academic, Emma the student,
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Emma the person that needs to constantly be learning things facilitated my ability to be a famous person
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and in Hollywood and that without her
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I actually couldn't do it I needed I need to have both
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and that when one gets stripped away and like even as I'm
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and I explore this in the play as well it's like
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even as I have returned to some form of normalcy ordinary life whatever
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that looks like to me now like I also can't kill
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her off completely you know my public person there's parts of me
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that like still does need those outlets and to do those things too
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and i'm figuring out what those are but i think that's what's
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so complicated about being human is is it's yes and not either
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or it's we need we need to be all of ourselves
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so that we can do the extraordinary things
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that we what we want to do maybe it's about not leaving parts of ourselves behind,
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finding a way to keep threading the tapestry and all of it
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Perché praticare la conversazione con questo video?
Praticare la conversazione in inglese con il video di Emma Watson offre un'opportunità unica per immergersi in un contesto reale e autentico. La Watson discute di esperienze personali in modo sincero e umano, rendendo più facile per gli studenti di inglese riconoscere e comprendere le dinamiche dei rapporti interpersonali. Inoltre, sentirla esprimere le sue emozioni e i suoi pensieri aiuta a migliorare le capacità di ascolto e ad apprendere come si possa articolare un discorso su temi complessi in modo naturale. Utilizzare i video di Emma per la pratica di conversazione in inglese permette di acquisire non solo vocaboli e struttura grammaticale, ma anche intonazione e ritmo.»
Grammatica ed espressioni nel contesto
Tra le strutture grammaticali e le espressioni chiave utilizzate da Emma Watson, possiamo analizzare le seguenti:
- Frasi condizionali: Emma fa riferimento a situazioni ipotetiche, il che è fondamentale per esprimere idee e speranze, come "Se non avessero visto i miei film...". Questo aiuta a comunicare in modo più complesso.
- Espressioni colloquiali: L'uso di frasi come "un completo disastro" mostra come le espressioni idiomatiche rendano il discorso più naturale e fluido. Gli studenti possono imparare a usare frasi simili per descrivere situazioni nella loro vita quotidiana.
- Punti di vista personali: Frasi come "Sono così sollevata" riflettono sentimenti personali e aiutano a costruire una connessione emotiva con l'ascoltatore, un elemento chiave nella pratica della conversazione.
- Usi del tempo presente e passato: Commentando le sue esperienze, Emma utilizza una miscela di tempo presente e passato, il che è cruciale per raccontare storie e condividere esperienze di vita.
Trappole comuni nella pronuncia
Durante il video, ci sono alcune parole e frasi che possono risultare difficili da pronunciare per chi sta imparando l'inglese con YouTube. Ecco alcuni suggerimenti:
- “Disaster”: Attenzione alla pronuncia della “i” e della “a”, che possono risultare confuse. È importante praticare il suono per evitare errori.
- “Relieved”: Assicurati di enfatizzare la giusta sillaba per una pronuncia corretta. Può essere utile praticare mediante shadowing in inglese, ripetendo esattamente ciò che dice Emma.
- “Articulate”: Questa parola presenta suoni che potrebbero richiedere pratica, specialmente per chi non ha familiarità con le combinazioni di consonanti e vocali in inglese.
Praticare queste espressioni e prestare attenzione alla pronuncia ti aiuterà a ottenere maggiore fluidità nel tuo discorso. Non dimenticare di usare tecniche come il shadowspeaks per migliorare il tuo accento e la tua intonazione!
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.
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