Pratica di Shadowing: Moody Margaret Moves In - Impara a parlare inglese con i video
Creazione lezione...
1
It's not fair When mom and dad make their stand-up strip,
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don't be rude It's so not fair Cause the killer boy raps those ghost things,
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kids rules So when they send you to your room Say a little to you You sing na-na-na-na-na Na-na-na-na-na-na-na-na-na Na-na-na-na-na-na
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Nan nan nan nan nan nan nan It won't be easy to find your 20p, Henry.
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There must be a billion germs in here.
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Ow!
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Make that a billion and one!
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Henry, have you seen Peter?
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Peter?
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Erm, let me think.
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I need to talk to you both.
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Margaret's coming to stay.
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Moody Margaret!
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Coming to stay here?
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Yes, while her parents are on holiday.
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Ooh, goody!
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I love having guests!
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Henry, how could you be so horrid?
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I was just tidying up.
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Well, no pocket money for a month.
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And as you've been so horrid to Peter, Margaret can have your room.
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My room?
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NOOOOO!
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Now, I expect both of you to make Margaret stay a pleasant one.
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Shall I run through the basics of hospitality again, Henry?
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Ho ho ho ho ho!
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She's here!
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There should be a lure about who gets to stay in your room.
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She's gonna spy on my things, play with my toys, read my comics!
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Thanks so much for having Margaret to stay.
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She's such a little angel.
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Isn't that right, precious?
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Yes, Mum.
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Welcome to our home.
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May I take those?
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You're sleeping in Henry's room, but don't worry.
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I've cleaned it.
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She'll be no trouble.
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Margaret's always polite, eats everything and never complains.
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Good as gold, aren't you precious?
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See you in a week's time.
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Henry.
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Margaret.
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I'm the guest, so you'd better be polite.
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Show me to my room!
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It's my room!
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We hope you'll be very comfortable here, Margaret.
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There's too much dust.
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I'm allergic to dust.
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Achoo!
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Oh dear.
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Well, don't worry.
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We'll vacuum.
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We will?
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I always eat at six o'clock at my house.
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It's six o'clock.
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I'm hungry.
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Fine.
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We'll eat early.
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Phew.
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Watch out!
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Peter, those things belong to our guest.
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You should be more careful.
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Oh! For you, Margaret.
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I don't like sprouts, and I like my corn off the cob.
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Fine, give it to me.
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And put the corn on a separate plate.
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I don't like vegetables touching my meat.
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Yeah, and put Margaret in a separate room.
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I don't like looking at her.
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Ouch!
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Henry kicked me!
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No, I didn't!
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This is so embarrassing.
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Don't be horrid, Henry.
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Henry?
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When I'm king, I'll show Rudy Margaret who's.. who's.. king!
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Henry, stop playing with your food.
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Henry?
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You've already lost your pocket money for one month, Henry.
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We can make it two if you don't start behaving now.
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Good night, Bunny.
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Good night, buddy.
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Oh, yuck.
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Margaret.
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Get it all.
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Margaret did this, Peter.
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Why don't you tell Mum and get Margaret into trouble for a change?
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Tell my guest.
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I couldn't.
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It's bad manners.
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Bad manners?
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You're a wormy worm.
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She's in there snooping through all my stuff!
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Eureka!
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That's it!
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Yes!
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Marlott is our guest.
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If she wants to snoop, then it's my duty to make it easier for her.
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Tomorrow is going to be the return of Henry!
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What?
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What?
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What?
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Stop it!
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Stop it at once!
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Oh, for goodness sake, it's six o'clock in the morning I always wake up at six o'clock
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And I always practice before breakfast Fine,
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then let's go downstairs and I'll make you breakfast right now.
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All clear.
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Operation Bye-Bye Margaret is a go.
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Urgh!
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Girl stuff in my room!
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Hey, what are you doing?
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Nothing, erm, nothing.
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I'm just writing in my diary.
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Diary?
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Huh, I didn't know you had a diary.
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It's secret, my secret thoughts.
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Not to be read by the likes of you, which is why I keep it in this box, which I lock with this key.
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And that's where it stays.
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Now, if you'll excuse me, I have teeth to clean.
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Once a snoop, always a snoop.
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Dear Diary, I'm really, really worried that she's going to put Peter in the rubbish bin.
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Peter would never tell on a guest, so I'd be blamed and really, really punished.
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My life would be over and it'd all be Margaret's fault.
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When I said your wish is my command, this wasn't exactly what I had in mind.
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What are you going to do?
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Tell?
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I could never tell on a guest.
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Good.
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Watch your fingers.
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Oh, over here!
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Don't forget this one!
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No, no no no no no!
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He's got to get it!
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Operation Bye Bye Margaret.
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Phase 2.
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Email sent!
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Henry, have you seen Peter?
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Yes!
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He's gone to live at the dump because he's rubbish!
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Peter!
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Peter!
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Peter!
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Operation Bye Bye Margaret!
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Phase 3!
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Henry, I warned you what would happen if you did this again I didn't do it, ask Peter who did it Well?
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Um, remember, never tell on a guest Remember, never tell a lie You're right,
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I have to tell the truth It was Margaret Margaret?
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How could you be so hurried?
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You set me up.
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And why did you throw my stuff out the window?
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I did what?
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You did what?
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This is disgraceful behaviour, young lady.
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If your parents were here, you would be on your way home.
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Hold that thought.
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Oh, who can that be?
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We're so sorry Margaret's been causing trouble.
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We came as soon as we got your email.
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What email?
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Don't think you won't be punished, young lady.
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But you're coming home with us right now.
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I'll have your stuff sent over.
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She's gone.
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Yes.
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You sent that email, didn't you?
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You know what this means, don't you?
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No sweets for ten years.
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No TV until I can drive.
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But it was worth it.
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Yes, I sent the email.
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Well, that was a really horrid thing to do, Henry.
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So, um, go to your room.
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Go to my room?
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That's it?
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Yes, go to your room.
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My room!
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Sweeter words were never spoken!
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Thank you.
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Informazioni su questa lezione
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.