シャドヌむング緎習: How is stuff like this possible 🀯 #arthistory - 動画で英語スピヌキングを孊ぶ

読み蟌み䞭...
1
This artist was so good with a paintbrush she could hide a reflection in a still life, and you wouldn't even know where to spot it.
2
Do you see it?
3
No?
4
Well, it's right here.
5
But the Flemish master Clara Peters is so much more than a reflection on the pewter lid of an earthenware jug.
6
Because in a body of work that consists exclusively of still life paintings, and in a genre where analysis can pick up on little symbols and hidden secrets,
7
Peters steals our attention with an insane attention to detail.
8
In the very same painting she paints a decorative glass with such precision you can slide your finger across every single bump.
9
She paints a piece of bread so thoroughly you can feel its hard exterior and soft, sponge-like insides.
10
You can smell the cheese, taste the figs, the raisins and almonds, spread the butter with a knife.
11
And speaking of a knife, oh my.
12
Hanging off of the edge of the table, Peters with a paintbrush in the likeness of a surgeon shows
13
us a knife with such mastery we can't only feel its weight and every intricate detail, but she shows us how light bounces out of every curve and off of every notch,
14
and if that hasn't blown your head off of your shoulders, she signs the bloody painting as an engraving.
15
And this isn't a one-hit wonder either, because throughout her entire body of work she does it again and again and again and again, with intricate jug after intricate jug,
16
a never-ending supply of wine-filled glassware, dried fruits and birds and seashells, baked goods and fragrant flowers, reflection after reflection after reflection.
17
She does it over and
 is that a cat?
18
Hum, it is a cat.
19
And he too, just like us, can probably smell these fish stacked into a bowl from a mile away.
20
The moist scent of dense fishy air shot into your nose as a by-product of a visual stimulation
21
that only a true master could ever pull off.
22
Slippery and wet, ice cold and ready to eat.
23
She captures the fragile transparent shells of these prawns and the slimy insides of this oyster.
24
I don't blame the cat at all for wanting in on the action.
25
And to tie it all together, Peters, as only a person with a sense of humour could, says it all on the face of a fish.
26
Holy crap!
27
Which is the same reasonable expression that anyone might have on the cusp of becoming a meal.
28
Or, for that matter, on noticing this reflection in a still life.

このクリップのスピヌキング目暙

YouTubeで英語孊習をする䞊で、「詳现な描写」を自然に話す胜力は重芁なフルヌ゚ンシヌのマむルストヌンです。このビデオでは、画家の技芞を絵画的に衚珟するために䜿われる豊かな語圙や、感情を蟌めた語調が鍛えられたす。特に、物の質感「sponge-like insides」「slippery and wet」や芖芚的印象「light bounces out of every curve」を蚀葉で䌝える技術を磚くのに最適です。

フレヌズバンク

  • 「steals our attention with an insane attention to detail」途方もない緻密さで泚目を奪う
  • 「you can feel its hard exterior and soft, sponge-like insides」硬い倖偎ず柔らかいスポンゞのような䞭身が感じられる
  • 「light bounces out of every curve and off of every notch」あらゆる曲線や切り欠きから光が跳ね返る
  • 「a by-product of a visual stimulation」芖芚的刺激の副産物ずしお
  • 「tie it all together」すべおをたずめる

匱点を克服する

shadowing siteでの緎習に最適なビデオです。特に、「shadow speak」や「shadow speech」の技術を䜿っお、語調のリズムず匷匱を鍛えたしょう。ナレヌタヌの声は感情的で倉化に富んでおり、「oh my」「Holy crap!」などの間投詞や、「again and again and again」の繰り返し衚珟が、自然なスピヌチのリズムを身に぀けるのに圹立ちたす。たた、「intricate」「fragrant」「fragile」などの難しい圢容詞の発音も、shadowingを通しお正確に芚えるこずができたす。これらのポむントを培底的に緎習すれば、英語での描写力ず流暢さが飛躍的に向䞊したす。

シャドヌむングずは英語䞊達に効果的な理由

シャドヌむングShadowingは、もずもずプロの通蚳者逊成プログラムで開発された蚀語孊習法で、倚蚀語習埗者ずしお知られるDr. Alexander Arguelles によっお広く普及されたした。方法はシンプルですが非垞に効果的ネむティブスピヌカヌの英語を聞きながら、1〜2秒の遅延で声に出しおすぐに繰り返す——たるで「圱shadow」のように話者を远いかけたす。文法ドリルや受動的なリスニングず異なり、シャドヌむングは脳ず口の筋肉が同時にリアルタむムで英語を凊理・再珟するこずを匷制したす。研究により、発音粟床、抑揚、リズム、連音、リスニング力、そしお䌚話の流暢さが倧幅に向䞊するこずが確認されおいたす。IELTSスピヌキング察策や自然な英語コミュニケヌションを目指す方に特におすすめです。