シャドーイング練習: How to be a creative motherf***er - 動画で英語スピーキングを学ぶ

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57 文
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Some people are just born creative.
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They can look at a canvas and a glorious painting will appear.
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They can look at a wall and write the next good old hunting.
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Maybe they're all Picasso's illegitimate children.
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Or maybe they're just...
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Pablo never came back with the milk, so...
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I guess I'm just gonna have to learn.
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I gave the old staring at an empty canvas thing a go, but that's when I realised I don't know what I actually like.
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Taste is a muscle, and in the comfort blanket of the internet and algorithms,
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mine has become that half of a digestive you accidentally drop into your tea.
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So, it was time to start collecting.
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And this is where you've got to be picky and focus on the rare things that really make you stop.
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The things that led you into a spiral of investigation, that piece of art that you spend the next hour researching who the artist is, the inspiration, the subject, the type of paint,
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the film you watch that you still think about a month, a year later, the one that visually blew your fucking mind away.
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those are the pieces of art and inspiration that you collect.
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So you end up with a rare, tight -knit collection of things that remind you of why you started.
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And this mood board should be something that, when it's all collected together, you step back and out of pure excitement your mind just goes...
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Five.
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Four!
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I mean five!
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I mean fire!
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Another thing that us creatives tend to do in our attempts to be edgy
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and different is we ignore the masters on purpose.
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I mean we see old screenwriting books or renaissance painters
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and say fuck em I don't need rules I'm creative I'm meant to break em.
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But without an understanding of these rules how can we know how to break em?
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Instead of stealing a shot idea from Instagram, study artists and see what compositions they use and why.
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Instead of aimlessly copying the slow shutter trend, which I am guilty of,
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go and watch Wonka -Wai's films and see how he used the effect to isolate his characters, not just for a fancy transition.
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Watch a classic detective noir, inspired by the bold colours of a comic series
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and get inspired to make your very own city out of cardboard
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because you can't quite afford to look off New York yet.
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Once you understand why techniques are used, when you do use them it means something and that's
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when you're actually creating with a purpose and not just because it looks cool.
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Then it's time to experiment.
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I mean your studio or wherever you work should be a mess.
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Piles of unfinished ideas, rough outlines, projects that took you weeks to finish that make you way too embarrassed to invite your mates around for dinner.
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You should be making things that make you glad you've only got 31 followers on Instagram.
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Because you're not making a masterpiece, you're finding out what happens.
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And sometimes what happens is shit, and other times what happens is the shit.
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That was a really bad joke, but the The point is, not everything has to be good, the point is just to make things.
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Like this stop motion where I spontaneously decided to paint each individual window
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and give up that around 50 frames and move on to something else, but at least I gave it a go.
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So after all that preachy bollocks from me, I'm guessing you're wondering what I ended up making.
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Or maybe that's just me being a bit too forward on our first day, but I'm going to show you anyway.
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And before I do, the final step is having something to say.
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Creating art isn't about getting views, likes or receiving another where's the colour grading tutorial comment.
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It's about sharing your perspective of the world.
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Telling stories that only you can tell.
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Making something that means something to you.
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And for me, for some reason as you may have noticed, I have this weird fascination with lonely old humans smoking.
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Whatever it is, I find myself drawn to these weird little characters who are off in their own little weird worlds, thanks to the soothing little death machine we like to call cigarettes.
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And I find myself constantly drawing these odd balls out of proportion, mainly with tiny heads and massive hands.
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I'm not sure why, but I couldn't quite find that one character to make a big piece of.
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And then I thought back to one of the films that really made me want to become a filmmaker.
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I'm sorry, Average Hitchcock.
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Dad?

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このレッスンの語彙とスピーキングのポイント

この動画には、シャドーイング用の文が57文、単語が783語あります。 音声の長さは5:40です。 話す速さは1分あたり約138語で安定しており、シャドーイングしやすいペースです。 単語の83%は英語の頻出3,000語に含まれます。残りは練習の前に確認しておきましょう。

この動画の重要語彙

動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。

単語発音意味
collect 動詞/ˈkɑlɪkt/集める, 収集する
canvas 名詞/ˈkæn.vəs/帆布, キャンバス
ignore 動詞/ɪɡˈnɔː/無視する, 忽略する
technique 名詞/tɛkˈniːk/技術
transition 名詞/tɹænˈzɪʃ.ən/遷移, 推移
mood 名詞/muːd/気分, 気持ち
muscle 名詞/ˈmʌs.əl/筋肉, 筋
comic 名詞/ˈkɑmɪk/漫画, コミック
comfort 名詞/ˈkʌm.fət/快適さ
steal 動詞/stiːl/盗む
experiment 名詞/ɪkˈspɛɹ.ə.mənt/実験
remind 動詞/ɹəˈmaɪnd/思い出させる
invite 動詞/ɪnˈvaɪt/誘う, 招待する
wherever/(h)wɛɹˈɛvɚ/どこでも
bold 形容詞/ˈbəʊld/勇敢な, 大胆な

動画に出てくる句動詞

単語意味
find out 動詞見出す, 調べる
give up 動詞降服する

注意したい発音

話し手はI'm, you're, don'tなど、短縮形や弱形を21回使っています。聞こえたとおりの短い形で発音しましょう。

  • 「th」の音: algorithm /ˈælɡəɹɪðm̩/, soothe /suːð/
  • 「sh」と「zh」の音: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, transition /tɹænˈzɪʃ.ən/, composition /ˌkɑm.pəˈzɪʃ.ən/, proportion /pɹəˈpɔɹʃən/, unfinished /ʌnˈfɪnɪʃt/
  • 長い単語(アクセントの位置に注意): inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, experiment /ɪkˈspɛɹ.ə.mənt/, composition /ˌkɑm.pəˈzɪʃ.ən/, accidentally /ˌæk.sɪˈdɛnt(ə)li/, visually /ˈvɪzju.əli/

この動画での練習方法

  1. まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
  2. 通常の速度で一文ずつシャドーイングし、話し手のリズムに合うまで繰り返します。
  3. 自分の声を録音して元の音声と比べます。collect, canvas, ignoreなどの単語に特に注意しましょう。

シャドーイングとは?英語上達に効果的な理由

シャドーイング(Shadowing)は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的:ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影(shadow)」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

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