Pratique du Shadowing: How to be a creative motherf***er - Apprendre l'anglais à l'oral avec la vidéo
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57 phrases
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Some people are just born creative.
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They can look at a canvas and a glorious painting will appear.
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They can look at a wall and write the next good old hunting.
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Maybe they're all Picasso's illegitimate children.
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Or maybe they're just...
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Pablo never came back with the milk, so...
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I guess I'm just gonna have to learn.
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I gave the old staring at an empty canvas thing a go, but that's when I realised I don't know what I actually like.
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Taste is a muscle, and in the comfort blanket of the internet and algorithms,
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mine has become that half of a digestive you accidentally drop into your tea.
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So, it was time to start collecting.
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And this is where you've got to be picky and focus on the rare things that really make you stop.
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The things that led you into a spiral of investigation, that piece of art that you spend the next hour researching who the artist is, the inspiration, the subject, the type of paint,
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the film you watch that you still think about a month, a year later, the one that visually blew your fucking mind away.
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those are the pieces of art and inspiration that you collect.
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So you end up with a rare, tight -knit collection of things that remind you of why you started.
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And this mood board should be something that, when it's all collected together, you step back and out of pure excitement your mind just goes...
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Five.
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Four!
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I mean five!
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I mean fire!
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Another thing that us creatives tend to do in our attempts to be edgy
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and different is we ignore the masters on purpose.
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I mean we see old screenwriting books or renaissance painters
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and say fuck em I don't need rules I'm creative I'm meant to break em.
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But without an understanding of these rules how can we know how to break em?
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Instead of stealing a shot idea from Instagram, study artists and see what compositions they use and why.
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Instead of aimlessly copying the slow shutter trend, which I am guilty of,
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go and watch Wonka -Wai's films and see how he used the effect to isolate his characters, not just for a fancy transition.
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Watch a classic detective noir, inspired by the bold colours of a comic series
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and get inspired to make your very own city out of cardboard
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because you can't quite afford to look off New York yet.
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Once you understand why techniques are used, when you do use them it means something and that's
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when you're actually creating with a purpose and not just because it looks cool.
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Then it's time to experiment.
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I mean your studio or wherever you work should be a mess.
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Piles of unfinished ideas, rough outlines, projects that took you weeks to finish that make you way too embarrassed to invite your mates around for dinner.
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You should be making things that make you glad you've only got 31 followers on Instagram.
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Because you're not making a masterpiece, you're finding out what happens.
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And sometimes what happens is shit, and other times what happens is the shit.
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That was a really bad joke, but the The point is, not everything has to be good, the point is just to make things.
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Like this stop motion where I spontaneously decided to paint each individual window
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and give up that around 50 frames and move on to something else, but at least I gave it a go.
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So after all that preachy bollocks from me, I'm guessing you're wondering what I ended up making.
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Or maybe that's just me being a bit too forward on our first day, but I'm going to show you anyway.
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And before I do, the final step is having something to say.
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Creating art isn't about getting views, likes or receiving another where's the colour grading tutorial comment.
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It's about sharing your perspective of the world.
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Telling stories that only you can tell.
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Making something that means something to you.
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And for me, for some reason as you may have noticed, I have this weird fascination with lonely old humans smoking.
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Whatever it is, I find myself drawn to these weird little characters who are off in their own little weird worlds, thanks to the soothing little death machine we like to call cigarettes.
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And I find myself constantly drawing these odd balls out of proportion, mainly with tiny heads and massive hands.
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I'm not sure why, but I couldn't quite find that one character to make a big piece of.
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And then I thought back to one of the films that really made me want to become a filmmaker.
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I'm sorry, Average Hitchcock.
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Dad?
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Vocabulaire et conseils d’expression pour cette leçon
Cette vidéo contient 57 phrases et 783 mots à répéter en shadowing. La partie parlée dure 5:40. Le locuteur parle à un rythme régulier d’environ 138 mots par minute, confortable pour le shadowing. 83 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| collect verbe | /ˈkɑlɪkt/ | rassembler, recueillir |
| inspire verbe | /ɪnˈspaɪə(ɹ)/ | inspirer |
| canvas nom | /ˈkæn.vəs/ | toile |
| ignore verbe | /ɪɡˈnɔː/ | ignorer, ne pas prêter attention à |
| technique nom | /tɛkˈniːk/ | technique |
| transition nom | /tɹænˈzɪʃ.ən/ | transition |
| mood nom | /muːd/ | humeur, mauvaise humeur |
| muscle nom | /ˈmʌs.əl/ | muscle |
| comic nom | /ˈkɑmɪk/ | comédien |
| comfort nom | /ˈkʌm.fət/ | confort |
| steal verbe | /stiːl/ | voler |
| experiment nom | /ɪkˈspɛɹ.ə.mənt/ | expérience |
| remind verbe | /ɹəˈmaɪnd/ | rappeler à |
| composition nom | /ˌkɑm.pəˈzɪʃ.ən/ | composition |
| invite verbe | /ɪnˈvaɪt/ | inviter, convier |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| end up verbe | se terminer, se finir |
| find out verbe | découvrir, savoir |
| give up verbe | se rendre |
Prononciation à surveiller
Le locuteur utilise 21 contractions et formes réduites, comme I'm, you're, don't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: algorithm /ˈælɡəɹɪðm̩/, soothe /suːð/
- Les sons « sh » et « zh »: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, transition /tɹænˈzɪʃ.ən/, composition /ˌkɑm.pəˈzɪʃ.ən/, proportion /pɹəˈpɔɹʃən/, unfinished /ʌnˈfɪnɪʃt/
- Mots longs — placez bien l’accent: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, experiment /ɪkˈspɛɹ.ə.mənt/, composition /ˌkɑm.pəˈzɪʃ.ən/, accidentally /ˌæk.sɪˈdɛnt(ə)li/, visually /ˈvɪzju.əli/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme collect, inspire, canvas.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.