Prática de Shadowing: John Mayer, 'Recovered Ego Addict' | msnbc - Aprenda a falar inglês com vídeo
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John Mayer is a seven -time
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Grammy winner, a multi -platinum selling artist, and a prodigious guitarist who's played with everyone from Eric Clapton to Ed Sheeran.
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But in recent years, you might know him better for making headlines than for making music.
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From tabloid -ready falls in and out of love with famous women to a notorious tell -all Playboy interview.
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Then, he disappeared from the spotlight, avoiding social media and interviews and building a quieter life in Montana.
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I caught up with him in L .A as he works on a new,
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deeply personal album and tries to put the focus back on his very first love.
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When I discovered the guitar when I was 13, all of the creative energy went into that.
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So I was sitting in class writing lyrics.
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I was in math class on one of those uneven desks, writing lyrics.
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One story that's out there is that
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Back to the Future was the genesis of the guitar idea.
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That was the big
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Rocky moment for a lot of kids who were into music.
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And that for me was like the moment the nerd gets revenge, right?
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Like, who is this nerdy Marty McFly kid and then he gets to play basically...
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Blowing people's minds.
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Yeah, blowing people's minds.
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Which is a child fantasy, being the quiet kid in the room all of a sudden plugs in and plays.
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Were you an outsider?
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Were you popular?
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That's a good question.
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I had created this alter ego which was, by day, this sort of mild -mannered kid kid who nobody really saw
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and then by night I would be in a room listening to Charlie Parker
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and John Coltrane and Freddie King and and Jimi Hendrix
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and Eric Clapton and I was playing along with CDs and then I went to school and
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it's very difficult but then you ultimately got to do
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that you pursued
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that as an adult it happened really fast for me really really fast by 2000 I I signed my record deal.
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2001, record came out.
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Roof or squares.
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Yeah, yeah.
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Body is Wonderland is everywhere.
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Radio loves you.
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Runaway.
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You're transformed.
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Yeah.
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What's that experience like?
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It's just a rocket ride.
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Were you ready for it?
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Yeah, I was ready for it.
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Everything that happened was, it made perfect sense to a guy like me.
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If you'd asked somebody from Fairfield, Connecticut, what do you think's gonna happen to John?
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So you go, oh yeah.
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Yeah, absolutely.
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He was going to hit it so hard that at first people were going to go,
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great job, and he was never going to stop until he went off the rails.
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I think you went off the rails, though.
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You used that term.
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In my way, based on what my payload was, I didn't have a drinking problem.
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I wasn't...
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It was a thinking man's...
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It was a thinking man's fiasco, right?
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It was like...
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And it's a lot harder to explain to somebody.
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When you're 23, three, and you begin your life at the top of the chart, and you've got that spunk,
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and you go bring on the world, and you go, okay, here's a Grammy, and here's an audience, and you got it.
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Now, when you invariably do find out that not everything you touch turns to gold, you've got a choice.
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You either bleed out, or you tie off, right?
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So what's the point at which you tied off?
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I tied off after I went, all right, dude, you did a couple interviews where you were out of touch
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and you were being a ham and you were basically breakdancing into a nitroglycerin plant, right?
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Now you don't even have the chance that everybody's gonna love you ever again.
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They handed me the Playboy interview before it came out and I knew that,
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I knew, you could have sat down in front of me and said, John, that's not getting printed,
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but I wanted you to know what would have happened had I not stopped that interview.
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But do you think they shouldn't have printed that?
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No!
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I do think they should have printed it.
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You just think there's a place for that moment of mercy.
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Well, you give it to yourself.
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You give it to yourself.
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You know, you gotta give it to yourself.
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But, you know, um...
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In that period of time, I would have rather killed myself than been killed.
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I was never gonna wrap my Corvette around a tree.
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My high -speed crash was an intellectual one.
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What was the moment where you first thought,
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Okay, this is not what I want to be known for oh man the first time somebody misunderstands you
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and says you're a womanizer
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You don't consider yourself a womanizer no no absolutely not but
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when you're crafty and you're clever and you go well I'm just going to
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Be as Strange as they think I am so okay now you're on TMZ
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And you're playing into the role you're leaning into the role right?
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And then you lose, number one, you're not playing music anymore.
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Number two, you're not feeling anything honestly.
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And number three, you're not saying anything honestly.
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You once said you abused the ability to express yourself.
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Oh, yeah.
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What's different now?
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Oh, I know what I want.
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I don't care if this video gets 500 ,000 views or 50 ,000 views or 5 ,000 views.
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I'm not out to affect that anymore.
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That's for me to care about.
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That's for you to care about, man.
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Are you susceptible yourself to...
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Wanting the Twitter feedback, wanting the approval?
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Yeah, that's why I pull myself off of it again.
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I'm a recovered ego addict, and the only way that I can be sure
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that I don't relapse is to admit that I constantly have this ego addiction every day.
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So I do the Grammys and I go home, because if I stayed, I'd get high again.
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And then I'd get high, and then I'd get low.
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High on the approval.
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Well, yeah.
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You've already looked through Twitter, Everybody goes, it's great.
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And then you're low again because you can't stop looking, or you get low because you read the one negative thing.
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So I'm a recovered ego addict.
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Like, this is not the first outfit I put on today.
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I'm admitting that because that's my AA for being an egomaniac.
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Are you gonna check
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Twitter after this interview?
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I will not check
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Twitter, but I checked the mirror, the original Twitter.
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The mirror, I checked my mentions in the glass how has this changed since you broke
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there's new technology now instant feedback now right the technology
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that I think I'm I'm confident enough to say is hurting music is
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that musicians are are very self -conscious now they're very self -aware I see people sing
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and I go they're hoping they do okay and they're gonna find out
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if they do okay they're looking for the feedback they're singing
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They're just hoping that when they get in the car on the way to dinner,
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their face is lit up and they're checking to see if they did okay.
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I could go on a sermon if I wanted to, but I just don't know how old fart it would sound.
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I just don't want to call BS on things that aren't for me.
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You have two choices.
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You can look at Sam Smith and you can say, you can be all cynical and go,
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well, I knew sam smith when it was that because yeah
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but they don't are you implying
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that sam smith is trainer wheels for people who haven't heard
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that no i don't i mean it but if you wanted to be cynical
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you could listen to it and go oh i've heard that
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when it was x y and z or something
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and i'm kind of picking the guy out of a hat
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because i like sam smith and i would use sam smith as an example for
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so many great things i go oh well that they're doing that again like that's been done but you
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You go, wait, don't hold your age against other people.
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You know what I mean?
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Because it's the first time they've ever gone da -da -da -ba -da -da -da -da.
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And they go, wow, I've never heard someone sing like that.
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You go, have it.
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I want you to have it.
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You think it's getting worse?
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Yeah, because there's nobody to tell you what to do anymore.
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Artists overthrew the record company heads, and the record company heads cannot tell an artist when to put a single up on their own,
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you know, on their, you know, They put a clip of your song on Instagram, SoundCloud.
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And they can say whatever they want.
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And they can say whatever they want anytime they want.
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There's no checks and balances.
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And how's technology changing that?
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When you look at, say, Taylor Swift coming out and saying, and I'm talking about Taylor Swift professionally here.
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We have to be able to talk about Taylor Swift professionally.
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We have to be able to talk about Taylor Swift.
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So tell me about that.
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When she comes out and says, I'm not putting it on Spotify.
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Right.
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That doesn't respect the artists and the writers enough.
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I think that's cool.
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I think that's really cool.
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Uh, artists need the person with the loudest voice to speak for them, and...
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Is she doing that?
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I think so, when you say that.
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You can go to the Met Ball.
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You know, that's great.
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That's a great way to use your voice.
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You can go, I'm wearing Valentino.
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Or you can use your voice to give things.
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Well, now, some people that are cynical could say you're helping yourself, but it's trickle -down.
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You're not saying I want this just for me.
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I think that's a really cool thing for a musician to do.
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Like, there's only, like, 2 % of the music industry has 80 % of all the media about it.
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You know what I mean? there's like four people in the media who get all the press and
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if any of those four people say
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i want to speak for the other people who just would never make this a story the only reason
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that we're talking about taylor swift taking spotify on is
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because she's taylor swift and that's great you said you could do that
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or you could go to the met gala yeah yeah i'm going to the met gala does it bother you
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when you look at her or anyone else we're talking about in this conversation
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and they've got that side of their public persona, too.
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No!
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Not at all.
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Not at all.
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Nothing bothers me anymore, man.
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Do you still have that emotional reaction, though?
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Yeah.
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Taylor Swift, one of those four people.
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I checked myself with it, but yeah.
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Yeah.
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There are gonna be times when I make music as popular or empirically valuable as that, in terms of making pop music,
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that won't sell as many copies, and I'm fine with that.
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You get to an age, you go, look, if I save a baby from a burning building and Kanye saves a baby from a burning building,
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there's more Google News hits on Kanye.
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I'm fine with it.
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You and Kanye saving babies from buildings is a movie I want to see.
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Now, together, this is what I'm trying to tell you, is together we're unstoppable.
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But that's a great episode.
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That's a new ER right there.
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But all we're talking about is, like, um...
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Being honest with yourself and what to ask for in this life.
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I put out a song called Paper Doll.
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The song never got listened to as a song.
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It became a news story because of the lyrics.
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But you must have known that that's what it was going to become when you wrote it.
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I'm not in the business of telling people what the song's about.
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I never said anything about it.
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And now I just go, look, I can say the name Taylor Swift she's an artist, I'm an artist, let's just, everybody stop.
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Nobody's got an incurable cancer.
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We're rich people who get to live out our dreams.
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Let's just stop it.
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I'm a musician who's bigger than one song or one record.
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So it's really more about the longevity of all the work that goes together.
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And I'm just not interested in the things that won't last forever.
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What have you found in Montana?
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I just found home, man.
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And it gives you outside perspective.
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I'm going to have one wife, a certain number of children,
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friends that are set, fans that will listen to the music that I make.
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And the greatest moment for me was giving up the big fight.
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The big fight to be this thing that gets off the airplane at LAX and floats through.
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And I have a lot of admiration and envy sometimes for people that large.
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I'll be standing by the front desk sometimes, being like, you know...
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Anyone want to notice me?
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Anybody want to notice me?
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Is there a party that still wants to be One Direction?
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Oh, that's such a good question.
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Sure.
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But it wants to be One Direction via Neil Young.
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If you could say one thing to young John Mayer, say right before
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Room for Squares, what's that message?
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Just give him a hug, I guess.
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There's nothing you could tell that kid.
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There's nothing you could tell that kid.
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I'd give him a hug, and then I'd go, this guy.
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I'd say, that guy's really, really talented, but I don't want to be anywhere near him when that thing goes off.
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You know what, this is what I would tell my young self.
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You are now my young self.
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What a handsome young me you are.
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I'm trying.
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There was never a shot.
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There was never a shot of doing this perfectly.
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It was never in the cards.
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That's what I write people.
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I wrote, I don't want to bring her into the conversation, but I wrote this new up -and -coming Australian rapper.
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I don't want to give her name away, because there's so many of them, so she's hit.
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And I said, this is it.
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I said, don't be upset that you're feeling like you're just an inch away from having your cake here.
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This is the new way it's going to be.
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You're never going to do it seamlessly.
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Success comes with hatred now.
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Yeah, it just comes with, yeah, that's how we learn about things now.
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And I write, hey, I'm John.
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I just want to let you know that this feeling you're having, that you've become successful, but the world won't stop hating on you.
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This is not a broken version of success.
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This is the new version of success.
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So we're doing this series on genius, and I promised you I would not put you in the position of describing yourself as a genius.
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I think I've proven through this interview I am not a genius.
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There's this other side you get to, and you don't get there very often.
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I call it this other side, where while you're writing, you speak so much of your truth that you're even learning from it.
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John Mayer it's like it's like a therapy session every time
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I talk to you thank you man well for who is
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that and now it's America's therapy session now it's America's that'll be three hundred
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and twenty -five dollars insurance doesn't cover it
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Vocabulário e dicas de fala para esta lição
Esta aula de conversação usa o vídeo “John Mayer, 'Recovered Ego Addict'”. Este vídeo tem 260 frases e 2612 palavras para praticar shadowing. A fala dura 13:40. O falante fala rápido, cerca de 191 palavras por minuto, então espere sons ligados e reduzidos. 85% das palavras estão entre as 3.000 mais comuns do inglês; vale a pena estudar o restante antes de começar.
Vocabulário principal deste vídeo
15 palavras do vídeo que vale a pena aprender, com pronúncia e significado:
| Palavra | Pronúncia | Significado |
|---|---|---|
| swift substantivo | /swɪft/ | gaivão, andorinhão |
| lyrics substantivo | /ˈlɪɹ.ɪks/ | letra |
| genius substantivo | /ˈd͡ʒin.jəs/ | génio, gênio |
| feedback substantivo | /ˈfiːdˌbæk/ | comentário, avaliação |
| musician substantivo | /mjuˈzɪʃən/ | músico, música |
| cynical adjetivo | /ˈsɪnɪkəl/ | cínico |
| guitar substantivo | /ɡɪˈtɑɹ/ | guitarra, violão |
| mirror substantivo | /ˈmiɹɚ/ | espelho |
| desk substantivo | /dɛsk/ | escrivaninha, carteira |
| rail substantivo | /ɹeɪ(ə)l/ | corrimão, ferrovia |
| bother verbo | /ˈbɑðɚ/ | incomodar, chatear |
| recover verbo | /ɹɪˈkʌvɚ/ | recuperar |
| professionally advérbio | profissionalmente | |
| addict substantivo | /ˈæd.ɪkt/ | viciado, adicto |
| gala substantivo | /ˈɡælə/ | gala |
Phrasal verbs que você vai ouvir
| Palavra | Pronúncia | Significado |
|---|---|---|
| come out verbo | /ˌkʌm ˈaʊt/ | sair, partir |
| go off verbo | explodir | |
| find out verbo | descobrir | |
| get off verbo | sair | |
| give up verbo | render-se | |
| go together verbo | casar bem | |
| put out verbo | colocar/botar/pôr para fora |
Frases que vale a pena repetir
Frases curtas e completas do vídeo que você pode usar na conversa do dia a dia:
- Were you ready for it?
- You know what I mean?
- You think it's getting worse?
- Do you still have that emotional reaction, though?
- Anyone want to notice me?
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | You've already looked · haven't heard · i've heard |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | been killed · be known · is lit |
| Orações relativas who / which + oração — informação extra sobre uma pessoa ou coisa | kids who were · ego which was · people who haven |
Pronúncia para ficar de olho
O falante usa 106 contrações e formas reduzidas, como I'm, you're, don't. Diga-as na forma curta, do jeito que você ouve.
- Os sons de “th”: bother /ˈbɑðɚ/, mathematics /mæθ(.ə)ˈmæt.ɪks/, overthrow /ˌoʊvɚˈθɹoʊ/
- Os sons de “sh” e “zh”: musician /mjuˈzɪʃən/, conscious /ˈkɑn.ʃəs/, addiction /əˈdɪkˌʃən/, admiration /ˌæd.məˈɹeɪ.ʃən/
- Palavras longas — acerte a sílaba tônica: intellectual /ˌɪntəˈlɛkt͡ʃʊəl/, mathematics /mæθ(.ə)ˈmæt.ɪks/, notorious /nə(ʊ)ˈtɔː.ɹɪ.əs/, admiration /ˌæd.məˈɹeɪ.ʃən/, longevity /lɒnˈd͡ʒɛv.ɪ.ti/
Sons difíceis para falantes de português:
- Consoante final — sem acrescentar um “i” depois: swift /swɪft/, feedback /ˈfiːdˌbæk/, desk /dɛsk/, addict /ˈæd.ɪkt/, chart /t͡ʃɑɹt/
- /l/ final — a língua toca o céu da boca, não vira “u”: cynical /ˈsɪnɪkəl/, rail /ɹeɪ(ə)l/, intellectual /ˌɪntəˈlɛkt͡ʃʊəl/, incurable /ˌɪnˈkjʊɹəbl/, trickle /ˈtɹɪkəl/
- /h/ — um sopro suave, diferente do “r”: handsome /ˈhæn.səm/, hatred /ˈheɪtɹɪd/, headline /ˈhɛd.laɪn/
Como praticar com este vídeo
- Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
- Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
- Grave a sua voz e compare com o original, prestando atenção a palavras como swift, lyrics, genius.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.