शैडोइंग अभ्यास: Shadowing English with Sabrina Carpenter | American Accent | Shadowing exercise - YouTube के साथ अंग्रेजी बोलना सीखें

When I started writing songs,

⏸ रुका हुआ

गति:

104 वाक्य

यदि वाक्य बहुत छोटे या लंबे हों, तो समायोजित करने के लिए Edit पर क्लिक करें।

When I started writing songs,

I was ten years old.

When I started writing songs,

I was ten years old.

When I started writing songs,

I was ten years old.

And when you're ten, you don't really think about reception or perception.

And when you're 10, you don't really think about reception or perception.

You're just like, this sounds good.

I like this.

I'm brilliant.

You're just like, this sounds good.

I like this.

I'm brilliant because I'm 10.

You're just like, this sounds good.

I like this.

I'm brilliant because I'm 10.

And I think when I went down the rabbit hole of forgetting

that essence and I think when I went down the rabbit hole of forgetting that essence.

And I think when I went down the rabbit hole of forgetting that essence.

It's, test Alguns of my Perfectities is probably where I went wrong for a few years of my life.

It's probably where I went wrong for a few years of my life.

I signed with a record label when I was 12,

which was not weird at all.

I signed with a record label when I was 12,

which was not weird at all.

I signed with a record label when I was 12,

which was not weird at all.

And if anyone will try to tell you what a hit is

And if anyone will try to tell you what a hit is Love you,

its a record label Love you,

its a record label I was always sort of told,

you just need a hit song and then you're set for life.

I was always sort of told,

you just need a hit song and then you're set for life.

I was always sort of told,

you just need a hit song and then you're set for life.

It's like a thing they put in your brain.

But that's like no way to approach creativity,

and it was kind of something that...

But that's like no way to approach creativity,

and it was kind of something that...

But that's like no way to approach creativity and it was kind of something that

I guess caused me some issues for a little bit.

Just in making something that felt authentic to me.

in making something that felt authentic to me.

Just in making something that felt authentic to me.

And it's the easiest way to write a bad song is to try to write a hit.

So.

And it's the easiest way to write a bad song is to try to write a hit.

So.

And it's the easiest way to write a bad song is to try to write a hit.

So.

As time went on, I learned the way to make music I loved.

ad If you write what speaks to you,

you write what only you can write.

You write what speaks to you,

you write what only you can write.

You write what speaks to you,

you write what only you can write.

Something that if someone else tried to recreate it.

It would just, it would feel forced or inauthentic.

it would just it would feel forced or inauthentic it would just it would feel forced or inauthentic

and you write the music that you want to listen to yourself

And you write the music that you want to listen to yourself.

When I started writing songs,

I was 10 years old.

And when you're 10, you don't really think about reception or perception.

You're just like, this sounds good.

I like this.

I'm brilliant because I'm 10.

And I think when I went down the rabbit hole of forgetting

that essence is probably where I went wrong for a few years of my life.

I signed with a record label when I was 12,

which was not weird at all.

And if anyone will try to tell you what a hit is,

love you, it's a record label.

I was always sort of told you just need a hit song and then you're set for life.

It's like a thing they put in your brain.

But that's like no way to approach creativity and it was kind of something that,

I guess, caused me some issues for a little bit,

just in making something that felt authentic to me.

And it's the easiest way to write a bad song is to try to write a hit.

So as time went on,

I learned the way to make music I loved is to write the opposite of whatever you think a hit is.

100

You write what speaks to you,

101

you write what only you can write,

102

something that if someone else tried to recreate it,

103

it would just, it would feel forced or inauthentic.

104

And you write the music that you want to listen to yourself.

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